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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #513A20 it is the complementary color #AEC5DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #513A20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #513A20 shade: #563A1B, #674C2E, #785E41, #897054 and #9A8267

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #513A20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #513A20 shade: #513A20, #40280D, #2F1600, #1E0400 and #0D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #513A20 shade: #50391F, #502C1F and #501F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #513A20 shade: #50391F, #50461F, #4C501F, #3F501F and #32501F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #513A20 shade matches the following richer shades: #50391F, #593A16, #623A0D and #6B3B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #513A20 shade: #50391F, #473929, #3E3832, #34373B and #2B3744

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #513A20 shade: #501F20, #502C1F, #50381F, #50451F and #4D501F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #513A20 shade: #150F08, #322414, #50391F, #6D4E2B and #8B6337

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #513A20 shade: #513A20, #2D501F and #251F50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #513A20 shade: #513A20, #1F5038 and #381F50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #513A20 shade: #513A20, #2D501F, #1F3750 and #421F50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #513A20 shade: #513A20, #1F5020, #1F3750 and #501F4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 60 / 68

HEX #513A20

RGB 81 58 32

HSL 31.84, 0.43%, 0.22%

LAB 26.39, 6.7, 20

 

Complementary color

CMYK 22 / 12 / 0 / 13

HEX #AEC5DF

RGB 174 197 223

HSL 211.84, 0.43%, 0.78%

LAB 78.61, -2.2, -15.53

 

CMYK 0 / 33 / 69 / 66

HEX #563A1B

RGB 86 58 27

HSL 31.53, 0.52%, 0.22%

LAB 26.97, 8.74, 23.85

 

CMYK 0 / 26 / 55 / 60

HEX #674C2E

RGB 103 76 46

HSL 31.58, 0.38%, 0.29%

LAB 34.5, 7.42, 22.17

 

CMYK 0 / 22 / 46 / 53

HEX #785E41

RGB 120 94 65

HSL 31.64, 0.3%, 0.36%

LAB 41.81, 6.44, 20.64

 

CMYK 0 / 18 / 39 / 46

HEX #897054

RGB 137 112 84

HSL 31.7, 0.24%, 0.43%

LAB 48.94, 5.67, 19.27

 

CMYK 0 / 16 / 33 / 40

HEX #9A8267

RGB 154 130 103

HSL 31.76, 0.2%, 0.5%

LAB 55.9, 5.04, 18.04

 

CMYK 0 / 28 / 60 / 68

HEX #513A20

RGB 81 58 32

HSL 31.84, 0.43%, 0.22%

LAB 26.39, 6.7, 20

 

CMYK 0 / 38 / 80 / 75

HEX #40280D

RGB 64 40 13

HSL 31.76, 0.66%, 0.15%

LAB 18.53, 8.24, 21.44

 

CMYK 0 / 53 / 100 / 82

HEX #2F1600

RGB 47 22 0

HSL 28.09, 1%, 0.09%

LAB 10.4, 10.5, 15.77

 

CMYK 0 / 87 / 100 / 88

HEX #1E0400

RGB 30 4 0

HSL 8, 1%, 0.06%

LAB 3.28, 9.58, 5.09

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 29 / 61 / 69

HEX #50391F

RGB 80 57 31

HSL 31.84, 0.44%, 0.22%

LAB 25.95, 6.75, 20.05

 

CMYK 0 / 45 / 61 / 69

HEX #502C1F

RGB 80 44 31

HSL 15.92, 0.44%, 0.22%

LAB 22.32, 15.11, 15.53

 

CMYK 0 / 61 / 61 / 69

HEX #501F1F

RGB 80 31 31

HSL 0, 0.44%, 0.22%

LAB 19.16, 23.03, 11.42

 

CMYK 0 / 29 / 61 / 69

HEX #50391F

RGB 80 57 31

HSL 31.84, 0.44%, 0.22%

LAB 25.95, 6.75, 20.05

 

CMYK 0 / 13 / 61 / 69

HEX #50461F

RGB 80 70 31

HSL 47.76, 0.44%, 0.22%

LAB 29.87, -1.5, 24.72

 

CMYK 5 / 0 / 61 / 69

HEX #4C501F

RGB 76 80 31

HSL 64.9, 0.44%, 0.22%

LAB 32.64, -9.51, 27.8

 

CMYK 21 / 0 / 61 / 69

HEX #3F501F

RGB 63 80 31

HSL 80.82, 0.44%, 0.22%

LAB 31.56, -15.61, 26.28

 

CMYK 38 / 0 / 61 / 69

HEX #32501F

RGB 50 80 31

HSL 96.73, 0.44%, 0.22%

LAB 30.67, -21.23, 25.03

 

CMYK 0 / 29 / 61 / 69

HEX #50391F

RGB 80 57 31

HSL 31.84, 0.44%, 0.22%

LAB 25.95, 6.75, 20.05

 

CMYK 0 / 35 / 75 / 65

HEX #593A16

RGB 89 58 22

HSL 32.24, 0.6%, 0.22%

LAB 27.32, 9.88, 27.18

 

CMYK 0 / 41 / 87 / 62

HEX #623A0D

RGB 98 58 13

HSL 31.76, 0.77%, 0.22%

LAB 28.52, 13.87, 33.22

 

CMYK 0 / 45 / 96 / 58

HEX #6B3B04

RGB 107 59 4

HSL 32.04, 0.93%, 0.22%

LAB 30.07, 17.32, 38.67

 

CMYK 0 / 29 / 61 / 69

HEX #50391F

RGB 80 57 31

HSL 31.84, 0.44%, 0.22%

LAB 25.95, 6.75, 20.05

 

CMYK 0 / 20 / 42 / 72

HEX #473929

RGB 71 57 41

HSL 32, 0.27%, 0.22%

LAB 25.03, 3.51, 12.3

 

CMYK 0 / 10 / 19 / 76

HEX #3E3832

RGB 62 56 50

HSL 30, 0.11%, 0.22%

LAB 23.94, 1.41, 4.7

 

CMYK 12 / 7 / 0 / 77

HEX #34373B

RGB 52 55 59

HSL 214.29, 0.06%, 0.22%

LAB 22.92, -0.3, -2.94

 

CMYK 37 / 19 / 0 / 73

HEX #2B3744

RGB 43 55 68

HSL 211.2, 0.23%, 0.22%

LAB 22.53, -1.22, -9.67

 

CMYK 0 / 61 / 60 / 69

HEX #501F20

RGB 80 31 32

HSL 358.78, 0.44%, 0.22%

LAB 19.18, 23.12, 10.76

 

CMYK 0 / 45 / 61 / 69

HEX #502C1F

RGB 80 44 31

HSL 15.92, 0.44%, 0.22%

LAB 22.32, 15.11, 15.53

 

CMYK 0 / 30 / 61 / 69

HEX #50381F

RGB 80 56 31

HSL 30.61, 0.44%, 0.22%

LAB 25.66, 7.39, 19.7

 

CMYK 0 / 14 / 61 / 69

HEX #50451F

RGB 80 69 31

HSL 46.53, 0.44%, 0.22%

LAB 29.56, -0.88, 24.36

 

CMYK 4 / 0 / 61 / 69

HEX #4D501F

RGB 77 80 31

HSL 63.67, 0.44%, 0.22%

LAB 32.73, -9.03, 27.93

 

CMYK 0 / 29 / 62 / 92

HEX #150F08

RGB 21 15 8

HSL 32.31, 0.45%, 0.06%

LAB 4.68, 1.27, 3.75

 

CMYK 0 / 28 / 60 / 80

HEX #322414

RGB 50 36 20

HSL 32, 0.43%, 0.14%

LAB 15.44, 4.18, 13.22

 

CMYK 0 / 29 / 61 / 69

HEX #50391F

RGB 80 57 31

HSL 31.84, 0.44%, 0.22%

LAB 25.95, 6.75, 20.05

 

CMYK 0 / 28 / 61 / 57

HEX #6D4E2B

RGB 109 78 43

HSL 31.82, 0.43%, 0.3%

LAB 35.74, 8.75, 25.62

 

CMYK 0 / 29 / 60 / 45

HEX #8B6337

RGB 139 99 55

HSL 31.43, 0.43%, 0.38%

LAB 45.2, 11.1, 31.07

 

CMYK 0 / 28 / 60 / 68

HEX #513A20

RGB 81 58 32

HSL 31.84, 0.43%, 0.22%

LAB 26.39, 6.7, 20

 

CMYK 44 / 0 / 61 / 69

HEX #2D501F

RGB 45 80 31

HSL 102.86, 0.44%, 0.22%

LAB 30.39, -23.2, 24.62

 

CMYK 54 / 61 / 0 / 69

HEX #251F50

RGB 37 31 80

HSL 247.35, 0.44%, 0.22%

LAB 15.24, 17.94, -29.29

 

CMYK 0 / 28 / 60 / 68

HEX #513A20

RGB 81 58 32

HSL 31.84, 0.43%, 0.22%

LAB 26.39, 6.7, 20

 

CMYK 61 / 0 / 30 / 69

HEX #1F5038

RGB 31 80 56

HSL 150.61, 0.44%, 0.22%

LAB 30.19, -23.07, 9.28

 

CMYK 30 / 61 / 0 / 69

HEX #381F50

RGB 56 31 80

HSL 270.61, 0.44%, 0.22%

LAB 17.46, 23.21, -25.6

 

CMYK 0 / 28 / 60 / 68

HEX #513A20

RGB 81 58 32

HSL 31.84, 0.43%, 0.22%

LAB 26.39, 6.7, 20

 

CMYK 44 / 0 / 61 / 69

HEX #2D501F

RGB 45 80 31

HSL 102.86, 0.44%, 0.22%

LAB 30.39, -23.2, 24.62

 

CMYK 61 / 31 / 0 / 69

HEX #1F3750

RGB 31 55 80

HSL 210.61, 0.44%, 0.22%

LAB 22.31, -0.73, -18.08

 

CMYK 18 / 61 / 0 / 69

HEX #421F50

RGB 66 31 80

HSL 282.86, 0.44%, 0.22%

LAB 18.87, 26.23, -23.26

 

CMYK 0 / 28 / 60 / 68

HEX #513A20

RGB 81 58 32

HSL 31.84, 0.43%, 0.22%

LAB 26.39, 6.7, 20

 

CMYK 61 / 0 / 60 / 69

HEX #1F5020

RGB 31 80 32

HSL 121.22, 0.44%, 0.22%

LAB 29.75, -27.81, 23.14

 

CMYK 61 / 31 / 0 / 69

HEX #1F3750

RGB 31 55 80

HSL 210.61, 0.44%, 0.22%

LAB 22.31, -0.73, -18.08

 

CMYK 0 / 61 / 1 / 69

HEX #501F4F

RGB 80 31 79

HSL 301.22, 0.44%, 0.22%

LAB 21.02, 30.37, -19.06

 

Description

Color code: HEX #513A20 | qconv.com Color code: HEX #513A20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 58 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 58 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 60 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 60% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Flixel | Bring your ...
Link: http://flixel.com

52% - Elves Sousa
Link: http://elvessousa.com.br

24% - Friedman Place | mat...
Link: http://matterstosam.wordpress.com

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