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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50FAEA it is the complementary color #AF0515. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50FAEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50FAEA shade: #55FAE5, #66FFF8, #77FFFF, #88FFFF and #99FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50FAEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50FAEA shade: #50FAEA, #3FE8D7, #2ED6C4, #1DC4B1 and #0CB29E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50FAEA shade: #51F9E9, #51F9BC, #51F98F, #51F962 and #6EF951

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50FAEA shade: #51F9E9, #51DCF9, #51AEF9, #5181F9 and #5154F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50FAEA shade matches the following richer shades: #51F9E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50FAEA shade: #51F9E9, #60EBDE, #6EDCD2, #7DCEC6 and #8BBFBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50FAEA shade: #51F98F, #51F9BC, #51F9E8, #51DDF9 and #51B0F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50FAEA shade: #07F1DB, #29F8E4, #51F9E9, #79FAEE and #A1FCF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50FAEA shade: #50FAEA, #6251F9 and #F9A551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50FAEA shade: #50FAEA, #E851F9 and #F9E851

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50FAEA shade: #50FAEA, #6251F9, #F95162 and #E8F951

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50FAEA shade: #50FAEA, #9451F9, #F95162 and #B6F951

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 6 / 2

HEX #50FAEA

RGB 80 250 234

HSL 174.35, 0.94%, 0.65%

LAB 89.87, -46.48, -5

 

Complementary color

CMYK 0 / 97 / 88 / 31

HEX #AF0515

RGB 175 5 21

HSL 354.35, 0.94%, 0.35%

LAB 36.51, 60.09, 41.98

 

CMYK 66 / 0 / 8 / 2

HEX #55FAE5

RGB 85 250 229

HSL 172.36, 0.94%, 0.66%

LAB 89.84, -47.07, -2.42

 

CMYK 60 / 0 / 3 / 0

HEX #66FFF8

RGB 102 255 248

HSL 177.25, 1%, 0.7%

LAB 92.19, -41.78, -8.78

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 68 / 0 / 6 / 2

HEX #50FAEA

RGB 80 250 234

HSL 174.35, 0.94%, 0.65%

LAB 89.87, -46.48, -5

 

CMYK 73 / 0 / 7 / 9

HEX #3FE8D7

RGB 63 232 215

HSL 173.96, 0.79%, 0.58%

LAB 83.8, -45.81, -4.02

 

CMYK 79 / 0 / 8 / 16

HEX #2ED6C4

RGB 46 214 196

HSL 173.57, 0.67%, 0.51%

LAB 77.67, -44.92, -2.95

 

CMYK 85 / 0 / 10 / 23

HEX #1DC4B1

RGB 29 196 177

HSL 173.17, 0.74%, 0.44%

LAB 71.5, -43.73, -1.77

 

CMYK 93 / 0 / 11 / 30

HEX #0CB29E

RGB 12 178 158

HSL 172.77, 0.87%, 0.37%

LAB 65.27, -42.17, -0.46

 

CMYK 67 / 0 / 6 / 2

HEX #51F9E9

RGB 81 249 233

HSL 174.29, 0.93%, 0.65%

LAB 89.57, -46.18, -4.91

 

CMYK 67 / 0 / 24 / 2

HEX #51F9BC

RGB 81 249 188

HSL 158.21, 0.93%, 0.65%

LAB 88.51, -56.93, 16.91

 

CMYK 67 / 0 / 43 / 2

HEX #51F98F

RGB 81 249 143

HSL 142.14, 0.93%, 0.65%

LAB 87.72, -65.54, 38.56

 

CMYK 67 / 0 / 61 / 2

HEX #51F962

RGB 81 249 98

HSL 126.07, 0.93%, 0.65%

LAB 87.18, -71.72, 58.69

 

CMYK 56 / 0 / 67 / 2

HEX #6EF951

RGB 110 249 81

HSL 109.64, 0.93%, 0.65%

LAB 87.8, -67.23, 66.41

 

CMYK 67 / 0 / 6 / 2

HEX #51F9E9

RGB 81 249 233

HSL 174.29, 0.93%, 0.65%

LAB 89.57, -46.18, -4.91

 

CMYK 67 / 12 / 0 / 2

HEX #51DCF9

RGB 81 220 249

HSL 190.36, 0.93%, 0.65%

LAB 81.72, -28.38, -25.1

 

CMYK 67 / 30 / 0 / 2

HEX #51AEF9

RGB 81 174 249

HSL 206.79, 0.93%, 0.65%

LAB 68.65, -4.36, -45.33

 

CMYK 67 / 48 / 0 / 2

HEX #5181F9

RGB 81 129 249

HSL 222.86, 0.93%, 0.65%

LAB 56.38, 22.08, -64.85

 

CMYK 67 / 66 / 0 / 2

HEX #5154F9

RGB 81 84 249

HSL 238.93, 0.93%, 0.65%

LAB 45.54, 49.29, -82.47

 

CMYK 67 / 0 / 6 / 2

HEX #51F9E9

RGB 81 249 233

HSL 174.29, 0.93%, 0.65%

LAB 89.57, -46.18, -4.91

 

CMYK 67 / 0 / 6 / 2

HEX #51F9E9

RGB 81 249 233

HSL 174.29, 0.93%, 0.65%

LAB 89.57, -46.18, -4.91

 

CMYK 59 / 0 / 6 / 8

HEX #60EBDE

RGB 96 235 222

HSL 174.39, 0.78%, 0.65%

LAB 85.59, -40.51, -4.98

 

CMYK 50 / 0 / 5 / 14

HEX #6EDCD2

RGB 110 220 210

HSL 174.55, 0.61%, 0.65%

LAB 81.38, -33.95, -4.8

 

CMYK 39 / 0 / 4 / 19

HEX #7DCEC6

RGB 125 206 198

HSL 174.07, 0.45%, 0.65%

LAB 77.63, -26.63, -3.84

 

CMYK 27 / 0 / 3 / 25

HEX #8BBFBA

RGB 139 191 186

HSL 174.23, 0.29%, 0.65%

LAB 73.74, -18, -2.98

 

CMYK 67 / 0 / 43 / 2

HEX #51F98F

RGB 81 249 143

HSL 142.14, 0.93%, 0.65%

LAB 87.72, -65.54, 38.56

 

CMYK 67 / 0 / 24 / 2

HEX #51F9BC

RGB 81 249 188

HSL 158.21, 0.93%, 0.65%

LAB 88.51, -56.93, 16.91

 

CMYK 67 / 0 / 7 / 2

HEX #51F9E8

RGB 81 249 232

HSL 173.93, 0.93%, 0.65%

LAB 89.55, -46.43, -4.43

 

CMYK 67 / 11 / 0 / 2

HEX #51DDF9

RGB 81 221 249

HSL 190, 0.93%, 0.65%

LAB 82, -28.87, -24.67

 

CMYK 67 / 29 / 0 / 2

HEX #51B0F9

RGB 81 176 249

HSL 206.07, 0.93%, 0.65%

LAB 69.21, -5.47, -44.44

 

CMYK 97 / 0 / 9 / 5

HEX #07F1DB

RGB 7 241 219

HSL 174.36, 0.94%, 0.49%

LAB 86.04, -52.08, -2.88

 

CMYK 83 / 0 / 8 / 3

HEX #29F8E4

RGB 41 248 228

HSL 174.2, 0.94%, 0.57%

LAB 88.55, -51.12, -3.88

 

CMYK 67 / 0 / 6 / 2

HEX #51F9E9

RGB 81 249 233

HSL 174.29, 0.93%, 0.65%

LAB 89.57, -46.18, -4.91

 

CMYK 52 / 0 / 5 / 2

HEX #79FAEE

RGB 121 250 238

HSL 174.42, 0.93%, 0.73%

LAB 91.06, -38.57, -5.2

 

CMYK 36 / 0 / 4 / 1

HEX #A1FCF3

RGB 161 252 243

HSL 174.07, 0.94%, 0.81%

LAB 93.31, -29.09, -4.3

 

CMYK 68 / 0 / 6 / 2

HEX #50FAEA

RGB 80 250 234

HSL 174.35, 0.94%, 0.65%

LAB 89.87, -46.48, -5

 

CMYK 61 / 67 / 0 / 2

HEX #6251F9

RGB 98 81 249

HSL 246.07, 0.93%, 0.65%

LAB 46.07, 53.15, -81.55

 

CMYK 0 / 34 / 67 / 2

HEX #F9A551

RGB 249 165 81

HSL 30, 0.93%, 0.65%

LAB 74.6, 23.62, 54.94

 

CMYK 68 / 0 / 6 / 2

HEX #50FAEA

RGB 80 250 234

HSL 174.35, 0.94%, 0.65%

LAB 89.87, -46.48, -5

 

CMYK 7 / 67 / 0 / 2

HEX #E851F9

RGB 232 81 249

HSL 293.93, 0.93%, 0.65%

LAB 61.55, 78.1, -55.77

 

CMYK 0 / 7 / 67 / 2

HEX #F9E851

RGB 249 232 81

HSL 53.93, 0.93%, 0.65%

LAB 90.98, -10.88, 72.17

 

CMYK 68 / 0 / 6 / 2

HEX #50FAEA

RGB 80 250 234

HSL 174.35, 0.94%, 0.65%

LAB 89.87, -46.48, -5

 

CMYK 61 / 67 / 0 / 2

HEX #6251F9

RGB 98 81 249

HSL 246.07, 0.93%, 0.65%

LAB 46.07, 53.15, -81.55

 

CMYK 0 / 67 / 61 / 2

HEX #F95162

RGB 249 81 98

HSL 353.93, 0.93%, 0.65%

LAB 58.89, 64.62, 27.18

 

CMYK 7 / 0 / 67 / 2

HEX #E8F951

RGB 232 249 81

HSL 66.07, 0.93%, 0.65%

LAB 94.1, -25.97, 74.88

 

CMYK 68 / 0 / 6 / 2

HEX #50FAEA

RGB 80 250 234

HSL 174.35, 0.94%, 0.65%

LAB 89.87, -46.48, -5

 

CMYK 41 / 67 / 0 / 2

HEX #9451F9

RGB 148 81 249

HSL 263.93, 0.93%, 0.65%

LAB 50.71, 61.21, -73.78

 

CMYK 0 / 67 / 61 / 2

HEX #F95162

RGB 249 81 98

HSL 353.93, 0.93%, 0.65%

LAB 58.89, 64.62, 27.18

 

CMYK 27 / 0 / 67 / 2

HEX #B6F951

RGB 182 249 81

HSL 83.93, 0.93%, 0.65%

LAB 90.91, -45.05, 70.61

 

Description

Color code: HEX #50FAEA | qconv.com Color code: HEX #50FAEA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 250 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 250 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 6 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 6% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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