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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #516632 it is the complementary color #AE99CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #516632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #516632 shade: #56662D, #677840, #788A53, #899C66 and #9AAE79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #516632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #516632 shade: #516632, #40541F, #2F420C, #1E3000 and #0D1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #516632 shade: #516632, #5F6632, #665F32, #665132 and #664332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #516632 shade: #516632, #436632, #356632, #32663D and #32664B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #516632 shade matches the following richer shades: #516632, #537226, #567F19, #588B0D and #5B9800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #516632 shade: #516632, #4F5A3E, #4C4D4B, #4A4157 and #473464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #516632 shade: #665F32, #5F6632, #516632, #436632 and #356632

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #516632 shade: #252F17, #3B4A24, #516632, #678240 and #7D9D4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #516632 shade: #516632, #326651 and #663266

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #516632 shade: #516632, #325166 and #663251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #516632 shade: #516632, #326651, #473266 and #663247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #516632 shade: #516632, #326661, #473266 and #663237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

Complementary color

CMYK 15 / 25 / 0 / 20

HEX #AE99CD

RGB 174 153 205

HSL 264.23, 0.34%, 0.7%

LAB 66.66, 17.97, -23.82

 

CMYK 16 / 0 / 56 / 60

HEX #56662D

RGB 86 102 45

HSL 76.84, 0.39%, 0.29%

LAB 40.69, -15.92, 29.85

 

CMYK 14 / 0 / 47 / 53

HEX #677840

RGB 103 120 64

HSL 78.21, 0.3%, 0.36%

LAB 47.86, -16.11, 28.59

 

CMYK 13 / 0 / 40 / 46

HEX #788A53

RGB 120 138 83

HSL 79.64, 0.25%, 0.43%

LAB 54.86, -16.21, 27.32

 

CMYK 12 / 0 / 35 / 39

HEX #899C66

RGB 137 156 102

HSL 81.11, 0.21%, 0.51%

LAB 61.7, -16.26, 26.12

 

CMYK 11 / 0 / 30 / 32

HEX #9AAE79

RGB 154 174 121

HSL 82.64, 0.25%, 0.58%

LAB 68.4, -16.29, 24.98

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 24 / 0 / 63 / 67

HEX #40541F

RGB 64 84 31

HSL 82.64, 0.46%, 0.23%

LAB 32.98, -17.37, 27.93

 

CMYK 29 / 0 / 82 / 74

HEX #2F420C

RGB 47 66 12

HSL 81.11, 0.69%, 0.15%

LAB 25.34, -16.97, 28.66

 

CMYK 38 / 0 / 100 / 81

HEX #1E3000

RGB 30 48 0

HSL 82.5, 1%, 0.09%

LAB 17.41, -16.08, 24.63

 

CMYK 57 / 0 / 100 / 88

HEX #0D1E00

RGB 13 30 0

HSL 94, 1%, 0.06%

LAB 9.11, -13.44, 13.38

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 7 / 0 / 51 / 60

HEX #5F6632

RGB 95 102 50

HSL 68.08, 0.34%, 0.3%

LAB 41.48, -11.35, 28.27

 

CMYK 0 / 7 / 51 / 60

HEX #665F32

RGB 102 95 50

HSL 51.92, 0.34%, 0.3%

LAB 39.98, -4.1, 26.6

 

CMYK 0 / 21 / 51 / 60

HEX #665132

RGB 102 81 50

HSL 35.77, 0.34%, 0.3%

LAB 35.87, 4.31, 21.48

 

CMYK 0 / 34 / 51 / 60

HEX #664332

RGB 102 67 50

HSL 19.62, 0.34%, 0.3%

LAB 31.96, 12.95, 16.45

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 34 / 0 / 51 / 60

HEX #436632

RGB 67 102 50

HSL 100.38, 0.34%, 0.3%

LAB 39.46, -23.23, 25.34

 

CMYK 48 / 0 / 51 / 60

HEX #356632

RGB 53 102 50

HSL 116.54, 0.34%, 0.3%

LAB 38.71, -28.29, 24.24

 

CMYK 51 / 0 / 40 / 60

HEX #32663D

RGB 50 102 61

HSL 132.69, 0.34%, 0.3%

LAB 38.76, -27.35, 17.96

 

CMYK 51 / 0 / 26 / 60

HEX #32664B

RGB 50 102 75

HSL 148.85, 0.34%, 0.3%

LAB 39.05, -24.4, 10

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 27 / 0 / 67 / 55

HEX #537226

RGB 83 114 38

HSL 84.47, 0.5%, 0.3%

LAB 44.25, -24.18, 37.31

 

CMYK 32 / 0 / 80 / 50

HEX #567F19

RGB 86 127 25

HSL 84.12, 0.67%, 0.3%

LAB 48.55, -30.18, 46.9

 

CMYK 37 / 0 / 91 / 45

HEX #588B0D

RGB 88 139 13

HSL 84.29, 0.83%, 0.3%

LAB 52.47, -35.37, 53.58

 

CMYK 40 / 0 / 100 / 40

HEX #5B9800

RGB 91 152 0

HSL 84.08, 1%, 0.3%

LAB 56.76, -40.21, 59.28

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 12 / 0 / 31 / 65

HEX #4F5A3E

RGB 79 90 62

HSL 83.57, 0.18%, 0.3%

LAB 36.6, -9.9, 14.8

 

CMYK 1 / 0 / 3 / 70

HEX #4C4D4B

RGB 76 77 75

HSL 90, 0.01%, 0.3%

LAB 32.6, -0.84, 1.04

 

CMYK 15 / 25 / 0 / 66

HEX #4A4157

RGB 74 65 87

HSL 264.55, 0.14%, 0.3%

LAB 29.22, 8.86, -11.73

 

CMYK 29 / 48 / 0 / 61

HEX #473464

RGB 71 52 100

HSL 263.75, 0.32%, 0.3%

LAB 25.91, 19.84, -25.32

 

CMYK 0 / 7 / 51 / 60

HEX #665F32

RGB 102 95 50

HSL 51.92, 0.34%, 0.3%

LAB 39.98, -4.1, 26.6

 

CMYK 7 / 0 / 51 / 60

HEX #5F6632

RGB 95 102 50

HSL 68.08, 0.34%, 0.3%

LAB 41.48, -11.35, 28.27

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 34 / 0 / 51 / 60

HEX #436632

RGB 67 102 50

HSL 100.38, 0.34%, 0.3%

LAB 39.46, -23.23, 25.34

 

CMYK 48 / 0 / 51 / 60

HEX #356632

RGB 53 102 50

HSL 116.54, 0.34%, 0.3%

LAB 38.71, -28.29, 24.24

 

CMYK 21 / 0 / 51 / 82

HEX #252F17

RGB 37 47 23

HSL 85, 0.34%, 0.14%

LAB 17.87, -9.46, 14.02

 

CMYK 20 / 0 / 51 / 71

HEX #3B4A24

RGB 59 74 36

HSL 83.68, 0.35%, 0.22%

LAB 29.3, -13.42, 20.67

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 21 / 0 / 51 / 49

HEX #678240

RGB 103 130 64

HSL 84.55, 0.34%, 0.38%

LAB 50.94, -21.37, 32.37

 

CMYK 20 / 0 / 51 / 38

HEX #7D9D4D

RGB 125 157 77

HSL 84, 0.34%, 0.46%

LAB 60.79, -24.68, 37.94

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 51 / 0 / 21 / 60

HEX #326651

RGB 50 102 81

HSL 155.77, 0.34%, 0.3%

LAB 39.2, -22.97, 6.57

 

CMYK 0 / 51 / 0 / 60

HEX #663266

RGB 102 50 102

HSL 300, 0.34%, 0.3%

LAB 29.58, 31.6, -20.57

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 51 / 21 / 0 / 60

HEX #325166

RGB 50 81 102

HSL 204.23, 0.34%, 0.3%

LAB 32.97, -4.97, -15.72

 

CMYK 0 / 51 / 21 / 60

HEX #663251

RGB 102 50 81

HSL 324.23, 0.34%, 0.3%

LAB 28.64, 27.65, -8.36

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 51 / 0 / 21 / 60

HEX #326651

RGB 50 102 81

HSL 155.77, 0.34%, 0.3%

LAB 39.2, -22.97, 6.57

 

CMYK 30 / 51 / 0 / 60

HEX #473266

RGB 71 50 102

HSL 264.23, 0.34%, 0.3%

LAB 25.5, 21.7, -27.25

 

CMYK 0 / 51 / 30 / 60

HEX #663247

RGB 102 50 71

HSL 335.77, 0.34%, 0.3%

LAB 28.28, 26.04, -2.33

 

CMYK 21 / 0 / 51 / 60

HEX #516632

RGB 81 102 50

HSL 84.23, 0.34%, 0.3%

LAB 40.38, -17.51, 26.68

 

CMYK 51 / 0 / 5 / 60

HEX #326661

RGB 50 102 97

HSL 174.23, 0.34%, 0.3%

LAB 39.65, -18.74, -2.55

 

CMYK 30 / 51 / 0 / 60

HEX #473266

RGB 71 50 102

HSL 264.23, 0.34%, 0.3%

LAB 25.5, 21.7, -27.25

 

CMYK 0 / 51 / 46 / 60

HEX #663237

RGB 102 50 55

HSL 354.23, 0.34%, 0.3%

LAB 27.8, 23.85, 7.57

 

Description

Color code: HEX #516632 | qconv.com Color code: HEX #516632 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 102 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 102 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 51 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 51% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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