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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #514204 it is the complementary color #AEBDFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #514204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #514204 shade: #564200, #675412, #786625, #897838 and #9A8A4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #514204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #514204 shade: #514204, #403000, #2F1E00, #1E0C00 and #0D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #514204 shade: #524303, #522E03, #521803 and #520303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #514204 shade: #524303, #4C5203, #375203, #225203 and #0D5203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #514204 shade matches the following richer shades: #524303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #514204 shade: #524303, #4B3F0A, #443A11, #3D3618 and #36321F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #514204 shade: #521803, #522D03, #524303, #4D5203 and #385203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #514204 shade: #030300, #2B2302, #524303, #7A6305 and #A18307

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #514204 shade: #514204, #035203 and #230352

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #514204 shade: #514204, #035243 and #430352

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #514204 shade: #514204, #035203, #031352 and #520352

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #514204 shade: #514204, #03521B, #031352 and #52033B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 95 / 68

HEX #514204

RGB 81 66 4

HSL 48.31, 0.91%, 0.17%

LAB 28.52, -0.13, 35.97

 

Complementary color

CMYK 31 / 25 / 0 / 2

HEX #AEBDFB

RGB 174 189 251

HSL 228.31, 0.91%, 0.83%

LAB 77.49, 8.72, -32.28

 

CMYK 0 / 23 / 100 / 66

HEX #564200

RGB 86 66 0

HSL 46.05, 1%, 0.17%

LAB 29.09, 2.32, 38.31

 

CMYK 0 / 18 / 83 / 60

HEX #675412

RGB 103 84 18

HSL 46.59, 0.7%, 0.24%

LAB 36.5, 0.55, 38.69

 

CMYK 0 / 15 / 69 / 53

HEX #786625

RGB 120 102 37

HSL 46.99, 0.53%, 0.31%

LAB 43.7, -0.82, 38.12

 

CMYK 0 / 12 / 59 / 46

HEX #897838

RGB 137 120 56

HSL 47.41, 0.42%, 0.38%

LAB 50.73, -1.85, 36.97

 

CMYK 0 / 10 / 51 / 40

HEX #9A8A4B

RGB 154 138 75

HSL 47.85, 0.34%, 0.45%

LAB 57.61, -2.65, 35.67

 

CMYK 0 / 19 / 95 / 68

HEX #514204

RGB 81 66 4

HSL 48.31, 0.91%, 0.17%

LAB 28.52, -0.13, 35.97

 

CMYK 0 / 25 / 100 / 75

HEX #403000

RGB 64 48 0

HSL 45, 1%, 0.13%

LAB 20.84, 2.16, 29.48

 

CMYK 0 / 36 / 100 / 82

HEX #2F1E00

RGB 47 30 0

HSL 38.3, 1%, 0.09%

LAB 12.82, 4.91, 19.1

 

CMYK 0 / 60 / 100 / 88

HEX #1E0C00

RGB 30 12 0

HSL 24, 1%, 0.06%

LAB 4.87, 6.33, 7.41

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 18 / 96 / 68

HEX #524303

RGB 82 67 3

HSL 48.61, 0.93%, 0.17%

LAB 28.94, -0.27, 36.76

 

CMYK 0 / 44 / 96 / 68

HEX #522E03

RGB 82 46 3

HSL 32.66, 0.93%, 0.17%

LAB 22.84, 13.1, 31.16

 

CMYK 0 / 71 / 96 / 68

HEX #521803

RGB 82 24 3

HSL 15.95, 0.93%, 0.17%

LAB 17.71, 26.02, 25.41

 

CMYK 0 / 96 / 96 / 68

HEX #520303

RGB 82 3 3

HSL 0, 0.93%, 0.17%

LAB 14.77, 34.19, 21.73

 

CMYK 0 / 18 / 96 / 68

HEX #524303

RGB 82 67 3

HSL 48.61, 0.93%, 0.17%

LAB 28.94, -0.27, 36.76

 

CMYK 7 / 0 / 96 / 68

HEX #4C5203

RGB 76 82 3

HSL 64.56, 0.93%, 0.17%

LAB 33.09, -12.34, 39.74

 

CMYK 33 / 0 / 96 / 68

HEX #375203

RGB 55 82 3

HSL 80.51, 0.93%, 0.17%

LAB 31.47, -22.28, 37.76

 

CMYK 59 / 0 / 96 / 68

HEX #225203

RGB 34 82 3

HSL 96.46, 0.93%, 0.17%

LAB 30.35, -30.45, 36.38

 

CMYK 84 / 0 / 96 / 68

HEX #0D5203

RGB 13 82 3

HSL 112.41, 0.93%, 0.17%

LAB 29.73, -35.67, 35.61

 

CMYK 0 / 18 / 96 / 68

HEX #524303

RGB 82 67 3

HSL 48.61, 0.93%, 0.17%

LAB 28.94, -0.27, 36.76

 

CMYK 0 / 18 / 96 / 68

HEX #524303

RGB 82 67 3

HSL 48.61, 0.93%, 0.17%

LAB 28.94, -0.27, 36.76

 

CMYK 0 / 16 / 87 / 71

HEX #4B3F0A

RGB 75 63 10

HSL 48.92, 0.76%, 0.17%

LAB 26.94, -1.13, 31.92

 

CMYK 0 / 15 / 75 / 73

HEX #443A11

RGB 68 58 17

HSL 48.24, 0.6%, 0.17%

LAB 24.63, -1.22, 26.18

 

CMYK 0 / 11 / 61 / 76

HEX #3D3618

RGB 61 54 24

HSL 48.65, 0.44%, 0.17%

LAB 22.64, -1.67, 19.79

 

CMYK 0 / 7 / 43 / 79

HEX #36321F

RGB 54 50 31

HSL 49.57, 0.27%, 0.17%

LAB 20.69, -1.74, 12.75

 

CMYK 0 / 71 / 96 / 68

HEX #521803

RGB 82 24 3

HSL 15.95, 0.93%, 0.17%

LAB 17.71, 26.02, 25.41

 

CMYK 0 / 45 / 96 / 68

HEX #522D03

RGB 82 45 3

HSL 31.9, 0.93%, 0.17%

LAB 22.57, 13.73, 30.88

 

CMYK 0 / 18 / 96 / 68

HEX #524303

RGB 82 67 3

HSL 48.61, 0.93%, 0.17%

LAB 28.94, -0.27, 36.76

 

CMYK 6 / 0 / 96 / 68

HEX #4D5203

RGB 77 82 3

HSL 63.8, 0.93%, 0.17%

LAB 33.18, -11.84, 39.84

 

CMYK 32 / 0 / 96 / 68

HEX #385203

RGB 56 82 3

HSL 79.75, 0.93%, 0.17%

LAB 31.54, -21.84, 37.84

 

CMYK 0 / 0 / 100 / 99

HEX #030300

RGB 3 3 0

HSL 60, 1%, 0.01%

LAB 0.76, -0.42, 1.14

 

CMYK 0 / 19 / 95 / 83

HEX #2B2302

RGB 43 35 2

HSL 48.29, 0.91%, 0.09%

LAB 13.94, -0.7, 19.68

 

CMYK 0 / 18 / 96 / 68

HEX #524303

RGB 82 67 3

HSL 48.61, 0.93%, 0.17%

LAB 28.94, -0.27, 36.76

 

CMYK 0 / 19 / 96 / 52

HEX #7A6305

RGB 122 99 5

HSL 48.21, 0.92%, 0.25%

LAB 42.87, 0.61, 48.67

 

CMYK 0 / 19 / 96 / 37

HEX #A18307

RGB 161 131 7

HSL 48.31, 0.92%, 0.33%

LAB 55.91, 0.94, 59.82

 

CMYK 0 / 19 / 95 / 68

HEX #514204

RGB 81 66 4

HSL 48.31, 0.91%, 0.17%

LAB 28.52, -0.13, 35.97

 

CMYK 96 / 0 / 96 / 68

HEX #035203

RGB 3 82 3

HSL 120, 0.93%, 0.17%

LAB 29.56, -37.14, 35.4

 

CMYK 57 / 96 / 0 / 68

HEX #230352

RGB 35 3 82

HSL 264.3, 0.93%, 0.17%

LAB 9.25, 34.69, -40.45

 

CMYK 0 / 19 / 95 / 68

HEX #514204

RGB 81 66 4

HSL 48.31, 0.91%, 0.17%

LAB 28.52, -0.13, 35.97

 

CMYK 96 / 0 / 18 / 68

HEX #035243

RGB 3 82 67

HSL 168.61, 0.93%, 0.17%

LAB 30.54, -25.72, 2.72

 

CMYK 18 / 96 / 0 / 68

HEX #430352

RGB 67 3 82

HSL 288.61, 0.93%, 0.17%

LAB 14.78, 39.36, -31.19

 

CMYK 0 / 19 / 95 / 68

HEX #514204

RGB 81 66 4

HSL 48.31, 0.91%, 0.17%

LAB 28.52, -0.13, 35.97

 

CMYK 96 / 0 / 96 / 68

HEX #035203

RGB 3 82 3

HSL 120, 0.93%, 0.17%

LAB 29.56, -37.14, 35.4

 

CMYK 96 / 77 / 0 / 68

HEX #031352

RGB 3 19 82

HSL 227.85, 0.93%, 0.17%

LAB 9.75, 22.11, -39.71

 

CMYK 0 / 96 / 0 / 68

HEX #520352

RGB 82 3 82

HSL 300, 0.93%, 0.17%

LAB 17.77, 42.21, -26.21

 

CMYK 0 / 19 / 95 / 68

HEX #514204

RGB 81 66 4

HSL 48.31, 0.91%, 0.17%

LAB 28.52, -0.13, 35.97

 

CMYK 96 / 0 / 67 / 68

HEX #03521B

RGB 3 82 27

HSL 138.23, 0.93%, 0.17%

LAB 29.75, -34.85, 25.67

 

CMYK 96 / 77 / 0 / 68

HEX #031352

RGB 3 19 82

HSL 227.85, 0.93%, 0.17%

LAB 9.75, 22.11, -39.71

 

CMYK 0 / 96 / 28 / 68

HEX #52033B

RGB 82 3 59

HSL 317.47, 0.93%, 0.17%

LAB 16.38, 38.62, -12.44

 

Description

Color code: HEX #514204 | qconv.com Color code: HEX #514204 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 66 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 66 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 95 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 95% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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