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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #514C1D it is the complementary color #AEB3E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #514C1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #514C1D shade: #564C18, #675E2B, #78703E, #898251 and #9A9464

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #514C1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #514C1D shade: #514C1D, #403A0A, #2F2800, #1E1600 and #0D0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #514C1D shade: #524D1D, #523F1D, #52301D, #52221D and #521D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #514C1D shade: #524D1D, #49521D, #3B521D, #2C521D and #1E521D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #514C1D shade matches the following richer shades: #524D1D, #5B5414, #645C0B and #6D6302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #514C1D shade: #524D1D, #494626, #403E2F, #373738 and #2E3042

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #514C1D shade: #52311D, #523F1D, #524D1D, #49521D and #3B521D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #514C1D shade: #151407, #343012, #524D1D, #706928 and #8F8633

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #514C1D shade: #514C1D, #1D5223 and #381D52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #514C1D shade: #514C1D, #1D524D and #4D1D52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #514C1D shade: #514C1D, #1D5223, #1D2352 and #521D4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #514C1D shade: #514C1D, #1D5232, #1D2352 and #521D3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 64 / 68

HEX #514C1D

RGB 81 76 29

HSL 54.23, 0.47%, 0.22%

LAB 31.82, -4.86, 28.08

 

Complementary color

CMYK 23 / 21 / 0 / 11

HEX #AEB3E2

RGB 174 179 226

HSL 234.23, 0.47%, 0.78%

LAB 74.02, 8.23, -24.12

 

CMYK 0 / 12 / 72 / 66

HEX #564C18

RGB 86 76 24

HSL 50.32, 0.56%, 0.22%

LAB 32.29, -2.76, 31.29

 

CMYK 0 / 9 / 58 / 60

HEX #675E2B

RGB 103 94 43

HSL 51, 0.41%, 0.29%

LAB 39.69, -3.73, 30.13

 

CMYK 0 / 7 / 48 / 53

HEX #78703E

RGB 120 112 62

HSL 51.72, 0.32%, 0.36%

LAB 46.88, -4.43, 28.79

 

CMYK 0 / 5 / 41 / 46

HEX #898251

RGB 137 130 81

HSL 52.5, 0.26%, 0.43%

LAB 53.9, -4.96, 27.46

 

CMYK 0 / 4 / 35 / 40

HEX #9A9464

RGB 154 148 100

HSL 53.33, 0.21%, 0.5%

LAB 60.76, -5.37, 26.21

 

CMYK 0 / 6 / 64 / 68

HEX #514C1D

RGB 81 76 29

HSL 54.23, 0.47%, 0.22%

LAB 31.82, -4.86, 28.08

 

CMYK 0 / 9 / 84 / 75

HEX #403A0A

RGB 64 58 10

HSL 53.33, 0.73%, 0.15%

LAB 24.12, -3.76, 28.83

 

CMYK 0 / 15 / 100 / 82

HEX #2F2800

RGB 47 40 0

HSL 51.06, 1%, 0.09%

LAB 16.11, -1.99, 23.38

 

CMYK 0 / 27 / 100 / 88

HEX #1E1600

RGB 30 22 0

HSL 44, 1%, 0.06%

LAB 7.68, 0.6, 11.51

 

CMYK 0 / 69 / 100 / 95

HEX #0D0400

RGB 13 4 0

HSL 18.46, 1%, 0.03%

LAB 1.56, 1.87, 2.37

 

CMYK 0 / 6 / 65 / 68

HEX #524D1D

RGB 82 77 29

HSL 54.34, 0.48%, 0.22%

LAB 32.24, -4.97, 28.57

 

CMYK 0 / 23 / 65 / 68

HEX #523F1D

RGB 82 63 29

HSL 38.49, 0.48%, 0.22%

LAB 27.95, 3.72, 23.68

 

CMYK 0 / 41 / 65 / 68

HEX #52301D

RGB 82 48 29

HSL 21.51, 0.48%, 0.22%

LAB 23.66, 13.33, 18.56

 

CMYK 0 / 59 / 65 / 68

HEX #52221D

RGB 82 34 29

HSL 5.66, 0.48%, 0.22%

LAB 20.15, 21.97, 14.16

 

CMYK 0 / 65 / 65 / 68

HEX #521D1D

RGB 82 29 29

HSL 0, 0.48%, 0.22%

LAB 19.06, 24.81, 12.75

 

CMYK 0 / 6 / 65 / 68

HEX #524D1D

RGB 82 77 29

HSL 54.34, 0.48%, 0.22%

LAB 32.24, -4.97, 28.57

 

CMYK 11 / 0 / 65 / 68

HEX #49521D

RGB 73 82 29

HSL 70.19, 0.48%, 0.22%

LAB 33.01, -12.29, 29.19

 

CMYK 28 / 0 / 65 / 68

HEX #3B521D

RGB 59 82 29

HSL 86.04, 0.48%, 0.22%

LAB 31.93, -18.71, 27.69

 

CMYK 46 / 0 / 65 / 68

HEX #2C521D

RGB 44 82 29

HSL 103.02, 0.48%, 0.22%

LAB 31.02, -24.81, 26.41

 

CMYK 63 / 0 / 65 / 68

HEX #1E521D

RGB 30 82 29

HSL 118.87, 0.48%, 0.22%

LAB 30.4, -29.41, 25.53

 

CMYK 0 / 6 / 65 / 68

HEX #524D1D

RGB 82 77 29

HSL 54.34, 0.48%, 0.22%

LAB 32.24, -4.97, 28.57

 

CMYK 0 / 8 / 78 / 64

HEX #5B5414

RGB 91 84 20

HSL 54.08, 0.64%, 0.22%

LAB 35.23, -5.32, 36.24

 

CMYK 0 / 8 / 89 / 61

HEX #645C0B

RGB 100 92 11

HSL 54.61, 0.8%, 0.22%

LAB 38.53, -5.94, 42.7

 

CMYK 0 / 9 / 98 / 57

HEX #6D6302

RGB 109 99 2

HSL 54.39, 0.96%, 0.22%

LAB 41.5, -5.82, 47.81

 

CMYK 0 / 6 / 65 / 68

HEX #524D1D

RGB 82 77 29

HSL 54.34, 0.48%, 0.22%

LAB 32.24, -4.97, 28.57

 

CMYK 0 / 4 / 48 / 71

HEX #494626

RGB 73 70 38

HSL 54.86, 0.32%, 0.22%

LAB 29.25, -4.18, 19.69

 

CMYK 0 / 3 / 27 / 75

HEX #403E2F

RGB 64 62 47

HSL 52.94, 0.15%, 0.22%

LAB 25.98, -2.11, 9.56

 

CMYK 2 / 2 / 0 / 78

HEX #373738

RGB 55 55 56

HSL 240, 0.01%, 0.22%

LAB 23.1, 0.23, -0.63

 

CMYK 30 / 27 / 0 / 74

HEX #2E3042

RGB 46 48 66

HSL 234, 0.18%, 0.22%

LAB 20.39, 4.03, -11.56

 

CMYK 0 / 40 / 65 / 68

HEX #52311D

RGB 82 49 29

HSL 22.64, 0.48%, 0.22%

LAB 23.93, 12.69, 18.89

 

CMYK 0 / 23 / 65 / 68

HEX #523F1D

RGB 82 63 29

HSL 38.49, 0.48%, 0.22%

LAB 27.95, 3.72, 23.68

 

CMYK 0 / 6 / 65 / 68

HEX #524D1D

RGB 82 77 29

HSL 54.34, 0.48%, 0.22%

LAB 32.24, -4.97, 28.57

 

CMYK 11 / 0 / 65 / 68

HEX #49521D

RGB 73 82 29

HSL 70.19, 0.48%, 0.22%

LAB 33.01, -12.29, 29.19

 

CMYK 28 / 0 / 65 / 68

HEX #3B521D

RGB 59 82 29

HSL 86.04, 0.48%, 0.22%

LAB 31.93, -18.71, 27.69

 

CMYK 0 / 5 / 67 / 92

HEX #151407

RGB 21 20 7

HSL 55.71, 0.5%, 0.05%

LAB 6.1, -1.8, 6.23

 

CMYK 0 / 8 / 65 / 80

HEX #343012

RGB 52 48 18

HSL 52.94, 0.49%, 0.14%

LAB 19.59, -3.09, 19.57

 

CMYK 0 / 6 / 65 / 68

HEX #524D1D

RGB 82 77 29

HSL 54.34, 0.48%, 0.22%

LAB 32.24, -4.97, 28.57

 

CMYK 0 / 6 / 64 / 56

HEX #706928

RGB 112 105 40

HSL 54.17, 0.47%, 0.3%

LAB 43.8, -6.12, 36.55

 

CMYK 0 / 6 / 64 / 44

HEX #8F8633

RGB 143 134 51

HSL 54.13, 0.47%, 0.38%

LAB 55.2, -7.31, 44.53

 

CMYK 0 / 6 / 64 / 68

HEX #514C1D

RGB 81 76 29

HSL 54.23, 0.47%, 0.22%

LAB 31.82, -4.86, 28.08

 

CMYK 65 / 0 / 57 / 68

HEX #1D5223

RGB 29 82 35

HSL 126.79, 0.48%, 0.22%

LAB 30.44, -28.8, 22.28

 

CMYK 32 / 65 / 0 / 68

HEX #381D52

RGB 56 29 82

HSL 270.57, 0.48%, 0.22%

LAB 17.13, 25.03, -27.49

 

CMYK 0 / 6 / 64 / 68

HEX #514C1D

RGB 81 76 29

HSL 54.23, 0.47%, 0.22%

LAB 31.82, -4.86, 28.08

 

CMYK 65 / 0 / 6 / 68

HEX #1D524D

RGB 29 82 77

HSL 174.34, 0.48%, 0.22%

LAB 31.42, -18.77, -2.3

 

CMYK 6 / 65 / 0 / 68

HEX #4D1D52

RGB 77 29 82

HSL 294.34, 0.48%, 0.22%

LAB 20.31, 31.15, -22.24

 

CMYK 0 / 6 / 64 / 68

HEX #514C1D

RGB 81 76 29

HSL 54.23, 0.47%, 0.22%

LAB 31.82, -4.86, 28.08

 

CMYK 65 / 0 / 57 / 68

HEX #1D5223

RGB 29 82 35

HSL 126.79, 0.48%, 0.22%

LAB 30.44, -28.8, 22.28

 

CMYK 65 / 57 / 0 / 68

HEX #1D2352

RGB 29 35 82

HSL 233.21, 0.48%, 0.22%

LAB 15.86, 13.9, -29.67

 

CMYK 0 / 65 / 6 / 68

HEX #521D4D

RGB 82 29 77

HSL 305.66, 0.48%, 0.22%

LAB 20.86, 31.64, -17.93

 

CMYK 0 / 6 / 64 / 68

HEX #514C1D

RGB 81 76 29

HSL 54.23, 0.47%, 0.22%

LAB 31.82, -4.86, 28.08

 

CMYK 65 / 0 / 39 / 68

HEX #1D5232

RGB 29 82 50

HSL 143.77, 0.48%, 0.22%

LAB 30.7, -25.95, 13.7

 

CMYK 65 / 57 / 0 / 68

HEX #1D2352

RGB 29 35 82

HSL 233.21, 0.48%, 0.22%

LAB 15.86, 13.9, -29.67

 

CMYK 0 / 65 / 26 / 68

HEX #521D3D

RGB 82 29 61

HSL 323.77, 0.48%, 0.22%

LAB 20.08, 28.79, -8.17

 

Description

Color code: HEX #514C1D | qconv.com Color code: HEX #514C1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 76 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 76 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 64 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 64% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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