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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51740A it is the complementary color #AE8BF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51740A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51740A shade: #567405, #678618, #78982B, #89AA3E and #9ABC51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51740A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51740A shade: #51740A, #406200, #2F5000, #1E3E00 and #0D2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51740A shade: #51750A, #6E750A, #755E0A, #75420A and #75250A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51740A shade: #51750A, #35750A, #18750A, #0A7519 and #0A7535

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51740A shade matches the following richer shades: #51750A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51740A shade: #51750A, #4E6A14, #4A601E, #475629 and #434C33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51740A shade: #755E0A, #6F750A, #53750A, #36750A and #1A750A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51740A shade: #1C2903, #374F06, #51750A, #6C9B0D and #86C110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51740A shade: #51740A, #0A7541 and #6C0A75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51740A shade: #51740A, #0A5375 and #750A53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51740A shade: #51740A, #0A7541, #2C0A75 and #750A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51740A shade: #51740A, #0A7561, #2C0A75 and #750A1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 91 / 55

HEX #51740A

RGB 81 116 10

HSL 79.81, 0.84%, 0.25%

LAB 44.61, -27.63, 47.43

 

Complementary color

CMYK 29 / 43 / 0 / 4

HEX #AE8BF5

RGB 174 139 245

HSL 259.81, 0.84%, 0.75%

LAB 65.01, 35.17, -48.5

 

CMYK 26 / 0 / 96 / 55

HEX #567405

RGB 86 116 5

HSL 76.22, 0.92%, 0.24%

LAB 44.91, -25.65, 48.9

 

CMYK 23 / 0 / 82 / 47

HEX #678618

RGB 103 134 24

HSL 76.91, 0.7%, 0.31%

LAB 51.84, -26.57, 50.63

 

CMYK 21 / 0 / 72 / 40

HEX #78982B

RGB 120 152 43

HSL 77.61, 0.56%, 0.38%

LAB 58.62, -27.22, 50.89

 

CMYK 19 / 0 / 64 / 33

HEX #89AA3E

RGB 137 170 62

HSL 78.33, 0.47%, 0.45%

LAB 65.29, -27.66, 50.37

 

CMYK 18 / 0 / 57 / 26

HEX #9ABC51

RGB 154 188 81

HSL 79.07, 0.44%, 0.53%

LAB 71.85, -27.96, 49.47

 

CMYK 30 / 0 / 91 / 55

HEX #51740A

RGB 81 116 10

HSL 79.81, 0.84%, 0.25%

LAB 44.61, -27.63, 47.43

 

CMYK 35 / 0 / 100 / 62

HEX #406200

RGB 64 98 0

HSL 80.82, 1%, 0.19%

LAB 37.53, -26.44, 43.77

 

CMYK 41 / 0 / 100 / 69

HEX #2F5000

RGB 47 80 0

HSL 84.75, 1%, 0.16%

LAB 30.26, -24.88, 37.72

 

CMYK 52 / 0 / 100 / 76

HEX #1E3E00

RGB 30 62 0

HSL 90.97, 1%, 0.12%

LAB 22.73, -23.19, 30.61

 

CMYK 70 / 0 / 100 / 83

HEX #0D2C00

RGB 13 44 0

HSL 102.27, 1%, 0.09%

LAB 14.88, -21.17, 21.25

 

CMYK 31 / 0 / 91 / 54

HEX #51750A

RGB 81 117 10

HSL 80.19, 0.84%, 0.25%

LAB 44.93, -28.11, 47.7

 

CMYK 6 / 0 / 91 / 54

HEX #6E750A

RGB 110 117 10

HSL 63.93, 0.84%, 0.25%

LAB 47.05, -15.18, 50.32

 

CMYK 0 / 20 / 91 / 54

HEX #755E0A

RGB 117 94 10

HSL 47.1, 0.84%, 0.25%

LAB 40.91, 1.23, 45.65

 

CMYK 0 / 44 / 91 / 54

HEX #75420A

RGB 117 66 10

HSL 31.4, 0.84%, 0.25%

LAB 33.35, 18.01, 39.6

 

CMYK 0 / 68 / 91 / 54

HEX #75250A

RGB 117 37 10

HSL 15.14, 0.84%, 0.25%

LAB 27.09, 33.85, 34.52

 

CMYK 31 / 0 / 91 / 54

HEX #51750A

RGB 81 117 10

HSL 80.19, 0.84%, 0.25%

LAB 44.93, -28.11, 47.7

 

CMYK 55 / 0 / 91 / 54

HEX #35750A

RGB 53 117 10

HSL 95.89, 0.84%, 0.25%

LAB 43.51, -38.44, 45.93

 

CMYK 79 / 0 / 91 / 54

HEX #18750A

RGB 24 117 10

HSL 112.15, 0.84%, 0.25%

LAB 42.67, -45.4, 44.87

 

CMYK 91 / 0 / 79 / 54

HEX #0A7519

RGB 10 117 25

HSL 128.41, 0.84%, 0.25%

LAB 42.55, -46.21, 40.2

 

CMYK 91 / 0 / 55 / 54

HEX #0A7535

RGB 10 117 53

HSL 144.11, 0.84%, 0.25%

LAB 42.83, -42.71, 27.45

 

CMYK 31 / 0 / 91 / 54

HEX #51750A

RGB 81 117 10

HSL 80.19, 0.84%, 0.25%

LAB 44.93, -28.11, 47.7

 

CMYK 31 / 0 / 91 / 54

HEX #51750A

RGB 81 117 10

HSL 80.19, 0.84%, 0.25%

LAB 44.93, -28.11, 47.7

 

CMYK 26 / 0 / 81 / 58

HEX #4E6A14

RGB 78 106 20

HSL 79.53, 0.68%, 0.25%

LAB 41.18, -23.56, 41.52

 

CMYK 23 / 0 / 69 / 62

HEX #4A601E

RGB 74 96 30

HSL 80, 0.52%, 0.25%

LAB 37.69, -19.46, 33.81

 

CMYK 17 / 0 / 52 / 66

HEX #475629

RGB 71 86 41

HSL 80, 0.35%, 0.25%

LAB 34.3, -14.19, 24.13

 

CMYK 12 / 0 / 33 / 70

HEX #434C33

RGB 67 76 51

HSL 81.6, 0.2%, 0.25%

LAB 30.88, -8.72, 13.7

 

CMYK 0 / 20 / 91 / 54

HEX #755E0A

RGB 117 94 10

HSL 47.1, 0.84%, 0.25%

LAB 40.91, 1.23, 45.65

 

CMYK 5 / 0 / 91 / 54

HEX #6F750A

RGB 111 117 10

HSL 63.36, 0.84%, 0.25%

LAB 47.14, -14.71, 50.42

 

CMYK 29 / 0 / 91 / 54

HEX #53750A

RGB 83 117 10

HSL 79.07, 0.84%, 0.25%

LAB 45.06, -27.27, 47.86

 

CMYK 54 / 0 / 91 / 54

HEX #36750A

RGB 54 117 10

HSL 95.33, 0.84%, 0.25%

LAB 43.55, -38.13, 45.98

 

CMYK 78 / 0 / 91 / 54

HEX #1A750A

RGB 26 117 10

HSL 111.03, 0.84%, 0.25%

LAB 42.71, -45.06, 44.92

 

CMYK 32 / 0 / 93 / 84

HEX #1C2903

RGB 28 41 3

HSL 80.53, 0.86%, 0.09%

LAB 14.62, -12.77, 19.87

 

CMYK 30 / 0 / 92 / 69

HEX #374F06

RGB 55 79 6

HSL 79.73, 0.86%, 0.17%

LAB 30.44, -20.59, 35.83

 

CMYK 31 / 0 / 91 / 54

HEX #51750A

RGB 81 117 10

HSL 80.19, 0.84%, 0.25%

LAB 44.93, -28.11, 47.7

 

CMYK 30 / 0 / 92 / 39

HEX #6C9B0D

RGB 108 155 13

HSL 79.86, 0.85%, 0.33%

LAB 58.66, -34.79, 59.17

 

CMYK 31 / 0 / 92 / 24

HEX #86C110

RGB 134 193 16

HSL 80, 0.85%, 0.41%

LAB 71.72, -41.52, 69.96

 

CMYK 30 / 0 / 91 / 55

HEX #51740A

RGB 81 116 10

HSL 79.81, 0.84%, 0.25%

LAB 44.61, -27.63, 47.43

 

CMYK 91 / 0 / 44 / 54

HEX #0A7541

RGB 10 117 65

HSL 150.84, 0.84%, 0.25%

LAB 43.02, -40.49, 21.06

 

CMYK 8 / 91 / 0 / 54

HEX #6C0A75

RGB 108 10 117

HSL 294.95, 0.84%, 0.25%

LAB 25.83, 51.76, -36.06

 

CMYK 30 / 0 / 91 / 55

HEX #51740A

RGB 81 116 10

HSL 79.81, 0.84%, 0.25%

LAB 44.61, -27.63, 47.43

 

CMYK 91 / 29 / 0 / 54

HEX #0A5375

RGB 10 83 117

HSL 199.07, 0.84%, 0.25%

LAB 33, -7.46, -25.18

 

CMYK 0 / 91 / 29 / 54

HEX #750A53

RGB 117 10 83

HSL 319.07, 0.84%, 0.25%

LAB 25.63, 48.49, -14.03

 

CMYK 30 / 0 / 91 / 55

HEX #51740A

RGB 81 116 10

HSL 79.81, 0.84%, 0.25%

LAB 44.61, -27.63, 47.43

 

CMYK 91 / 0 / 44 / 54

HEX #0A7541

RGB 10 117 65

HSL 150.84, 0.84%, 0.25%

LAB 43.02, -40.49, 21.06

 

CMYK 62 / 91 / 0 / 54

HEX #2C0A75

RGB 44 10 117

HSL 259.07, 0.84%, 0.25%

LAB 15.68, 42.41, -53.06

 

CMYK 0 / 91 / 48 / 54

HEX #750A3D

RGB 117 10 61

HSL 331.4, 0.84%, 0.25%

LAB 24.75, 46.06, -0.46

 

CMYK 30 / 0 / 91 / 55

HEX #51740A

RGB 81 116 10

HSL 79.81, 0.84%, 0.25%

LAB 44.61, -27.63, 47.43

 

CMYK 91 / 0 / 17 / 54

HEX #0A7561

RGB 10 117 97

HSL 168.79, 0.84%, 0.25%

LAB 43.73, -32.59, 3.28

 

CMYK 62 / 91 / 0 / 54

HEX #2C0A75

RGB 44 10 117

HSL 259.07, 0.84%, 0.25%

LAB 15.68, 42.41, -53.06

 

CMYK 0 / 91 / 75 / 54

HEX #750A1D

RGB 117 10 29

HSL 349.35, 0.84%, 0.25%

LAB 23.96, 43.8, 20.45

 

Description

Color code: HEX #51740A | qconv.com Color code: HEX #51740A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 116 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 116 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 91 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 91% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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