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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #512D99 it is the complementary color #AED266. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #512D99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #512D99 shade: #562D94, #673FA7, #7851BA, #8963CD and #9A75E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #512D99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #512D99 shade: #512D99, #401B86, #2F0973, #1E0060 and #0D004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #512D99 shade: #512C9A, #6E2C9A, #8C2C9A, #9A2C8A and #9A2C6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #512D99 shade: #512C9A, #332C9A and #2C2C9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #512D99 shade matches the following richer shades: #512C9A, #4B1CAA and #460CBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #512D99 shade: #512C9A, #563C8A, #5B4C79, #615D69 and #666D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #512D99 shade: #2C429A, #342C9A, #512C9A, #6E2C9A and #8B2C9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #512D99 shade: #2F1A5A, #40237A, #512C9A, #6236BA and #774DCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #512D99 shade: #512D99, #9A2C5F and #349A2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #512D99 shade: #512D99, #9A512C and #2C9A51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #512D99 shade: #512D99, #9A2C5F, #759A2C and #2C9A67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #512D99 shade: #512D99, #9A2C3E, #759A2C and #2C9A87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 71 / 0 / 40

HEX #512D99

RGB 81 45 153

HSL 260, 0.55%, 0.39%

LAB 29.23, 41.75, -53.24

 

Complementary color

CMYK 17 / 0 / 51 / 18

HEX #AED266

RGB 174 210 102

HSL 80, 0.55%, 0.61%

LAB 79.64, -28.71, 49.11

 

CMYK 42 / 70 / 0 / 42

HEX #562D94

RGB 86 45 148

HSL 263.88, 0.53%, 0.38%

LAB 29.4, 41.32, -49.88

 

CMYK 38 / 62 / 0 / 35

HEX #673FA7

RGB 103 63 167

HSL 263.08, 0.45%, 0.45%

LAB 36.42, 40.26, -49.92

 

CMYK 35 / 56 / 0 / 27

HEX #7851BA

RGB 120 81 186

HSL 262.29, 0.43%, 0.52%

LAB 43.39, 39.14, -49.83

 

CMYK 33 / 52 / 0 / 20

HEX #8963CD

RGB 137 99 205

HSL 261.51, 0.51%, 0.6%

LAB 50.27, 38.06, -49.7

 

CMYK 31 / 48 / 0 / 12

HEX #9A75E0

RGB 154 117 224

HSL 260.75, 0.63%, 0.67%

LAB 57.05, 37.05, -49.57

 

CMYK 47 / 71 / 0 / 40

HEX #512D99

RGB 81 45 153

HSL 260, 0.55%, 0.39%

LAB 29.23, 41.75, -53.24

 

CMYK 52 / 80 / 0 / 47

HEX #401B86

RGB 64 27 134

HSL 260.75, 0.66%, 0.32%

LAB 22.28, 42.64, -52.91

 

CMYK 59 / 92 / 0 / 55

HEX #2F0973

RGB 47 9 115

HSL 261.51, 0.85%, 0.24%

LAB 15.68, 42.48, -51.75

 

CMYK 69 / 100 / 0 / 62

HEX #1E0060

RGB 30 0 96

HSL 258.75, 1%, 0.19%

LAB 9.96, 39.66, -48.8

 

CMYK 83 / 100 / 0 / 70

HEX #0D004D

RGB 13 0 77

HSL 250.13, 1%, 0.15%

LAB 5.61, 32.41, -43.09

 

CMYK 47 / 71 / 0 / 40

HEX #512C9A

RGB 81 44 154

HSL 260.18, 0.56%, 0.39%

LAB 29.12, 42.56, -54.03

 

CMYK 29 / 71 / 0 / 40

HEX #6E2C9A

RGB 110 44 154

HSL 276, 0.56%, 0.39%

LAB 32.81, 48.31, -47.86

 

CMYK 9 / 71 / 0 / 40

HEX #8C2C9A

RGB 140 44 154

HSL 292.36, 0.56%, 0.39%

LAB 37.32, 54.9, -40.38

 

CMYK 0 / 71 / 10 / 40

HEX #9A2C8A

RGB 154 44 138

HSL 308.73, 0.56%, 0.39%

LAB 38.74, 55.47, -28.23

 

CMYK 0 / 71 / 29 / 40

HEX #9A2C6D

RGB 154 44 109

HSL 324.55, 0.56%, 0.39%

LAB 37.44, 51.31, -12.21

 

CMYK 47 / 71 / 0 / 40

HEX #512C9A

RGB 81 44 154

HSL 260.18, 0.56%, 0.39%

LAB 29.12, 42.56, -54.03

 

CMYK 67 / 71 / 0 / 40

HEX #332C9A

RGB 51 44 154

HSL 243.82, 0.56%, 0.39%

LAB 26.27, 37.83, -58.81

 

CMYK 71 / 71 / 0 / 40

HEX #2C2C9A

RGB 44 44 154

HSL 240, 0.56%, 0.39%

LAB 25.77, 36.97, -59.64

 

CMYK 47 / 71 / 0 / 40

HEX #512C9A

RGB 81 44 154

HSL 260.18, 0.56%, 0.39%

LAB 29.12, 42.56, -54.03

 

CMYK 56 / 84 / 0 / 33

HEX #4B1CAA

RGB 75 28 170

HSL 259.86, 0.72%, 0.39%

LAB 27.38, 53.5, -66.62

 

CMYK 62 / 94 / 0 / 27

HEX #460CBA

RGB 70 12 186

HSL 260, 0.88%, 0.39%

LAB 27.05, 61.9, -76.75

 

CMYK 47 / 71 / 0 / 40

HEX #512C9A

RGB 81 44 154

HSL 260.18, 0.56%, 0.39%

LAB 29.12, 42.56, -54.03

 

CMYK 38 / 57 / 0 / 46

HEX #563C8A

RGB 86 60 138

HSL 260, 0.39%, 0.39%

LAB 31.91, 29.86, -39.66

 

CMYK 25 / 37 / 0 / 53

HEX #5B4C79

RGB 91 76 121

HSL 260, 0.23%, 0.39%

LAB 35.54, 16.59, -23.36

 

CMYK 8 / 11 / 0 / 59

HEX #615D69

RGB 97 93 105

HSL 260, 0.06%, 0.39%

LAB 40.23, 4.17, -6.26

 

CMYK 6 / 0 / 18 / 57

HEX #666D59

RGB 102 109 89

HSL 81, 0.1%, 0.39%

LAB 44.92, -6.62, 10.29

 

CMYK 71 / 57 / 0 / 40

HEX #2C429A

RGB 44 66 154

HSL 228, 0.56%, 0.39%

LAB 31.27, 22.63, -50.66

 

CMYK 66 / 71 / 0 / 40

HEX #342C9A

RGB 52 44 154

HSL 244.36, 0.56%, 0.39%

LAB 26.35, 37.96, -58.68

 

CMYK 47 / 71 / 0 / 40

HEX #512C9A

RGB 81 44 154

HSL 260.18, 0.56%, 0.39%

LAB 29.12, 42.56, -54.03

 

CMYK 29 / 71 / 0 / 40

HEX #6E2C9A

RGB 110 44 154

HSL 276, 0.56%, 0.39%

LAB 32.81, 48.31, -47.86

 

CMYK 10 / 71 / 0 / 40

HEX #8B2C9A

RGB 139 44 154

HSL 291.82, 0.56%, 0.39%

LAB 37.16, 54.67, -40.64

 

CMYK 48 / 71 / 0 / 65

HEX #2F1A5A

RGB 47 26 90

HSL 259.69, 0.55%, 0.23%

LAB 15.91, 27, -34.91

 

CMYK 48 / 71 / 0 / 52

HEX #40237A

RGB 64 35 122

HSL 260, 0.55%, 0.31%

LAB 22.64, 35.01, -44.74

 

CMYK 47 / 71 / 0 / 40

HEX #512C9A

RGB 81 44 154

HSL 260.18, 0.56%, 0.39%

LAB 29.12, 42.56, -54.03

 

CMYK 47 / 71 / 0 / 27

HEX #6236BA

RGB 98 54 186

HSL 260, 0.55%, 0.47%

LAB 35.56, 49.28, -62.63

 

CMYK 41 / 62 / 0 / 20

HEX #774DCB

RGB 119 77 203

HSL 260, 0.55%, 0.55%

LAB 43.57, 45.71, -59.43

 

CMYK 47 / 71 / 0 / 40

HEX #512D99

RGB 81 45 153

HSL 260, 0.55%, 0.39%

LAB 29.23, 41.75, -53.24

 

CMYK 0 / 71 / 38 / 40

HEX #9A2C5F

RGB 154 44 95

HSL 332.18, 0.56%, 0.39%

LAB 36.93, 49.62, -4.11

 

CMYK 66 / 0 / 71 / 40

HEX #349A2C

RGB 52 154 44

HSL 115.64, 0.56%, 0.39%

LAB 56.11, -50.42, 46.92

 

CMYK 47 / 71 / 0 / 40

HEX #512D99

RGB 81 45 153

HSL 260, 0.55%, 0.39%

LAB 29.23, 41.75, -53.24

 

CMYK 0 / 47 / 71 / 40

HEX #9A512C

RGB 154 81 44

HSL 20.18, 0.56%, 0.39%

LAB 42.67, 27.3, 34.67

 

CMYK 71 / 0 / 47 / 40

HEX #2C9A51

RGB 44 154 81

HSL 140.18, 0.56%, 0.39%

LAB 56.33, -47.2, 29.56

 

CMYK 47 / 71 / 0 / 40

HEX #512D99

RGB 81 45 153

HSL 260, 0.55%, 0.39%

LAB 29.23, 41.75, -53.24

 

CMYK 0 / 71 / 38 / 40

HEX #9A2C5F

RGB 154 44 95

HSL 332.18, 0.56%, 0.39%

LAB 36.93, 49.62, -4.11

 

CMYK 24 / 0 / 71 / 40

HEX #759A2C

RGB 117 154 44

HSL 80.18, 0.56%, 0.39%

LAB 59.04, -29.34, 50.86

 

CMYK 71 / 0 / 33 / 40

HEX #2C9A67

RGB 44 154 103

HSL 152.18, 0.56%, 0.39%

LAB 56.71, -42.95, 18.11

 

CMYK 47 / 71 / 0 / 40

HEX #512D99

RGB 81 45 153

HSL 260, 0.55%, 0.39%

LAB 29.23, 41.75, -53.24

 

CMYK 0 / 71 / 60 / 40

HEX #9A2C3E

RGB 154 44 62

HSL 350.18, 0.56%, 0.39%

LAB 36.02, 46.55, 15.75

 

CMYK 24 / 0 / 71 / 40

HEX #759A2C

RGB 117 154 44

HSL 80.18, 0.56%, 0.39%

LAB 59.04, -29.34, 50.86

 

CMYK 71 / 0 / 12 / 40

HEX #2C9A87

RGB 44 154 135

HSL 169.64, 0.56%, 0.39%

LAB 57.46, -35.1, 1.11

 

Description

Color code: HEX #512D99 | qconv.com Color code: HEX #512D99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 45 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 45 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 71 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 71% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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