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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #513D9D it is the complementary color #AEC262. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #513D9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #513D9D shade: #563D98, #674FAB, #7861BE, #8973D1 and #9A85E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #513D9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #513D9D shade: #513D9D, #402B8A, #2F1977, #1E0764 and #0D0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #513D9D shade: #513D9D, #6B3D9D, #853D9D, #9D3D9C and #9D3D82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #513D9D shade: #513D9D and #3D3D9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #513D9D shade matches the following richer shades: #513D9D, #472BAF, #3C19C1 and #3208D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #513D9D shade: #513D9D, #5B4F8C, #66607A, #707268 and #7A8456

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #513D9D shade: #3D5D9D, #3D439D, #503D9D, #6A3D9D and #843D9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #513D9D shade: #322662, #423180, #513D9D, #624BB9 and #7C69C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #513D9D shade: #513D9D, #9D3D77 and #509D3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #513D9D shade: #513D9D, #9D503D and #3D9D50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #513D9D shade: #513D9D, #9D3D77, #8A9D3D and #3D9D64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #513D9D shade: #513D9D, #9D3D5A, #8A9D3D and #3D9D80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

Complementary color

CMYK 10 / 0 / 49 / 24

HEX #AEC262

RGB 174 194 98

HSL 72.5, 0.44%, 0.57%

LAB 75.12, -21.35, 45.62

 

CMYK 43 / 60 / 0 / 40

HEX #563D98

RGB 86 61 152

HSL 256.48, 0.43%, 0.42%

LAB 33.1, 33.31, -46.32

 

CMYK 40 / 54 / 0 / 33

HEX #674FAB

RGB 103 79 171

HSL 255.65, 0.37%, 0.49%

LAB 40.27, 32.02, -46.1

 

CMYK 37 / 49 / 0 / 25

HEX #7861BE

RGB 120 97 190

HSL 254.84, 0.42%, 0.56%

LAB 47.31, 30.87, -45.89

 

CMYK 34 / 45 / 0 / 18

HEX #8973D1

RGB 137 115 209

HSL 254.04, 0.51%, 0.64%

LAB 54.22, 29.84, -45.7

 

CMYK 32 / 42 / 0 / 11

HEX #9A85E4

RGB 154 133 228

HSL 253.26, 0.64%, 0.71%

LAB 61, 28.92, -45.55

 

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

CMYK 54 / 69 / 0 / 46

HEX #402B8A

RGB 64 43 138

HSL 253.26, 0.52%, 0.35%

LAB 25.72, 35.25, -49.79

 

CMYK 61 / 79 / 0 / 53

HEX #2F1977

RGB 47 25 119

HSL 254.04, 0.65%, 0.28%

LAB 18.5, 36.73, -49.67

 

CMYK 70 / 93 / 0 / 61

HEX #1E0764

RGB 30 7 100

HSL 254.84, 0.87%, 0.21%

LAB 11.61, 37.45, -48.72

 

CMYK 84 / 100 / 0 / 68

HEX #0D0051

RGB 13 0 81

HSL 249.63, 1%, 0.16%

LAB 6.14, 34.07, -44.99

 

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

CMYK 32 / 61 / 0 / 38

HEX #6B3D9D

RGB 107 61 157

HSL 268.75, 0.44%, 0.43%

LAB 35.79, 39.69, -44.9

 

CMYK 15 / 61 / 0 / 38

HEX #853D9D

RGB 133 61 157

HSL 285, 0.44%, 0.43%

LAB 39.17, 46.25, -39.3

 

CMYK 0 / 61 / 1 / 38

HEX #9D3D9C

RGB 157 61 156

HSL 300.63, 0.44%, 0.43%

LAB 42.62, 52.32, -33.01

 

CMYK 0 / 61 / 17 / 38

HEX #9D3D82

RGB 157 61 130

HSL 316.88, 0.44%, 0.43%

LAB 41.4, 47.99, -19.14

 

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

CMYK 61 / 61 / 0 / 38

HEX #3D3D9D

RGB 61 61 157

HSL 240, 0.44%, 0.43%

LAB 31.26, 29.77, -52.44

 

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

CMYK 59 / 75 / 0 / 31

HEX #472BAF

RGB 71 43 175

HSL 252.73, 0.61%, 0.43%

LAB 29.82, 47.64, -65.61

 

CMYK 69 / 87 / 0 / 24

HEX #3C19C1

RGB 60 25 193

HSL 252.5, 0.77%, 0.43%

LAB 28.13, 59.47, -79.12

 

CMYK 76 / 96 / 0 / 17

HEX #3208D3

RGB 50 8 211

HSL 252.41, 0.93%, 0.43%

LAB 28.26, 67.89, -89.46

 

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

CMYK 35 / 44 / 0 / 45

HEX #5B4F8C

RGB 91 79 140

HSL 251.8, 0.28%, 0.43%

LAB 37.32, 19.93, -32.25

 

CMYK 16 / 21 / 0 / 52

HEX #66607A

RGB 102 96 122

HSL 253.85, 0.12%, 0.43%

LAB 42.15, 8.13, -13.72

 

CMYK 2 / 0 / 9 / 55

HEX #707268

RGB 112 114 104

HSL 72, 0.05%, 0.43%

LAB 47.6, -2.74, 5.27

 

CMYK 8 / 0 / 35 / 48

HEX #7A8456

RGB 122 132 86

HSL 73.04, 0.21%, 0.43%

LAB 53.29, -11.76, 23.65

 

CMYK 61 / 41 / 0 / 38

HEX #3D5D9D

RGB 61 93 157

HSL 220, 0.44%, 0.43%

LAB 40.01, 8.9, -38.38

 

CMYK 61 / 57 / 0 / 38

HEX #3D439D

RGB 61 67 157

HSL 236.25, 0.44%, 0.43%

LAB 32.79, 25.88, -49.96

 

CMYK 49 / 61 / 0 / 38

HEX #503D9D

RGB 80 61 157

HSL 251.88, 0.44%, 0.43%

LAB 32.87, 33.48, -49.76

 

CMYK 32 / 61 / 0 / 38

HEX #6A3D9D

RGB 106 61 157

HSL 268.13, 0.44%, 0.43%

LAB 35.67, 39.45, -45.1

 

CMYK 16 / 61 / 0 / 38

HEX #843D9D

RGB 132 61 157

HSL 284.38, 0.44%, 0.43%

LAB 39.03, 45.99, -39.53

 

CMYK 49 / 61 / 0 / 62

HEX #322662

RGB 50 38 98

HSL 252, 0.44%, 0.27%

LAB 19.83, 22.53, -33.86

 

CMYK 48 / 62 / 0 / 50

HEX #423180

RGB 66 49 128

HSL 252.91, 0.45%, 0.35%

LAB 26.49, 28.83, -42.28

 

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

CMYK 47 / 59 / 0 / 27

HEX #624BB9

RGB 98 75 185

HSL 252.55, 0.44%, 0.51%

LAB 39.8, 37.33, -55.14

 

CMYK 37 / 46 / 0 / 23

HEX #7C69C4

RGB 124 105 196

HSL 252.53, 0.44%, 0.59%

LAB 49.95, 28.8, -45.14

 

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

CMYK 0 / 61 / 24 / 38

HEX #9D3D77

RGB 157 61 119

HSL 323.75, 0.44%, 0.43%

LAB 40.96, 46.35, -13.05

 

CMYK 49 / 0 / 61 / 38

HEX #509D3D

RGB 80 157 61

HSL 108.13, 0.44%, 0.43%

LAB 58.19, -42.5, 42.06

 

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

CMYK 0 / 49 / 61 / 38

HEX #9D503D

RGB 157 80 61

HSL 11.88, 0.44%, 0.43%

LAB 43.13, 30.22, 25.66

 

CMYK 61 / 0 / 49 / 38

HEX #3D9D50

RGB 61 157 80

HSL 131.88, 0.44%, 0.43%

LAB 57.74, -45.08, 31.96

 

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

CMYK 0 / 61 / 24 / 38

HEX #9D3D77

RGB 157 61 119

HSL 323.75, 0.44%, 0.43%

LAB 40.96, 46.35, -13.05

 

CMYK 12 / 0 / 61 / 38

HEX #8A9D3D

RGB 138 157 61

HSL 71.88, 0.44%, 0.43%

LAB 61.53, -20.89, 46.73

 

CMYK 61 / 0 / 36 / 38

HEX #3D9D64

RGB 61 157 100

HSL 144.38, 0.44%, 0.43%

LAB 58.06, -41.54, 21.67

 

CMYK 48 / 61 / 0 / 38

HEX #513D9D

RGB 81 61 157

HSL 252.5, 0.44%, 0.43%

LAB 32.97, 33.69, -49.6

 

CMYK 0 / 61 / 43 / 38

HEX #9D3D5A

RGB 157 61 90

HSL 341.88, 0.44%, 0.43%

LAB 39.99, 42.68, 3.6

 

CMYK 12 / 0 / 61 / 38

HEX #8A9D3D

RGB 138 157 61

HSL 71.88, 0.44%, 0.43%

LAB 61.53, -20.89, 46.73

 

CMYK 61 / 0 / 18 / 38

HEX #3D9D80

RGB 61 157 128

HSL 161.88, 0.44%, 0.43%

LAB 58.66, -35.34, 6.87

 

Description

Color code: HEX #513D9D | qconv.com Color code: HEX #513D9D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 61 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 61 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 61 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 61% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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