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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #511446 it is the complementary color #AEEBB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #511446. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #511446 shade: #561441, #672654, #783867, #894A7A and #9A5C8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #511446. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #511446 shade: #511446, #400233, #2F0020, #1E000D and #0D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #511446 shade: #511446, #511436, #511425, #511415 and #511414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #511446 shade: #511446, #4C1451, #3B1451, #2B1451 and #1A1451

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #511446 shade matches the following richer shades: #511446, #590C4B and #620351

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #511446 shade: #511446, #491C41, #41243C, #382D36 and #303531

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #511446 shade: #3B1451, #4B1451, #511447, #511437 and #511426

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #511446 shade: #0F030D, #300C2A, #511446, #721C63 and #93247F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #511446 shade: #511446, #512A14 and #145143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #511446 shade: #511446, #475114 and #144751

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #511446 shade: #511446, #512A14, #14511E and #143B51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #511446 shade: #511446, #513D14, #14511E and #142851

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

Complementary color

CMYK 26 / 0 / 21 / 8

HEX #AEEBB9

RGB 174 235 185

HSL 130.82, 0.6%, 0.8%

LAB 87.93, -29, 18.16

 

CMYK 0 / 77 / 24 / 66

HEX #561441

RGB 86 20 65

HSL 319.09, 0.62%, 0.21%

LAB 19.48, 34.96, -11.8

 

CMYK 0 / 63 / 18 / 60

HEX #672654

RGB 103 38 84

HSL 317.54, 0.46%, 0.28%

LAB 26.48, 35, -13.63

 

CMYK 0 / 53 / 14 / 53

HEX #783867

RGB 120 56 103

HSL 315.94, 0.36%, 0.35%

LAB 33.56, 34.43, -14.83

 

CMYK 0 / 46 / 11 / 46

HEX #894A7A

RGB 137 74 122

HSL 314.29, 0.3%, 0.41%

LAB 40.61, 33.67, -15.71

 

CMYK 0 / 40 / 8 / 40

HEX #9A5C8D

RGB 154 92 141

HSL 312.58, 0.25%, 0.48%

LAB 47.56, 32.87, -16.41

 

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

CMYK 0 / 97 / 20 / 75

HEX #400233

RGB 64 2 51

HSL 312.58, 0.94%, 0.13%

LAB 11.77, 33.48, -14.17

 

CMYK 0 / 100 / 32 / 82

HEX #2F0020

RGB 47 0 32

HSL 319.15, 1%, 0.09%

LAB 6.4, 26.96, -8.54

 

CMYK 0 / 100 / 57 / 88

HEX #1E000D

RGB 30 0 13

HSL 334, 1%, 0.06%

LAB 2.76, 13.03, -1.08

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

CMYK 0 / 75 / 33 / 68

HEX #511436

RGB 81 20 54

HSL 326.56, 0.6%, 0.2%

LAB 17.99, 31.78, -6.46

 

CMYK 0 / 75 / 54 / 68

HEX #511425

RGB 81 20 37

HSL 343.28, 0.6%, 0.2%

LAB 17.38, 29.7, 4.78

 

CMYK 0 / 75 / 74 / 68

HEX #511415

RGB 81 20 21

HSL 359.02, 0.6%, 0.2%

LAB 17.01, 28.38, 15.66

 

CMYK 0 / 75 / 75 / 68

HEX #511414

RGB 81 20 20

HSL 0, 0.6%, 0.2%

LAB 16.99, 28.32, 16.32

 

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

CMYK 6 / 75 / 0 / 68

HEX #4C1451

RGB 76 20 81

HSL 295.08, 0.6%, 0.2%

LAB 18.5, 35.02, -24.44

 

CMYK 27 / 75 / 0 / 68

HEX #3B1451

RGB 59 20 81

HSL 278.36, 0.6%, 0.2%

LAB 15.61, 30.7, -29.22

 

CMYK 47 / 75 / 0 / 68

HEX #2B1451

RGB 43 20 81

HSL 262.62, 0.6%, 0.2%

LAB 13.28, 26.95, -33.12

 

CMYK 68 / 75 / 0 / 68

HEX #1A1451

RGB 26 20 81

HSL 245.9, 0.6%, 0.2%

LAB 11.37, 23.67, -36.31

 

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

CMYK 0 / 87 / 16 / 65

HEX #590C4B

RGB 89 12 75

HSL 310.91, 0.76%, 0.2%

LAB 19.62, 40.12, -18.42

 

CMYK 0 / 97 / 17 / 62

HEX #620351

RGB 98 3 81

HSL 310.74, 0.94%, 0.2%

LAB 21.04, 45.38, -20.14

 

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

CMYK 0 / 62 / 11 / 71

HEX #491C41

RGB 73 28 65

HSL 310.67, 0.45%, 0.2%

LAB 18.49, 26.93, -13.52

 

CMYK 0 / 45 / 8 / 75

HEX #41243C

RGB 65 36 60

HSL 310.34, 0.29%, 0.2%

LAB 18.85, 18.11, -9.61

 

CMYK 0 / 20 / 4 / 78

HEX #382D36

RGB 56 45 54

HSL 310.91, 0.11%, 0.2%

LAB 19.98, 6.96, -3.87

 

CMYK 9 / 0 / 8 / 79

HEX #303531

RGB 48 53 49

HSL 132, 0.05%, 0.2%

LAB 21.57, -3.1, 1.78

 

CMYK 27 / 75 / 0 / 68

HEX #3B1451

RGB 59 20 81

HSL 278.36, 0.6%, 0.2%

LAB 15.61, 30.7, -29.22

 

CMYK 7 / 75 / 0 / 68

HEX #4B1451

RGB 75 20 81

HSL 294.1, 0.6%, 0.2%

LAB 18.32, 34.76, -24.73

 

CMYK 0 / 75 / 12 / 68

HEX #511447

RGB 81 20 71

HSL 309.84, 0.6%, 0.2%

LAB 18.82, 34.48, -17.04

 

CMYK 0 / 75 / 32 / 68

HEX #511437

RGB 81 20 55

HSL 325.57, 0.6%, 0.2%

LAB 18.03, 31.92, -7.1

 

CMYK 0 / 75 / 53 / 68

HEX #511426

RGB 81 20 38

HSL 342.3, 0.6%, 0.2%

LAB 17.41, 29.81, 4.1

 

CMYK 0 / 80 / 13 / 94

HEX #0F030D

RGB 15 3 13

HSL 310, 0.67%, 0.04%

LAB 1.77, 4.76, -2.71

 

CMYK 0 / 75 / 13 / 81

HEX #300C2A

RGB 48 12 42

HSL 310, 0.6%, 0.12%

LAB 9.47, 22.71, -11.39

 

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

CMYK 0 / 75 / 13 / 55

HEX #721C63

RGB 114 28 99

HSL 310.47, 0.61%, 0.28%

LAB 27.6, 44.99, -21.57

 

CMYK 0 / 76 / 14 / 42

HEX #93247F

RGB 147 36 127

HSL 310.81, 0.61%, 0.36%

LAB 35.98, 54.85, -25.84

 

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

CMYK 0 / 48 / 75 / 68

HEX #512A14

RGB 81 42 20

HSL 21.64, 0.6%, 0.2%

LAB 21.78, 15.95, 21.91

 

CMYK 75 / 0 / 17 / 68

HEX #145143

RGB 20 81 67

HSL 166.23, 0.6%, 0.2%

LAB 30.49, -23.02, 2.69

 

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

CMYK 12 / 0 / 75 / 68

HEX #475114

RGB 71 81 20

HSL 69.84, 0.6%, 0.2%

LAB 32.42, -13.39, 32.85

 

CMYK 75 / 12 / 0 / 68

HEX #144751

RGB 20 71 81

HSL 189.84, 0.6%, 0.2%

LAB 27.43, -12.91, -10.88

 

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

CMYK 0 / 48 / 75 / 68

HEX #512A14

RGB 81 42 20

HSL 21.64, 0.6%, 0.2%

LAB 21.78, 15.95, 21.91

 

CMYK 75 / 0 / 63 / 68

HEX #14511E

RGB 20 81 30

HSL 129.84, 0.6%, 0.2%

LAB 29.73, -31.32, 24.14

 

CMYK 75 / 27 / 0 / 68

HEX #143B51

RGB 20 59 81

HSL 201.64, 0.6%, 0.2%

LAB 23.24, -5.4, -17.34

 

CMYK 0 / 75 / 14 / 68

HEX #511446

RGB 81 20 70

HSL 310.82, 0.6%, 0.2%

LAB 18.76, 34.31, -16.44

 

CMYK 0 / 25 / 75 / 68

HEX #513D14

RGB 81 61 20

HSL 40.33, 0.6%, 0.2%

LAB 27.12, 3.8, 27.72

 

CMYK 75 / 0 / 63 / 68

HEX #14511E

RGB 20 81 30

HSL 129.84, 0.6%, 0.2%

LAB 29.73, -31.32, 24.14

 

CMYK 75 / 51 / 0 / 68

HEX #142851

RGB 20 40 81

HSL 220.33, 0.6%, 0.2%

LAB 16.8, 7.97, -27.52

 

Description

Color code: HEX #511446 | qconv.com Color code: HEX #511446 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 20 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 20 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 14 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 14% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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