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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #515E66 it is the complementary color #AEA199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #515E66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #515E66 shade: #565E61, #677074, #788287, #89949A and #9AA6AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #515E66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #515E66 shade: #515E66, #404C53, #2F3A40, #1E282D and #0D161A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #515E66 shade: #515E65, #515865, #515365, #555165 and #5A5165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #515E66 shade: #515E65, #515865, #515365 and #515165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #515E66 shade matches the following richer shades: #515E65, #426174, #336583, #256892 and #166CA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #515E66 shade: #515E65, #605A57, #6F5748, #7E5339 and #8D502A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #515E66 shade: #516562, #516365, #515E65, #515965 and #515365

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #515E66 shade: #2C3338, #3F494E, #515E65, #64737C and #778892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #515E66 shade: #515E66, #5D5165 and #656551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #515E66 shade: #515E66, #65515E and #5E6551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #515E66 shade: #515E66, #5D5165, #655951 and #5A6551

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #515E66 shade: #515E66, #635165, #655951 and #546551

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 8 / 0 / 60

HEX #515E66

RGB 81 94 102

HSL 202.86, 0.11%, 0.36%

LAB 39.09, -3.06, -6.25

 

Complementary color

CMYK 0 / 7 / 12 / 32

HEX #AEA199

RGB 174 161 153

HSL 22.86, 0.11%, 0.64%

LAB 67.12, 3.33, 5.86

 

CMYK 11 / 3 / 0 / 62

HEX #565E61

RGB 86 94 97

HSL 196.36, 0.06%, 0.36%

LAB 39.32, -2.43, -2.79

 

CMYK 11 / 3 / 0 / 55

HEX #677074

RGB 103 112 116

HSL 198.46, 0.06%, 0.43%

LAB 46.62, -2.51, -3.39

 

CMYK 11 / 4 / 0 / 47

HEX #788287

RGB 120 130 135

HSL 200, 0.06%, 0.5%

LAB 53.72, -2.6, -3.96

 

CMYK 11 / 4 / 0 / 40

HEX #89949A

RGB 137 148 154

HSL 201.18, 0.08%, 0.57%

LAB 60.63, -2.69, -4.52

 

CMYK 11 / 4 / 0 / 32

HEX #9AA6AD

RGB 154 166 173

HSL 202.11, 0.1%, 0.64%

LAB 67.4, -2.78, -5.07

 

CMYK 21 / 8 / 0 / 60

HEX #515E66

RGB 81 94 102

HSL 202.86, 0.11%, 0.36%

LAB 39.09, -3.06, -6.25

 

CMYK 23 / 8 / 0 / 67

HEX #404C53

RGB 64 76 83

HSL 202.11, 0.13%, 0.29%

LAB 31.54, -2.99, -5.74

 

CMYK 27 / 9 / 0 / 75

HEX #2F3A40

RGB 47 58 64

HSL 201.18, 0.15%, 0.22%

LAB 23.67, -2.92, -5.22

 

CMYK 33 / 11 / 0 / 82

HEX #1E282D

RGB 30 40 45

HSL 200, 0.2%, 0.15%

LAB 15.4, -2.86, -4.7

 

CMYK 50 / 15 / 0 / 90

HEX #0D161A

RGB 13 22 26

HSL 198.46, 0.33%, 0.08%

LAB 6.63, -2.39, -4.02

 

CMYK 20 / 7 / 0 / 60

HEX #515E65

RGB 81 94 101

HSL 201, 0.11%, 0.36%

LAB 39.06, -3.31, -5.68

 

CMYK 20 / 13 / 0 / 60

HEX #515865

RGB 81 88 101

HSL 219, 0.11%, 0.36%

LAB 37.24, 0.35, -8.4

 

CMYK 20 / 18 / 0 / 60

HEX #515365

RGB 81 83 101

HSL 234, 0.11%, 0.36%

LAB 35.74, 3.47, -10.66

 

CMYK 16 / 20 / 0 / 60

HEX #555165

RGB 85 81 101

HSL 252, 0.11%, 0.36%

LAB 35.51, 6.19, -10.98

 

CMYK 11 / 20 / 0 / 60

HEX #5A5165

RGB 90 81 101

HSL 267, 0.11%, 0.36%

LAB 35.98, 8.05, -10.22

 

CMYK 20 / 7 / 0 / 60

HEX #515E65

RGB 81 94 101

HSL 201, 0.11%, 0.36%

LAB 39.06, -3.31, -5.68

 

CMYK 20 / 13 / 0 / 60

HEX #515865

RGB 81 88 101

HSL 219, 0.11%, 0.36%

LAB 37.24, 0.35, -8.4

 

CMYK 20 / 18 / 0 / 60

HEX #515365

RGB 81 83 101

HSL 234, 0.11%, 0.36%

LAB 35.74, 3.47, -10.66

 

CMYK 20 / 20 / 0 / 60

HEX #515165

RGB 81 81 101

HSL 240, 0.11%, 0.36%

LAB 35.15, 4.73, -11.56

 

CMYK 20 / 7 / 0 / 60

HEX #515E65

RGB 81 94 101

HSL 201, 0.11%, 0.36%

LAB 39.06, -3.31, -5.68

 

CMYK 43 / 16 / 0 / 55

HEX #426174

RGB 66 97 116

HSL 202.8, 0.27%, 0.36%

LAB 39.53, -5.89, -14.29

 

CMYK 61 / 23 / 0 / 49

HEX #336583

RGB 51 101 131

HSL 202.5, 0.44%, 0.36%

LAB 40.65, -7.25, -21.76

 

CMYK 75 / 29 / 0 / 43

HEX #256892

RGB 37 104 146

HSL 203.12, 0.6%, 0.36%

LAB 41.8, -6.19, -29.04

 

CMYK 86 / 33 / 0 / 37

HEX #166CA1

RGB 22 108 161

HSL 202.88, 0.76%, 0.36%

LAB 43.46, -4.59, -35.36

 

CMYK 20 / 7 / 0 / 60

HEX #515E65

RGB 81 94 101

HSL 201, 0.11%, 0.36%

LAB 39.06, -3.31, -5.68

 

CMYK 0 / 6 / 9 / 62

HEX #605A57

RGB 96 90 87

HSL 20, 0.05%, 0.36%

LAB 38.7, 1.82, 2.59

 

CMYK 0 / 22 / 35 / 56

HEX #6F5748

RGB 111 87 72

HSL 23.08, 0.21%, 0.36%

LAB 39.01, 7.54, 12.49

 

CMYK 0 / 34 / 55 / 51

HEX #7E5339

RGB 126 83 57

HSL 22.61, 0.38%, 0.36%

LAB 39.44, 14.86, 22.46

 

CMYK 0 / 43 / 70 / 45

HEX #8D502A

RGB 141 80 42

HSL 23.03, 0.54%, 0.36%

LAB 40.52, 22.13, 32.84

 

CMYK 20 / 0 / 3 / 60

HEX #516562

RGB 81 101 98

HSL 171, 0.11%, 0.36%

LAB 41.12, -8.19, -0.8

 

CMYK 20 / 2 / 0 / 60

HEX #516365

RGB 81 99 101

HSL 186, 0.11%, 0.36%

LAB 40.59, -6.3, -3.41

 

CMYK 20 / 7 / 0 / 60

HEX #515E65

RGB 81 94 101

HSL 201, 0.11%, 0.36%

LAB 39.06, -3.31, -5.68

 

CMYK 20 / 12 / 0 / 60

HEX #515965

RGB 81 89 101

HSL 216, 0.11%, 0.36%

LAB 37.54, -0.26, -7.95

 

CMYK 20 / 18 / 0 / 60

HEX #515365

RGB 81 83 101

HSL 234, 0.11%, 0.36%

LAB 35.74, 3.47, -10.66

 

CMYK 21 / 9 / 0 / 78

HEX #2C3338

RGB 44 51 56

HSL 205, 0.12%, 0.2%

LAB 20.78, -1.66, -4.17

 

CMYK 19 / 6 / 0 / 69

HEX #3F494E

RGB 63 73 78

HSL 200, 0.11%, 0.28%

LAB 30.33, -2.77, -4.34

 

CMYK 20 / 7 / 0 / 60

HEX #515E65

RGB 81 94 101

HSL 201, 0.11%, 0.36%

LAB 39.06, -3.31, -5.68

 

CMYK 19 / 7 / 0 / 51

HEX #64737C

RGB 100 115 124

HSL 202.5, 0.11%, 0.44%

LAB 47.53, -3.48, -6.84

 

CMYK 18 / 7 / 0 / 43

HEX #778892

RGB 119 136 146

HSL 202.22, 0.11%, 0.52%

LAB 55.69, -3.89, -7.42

 

CMYK 21 / 8 / 0 / 60

HEX #515E66

RGB 81 94 102

HSL 202.86, 0.11%, 0.36%

LAB 39.09, -3.06, -6.25

 

CMYK 8 / 20 / 0 / 60

HEX #5D5165

RGB 93 81 101

HSL 276, 0.11%, 0.36%

LAB 36.27, 9.18, -9.75

 

CMYK 0 / 0 / 20 / 60

HEX #656551

RGB 101 101 81

HSL 60, 0.11%, 0.36%

LAB 42.26, -3.78, 11.36

 

CMYK 21 / 8 / 0 / 60

HEX #515E66

RGB 81 94 102

HSL 202.86, 0.11%, 0.36%

LAB 39.09, -3.06, -6.25

 

CMYK 0 / 20 / 7 / 60

HEX #65515E

RGB 101 81 94

HSL 321, 0.11%, 0.36%

LAB 36.85, 10.79, -4.42

 

CMYK 7 / 0 / 20 / 60

HEX #5E6551

RGB 94 101 81

HSL 81, 0.11%, 0.36%

LAB 41.66, -6.69, 10.43

 

CMYK 21 / 8 / 0 / 60

HEX #515E66

RGB 81 94 102

HSL 202.86, 0.11%, 0.36%

LAB 39.09, -3.06, -6.25

 

CMYK 8 / 20 / 0 / 60

HEX #5D5165

RGB 93 81 101

HSL 276, 0.11%, 0.36%

LAB 36.27, 9.18, -9.75

 

CMYK 0 / 12 / 20 / 60

HEX #655951

RGB 101 89 81

HSL 24, 0.11%, 0.36%

LAB 38.73, 3.41, 6.41

 

CMYK 11 / 0 / 20 / 60

HEX #5A6551

RGB 90 101 81

HSL 93, 0.11%, 0.36%

LAB 41.34, -8.33, 9.93

 

CMYK 21 / 8 / 0 / 60

HEX #515E66

RGB 81 94 102

HSL 202.86, 0.11%, 0.36%

LAB 39.09, -3.06, -6.25

 

CMYK 2 / 20 / 0 / 60

HEX #635165

RGB 99 81 101

HSL 294, 0.11%, 0.36%

LAB 36.89, 11.47, -8.77

 

CMYK 0 / 12 / 20 / 60

HEX #655951

RGB 101 89 81

HSL 24, 0.11%, 0.36%

LAB 38.73, 3.41, 6.41

 

CMYK 17 / 0 / 20 / 60

HEX #546551

RGB 84 101 81

HSL 111, 0.11%, 0.36%

LAB 40.87, -10.73, 9.22

 

Description

Color code: HEX #515E66 | qconv.com Color code: HEX #515E66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 94 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 94 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 8 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 8% 0% 60% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - TIENDA DE REGALOS - ...
Link: http://www.poordesigner.com

50% - Orchestra : vêtement...
Link: http://fr.shop-orchestra.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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