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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #512158 it is the complementary color #AEDEA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #512158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #512158 shade: #562153, #673366, #784579, #89578C and #9A699F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #512158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #512158 shade: #512158, #400F45, #2F0032, #1E001F and #0D000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #512158 shade: #512158, #582150, #582142, #582133 and #582124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #512158 shade: #512158, #422158, #342158, #252158 and #212158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #512158 shade matches the following richer shades: #512158, #591762, #600D6C and #670376

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #512158 shade: #512158, #4A2B4E, #423544, #3B3F3B and #344931

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #512158 shade: #342158, #422158, #512158, #582151 and #582142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #512158 shade: #1A0A1C, #36163A, #512158, #6D2D76 and #883894

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #512158 shade: #512158, #582521 and #21583B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #512158 shade: #512158, #585121 and #215851

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #512158 shade: #512158, #582521, #295821 and #215558

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #512158 shade: #512158, #583521, #295821 and #214458

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

Complementary color

CMYK 22 / 0 / 25 / 13

HEX #AEDEA7

RGB 174 222 167

HSL 112.36, 0.45%, 0.76%

LAB 83.98, -25.85, 22.04

 

CMYK 0 / 62 / 3 / 66

HEX #562153

RGB 86 33 83

HSL 303.4, 0.45%, 0.23%

LAB 22.62, 31.98, -19.17

 

CMYK 0 / 50 / 1 / 60

HEX #673366

RGB 103 51 102

HSL 301.15, 0.34%, 0.3%

LAB 29.94, 31.36, -20

 

CMYK 1 / 43 / 0 / 53

HEX #784579

RGB 120 69 121

HSL 298.85, 0.27%, 0.37%

LAB 37.17, 30.57, -20.57

 

CMYK 2 / 38 / 0 / 45

HEX #89578C

RGB 137 87 140

HSL 296.6, 0.23%, 0.45%

LAB 44.27, 29.75, -21.02

 

CMYK 3 / 34 / 0 / 38

HEX #9A699F

RGB 154 105 159

HSL 294.44, 0.22%, 0.52%

LAB 51.24, 28.97, -21.41

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 7 / 78 / 0 / 73

HEX #400F45

RGB 64 15 69

HSL 294.44, 0.64%, 0.16%

LAB 14.74, 31.58, -22.3

 

CMYK 6 / 100 / 0 / 80

HEX #2F0032

RGB 47 0 50

HSL 296.4, 1%, 0.1%

LAB 7.54, 30.52, -20.4

 

CMYK 3 / 100 / 0 / 88

HEX #1E001F

RGB 30 0 31

HSL 298.06, 1%, 0.06%

LAB 3.39, 17.47, -12.61

 

CMYK 0 / 100 / 8 / 95

HEX #0D000C

RGB 13 0 12

HSL 304.62, 1%, 0.03%

LAB 1.01, 5.15, -3.36

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 0 / 63 / 9 / 65

HEX #582150

RGB 88 33 80

HSL 308.73, 0.45%, 0.24%

LAB 22.8, 32.03, -16.85

 

CMYK 0 / 63 / 25 / 65

HEX #582142

RGB 88 33 66

HSL 324, 0.45%, 0.24%

LAB 22.14, 29.58, -8.38

 

CMYK 0 / 63 / 42 / 65

HEX #582133

RGB 88 33 51

HSL 340.36, 0.45%, 0.24%

LAB 21.58, 27.39, 1.11

 

CMYK 0 / 63 / 59 / 65

HEX #582124

RGB 88 33 36

HSL 356.73, 0.45%, 0.24%

LAB 21.17, 25.71, 10.91

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 25 / 63 / 0 / 65

HEX #422158

RGB 66 33 88

HSL 276, 0.45%, 0.24%

LAB 19.84, 27.07, -27.1

 

CMYK 41 / 63 / 0 / 65

HEX #342158

RGB 52 33 88

HSL 260.73, 0.45%, 0.24%

LAB 18.02, 23.15, -30.12

 

CMYK 58 / 63 / 0 / 65

HEX #252158

RGB 37 33 88

HSL 244.36, 0.45%, 0.24%

LAB 16.43, 19.41, -32.76

 

CMYK 63 / 63 / 0 / 65

HEX #212158

RGB 33 33 88

HSL 240, 0.45%, 0.24%

LAB 16.08, 18.53, -33.35

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 9 / 77 / 0 / 62

HEX #591762

RGB 89 23 98

HSL 292.8, 0.62%, 0.24%

LAB 22.37, 40.45, -29.48

 

CMYK 11 / 88 / 0 / 58

HEX #600D6C

RGB 96 13 108

HSL 292.42, 0.79%, 0.24%

LAB 23.19, 47.17, -34.62

 

CMYK 13 / 97 / 0 / 54

HEX #670376

RGB 103 3 118

HSL 292.17, 0.95%, 0.24%

LAB 24.5, 52.44, -38.89

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 5 / 45 / 0 / 69

HEX #4A2B4E

RGB 74 43 78

HSL 293.14, 0.29%, 0.24%

LAB 22.77, 21.02, -15.72

 

CMYK 3 / 22 / 0 / 73

HEX #423544

RGB 66 53 68

HSL 292, 0.12%, 0.24%

LAB 24.07, 9.01, -7.12

 

CMYK 6 / 0 / 6 / 75

HEX #3B3F3B

RGB 59 63 59

HSL 120, 0.03%, 0.24%

LAB 26.16, -2.59, 1.87

 

CMYK 29 / 0 / 33 / 71

HEX #344931

RGB 52 73 49

HSL 112.5, 0.2%, 0.24%

LAB 28.69, -13.72, 11.8

 

CMYK 41 / 63 / 0 / 65

HEX #342158

RGB 52 33 88

HSL 260.73, 0.45%, 0.24%

LAB 18.02, 23.15, -30.12

 

CMYK 25 / 63 / 0 / 65

HEX #422158

RGB 66 33 88

HSL 276, 0.45%, 0.24%

LAB 19.84, 27.07, -27.1

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 0 / 63 / 8 / 65

HEX #582151

RGB 88 33 81

HSL 307.64, 0.45%, 0.24%

LAB 22.85, 32.22, -17.45

 

CMYK 0 / 63 / 25 / 65

HEX #582142

RGB 88 33 66

HSL 324, 0.45%, 0.24%

LAB 22.14, 29.58, -8.38

 

CMYK 7 / 64 / 0 / 89

HEX #1A0A1C

RGB 26 10 28

HSL 293.33, 0.47%, 0.07%

LAB 4.7, 10.22, -8.31

 

CMYK 7 / 62 / 0 / 77

HEX #36163A

RGB 54 22 58

HSL 293.33, 0.45%, 0.16%

LAB 13.61, 22.47, -16.46

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 8 / 62 / 0 / 54

HEX #6D2D76

RGB 109 45 118

HSL 292.6, 0.45%, 0.32%

LAB 30.49, 39.65, -29.26

 

CMYK 8 / 62 / 0 / 42

HEX #883894

RGB 136 56 148

HSL 292.17, 0.45%, 0.4%

LAB 38.2, 47.61, -35.37

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 0 / 58 / 63 / 65

HEX #582521

RGB 88 37 33

HSL 4.36, 0.45%, 0.24%

LAB 21.97, 23.18, 14.01

 

CMYK 63 / 0 / 33 / 65

HEX #21583B

RGB 33 88 59

HSL 148.36, 0.45%, 0.24%

LAB 33.18, -25.79, 11.53

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 0 / 8 / 63 / 65

HEX #585121

RGB 88 81 33

HSL 52.36, 0.45%, 0.24%

LAB 34.13, -4.1, 28.72

 

CMYK 63 / 0 / 8 / 65

HEX #215851

RGB 33 88 81

HSL 172.36, 0.45%, 0.24%

LAB 33.77, -19.93, -1.36

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 0 / 58 / 63 / 65

HEX #582521

RGB 88 37 33

HSL 4.36, 0.45%, 0.24%

LAB 21.97, 23.18, 14.01

 

CMYK 53 / 0 / 63 / 65

HEX #295821

RGB 41 88 33

HSL 111.27, 0.45%, 0.24%

LAB 33.05, -28.18, 26.6

 

CMYK 63 / 3 / 0 / 65

HEX #215558

RGB 33 85 88

HSL 183.27, 0.45%, 0.24%

LAB 32.97, -16.1, -6.95

 

CMYK 8 / 63 / 0 / 65

HEX #512158

RGB 81 33 88

HSL 292.36, 0.45%, 0.24%

LAB 22.09, 31.5, -23.38

 

CMYK 0 / 40 / 63 / 65

HEX #583521

RGB 88 53 33

HSL 21.82, 0.45%, 0.24%

LAB 25.95, 13.4, 19.06

 

CMYK 53 / 0 / 63 / 65

HEX #295821

RGB 41 88 33

HSL 111.27, 0.45%, 0.24%

LAB 33.05, -28.18, 26.6

 

CMYK 63 / 23 / 0 / 65

HEX #214458

RGB 33 68 88

HSL 201.82, 0.45%, 0.24%

LAB 27.19, -5.88, -15.75

 

Description

Color code: HEX #512158 | qconv.com Color code: HEX #512158 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 33 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 33 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 63 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 63% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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