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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #517488 it is the complementary color #AE8B77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #517488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #517488 shade: #567483, #678696, #7898A9, #89AABC and #9ABCCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #517488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #517488 shade: #517488, #406275, #2F5062, #1E3E4F and #0D2C3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #517488 shade: #527589, #526689, #525789, #5B5289 and #6A5289

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #517488 shade: #527589, #526689, #525789 and #525289

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #517488 shade matches the following richer shades: #527589, #40799A, #2E7EAC, #1D83BE and #0B88D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #517488 shade: #527589, #637077, #756B65, #876653 and #996142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #517488 shade: #52897F, #528489, #527589, #526789 and #525889

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #517488 shade: #334955, #425F6F, #527589, #638AA1 and #7C9EB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #517488 shade: #517488, #705289 and #898652

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #517488 shade: #517488, #895275 and #758952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #517488 shade: #517488, #705289, #896552 and #6A8952

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #517488 shade: #517488, #805289, #896552 and #5A8952

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 15 / 0 / 47

HEX #517488

RGB 81 116 136

HSL 201.82, 0.25%, 0.43%

LAB 47, -6.96, -14.89

 

Complementary color

CMYK 0 / 20 / 32 / 32

HEX #AE8B77

RGB 174 139 119

HSL 21.82, 0.25%, 0.57%

LAB 60.6, 10.32, 15.74

 

CMYK 34 / 11 / 0 / 49

HEX #567483

RGB 86 116 131

HSL 200, 0.21%, 0.43%

LAB 47.12, -6.87, -11.71

 

CMYK 31 / 11 / 0 / 41

HEX #678696

RGB 103 134 150

HSL 200.43, 0.19%, 0.5%

LAB 54.17, -6.94, -12.12

 

CMYK 29 / 10 / 0 / 34

HEX #7898A9

RGB 120 152 169

HSL 200.82, 0.22%, 0.57%

LAB 61.06, -7.01, -12.52

 

CMYK 27 / 10 / 0 / 26

HEX #89AABC

RGB 137 170 188

HSL 201.18, 0.28%, 0.64%

LAB 67.8, -7.07, -12.92

 

CMYK 26 / 9 / 0 / 19

HEX #9ABCCF

RGB 154 188 207

HSL 201.51, 0.36%, 0.71%

LAB 74.41, -7.13, -13.32

 

CMYK 40 / 15 / 0 / 47

HEX #517488

RGB 81 116 136

HSL 201.82, 0.25%, 0.43%

LAB 47, -6.96, -14.89

 

CMYK 45 / 16 / 0 / 54

HEX #406275

RGB 64 98 117

HSL 201.51, 0.29%, 0.35%

LAB 39.76, -6.76, -14.55

 

CMYK 52 / 18 / 0 / 62

HEX #2F5062

RGB 47 80 98

HSL 201.18, 0.35%, 0.28%

LAB 32.31, -6.47, -14.22

 

CMYK 62 / 22 / 0 / 69

HEX #1E3E4F

RGB 30 62 79

HSL 200.82, 0.45%, 0.21%

LAB 24.59, -5.99, -13.88

 

CMYK 78 / 27 / 0 / 76

HEX #0D2C3C

RGB 13 44 60

HSL 200.43, 0.64%, 0.14%

LAB 16.57, -5.11, -13.52

 

CMYK 40 / 15 / 0 / 46

HEX #527589

RGB 82 117 137

HSL 201.82, 0.25%, 0.43%

LAB 47.39, -6.97, -14.87

 

CMYK 40 / 26 / 0 / 46

HEX #526689

RGB 82 102 137

HSL 218.18, 0.25%, 0.43%

LAB 42.92, 1.97, -21.74

 

CMYK 40 / 36 / 0 / 46

HEX #525789

RGB 82 87 137

HSL 234.55, 0.25%, 0.43%

LAB 38.58, 11.35, -28.49

 

CMYK 34 / 40 / 0 / 46

HEX #5B5289

RGB 91 82 137

HSL 249.82, 0.25%, 0.43%

LAB 37.96, 17.18, -29.41

 

CMYK 23 / 40 / 0 / 46

HEX #6A5289

RGB 106 82 137

HSL 266.18, 0.25%, 0.43%

LAB 39.42, 21.85, -27.02

 

CMYK 40 / 15 / 0 / 46

HEX #527589

RGB 82 117 137

HSL 201.82, 0.25%, 0.43%

LAB 47.39, -6.97, -14.87

 

CMYK 40 / 26 / 0 / 46

HEX #526689

RGB 82 102 137

HSL 218.18, 0.25%, 0.43%

LAB 42.92, 1.97, -21.74

 

CMYK 40 / 36 / 0 / 46

HEX #525789

RGB 82 87 137

HSL 234.55, 0.25%, 0.43%

LAB 38.58, 11.35, -28.49

 

CMYK 40 / 40 / 0 / 46

HEX #525289

RGB 82 82 137

HSL 240, 0.25%, 0.43%

LAB 37.18, 14.54, -30.69

 

CMYK 40 / 15 / 0 / 46

HEX #527589

RGB 82 117 137

HSL 201.82, 0.25%, 0.43%

LAB 47.39, -6.97, -14.87

 

CMYK 58 / 21 / 0 / 40

HEX #40799A

RGB 64 121 154

HSL 202, 0.41%, 0.43%

LAB 48.38, -8.61, -23.46

 

CMYK 73 / 27 / 0 / 33

HEX #2E7EAC

RGB 46 126 172

HSL 201.9, 0.58%, 0.43%

LAB 50.07, -8.53, -31.38

 

CMYK 85 / 31 / 0 / 25

HEX #1D83BE

RGB 29 131 190

HSL 201.99, 0.74%, 0.43%

LAB 52.08, -6.74, -38.63

 

CMYK 95 / 35 / 0 / 18

HEX #0B88D0

RGB 11 136 208

HSL 201.93, 0.9%, 0.43%

LAB 54.27, -3.9, -45.4

 

CMYK 40 / 15 / 0 / 46

HEX #527589

RGB 82 117 137

HSL 201.82, 0.25%, 0.43%

LAB 47.39, -6.97, -14.87

 

CMYK 17 / 6 / 0 / 53

HEX #637077

RGB 99 112 119

HSL 201, 0.09%, 0.43%

LAB 46.41, -3.26, -5.53

 

CMYK 0 / 9 / 14 / 54

HEX #756B65

RGB 117 107 101

HSL 22.5, 0.07%, 0.43%

LAB 45.96, 2.8, 4.77

 

CMYK 0 / 24 / 39 / 47

HEX #876653

RGB 135 102 83

HSL 21.92, 0.24%, 0.43%

LAB 46.01, 10.52, 15.87

 

CMYK 0 / 37 / 57 / 40

HEX #996142

RGB 153 97 66

HSL 21.38, 0.4%, 0.43%

LAB 46.6, 19.4, 26.98

 

CMYK 40 / 0 / 7 / 46

HEX #52897F

RGB 82 137 127

HSL 169.09, 0.25%, 0.43%

LAB 53.19, -20.68, -0.37

 

CMYK 40 / 4 / 0 / 46

HEX #528489

RGB 82 132 137

HSL 185.45, 0.25%, 0.43%

LAB 51.95, -15.41, -8.01

 

CMYK 40 / 15 / 0 / 46

HEX #527589

RGB 82 117 137

HSL 201.82, 0.25%, 0.43%

LAB 47.39, -6.97, -14.87

 

CMYK 40 / 25 / 0 / 46

HEX #526789

RGB 82 103 137

HSL 217.09, 0.25%, 0.43%

LAB 43.21, 1.36, -21.28

 

CMYK 40 / 36 / 0 / 46

HEX #525889

RGB 82 88 137

HSL 233.45, 0.25%, 0.43%

LAB 38.86, 10.71, -28.05

 

CMYK 40 / 14 / 0 / 67

HEX #334955

RGB 51 73 85

HSL 201.18, 0.25%, 0.27%

LAB 29.73, -5.02, -9.85

 

CMYK 41 / 14 / 0 / 56

HEX #425F6F

RGB 66 95 111

HSL 201.33, 0.25%, 0.35%

LAB 38.71, -6.17, -12.47

 

CMYK 40 / 15 / 0 / 46

HEX #527589

RGB 82 117 137

HSL 201.82, 0.25%, 0.43%

LAB 47.39, -6.97, -14.87

 

CMYK 39 / 14 / 0 / 37

HEX #638AA1

RGB 99 138 161

HSL 202.26, 0.25%, 0.51%

LAB 55.48, -7.46, -16.5

 

CMYK 30 / 10 / 0 / 31

HEX #7C9EB0

RGB 124 158 176

HSL 200.77, 0.25%, 0.59%

LAB 63.24, -7.37, -13.16

 

CMYK 40 / 15 / 0 / 47

HEX #517488

RGB 81 116 136

HSL 201.82, 0.25%, 0.43%

LAB 47, -6.96, -14.89

 

CMYK 18 / 40 / 0 / 46

HEX #705289

RGB 112 82 137

HSL 272.73, 0.25%, 0.43%

LAB 40.06, 23.78, -25.97

 

CMYK 0 / 2 / 40 / 46

HEX #898652

RGB 137 134 82

HSL 56.73, 0.25%, 0.43%

LAB 55.05, -7.06, 28.39

 

CMYK 40 / 15 / 0 / 47

HEX #517488

RGB 81 116 136

HSL 201.82, 0.25%, 0.43%

LAB 47, -6.96, -14.89

 

CMYK 0 / 40 / 15 / 46

HEX #895275

RGB 137 82 117

HSL 321.82, 0.25%, 0.43%

LAB 42.21, 28.26, -10.2

 

CMYK 15 / 0 / 40 / 46

HEX #758952

RGB 117 137 82

HSL 81.82, 0.25%, 0.43%

LAB 54.33, -17.04, 27.14

 

CMYK 40 / 15 / 0 / 47

HEX #517488

RGB 81 116 136

HSL 201.82, 0.25%, 0.43%

LAB 47, -6.96, -14.89

 

CMYK 18 / 40 / 0 / 46

HEX #705289

RGB 112 82 137

HSL 272.73, 0.25%, 0.43%

LAB 40.06, 23.78, -25.97

 

CMYK 0 / 26 / 40 / 46

HEX #896552

RGB 137 101 82

HSL 20.73, 0.25%, 0.43%

LAB 45.95, 11.84, 16.42

 

CMYK 23 / 0 / 40 / 46

HEX #6A8952

RGB 106 137 82

HSL 93.82, 0.25%, 0.43%

LAB 53.56, -21.41, 26

 

CMYK 40 / 15 / 0 / 47

HEX #517488

RGB 81 116 136

HSL 201.82, 0.25%, 0.43%

LAB 47, -6.96, -14.89

 

CMYK 7 / 40 / 0 / 46

HEX #805289

RGB 128 82 137

HSL 290.18, 0.25%, 0.43%

LAB 41.89, 29.02, -22.98

 

CMYK 0 / 26 / 40 / 46

HEX #896552

RGB 137 101 82

HSL 20.73, 0.25%, 0.43%

LAB 45.95, 11.84, 16.42

 

CMYK 34 / 0 / 40 / 46

HEX #5A8952

RGB 90 137 82

HSL 111.27, 0.25%, 0.43%

LAB 52.59, -27.35, 24.55

 

Description

Color code: HEX #517488 | qconv.com Color code: HEX #517488 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 116 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 116 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 15 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 15% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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