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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #515780 it is the complementary color #AEA87F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #515780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #515780 shade: #56577B, #67698E, #787BA1, #898DB4 and #9A9FC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #515780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #515780 shade: #515780, #40456D, #2F335A, #1E2147 and #0D0F34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #515780 shade: #51577F, #58517F, #64517F, #70517F and #7D517F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #515780 shade: #51577F and #51517F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #515780 shade matches the following richer shades: #51577F, #404A90, #2F3EA1, #1E31B2 and #0D25C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #515780 shade: #51577F, #62646E, #73705D, #847D4C and #95893B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #515780 shade: #51707F, #51637F, #51577F, #57517F and #63517F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #515780 shade: #31344D, #414666, #51577F, #616898 and #797FA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #515780 shade: #515780, #7F517C and #6A7F51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #515780 shade: #515780, #7F5157 and #577F51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #515780 shade: #515780, #7F517C, #7F7951 and #517F54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #515780 shade: #515780, #7F516E, #7F7951 and #517F62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 32 / 0 / 50

HEX #515780

RGB 81 87 128

HSL 232.34, 0.22%, 0.41%

LAB 38.06, 8.37, -23.81

 

Complementary color

CMYK 0 / 3 / 27 / 32

HEX #AEA87F

RGB 174 168 127

HSL 52.34, 0.22%, 0.59%

LAB 68.41, -4.49, 22.01

 

CMYK 30 / 29 / 0 / 52

HEX #56577B

RGB 86 87 123

HSL 238.38, 0.18%, 0.41%

LAB 38.24, 8.53, -20.44

 

CMYK 27 / 26 / 0 / 44

HEX #67698E

RGB 103 105 142

HSL 236.92, 0.16%, 0.48%

LAB 45.55, 8.02, -20.54

 

CMYK 25 / 24 / 0 / 37

HEX #787BA1

RGB 120 123 161

HSL 235.61, 0.18%, 0.55%

LAB 52.66, 7.59, -20.69

 

CMYK 24 / 22 / 0 / 29

HEX #898DB4

RGB 137 141 180

HSL 234.42, 0.22%, 0.62%

LAB 59.58, 7.22, -20.88

 

CMYK 23 / 20 / 0 / 22

HEX #9A9FC7

RGB 154 159 199

HSL 233.33, 0.29%, 0.69%

LAB 66.36, 6.88, -21.09

 

CMYK 37 / 32 / 0 / 50

HEX #515780

RGB 81 87 128

HSL 232.34, 0.22%, 0.41%

LAB 38.06, 8.37, -23.81

 

CMYK 41 / 37 / 0 / 57

HEX #40456D

RGB 64 69 109

HSL 233.33, 0.26%, 0.34%

LAB 30.52, 9.09, -23.87

 

CMYK 48 / 43 / 0 / 65

HEX #2F335A

RGB 47 51 90

HSL 234.42, 0.31%, 0.27%

LAB 22.69, 10.03, -24.03

 

CMYK 58 / 54 / 0 / 72

HEX #1E2147

RGB 30 33 71

HSL 235.61, 0.41%, 0.2%

LAB 14.51, 11.36, -24.33

 

CMYK 75 / 71 / 0 / 80

HEX #0D0F34

RGB 13 15 52

HSL 236.92, 0.6%, 0.13%

LAB 6.1, 12.7, -24.44

 

CMYK 36 / 31 / 0 / 50

HEX #51577F

RGB 81 87 127

HSL 232.17, 0.22%, 0.41%

LAB 38.02, 8.08, -23.27

 

CMYK 31 / 36 / 0 / 50

HEX #58517F

RGB 88 81 127

HSL 249.13, 0.22%, 0.41%

LAB 36.91, 14.08, -24.94

 

CMYK 21 / 36 / 0 / 50

HEX #64517F

RGB 100 81 127

HSL 264.78, 0.22%, 0.41%

LAB 38.07, 17.98, -23.06

 

CMYK 12 / 36 / 0 / 50

HEX #70517F

RGB 112 81 127

HSL 280.43, 0.22%, 0.41%

LAB 39.35, 22.02, -20.98

 

CMYK 2 / 36 / 0 / 50

HEX #7D517F

RGB 125 81 127

HSL 297.39, 0.22%, 0.41%

LAB 40.86, 26.49, -18.52

 

CMYK 36 / 31 / 0 / 50

HEX #51577F

RGB 81 87 127

HSL 232.17, 0.22%, 0.41%

LAB 38.02, 8.08, -23.27

 

CMYK 36 / 36 / 0 / 50

HEX #51517F

RGB 81 81 127

HSL 240, 0.22%, 0.41%

LAB 36.3, 11.9, -25.95

 

CMYK 36 / 31 / 0 / 50

HEX #51577F

RGB 81 87 127

HSL 232.17, 0.22%, 0.41%

LAB 38.02, 8.08, -23.27

 

CMYK 56 / 49 / 0 / 44

HEX #404A90

RGB 64 74 144

HSL 232.5, 0.38%, 0.41%

LAB 33.99, 17.38, -40.12

 

CMYK 71 / 61 / 0 / 37

HEX #2F3EA1

RGB 47 62 161

HSL 232.11, 0.55%, 0.41%

LAB 30.93, 28.34, -55.44

 

CMYK 83 / 72 / 0 / 30

HEX #1E31B2

RGB 30 49 178

HSL 232.3, 0.71%, 0.41%

LAB 28.61, 41.14, -69.49

 

CMYK 93 / 81 / 0 / 24

HEX #0D25C3

RGB 13 37 195

HSL 232.09, 0.88%, 0.41%

LAB 27.71, 52.87, -81.07

 

CMYK 36 / 31 / 0 / 50

HEX #51577F

RGB 81 87 127

HSL 232.17, 0.22%, 0.41%

LAB 38.02, 8.08, -23.27

 

CMYK 11 / 9 / 0 / 57

HEX #62646E

RGB 98 100 110

HSL 230, 0.06%, 0.41%

LAB 42.52, 1.42, -5.9

 

CMYK 0 / 3 / 19 / 55

HEX #73705D

RGB 115 112 93

HSL 51.82, 0.11%, 0.41%

LAB 47.01, -2.34, 11

 

CMYK 0 / 5 / 42 / 48

HEX #847D4C

RGB 132 125 76

HSL 52.5, 0.27%, 0.41%

LAB 51.94, -4.91, 27.64

 

CMYK 0 / 8 / 60 / 42

HEX #95893B

RGB 149 137 59

HSL 52, 0.43%, 0.41%

LAB 56.68, -5.68, 42.54

 

CMYK 36 / 12 / 0 / 50

HEX #51707F

RGB 81 112 127

HSL 199.57, 0.22%, 0.41%

LAB 45.46, -7.16, -11.87

 

CMYK 36 / 22 / 0 / 50

HEX #51637F

RGB 81 99 127

HSL 216.52, 0.22%, 0.41%

LAB 41.54, 0.61, -17.83

 

CMYK 36 / 31 / 0 / 50

HEX #51577F

RGB 81 87 127

HSL 232.17, 0.22%, 0.41%

LAB 38.02, 8.08, -23.27

 

CMYK 31 / 36 / 0 / 50

HEX #57517F

RGB 87 81 127

HSL 247.83, 0.22%, 0.41%

LAB 36.82, 13.76, -25.09

 

CMYK 22 / 36 / 0 / 50

HEX #63517F

RGB 99 81 127

HSL 263.48, 0.22%, 0.41%

LAB 37.97, 17.65, -23.22

 

CMYK 36 / 32 / 0 / 70

HEX #31344D

RGB 49 52 77

HSL 233.57, 0.22%, 0.25%

LAB 22.46, 5.7, -15.76

 

CMYK 36 / 31 / 0 / 60

HEX #414666

RGB 65 70 102

HSL 231.89, 0.22%, 0.33%

LAB 30.55, 6.59, -19.37

 

CMYK 36 / 31 / 0 / 50

HEX #51577F

RGB 81 87 127

HSL 232.17, 0.22%, 0.41%

LAB 38.02, 8.08, -23.27

 

CMYK 36 / 32 / 0 / 40

HEX #616898

RGB 97 104 152

HSL 232.36, 0.22%, 0.49%

LAB 45.23, 9.51, -27.02

 

CMYK 28 / 25 / 0 / 34

HEX #797FA9

RGB 121 127 169

HSL 232.5, 0.22%, 0.57%

LAB 54.14, 7.59, -23.03

 

CMYK 37 / 32 / 0 / 50

HEX #515780

RGB 81 87 128

HSL 232.34, 0.22%, 0.41%

LAB 38.06, 8.37, -23.81

 

CMYK 0 / 36 / 2 / 50

HEX #7F517C

RGB 127 81 124

HSL 303.91, 0.22%, 0.41%

LAB 40.98, 26.58, -16.48

 

CMYK 17 / 0 / 36 / 50

HEX #6A7F51

RGB 106 127 81

HSL 87.39, 0.22%, 0.41%

LAB 50.5, -16.31, 22.56

 

CMYK 37 / 32 / 0 / 50

HEX #515780

RGB 81 87 128

HSL 232.34, 0.22%, 0.41%

LAB 38.06, 8.37, -23.81

 

CMYK 0 / 36 / 31 / 50

HEX #7F5157

RGB 127 81 87

HSL 352.17, 0.22%, 0.41%

LAB 39.72, 20.14, 4.51

 

CMYK 31 / 0 / 36 / 50

HEX #577F51

RGB 87 127 81

HSL 112.17, 0.22%, 0.41%

LAB 49.25, -23.61, 20.69

 

CMYK 37 / 32 / 0 / 50

HEX #515780

RGB 81 87 128

HSL 232.34, 0.22%, 0.41%

LAB 38.06, 8.37, -23.81

 

CMYK 0 / 36 / 2 / 50

HEX #7F517C

RGB 127 81 124

HSL 303.91, 0.22%, 0.41%

LAB 40.98, 26.58, -16.48

 

CMYK 0 / 5 / 36 / 50

HEX #7F7951

RGB 127 121 81

HSL 52.17, 0.22%, 0.41%

LAB 50.43, -4.21, 22.79

 

CMYK 36 / 0 / 34 / 50

HEX #517F54

RGB 81 127 84

HSL 123.91, 0.22%, 0.41%

LAB 48.97, -25.2, 18.54

 

CMYK 37 / 32 / 0 / 50

HEX #515780

RGB 81 87 128

HSL 232.34, 0.22%, 0.41%

LAB 38.06, 8.37, -23.81

 

CMYK 0 / 36 / 13 / 50

HEX #7F516E

RGB 127 81 110

HSL 322.17, 0.22%, 0.41%

LAB 40.45, 23.92, -8.68

 

CMYK 0 / 5 / 36 / 50

HEX #7F7951

RGB 127 121 81

HSL 52.17, 0.22%, 0.41%

LAB 50.43, -4.21, 22.79

 

CMYK 36 / 0 / 23 / 50

HEX #517F62

RGB 81 127 98

HSL 142.17, 0.22%, 0.41%

LAB 49.26, -22.47, 10.87

 

Description

Color code: HEX #515780 | qconv.com Color code: HEX #515780 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 87 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 87 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 32 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 32% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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