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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #514881 it is the complementary color #AEB77E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #514881. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #514881 shade: #56487C, #675A8F, #786CA2, #897EB5 and #9A90C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #514881. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #514881 shade: #514881, #40366E, #2F245B, #1E1248 and #0D0035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #514881 shade: #50477F, #5F477F, #6E477F, #7D477F and #7F4772

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #514881 shade: #50477F and #47477F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #514881 shade matches the following richer shades: #50477F, #45378F, #3A279F, #2F17AF and #2407BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #514881 shade: #50477F, #5B576F, #66675F, #71774F and #7C873E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #514881 shade: #475C7F, #474E7F, #4F477F, #5E477F and #6D477F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #514881 shade: #2F294A, #3F3864, #50477F, #615699 and #766CAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #514881 shade: #514881, #7F476B and #557F47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #514881 shade: #514881, #7F4F47 and #477F4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #514881 shade: #514881, #7F476B, #767F47 and #477F5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #514881 shade: #514881, #7F475B, #767F47 and #477F6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 44 / 0 / 49

HEX #514881

RGB 81 72 129

HSL 249.47, 0.28%, 0.39%

LAB 33.92, 18.28, -30.93

 

Complementary color

CMYK 5 / 0 / 31 / 28

HEX #AEB77E

RGB 174 183 126

HSL 69.47, 0.28%, 0.61%

LAB 72.48, -12.52, 28

 

CMYK 31 / 42 / 0 / 51

HEX #56487C

RGB 86 72 124

HSL 256.15, 0.27%, 0.38%

LAB 34.12, 18.35, -27.48

 

CMYK 28 / 37 / 0 / 44

HEX #675A8F

RGB 103 90 143

HSL 254.72, 0.23%, 0.46%

LAB 41.5, 17.52, -27.42

 

CMYK 26 / 33 / 0 / 36

HEX #786CA2

RGB 120 108 162

HSL 253.33, 0.23%, 0.53%

LAB 48.67, 16.8, -27.43

 

CMYK 24 / 30 / 0 / 29

HEX #897EB5

RGB 137 126 181

HSL 252, 0.27%, 0.6%

LAB 55.66, 16.18, -27.48

 

CMYK 23 / 28 / 0 / 22

HEX #9A90C8

RGB 154 144 200

HSL 250.71, 0.34%, 0.67%

LAB 62.5, 15.63, -27.57

 

CMYK 37 / 44 / 0 / 49

HEX #514881

RGB 81 72 129

HSL 249.47, 0.28%, 0.39%

LAB 33.92, 18.28, -30.93

 

CMYK 42 / 51 / 0 / 57

HEX #40366E

RGB 64 54 110

HSL 250.71, 0.34%, 0.32%

LAB 26.32, 19.4, -31.16

 

CMYK 48 / 60 / 0 / 64

HEX #2F245B

RGB 47 36 91

HSL 252, 0.43%, 0.25%

LAB 18.46, 20.8, -31.45

 

CMYK 58 / 75 / 0 / 72

HEX #1E1248

RGB 30 18 72

HSL 253.33, 0.6%, 0.18%

LAB 10.38, 22.49, -31.69

 

CMYK 75 / 100 / 0 / 79

HEX #0D0035

RGB 13 0 53

HSL 254.72, 1%, 0.1%

LAB 3.09, 19.78, -30.01

 

CMYK 37 / 44 / 0 / 50

HEX #50477F

RGB 80 71 127

HSL 249.64, 0.28%, 0.39%

LAB 33.44, 18.04, -30.45

 

CMYK 25 / 44 / 0 / 50

HEX #5F477F

RGB 95 71 127

HSL 265.71, 0.28%, 0.39%

LAB 34.95, 22.6, -27.98

 

CMYK 13 / 44 / 0 / 50

HEX #6E477F

RGB 110 71 127

HSL 281.79, 0.28%, 0.39%

LAB 36.66, 27.4, -25.18

 

CMYK 2 / 44 / 0 / 50

HEX #7D477F

RGB 125 71 127

HSL 297.86, 0.28%, 0.39%

LAB 38.55, 32.3, -22.09

 

CMYK 0 / 44 / 10 / 50

HEX #7F4772

RGB 127 71 114

HSL 313.93, 0.28%, 0.39%

LAB 38.26, 30.46, -14.47

 

CMYK 37 / 44 / 0 / 50

HEX #50477F

RGB 80 71 127

HSL 249.64, 0.28%, 0.39%

LAB 33.44, 18.04, -30.45

 

CMYK 44 / 44 / 0 / 50

HEX #47477F

RGB 71 71 127

HSL 240, 0.28%, 0.39%

LAB 32.65, 15.47, -31.75

 

CMYK 37 / 44 / 0 / 50

HEX #50477F

RGB 80 71 127

HSL 249.64, 0.28%, 0.39%

LAB 33.44, 18.04, -30.45

 

CMYK 52 / 62 / 0 / 44

HEX #45378F

RGB 69 55 143

HSL 249.55, 0.44%, 0.39%

LAB 29.36, 30.48, -46.94

 

CMYK 64 / 75 / 0 / 38

HEX #3A279F

RGB 58 39 159

HSL 249.5, 0.61%, 0.39%

LAB 26.31, 43.19, -61.76

 

CMYK 73 / 87 / 0 / 31

HEX #2F17AF

RGB 47 23 175

HSL 249.47, 0.77%, 0.39%

LAB 24.68, 54.37, -74.18

 

CMYK 81 / 96 / 0 / 25

HEX #2407BF

RGB 36 7 191

HSL 249.46, 0.93%, 0.39%

LAB 24.6, 62.65, -83.86

 

CMYK 37 / 44 / 0 / 50

HEX #50477F

RGB 80 71 127

HSL 249.64, 0.28%, 0.39%

LAB 33.44, 18.04, -30.45

 

CMYK 18 / 22 / 0 / 56

HEX #5B576F

RGB 91 87 111

HSL 250, 0.12%, 0.39%

LAB 38.18, 7.08, -13.1

 

CMYK 1 / 0 / 8 / 60

HEX #66675F

RGB 102 103 95

HSL 67.5, 0.04%, 0.39%

LAB 43.29, -2, 4.37

 

CMYK 5 / 0 / 34 / 53

HEX #71774F

RGB 113 119 79

HSL 69, 0.2%, 0.39%

LAB 48.6, -9.33, 21.29

 

CMYK 8 / 0 / 54 / 47

HEX #7C873E

RGB 124 135 62

HSL 69.04, 0.37%, 0.39%

LAB 53.99, -15.35, 37.4

 

CMYK 44 / 28 / 0 / 50

HEX #475C7F

RGB 71 92 127

HSL 217.5, 0.28%, 0.39%

LAB 38.77, 1.96, -22.16

 

CMYK 44 / 39 / 0 / 50

HEX #474E7F

RGB 71 78 127

HSL 232.5, 0.28%, 0.39%

LAB 34.64, 10.9, -28.61

 

CMYK 38 / 44 / 0 / 50

HEX #4F477F

RGB 79 71 127

HSL 248.57, 0.28%, 0.39%

LAB 33.35, 17.75, -30.6

 

CMYK 26 / 44 / 0 / 50

HEX #5E477F

RGB 94 71 127

HSL 264.64, 0.28%, 0.39%

LAB 34.84, 22.29, -28.15

 

CMYK 14 / 44 / 0 / 50

HEX #6D477F

RGB 109 71 127

HSL 280.71, 0.28%, 0.39%

LAB 36.54, 27.07, -25.37

 

CMYK 36 / 45 / 0 / 71

HEX #2F294A

RGB 47 41 74

HSL 250.91, 0.29%, 0.23%

LAB 18.73, 11.76, -19.57

 

CMYK 37 / 44 / 0 / 61

HEX #3F3864

RGB 63 56 100

HSL 249.55, 0.28%, 0.31%

LAB 26.17, 14.67, -24.96

 

CMYK 37 / 44 / 0 / 50

HEX #50477F

RGB 80 71 127

HSL 249.64, 0.28%, 0.39%

LAB 33.44, 18.04, -30.45

 

CMYK 37 / 44 / 0 / 40

HEX #615699

RGB 97 86 153

HSL 249.85, 0.28%, 0.47%

LAB 40.41, 20.98, -35.19

 

CMYK 31 / 37 / 0 / 33

HEX #766CAC

RGB 118 108 172

HSL 249.38, 0.28%, 0.55%

LAB 48.95, 18.81, -32.85

 

CMYK 37 / 44 / 0 / 49

HEX #514881

RGB 81 72 129

HSL 249.47, 0.28%, 0.39%

LAB 33.92, 18.28, -30.93

 

CMYK 0 / 44 / 16 / 50

HEX #7F476B

RGB 127 71 107

HSL 321.43, 0.28%, 0.39%

LAB 37.99, 29.2, -10.53

 

CMYK 33 / 0 / 44 / 50

HEX #557F47

RGB 85 127 71

HSL 105, 0.28%, 0.39%

LAB 48.96, -25.93, 25.88

 

CMYK 37 / 44 / 0 / 49

HEX #514881

RGB 81 72 129

HSL 249.47, 0.28%, 0.39%

LAB 33.92, 18.28, -30.93

 

CMYK 0 / 38 / 44 / 50

HEX #7F4F47

RGB 127 79 71

HSL 8.57, 0.28%, 0.39%

LAB 38.83, 19.2, 13.17

 

CMYK 44 / 0 / 38 / 50

HEX #477F4F

RGB 71 127 79

HSL 128.57, 0.28%, 0.39%

LAB 48.36, -29.42, 20.49

 

CMYK 37 / 44 / 0 / 49

HEX #514881

RGB 81 72 129

HSL 249.47, 0.28%, 0.39%

LAB 33.92, 18.28, -30.93

 

CMYK 0 / 44 / 16 / 50

HEX #7F476B

RGB 127 71 107

HSL 321.43, 0.28%, 0.39%

LAB 37.99, 29.2, -10.53

 

CMYK 7 / 0 / 44 / 50

HEX #767F47

RGB 118 127 71

HSL 69.64, 0.28%, 0.39%

LAB 51.25, -12.66, 29.25

 

CMYK 44 / 0 / 28 / 50

HEX #477F5B

RGB 71 127 91

HSL 141.43, 0.28%, 0.39%

LAB 48.6, -27.1, 13.94

 

CMYK 37 / 44 / 0 / 49

HEX #514881

RGB 81 72 129

HSL 249.47, 0.28%, 0.39%

LAB 33.92, 18.28, -30.93

 

CMYK 0 / 44 / 28 / 50

HEX #7F475B

RGB 127 71 91

HSL 338.57, 0.28%, 0.39%

LAB 37.43, 26.6, -1.32

 

CMYK 7 / 0 / 44 / 50

HEX #767F47

RGB 118 127 71

HSL 69.64, 0.28%, 0.39%

LAB 51.25, -12.66, 29.25

 

CMYK 44 / 0 / 16 / 50

HEX #477F6B

RGB 71 127 107

HSL 158.57, 0.28%, 0.39%

LAB 48.98, -23.53, 5.14

 

Description

Color code: HEX #514881 | qconv.com Color code: HEX #514881 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 72 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 72 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 44 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 44% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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