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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #517AC6 it is the complementary color #AE8539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #517AC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #517AC6 shade: #567AC1, #678CD4, #789EE7, #89B0FA and #9AC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #517AC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #517AC6 shade: #517AC6, #4068B3, #2F56A0, #1E448D and #0D327A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #517AC6 shade: #517AC6, #515BC6, #6751C6, #8751C6 and #A651C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #517AC6 shade: #517AC6, #515BC6 and #5151C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #517AC6 shade matches the following richer shades: #517AC6, #3F75D9, #2C6FEB and #1A6AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #517AC6 shade: #517AC6, #6480B4, #7685A1, #898B8F and #9B907C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #517AC6 shade: #51BBC6, #519BC6, #517CC6, #515DC6 and #6551C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #517AC6 shade: #305395, #3A65B4, #517AC6, #7092D0 and #90AADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #517AC6 shade: #517AC6, #B351C6 and #ABC651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #517AC6 shade: #517AC6, #C6517C and #7CC651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #517AC6 shade: #517AC6, #B351C6, #C69B51 and #65C651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #517AC6 shade: #517AC6, #C651B7, #C69B51 and #51C661

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

Complementary color

CMYK 0 / 24 / 67 / 32

HEX #AE8539

RGB 174 133 57

HSL 38.97, 0.51%, 0.45%

LAB 58.1, 7.57, 45.77

 

CMYK 55 / 37 / 0 / 24

HEX #567AC1

RGB 86 122 193

HSL 219.81, 0.46%, 0.55%

LAB 51.55, 8.31, -41.04

 

CMYK 51 / 34 / 0 / 17

HEX #678CD4

RGB 103 140 212

HSL 219.63, 0.56%, 0.62%

LAB 58.41, 7.37, -40.94

 

CMYK 48 / 32 / 0 / 9

HEX #789EE7

RGB 120 158 231

HSL 219.46, 0.7%, 0.69%

LAB 65.13, 6.6, -40.88

 

CMYK 45 / 30 / 0 / 2

HEX #89B0FA

RGB 137 176 250

HSL 219.29, 0.92%, 0.76%

LAB 71.74, 5.94, -40.85

 

CMYK 40 / 24 / 0 / 0

HEX #9AC2FF

RGB 154 194 255

HSL 216.24, 1%, 0.8%

LAB 77.68, 1.62, -34.24

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 64 / 42 / 0 / 30

HEX #4068B3

RGB 64 104 179

HSL 219.13, 0.47%, 0.48%

LAB 44.58, 10.27, -44.08

 

CMYK 71 / 46 / 0 / 37

HEX #2F56A0

RGB 47 86 160

HSL 219.29, 0.55%, 0.41%

LAB 37.48, 12.01, -44.25

 

CMYK 79 / 52 / 0 / 45

HEX #1E448D

RGB 30 68 141

HSL 219.46, 0.65%, 0.34%

LAB 30.24, 14.3, -44.41

 

CMYK 89 / 59 / 0 / 52

HEX #0D327A

RGB 13 50 122

HSL 219.63, 0.81%, 0.26%

LAB 22.9, 17.38, -44.47

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 59 / 54 / 0 / 22

HEX #515BC6

RGB 81 91 198

HSL 234.87, 0.51%, 0.55%

LAB 43.22, 28.23, -57.25

 

CMYK 48 / 59 / 0 / 22

HEX #6751C6

RGB 103 81 198

HSL 251.28, 0.51%, 0.55%

LAB 42.53, 38.67, -58.29

 

CMYK 32 / 59 / 0 / 22

HEX #8751C6

RGB 135 81 198

HSL 267.69, 0.51%, 0.55%

LAB 45.79, 45.82, -52.87

 

CMYK 16 / 59 / 0 / 22

HEX #A651C6

RGB 166 81 198

HSL 283.59, 0.51%, 0.55%

LAB 49.58, 53.4, -46.59

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 59 / 54 / 0 / 22

HEX #515BC6

RGB 81 91 198

HSL 234.87, 0.51%, 0.55%

LAB 43.22, 28.23, -57.25

 

CMYK 59 / 59 / 0 / 22

HEX #5151C6

RGB 81 81 198

HSL 240, 0.51%, 0.55%

LAB 40.75, 34.46, -61.25

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 71 / 46 / 0 / 15

HEX #3F75D9

RGB 63 117 217

HSL 218.96, 0.67%, 0.55%

LAB 50.44, 15.58, -56.54

 

CMYK 81 / 53 / 0 / 8

HEX #2C6FEB

RGB 44 111 235

HSL 218.95, 0.83%, 0.55%

LAB 49.38, 23.88, -68.43

 

CMYK 90 / 58 / 0 / 0

HEX #1A6AFE

RGB 26 106 254

HSL 218.95, 0.99%, 0.55%

LAB 49.11, 33.04, -79.48

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 44 / 29 / 0 / 29

HEX #6480B4

RGB 100 128 180

HSL 219, 0.35%, 0.55%

LAB 53.43, 4.02, -30.58

 

CMYK 27 / 17 / 0 / 37

HEX #7685A1

RGB 118 133 161

HSL 219.07, 0.19%, 0.55%

LAB 55.28, 1.12, -16.7

 

CMYK 4 / 3 / 0 / 44

HEX #898B8F

RGB 137 139 143

HSL 220, 0.03%, 0.55%

LAB 57.82, 0.07, -2.39

 

CMYK 0 / 7 / 20 / 39

HEX #9B907C

RGB 155 144 124

HSL 38.71, 0.13%, 0.55%

LAB 60.22, 0.66, 12.11

 

CMYK 59 / 6 / 0 / 22

HEX #51BBC6

RGB 81 187 198

HSL 185.64, 0.51%, 0.55%

LAB 70.43, -27.06, -14.73

 

CMYK 59 / 22 / 0 / 22

HEX #519BC6

RGB 81 155 198

HSL 202.05, 0.51%, 0.55%

LAB 61.02, -10.31, -29.09

 

CMYK 59 / 37 / 0 / 22

HEX #517CC6

RGB 81 124 198

HSL 217.95, 0.51%, 0.55%

LAB 52.11, 7.7, -43.04

 

CMYK 59 / 53 / 0 / 22

HEX #515DC6

RGB 81 93 198

HSL 233.85, 0.51%, 0.55%

LAB 43.73, 26.98, -56.43

 

CMYK 49 / 59 / 0 / 22

HEX #6551C6

RGB 101 81 198

HSL 250.26, 0.51%, 0.55%

LAB 42.35, 38.26, -58.59

 

CMYK 68 / 44 / 0 / 42

HEX #305395

RGB 48 83 149

HSL 219.21, 0.51%, 0.39%

LAB 35.96, 10.01, -40.06

 

CMYK 68 / 44 / 0 / 29

HEX #3A65B4

RGB 58 101 180

HSL 218.85, 0.51%, 0.47%

LAB 43.51, 11.49, -46.39

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 46 / 30 / 0 / 18

HEX #7092D0

RGB 112 146 208

HSL 218.75, 0.51%, 0.63%

LAB 60.39, 4.8, -35.56

 

CMYK 34 / 22 / 0 / 15

HEX #90AADA

RGB 144 170 218

HSL 218.92, 0.5%, 0.71%

LAB 69.28, 2.45, -27.18

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 10 / 59 / 0 / 22

HEX #B351C6

RGB 179 81 198

HSL 290.26, 0.51%, 0.55%

LAB 51.32, 56.67, -43.72

 

CMYK 14 / 0 / 59 / 22

HEX #ABC651

RGB 171 198 81

HSL 73.85, 0.51%, 0.55%

LAB 75.85, -26.03, 54.29

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 0 / 59 / 37 / 22

HEX #C6517C

RGB 198 81 124

HSL 337.95, 0.51%, 0.55%

LAB 51.09, 50.76, -0.3

 

CMYK 37 / 0 / 59 / 22

HEX #7CC651

RGB 124 198 81

HSL 97.95, 0.51%, 0.55%

LAB 73.07, -43.51, 50.41

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 10 / 59 / 0 / 22

HEX #B351C6

RGB 179 81 198

HSL 290.26, 0.51%, 0.55%

LAB 51.32, 56.67, -43.72

 

CMYK 0 / 22 / 59 / 22

HEX #C69B51

RGB 198 155 81

HSL 37.95, 0.51%, 0.55%

LAB 66.55, 7.59, 44.31

 

CMYK 49 / 0 / 59 / 22

HEX #65C651

RGB 101 198 81

HSL 109.74, 0.51%, 0.55%

LAB 72.06, -50.7, 48.99

 

CMYK 59 / 38 / 0 / 22

HEX #517AC6

RGB 81 122 198

HSL 218.97, 0.51%, 0.55%

LAB 51.55, 8.92, -43.93

 

CMYK 0 / 59 / 8 / 22

HEX #C651B7

RGB 198 81 183

HSL 307.69, 0.51%, 0.55%

LAB 53.29, 58.98, -31.78

 

CMYK 0 / 22 / 59 / 22

HEX #C69B51

RGB 198 155 81

HSL 37.95, 0.51%, 0.55%

LAB 66.55, 7.59, 44.31

 

CMYK 59 / 0 / 51 / 22

HEX #51C661

RGB 81 198 97

HSL 128.21, 0.51%, 0.55%

LAB 71.56, -53.88, 40.68

 

Description

Color code: HEX #517AC6 | qconv.com Color code: HEX #517AC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 122 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 122 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 38 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 38% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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