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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #515B72 it is the complementary color #AEA48D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #515B72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #515B72 shade: #565B6D, #676D80, #787F93, #8991A6 and #9AA3B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #515B72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #515B72 shade: #515B72, #40495F, #2F374C, #1E2539 and #0D1326

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #515B72 shade: #505A71, #505171, #585071, #615071 and #695071

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #515B72 shade: #505A71, #505171 and #505071

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #515B72 shade matches the following richer shades: #505A71, #405481, #314E90, #2147A0 and #1141B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #515B72 shade: #505A71, #606061, #6F6652, #7F6C42 and #8F7332

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #515B72 shade: #506C71, #506371, #505A71, #505271 and #575071

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #515B72 shade: #2E3341, #3F4759, #505A71, #616D89 and #76829E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #515B72 shade: #515B72, #6D5071 and #687150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #515B72 shade: #515B72, #71505A and #5A7150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #515B72 shade: #515B72, #6D5071, #716650 and #547150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #515B72 shade: #515B72, #71506B, #716650 and #507156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 20 / 0 / 55

HEX #515B72

RGB 81 91 114

HSL 221.82, 0.17%, 0.38%

LAB 38.63, 1.9, -14.34

 

Complementary color

CMYK 0 / 6 / 19 / 32

HEX #AEA48D

RGB 174 164 141

HSL 41.82, 0.17%, 0.62%

LAB 67.63, -0.26, 13.24

 

CMYK 21 / 17 / 0 / 57

HEX #565B6D

RGB 86 91 109

HSL 226.96, 0.12%, 0.38%

LAB 38.84, 2.31, -10.91

 

CMYK 20 / 15 / 0 / 50

HEX #676D80

RGB 103 109 128

HSL 225.6, 0.11%, 0.45%

LAB 46.15, 2.07, -11.27

 

CMYK 18 / 14 / 0 / 42

HEX #787F93

RGB 120 127 147

HSL 224.44, 0.11%, 0.52%

LAB 53.25, 1.84, -11.64

 

CMYK 17 / 13 / 0 / 35

HEX #8991A6

RGB 137 145 166

HSL 223.45, 0.14%, 0.59%

LAB 60.18, 1.64, -12.02

 

CMYK 17 / 12 / 0 / 27

HEX #9AA3B9

RGB 154 163 185

HSL 222.58, 0.18%, 0.66%

LAB 66.95, 1.45, -12.41

 

CMYK 29 / 20 / 0 / 55

HEX #515B72

RGB 81 91 114

HSL 221.82, 0.17%, 0.38%

LAB 38.63, 1.9, -14.34

 

CMYK 33 / 23 / 0 / 63

HEX #40495F

RGB 64 73 95

HSL 222.58, 0.19%, 0.31%

LAB 31.07, 2.23, -14.12

 

CMYK 38 / 28 / 0 / 70

HEX #2F374C

RGB 47 55 76

HSL 223.45, 0.24%, 0.24%

LAB 23.2, 2.65, -13.96

 

CMYK 47 / 35 / 0 / 78

HEX #1E2539

RGB 30 37 57

HSL 224.44, 0.31%, 0.17%

LAB 14.92, 3.25, -13.91

 

CMYK 66 / 50 / 0 / 85

HEX #0D1326

RGB 13 19 38

HSL 225.6, 0.49%, 0.1%

LAB 6.24, 3.76, -13.77

 

CMYK 29 / 20 / 0 / 56

HEX #505A71

RGB 80 90 113

HSL 221.82, 0.17%, 0.38%

LAB 38.22, 1.92, -14.36

 

CMYK 29 / 28 / 0 / 56

HEX #505171

RGB 80 81 113

HSL 238.18, 0.17%, 0.38%

LAB 35.56, 7.58, -18.44

 

CMYK 22 / 29 / 0 / 56

HEX #585071

RGB 88 80 113

HSL 254.55, 0.17%, 0.38%

LAB 35.99, 10.94, -17.71

 

CMYK 14 / 29 / 0 / 56

HEX #615071

RGB 97 80 113

HSL 270.91, 0.17%, 0.38%

LAB 36.88, 14.11, -16.28

 

CMYK 7 / 29 / 0 / 56

HEX #695071

RGB 105 80 113

HSL 285.45, 0.17%, 0.38%

LAB 37.72, 16.99, -14.91

 

CMYK 29 / 20 / 0 / 56

HEX #505A71

RGB 80 90 113

HSL 221.82, 0.17%, 0.38%

LAB 38.22, 1.92, -14.36

 

CMYK 29 / 28 / 0 / 56

HEX #505171

RGB 80 81 113

HSL 238.18, 0.17%, 0.38%

LAB 35.56, 7.58, -18.44

 

CMYK 29 / 29 / 0 / 56

HEX #505071

RGB 80 80 113

HSL 240, 0.17%, 0.38%

LAB 35.27, 8.22, -18.89

 

CMYK 29 / 20 / 0 / 56

HEX #505A71

RGB 80 90 113

HSL 221.82, 0.17%, 0.38%

LAB 38.22, 1.92, -14.36

 

CMYK 50 / 35 / 0 / 49

HEX #405481

RGB 64 84 129

HSL 221.54, 0.34%, 0.38%

LAB 36.01, 5.76, -27.72

 

CMYK 66 / 46 / 0 / 44

HEX #314E90

RGB 49 78 144

HSL 221.68, 0.49%, 0.38%

LAB 34.22, 11.63, -39.8

 

CMYK 79 / 56 / 0 / 37

HEX #2147A0

RGB 33 71 160

HSL 222.05, 0.66%, 0.38%

LAB 32.63, 20.17, -52.1

 

CMYK 90 / 63 / 0 / 31

HEX #1141B0

RGB 17 65 176

HSL 221.89, 0.82%, 0.38%

LAB 31.88, 29.31, -62.92

 

CMYK 29 / 20 / 0 / 56

HEX #505A71

RGB 80 90 113

HSL 221.82, 0.17%, 0.38%

LAB 38.22, 1.92, -14.36

 

CMYK 1 / 1 / 0 / 62

HEX #606061

RGB 96 96 97

HSL 240, 0.01%, 0.38%

LAB 40.76, 0.21, -0.57

 

CMYK 0 / 8 / 26 / 56

HEX #6F6652

RGB 111 102 82

HSL 41.38, 0.15%, 0.38%

LAB 43.49, 0.04, 12.61

 

CMYK 0 / 15 / 48 / 50

HEX #7F6C42

RGB 127 108 66

HSL 41.31, 0.32%, 0.38%

LAB 46.49, 1.45, 26.21

 

CMYK 0 / 20 / 65 / 44

HEX #8F7332

RGB 143 115 50

HSL 41.94, 0.48%, 0.38%

LAB 49.9, 3.28, 39.21

 

CMYK 29 / 4 / 0 / 56

HEX #506C71

RGB 80 108 113

HSL 189.09, 0.17%, 0.38%

LAB 43.69, -8.89, -6.12

 

CMYK 29 / 12 / 0 / 56

HEX #506371

RGB 80 99 113

HSL 205.45, 0.17%, 0.38%

LAB 40.93, -3.58, -10.25

 

CMYK 29 / 20 / 0 / 56

HEX #505A71

RGB 80 90 113

HSL 221.82, 0.17%, 0.38%

LAB 38.22, 1.92, -14.36

 

CMYK 29 / 27 / 0 / 56

HEX #505271

RGB 80 82 113

HSL 236.36, 0.17%, 0.38%

LAB 35.85, 6.95, -17.99

 

CMYK 23 / 29 / 0 / 56

HEX #575071

RGB 87 80 113

HSL 252.73, 0.17%, 0.38%

LAB 35.9, 10.59, -17.87

 

CMYK 29 / 22 / 0 / 75

HEX #2E3341

RGB 46 51 65

HSL 224.21, 0.17%, 0.22%

LAB 21.32, 1.67, -9.46

 

CMYK 29 / 20 / 0 / 65

HEX #3F4759

RGB 63 71 89

HSL 221.54, 0.17%, 0.3%

LAB 30.12, 1.47, -11.74

 

CMYK 29 / 20 / 0 / 56

HEX #505A71

RGB 80 90 113

HSL 221.82, 0.17%, 0.38%

LAB 38.22, 1.92, -14.36

 

CMYK 29 / 20 / 0 / 46

HEX #616D89

RGB 97 109 137

HSL 222, 0.17%, 0.46%

LAB 46.02, 2.35, -16.88

 

CMYK 25 / 18 / 0 / 38

HEX #76829E

RGB 118 130 158

HSL 222, 0.17%, 0.54%

LAB 54.33, 2.1, -16.41

 

CMYK 29 / 20 / 0 / 55

HEX #515B72

RGB 81 91 114

HSL 221.82, 0.17%, 0.38%

LAB 38.63, 1.9, -14.34

 

CMYK 4 / 29 / 0 / 56

HEX #6D5071

RGB 109 80 113

HSL 292.73, 0.17%, 0.38%

LAB 38.16, 18.45, -14.19

 

CMYK 8 / 0 / 29 / 56

HEX #687150

RGB 104 113 80

HSL 76.36, 0.17%, 0.38%

LAB 46.09, -9.59, 17.23

 

CMYK 29 / 20 / 0 / 55

HEX #515B72

RGB 81 91 114

HSL 221.82, 0.17%, 0.38%

LAB 38.63, 1.9, -14.34

 

CMYK 0 / 29 / 20 / 56

HEX #71505A

RGB 113 80 90

HSL 341.82, 0.17%, 0.38%

LAB 37.82, 15.5, -0.34

 

CMYK 20 / 0 / 29 / 56

HEX #5A7150

RGB 90 113 80

HSL 101.82, 0.17%, 0.38%

LAB 45.03, -15.26, 15.62

 

CMYK 29 / 20 / 0 / 55

HEX #515B72

RGB 81 91 114

HSL 221.82, 0.17%, 0.38%

LAB 38.63, 1.9, -14.34

 

CMYK 4 / 29 / 0 / 56

HEX #6D5071

RGB 109 80 113

HSL 292.73, 0.17%, 0.38%

LAB 38.16, 18.45, -14.19

 

CMYK 0 / 10 / 29 / 56

HEX #716650

RGB 113 102 80

HSL 40, 0.17%, 0.38%

LAB 43.64, 0.6, 14.04

 

CMYK 26 / 0 / 29 / 56

HEX #547150

RGB 84 113 80

HSL 112.73, 0.17%, 0.38%

LAB 44.62, -17.58, 15

 

CMYK 29 / 20 / 0 / 55

HEX #515B72

RGB 81 91 114

HSL 221.82, 0.17%, 0.38%

LAB 38.63, 1.9, -14.34

 

CMYK 0 / 29 / 5 / 56

HEX #71506B

RGB 113 80 107

HSL 310.91, 0.17%, 0.38%

LAB 38.39, 18.68, -10.08

 

CMYK 0 / 10 / 29 / 56

HEX #716650

RGB 113 102 80

HSL 40, 0.17%, 0.38%

LAB 43.64, 0.6, 14.04

 

CMYK 29 / 0 / 24 / 56

HEX #507156

RGB 80 113 86

HSL 130.91, 0.17%, 0.38%

LAB 44.5, -17.91, 11.25

 

Description

Color code: HEX #515B72 | qconv.com Color code: HEX #515B72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 91 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 91 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 20 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 20% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Buscador Edenia Netw...
Link: http://www.comfenalco.edeniats.co

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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