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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #513C4C it is the complementary color #AEC3B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #513C4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #513C4C shade: #563C47, #674E5A, #78606D, #897280 and #9A8493

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #513C4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #513C4C shade: #513C4C, #402A39, #2F1826, #1E0613 and #0D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #513C4C shade: #523C4D, #523C47, #523C41 and #523C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #513C4C shade: #523C4D, #513C52, #4B3C52, #453C52 and #403C52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #513C4C shade matches the following richer shades: #523C4D, #5D3153, #692559, #741A5F and #800E65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #513C4C shade: #523C4D, #464846, #3B5340, #2F5F3A and #236A34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #513C4C shade: #4B3C52, #513C52, #523C4D, #523C47 and #523C41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #513C4C shade: #221920, #3A2B36, #523C4D, #694E63 and #815F79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #513C4C shade: #513C4C, #52453C and #3C524E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #513C4C shade: #513C4C, #4D523C and #3C4D52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #513C4C shade: #513C4C, #52453C, #3C5241 and #3C4852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #513C4C shade: #513C4C, #524C3C, #3C5241 and #3C4252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 6 / 68

HEX #513C4C

RGB 81 60 76

HSL 314.29, 0.15%, 0.28%

LAB 28.12, 12.32, -6.15

 

Complementary color

CMYK 11 / 0 / 8 / 24

HEX #AEC3B3

RGB 174 195 179

HSL 134.29, 0.15%, 0.72%

LAB 76.85, -10.21, 5.61

 

CMYK 0 / 30 / 17 / 66

HEX #563C47

RGB 86 60 71

HSL 334.62, 0.18%, 0.29%

LAB 28.55, 13.39, -2.18

 

CMYK 0 / 24 / 13 / 60

HEX #674E5A

RGB 103 78 90

HSL 331.2, 0.14%, 0.35%

LAB 36.12, 12.67, -2.97

 

CMYK 0 / 20 / 9 / 53

HEX #78606D

RGB 120 96 109

HSL 327.5, 0.11%, 0.42%

LAB 43.45, 12.06, -3.67

 

CMYK 0 / 17 / 7 / 46

HEX #897280

RGB 137 114 128

HSL 323.48, 0.09%, 0.49%

LAB 50.58, 11.53, -4.32

 

CMYK 0 / 14 / 5 / 40

HEX #9A8493

RGB 154 132 147

HSL 319.09, 0.1%, 0.56%

LAB 57.54, 11.07, -4.93

 

CMYK 0 / 26 / 6 / 68

HEX #513C4C

RGB 81 60 76

HSL 314.29, 0.15%, 0.28%

LAB 28.12, 12.32, -6.15

 

CMYK 0 / 34 / 11 / 75

HEX #402A39

RGB 64 42 57

HSL 319.09, 0.21%, 0.21%

LAB 20.21, 13.09, -5.49

 

CMYK 0 / 49 / 19 / 82

HEX #2F1826

RGB 47 24 38

HSL 323.48, 0.32%, 0.14%

LAB 11.94, 14.03, -4.65

 

CMYK 0 / 80 / 37 / 88

HEX #1E0613

RGB 30 6 19

HSL 327.5, 0.67%, 0.07%

LAB 4.09, 11.77, -2.46

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 27 / 6 / 68

HEX #523C4D

RGB 82 60 77

HSL 313.64, 0.15%, 0.28%

LAB 28.28, 12.93, -6.56

 

CMYK 0 / 27 / 13 / 68

HEX #523C47

RGB 82 60 71

HSL 330, 0.15%, 0.28%

LAB 28.06, 11.71, -2.95

 

CMYK 0 / 27 / 21 / 68

HEX #523C41

RGB 82 60 65

HSL 346.36, 0.15%, 0.28%

LAB 27.86, 10.56, 0.7

 

CMYK 0 / 27 / 27 / 68

HEX #523C3C

RGB 82 60 60

HSL 0, 0.15%, 0.28%

LAB 27.71, 9.67, 3.77

 

CMYK 0 / 27 / 6 / 68

HEX #523C4D

RGB 82 60 77

HSL 313.64, 0.15%, 0.28%

LAB 28.28, 12.93, -6.56

 

CMYK 1 / 27 / 0 / 68

HEX #513C52

RGB 81 60 82

HSL 297.27, 0.15%, 0.28%

LAB 28.35, 13.62, -9.73

 

CMYK 9 / 27 / 0 / 68

HEX #4B3C52

RGB 75 60 82

HSL 280.91, 0.15%, 0.28%

LAB 27.67, 11.29, -10.82

 

CMYK 16 / 27 / 0 / 68

HEX #453C52

RGB 69 60 82

HSL 264.55, 0.15%, 0.28%

LAB 27.03, 8.98, -11.86

 

CMYK 22 / 27 / 0 / 68

HEX #403C52

RGB 64 60 82

HSL 250.91, 0.15%, 0.28%

LAB 26.54, 7.11, -12.66

 

CMYK 0 / 27 / 6 / 68

HEX #523C4D

RGB 82 60 77

HSL 313.64, 0.15%, 0.28%

LAB 28.28, 12.93, -6.56

 

CMYK 0 / 47 / 11 / 64

HEX #5D3153

RGB 93 49 83

HSL 313.64, 0.31%, 0.28%

LAB 27.15, 25.3, -12.07

 

CMYK 0 / 65 / 15 / 59

HEX #692559

RGB 105 37 89

HSL 314.12, 0.48%, 0.28%

LAB 26.87, 36.96, -16.29

 

CMYK 0 / 78 / 18 / 55

HEX #741A5F

RGB 116 26 95

HSL 314, 0.63%, 0.28%

LAB 27.51, 45.6, -19.07

 

CMYK 0 / 89 / 21 / 50

HEX #800E65

RGB 128 14 101

HSL 314.21, 0.8%, 0.28%

LAB 29.01, 52.62, -20.46

 

CMYK 0 / 27 / 6 / 68

HEX #523C4D

RGB 82 60 77

HSL 313.64, 0.15%, 0.28%

LAB 28.28, 12.93, -6.56

 

CMYK 3 / 0 / 3 / 72

HEX #464846

RGB 70 72 70

HSL 120, 0.01%, 0.28%

LAB 30.35, -1.26, 0.91

 

CMYK 29 / 0 / 23 / 67

HEX #3B5340

RGB 59 83 64

HSL 132.5, 0.17%, 0.28%

LAB 32.89, -13.63, 8.23

 

CMYK 51 / 0 / 39 / 63

HEX #2F5F3A

RGB 47 95 58

HSL 133.75, 0.34%, 0.28%

LAB 36.17, -25.45, 16.28

HEX #2F5F3A

CMYK 67 / 0 / 51 / 58

HEX #236A34

RGB 35 106 52

HSL 134.37, 0.5%, 0.28%

LAB 39.43, -34.82, 23.89

HEX #236A34

CMYK 9 / 27 / 0 / 68

HEX #4B3C52

RGB 75 60 82

HSL 280.91, 0.15%, 0.28%

LAB 27.67, 11.29, -10.82

 

CMYK 1 / 27 / 0 / 68

HEX #513C52

RGB 81 60 82

HSL 297.27, 0.15%, 0.28%

LAB 28.35, 13.62, -9.73

 

CMYK 0 / 27 / 6 / 68

HEX #523C4D

RGB 82 60 77

HSL 313.64, 0.15%, 0.28%

LAB 28.28, 12.93, -6.56

 

CMYK 0 / 27 / 13 / 68

HEX #523C47

RGB 82 60 71

HSL 330, 0.15%, 0.28%

LAB 28.06, 11.71, -2.95

 

CMYK 0 / 27 / 21 / 68

HEX #523C41

RGB 82 60 65

HSL 346.36, 0.15%, 0.28%

LAB 27.86, 10.56, 0.7

 

CMYK 0 / 26 / 6 / 87

HEX #221920

RGB 34 25 32

HSL 313.33, 0.15%, 0.12%

LAB 10.1, 6.07, -3.15

 

CMYK 0 / 26 / 7 / 77

HEX #3A2B36

RGB 58 43 54

HSL 316, 0.15%, 0.2%

LAB 19.61, 9.19, -4.39

 

CMYK 0 / 27 / 6 / 68

HEX #523C4D

RGB 82 60 77

HSL 313.64, 0.15%, 0.28%

LAB 28.28, 12.93, -6.56

 

CMYK 0 / 26 / 6 / 59

HEX #694E63

RGB 105 78 99

HSL 313.33, 0.15%, 0.36%

LAB 36.66, 15.23, -7.8

 

CMYK 0 / 26 / 6 / 49

HEX #815F79

RGB 129 95 121

HSL 314.12, 0.15%, 0.44%

LAB 44.56, 18.42, -9.2

 

CMYK 0 / 26 / 6 / 68

HEX #513C4C

RGB 81 60 76

HSL 314.29, 0.15%, 0.28%

LAB 28.12, 12.32, -6.15

 

CMYK 0 / 16 / 27 / 68

HEX #52453C

RGB 82 69 60

HSL 24.55, 0.15%, 0.28%

LAB 30.34, 3.91, 7.49

 

CMYK 27 / 0 / 5 / 68

HEX #3C524E

RGB 60 82 78

HSL 169.09, 0.15%, 0.28%

LAB 33.02, -9.4, -0.41

 

CMYK 0 / 26 / 6 / 68

HEX #513C4C

RGB 81 60 76

HSL 314.29, 0.15%, 0.28%

LAB 28.12, 12.32, -6.15

 

CMYK 6 / 0 / 27 / 68

HEX #4D523C

RGB 77 82 60

HSL 73.64, 0.15%, 0.28%

LAB 33.85, -6.38, 12.28

 

CMYK 27 / 6 / 0 / 68

HEX #3C4D52

RGB 60 77 82

HSL 193.64, 0.15%, 0.28%

LAB 31.53, -5.32, -5.15

 

CMYK 0 / 26 / 6 / 68

HEX #513C4C

RGB 81 60 76

HSL 314.29, 0.15%, 0.28%

LAB 28.12, 12.32, -6.15

 

CMYK 0 / 16 / 27 / 68

HEX #52453C

RGB 82 69 60

HSL 24.55, 0.15%, 0.28%

LAB 30.34, 3.91, 7.49

 

CMYK 27 / 0 / 21 / 68

HEX #3C5241

RGB 60 82 65

HSL 133.64, 0.15%, 0.28%

LAB 32.65, -12.46, 7.28

 

CMYK 27 / 12 / 0 / 68

HEX #3C4852

RGB 60 72 82

HSL 207.27, 0.15%, 0.28%

LAB 29.92, -2.19, -7.55

 

CMYK 0 / 26 / 6 / 68

HEX #513C4C

RGB 81 60 76

HSL 314.29, 0.15%, 0.28%

LAB 28.12, 12.32, -6.15

 

CMYK 0 / 7 / 27 / 68

HEX #524C3C

RGB 82 76 60

HSL 43.64, 0.15%, 0.28%

LAB 32.46, -0.49, 10.43

 

CMYK 27 / 0 / 21 / 68

HEX #3C5241

RGB 60 82 65

HSL 133.64, 0.15%, 0.28%

LAB 32.65, -12.46, 7.28

 

CMYK 27 / 20 / 0 / 68

HEX #3C4252

RGB 60 66 82

HSL 223.64, 0.15%, 0.28%

LAB 28.02, 1.68, -10.43

 

Description

Color code: HEX #513C4C | qconv.com Color code: HEX #513C4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 60 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 60 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 6 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 6% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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