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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #515BE5 it is the complementary color #AEA41A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #515BE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #515BE5 shade: #565BE0, #676DF3, #787FFF, #8991FF and #9AA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #515BE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #515BE5 shade: #515BE5, #4049D2, #2F37BF, #1E25AC and #0D1399

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #515BE5 shade: #515BE5, #6F51E5, #9751E5, #BF51E5 and #E551E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #515BE5 shade: #515BE5 and #5151E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #515BE5 shade matches the following richer shades: #515BE5 and #414DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #515BE5 shade: #515BE5, #6269D5, #7277C4, #8285B4 and #9293A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #515BE5 shade: #51ACE5, #5185E5, #515EE5, #6C51E5 and #9451E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #515BE5 shade: #1D29C6, #2E3ADF, #515BE5, #757DEA and #999FEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #515BE5 shade: #515BE5, #E551D3 and #99E551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #515BE5 shade: #515BE5, #E5515E and #5EE551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #515BE5 shade: #515BE5, #E551D3, #E5D851 and #51E563

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #515BE5 shade: #515BE5, #E551A7, #E5D851 and #51E58F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

Complementary color

CMYK 0 / 6 / 85 / 32

HEX #AEA41A

RGB 174 164 26

HSL 55.95, 0.74%, 0.39%

LAB 66.23, -10.58, 64.74

 

CMYK 62 / 59 / 0 / 12

HEX #565BE0

RGB 86 91 224

HSL 237.83, 0.69%, 0.61%

LAB 45.42, 37.7, -68.57

 

CMYK 58 / 55 / 0 / 5

HEX #676DF3

RGB 103 109 243

HSL 237.43, 0.85%, 0.68%

LAB 52.17, 35.84, -68.26

 

CMYK 53 / 50 / 0 / 0

HEX #787FFF

RGB 120 127 255

HSL 236.89, 1%, 0.74%

LAB 58.41, 32.06, -64.78

 

CMYK 46 / 43 / 0 / 0

HEX #8991FF

RGB 137 145 255

HSL 235.93, 1%, 0.77%

LAB 63.99, 25.14, -55.78

 

CMYK 40 / 36 / 0 / 0

HEX #9AA3FF

RGB 154 163 255

HSL 234.65, 1%, 0.8%

LAB 69.67, 18.9, -46.72

 

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

CMYK 70 / 65 / 0 / 18

HEX #4049D2

RGB 64 73 210

HSL 236.3, 0.62%, 0.54%

LAB 38.74, 40.88, -71.53

 

CMYK 75 / 71 / 0 / 25

HEX #2F37BF

RGB 47 55 191

HSL 236.67, 0.61%, 0.47%

LAB 32.03, 43.41, -71.52

 

CMYK 83 / 78 / 0 / 33

HEX #1E25AC

RGB 30 37 172

HSL 237.04, 0.7%, 0.4%

LAB 25.5, 45.98, -71.04

 

CMYK 92 / 88 / 0 / 40

HEX #0D1399

RGB 13 19 153

HSL 237.43, 0.84%, 0.33%

LAB 19.44, 47.97, -69.57

 

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

CMYK 52 / 65 / 0 / 10

HEX #6F51E5

RGB 111 81 229

HSL 252.16, 0.74%, 0.61%

LAB 45.53, 49.24, -71.15

 

CMYK 34 / 65 / 0 / 10

HEX #9751E5

RGB 151 81 229

HSL 268.38, 0.74%, 0.61%

LAB 49.64, 56.91, -64.28

 

CMYK 17 / 65 / 0 / 10

HEX #BF51E5

RGB 191 81 229

HSL 284.59, 0.74%, 0.61%

LAB 54.68, 65.54, -55.91

 

CMYK 0 / 65 / 1 / 10

HEX #E551E3

RGB 229 81 227

HSL 300.81, 0.74%, 0.61%

LAB 59.97, 73.79, -46.04

 

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

CMYK 65 / 65 / 0 / 10

HEX #5151E5

RGB 81 81 229

HSL 240, 0.74%, 0.61%

LAB 43.2, 44.58, -75.04

 

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

CMYK 73 / 69 / 0 / 4

HEX #414DF5

RGB 65 77 245

HSL 236, 0.9%, 0.61%

LAB 42.8, 50.33, -84.76

 

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

CMYK 54 / 51 / 0 / 16

HEX #6269D5

RGB 98 105 213

HSL 236.35, 0.58%, 0.61%

LAB 48.89, 27.76, -56.67

 

CMYK 42 / 39 / 0 / 23

HEX #7277C4

RGB 114 119 196

HSL 236.34, 0.41%, 0.61%

LAB 52.68, 17.78, -40.86

 

CMYK 28 / 26 / 0 / 29

HEX #8285B4

RGB 130 133 180

HSL 236.4, 0.25%, 0.61%

LAB 56.9, 9.67, -25.05

 

CMYK 11 / 10 / 0 / 36

HEX #9293A4

RGB 146 147 164

HSL 236.67, 0.09%, 0.61%

LAB 61.36, 3.12, -9.04

 

CMYK 65 / 25 / 0 / 10

HEX #51ACE5

RGB 81 172 229

HSL 203.11, 0.74%, 0.61%

LAB 67.21, -9.79, -36.67

 

CMYK 65 / 42 / 0 / 10

HEX #5185E5

RGB 81 133 229

HSL 218.92, 0.74%, 0.61%

LAB 56.27, 12.75, -53.92

 

CMYK 65 / 59 / 0 / 10

HEX #515EE5

RGB 81 94 229

HSL 234.73, 0.74%, 0.61%

LAB 46.19, 36.76, -70.16

 

CMYK 53 / 65 / 0 / 10

HEX #6C51E5

RGB 108 81 229

HSL 250.95, 0.74%, 0.61%

LAB 45.26, 48.73, -71.59

 

CMYK 35 / 65 / 0 / 10

HEX #9451E5

RGB 148 81 229

HSL 267.16, 0.74%, 0.61%

LAB 49.3, 56.3, -64.85

 

CMYK 85 / 79 / 0 / 22

HEX #1D29C6

RGB 29 41 198

HSL 235.74, 0.74%, 0.45%

LAB 29.22, 52.33, -80.31

 

CMYK 79 / 74 / 0 / 13

HEX #2E3ADF

RGB 46 58 223

HSL 235.93, 0.73%, 0.53%

LAB 35.86, 52.31, -83.77

 

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

CMYK 50 / 47 / 0 / 8

HEX #757DEA

RGB 117 125 234

HSL 235.9, 0.74%, 0.69%

LAB 56.48, 26.22, -56.26

 

CMYK 36 / 33 / 0 / 6

HEX #999FEF

RGB 153 159 239

HSL 235.81, 0.73%, 0.77%

LAB 67.87, 16.62, -40.83

 

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

CMYK 0 / 65 / 8 / 10

HEX #E551D3

RGB 229 81 211

HSL 307.3, 0.74%, 0.61%

LAB 59.2, 71.28, -38.23

 

CMYK 33 / 0 / 65 / 10

HEX #99E551

RGB 153 229 81

HSL 90.81, 0.74%, 0.61%

LAB 83.66, -46.78, 62.51

 

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

CMYK 0 / 65 / 59 / 10

HEX #E5515E

RGB 229 81 94

HSL 354.73, 0.74%, 0.61%

LAB 55.43, 58.09, 24.34

 

CMYK 59 / 0 / 65 / 10

HEX #5EE551

RGB 94 229 81

HSL 114.73, 0.74%, 0.61%

LAB 81.3, -64.03, 59.27

 

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

CMYK 0 / 65 / 8 / 10

HEX #E551D3

RGB 229 81 211

HSL 307.3, 0.74%, 0.61%

LAB 59.2, 71.28, -38.23

 

CMYK 0 / 6 / 65 / 10

HEX #E5D851

RGB 229 216 81

HSL 54.73, 0.74%, 0.61%

LAB 85.18, -11.17, 65.67

 

CMYK 65 / 0 / 57 / 10

HEX #51E563

RGB 81 229 99

HSL 127.3, 0.74%, 0.61%

LAB 81.12, -64.86, 51.24

 

CMYK 65 / 60 / 0 / 10

HEX #515BE5

RGB 81 91 229

HSL 235.95, 0.74%, 0.61%

LAB 45.48, 38.59, -71.32

 

CMYK 0 / 65 / 27 / 10

HEX #E551A7

RGB 229 81 167

HSL 325.14, 0.74%, 0.61%

LAB 57.4, 65.16, -15.76

 

CMYK 0 / 6 / 65 / 10

HEX #E5D851

RGB 229 216 81

HSL 54.73, 0.74%, 0.61%

LAB 85.18, -11.17, 65.67

 

CMYK 65 / 0 / 38 / 10

HEX #51E58F

RGB 81 229 143

HSL 145.14, 0.74%, 0.61%

LAB 81.71, -58.18, 30.68

 

Description

Color code: HEX #515BE5 | qconv.com Color code: HEX #515BE5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 91 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 91 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 60 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 60% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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