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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #517F75 it is the complementary color #AE808A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #517F75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #517F75 shade: #567F70, #679183, #78A396, #89B5A9 and #9AC7BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #517F75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #517F75 shade: #517F75, #406D62, #2F5B4F, #1E493C and #0D3729

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #517F75 shade: #517F75, #517F69, #517F5C, #527F51 and #5F7F51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #517F75 shade: #517F75, #517D7F, #51707F, #51647F and #51577F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #517F75 shade matches the following richer shades: #517F75, #40907F, #2FA188, #1EB292 and #0DC39B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #517F75 shade: #517F75, #626E6B, #735D62, #844C58 and #953B4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #517F75 shade: #517F5C, #517F68, #517F74, #517E7F and #51717F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #517F75 shade: #314D47, #41665E, #517F75, #61988C and #79A99F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #517F75 shade: #517F75, #51537F and #7F6251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #517F75 shade: #517F75, #74517F and #7F7451

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #517F75 shade: #517F75, #51537F, #7F515C and #7F7E51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #517F75 shade: #517F75, #5D517F, #7F515C and #737F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

Complementary color

CMYK 0 / 26 / 21 / 32

HEX #AE808A

RGB 174 128 138

HSL 346.96, 0.22%, 0.59%

LAB 58.29, 19.3, 1.6

 

CMYK 32 / 0 / 12 / 50

HEX #567F70

RGB 86 127 112

HSL 158.05, 0.19%, 0.42%

LAB 49.89, -17.76, 3.61

 

CMYK 29 / 0 / 10 / 43

HEX #679183

RGB 103 145 131

HSL 160, 0.17%, 0.49%

LAB 56.85, -17.55, 2.8

 

CMYK 26 / 0 / 8 / 36

HEX #78A396

RGB 120 163 150

HSL 161.86, 0.19%, 0.55%

LAB 63.66, -17.36, 2.04

 

CMYK 24 / 0 / 7 / 29

HEX #89B5A9

RGB 137 181 169

HSL 163.64, 0.23%, 0.62%

LAB 70.34, -17.2, 1.33

 

CMYK 23 / 0 / 6 / 22

HEX #9AC7BC

RGB 154 199 188

HSL 165.33, 0.29%, 0.69%

LAB 76.89, -17.06, 0.65

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

CMYK 41 / 0 / 10 / 57

HEX #406D62

RGB 64 109 98

HSL 165.33, 0.26%, 0.34%

LAB 42.63, -18.34, 1.27

 

CMYK 48 / 0 / 13 / 64

HEX #2F5B4F

RGB 47 91 79

HSL 163.64, 0.32%, 0.27%

LAB 35.3, -18.52, 2.2

 

CMYK 59 / 0 / 18 / 71

HEX #1E493C

RGB 30 73 60

HSL 161.86, 0.42%, 0.2%

LAB 27.76, -18.64, 3.28

 

CMYK 76 / 0 / 25 / 78

HEX #0D3729

RGB 13 55 41

HSL 160, 0.62%, 0.13%

LAB 19.96, -18.52, 4.62

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

CMYK 36 / 0 / 17 / 50

HEX #517F69

RGB 81 127 105

HSL 151.3, 0.22%, 0.41%

LAB 49.43, -20.95, 7.02

 

CMYK 36 / 0 / 28 / 50

HEX #517F5C

RGB 81 127 92

HSL 134.35, 0.22%, 0.41%

LAB 49.13, -23.69, 14.16

 

CMYK 35 / 0 / 36 / 50

HEX #527F51

RGB 82 127 81

HSL 118.7, 0.22%, 0.41%

LAB 48.97, -25.39, 20.26

 

CMYK 25 / 0 / 36 / 50

HEX #5F7F51

RGB 95 127 81

HSL 101.74, 0.22%, 0.41%

LAB 49.74, -20.63, 21.43

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

CMYK 36 / 2 / 0 / 50

HEX #517D7F

RGB 81 125 127

HSL 182.61, 0.22%, 0.41%

LAB 49.43, -14.52, -5.91

 

CMYK 36 / 12 / 0 / 50

HEX #51707F

RGB 81 112 127

HSL 199.57, 0.22%, 0.41%

LAB 45.46, -7.16, -11.87

 

CMYK 36 / 21 / 0 / 50

HEX #51647F

RGB 81 100 127

HSL 215.22, 0.22%, 0.41%

LAB 41.84, -0.01, -17.37

 

CMYK 36 / 31 / 0 / 50

HEX #51577F

RGB 81 87 127

HSL 232.17, 0.22%, 0.41%

LAB 38.02, 8.08, -23.27

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

CMYK 56 / 0 / 12 / 44

HEX #40907F

RGB 64 144 127

HSL 167.25, 0.38%, 0.41%

LAB 54.63, -28.81, 1.64

 

CMYK 71 / 0 / 16 / 37

HEX #2FA188

RGB 47 161 136

HSL 166.84, 0.55%, 0.41%

LAB 59.77, -37.57, 3.91

 

CMYK 83 / 0 / 18 / 30

HEX #1EB292

RGB 30 178 146

HSL 167.03, 0.71%, 0.41%

LAB 65.11, -44.3, 5.98

 

CMYK 93 / 0 / 21 / 24

HEX #0DC39B

RGB 13 195 155

HSL 166.81, 0.88%, 0.41%

LAB 70.51, -50.01, 8.76

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

CMYK 11 / 0 / 3 / 57

HEX #626E6B

RGB 98 110 107

HSL 165, 0.06%, 0.41%

LAB 45.37, -5.17, 0.12

 

CMYK 0 / 19 / 15 / 55

HEX #735D62

RGB 115 93 98

HSL 346.36, 0.11%, 0.41%

LAB 41.78, 9.83, 0.52

 

CMYK 0 / 42 / 33 / 48

HEX #844C58

RGB 132 76 88

HSL 347.14, 0.27%, 0.41%

LAB 39.21, 25.23, 3.23

 

CMYK 0 / 60 / 47 / 42

HEX #953B4F

RGB 149 59 79

HSL 346.67, 0.43%, 0.41%

LAB 37.99, 39.69, 7.5

 

CMYK 36 / 0 / 28 / 50

HEX #517F5C

RGB 81 127 92

HSL 134.35, 0.22%, 0.41%

LAB 49.13, -23.69, 14.16

 

CMYK 36 / 0 / 18 / 50

HEX #517F68

RGB 81 127 104

HSL 150, 0.22%, 0.41%

LAB 49.41, -21.17, 7.57

 

CMYK 36 / 0 / 9 / 50

HEX #517F74

RGB 81 127 116

HSL 165.65, 0.22%, 0.41%

LAB 49.72, -18.39, 0.99

 

CMYK 36 / 1 / 0 / 50

HEX #517E7F

RGB 81 126 127

HSL 181.3, 0.22%, 0.41%

LAB 49.74, -15.07, -5.45

 

CMYK 36 / 11 / 0 / 50

HEX #51717F

RGB 81 113 127

HSL 198.26, 0.22%, 0.41%

LAB 45.76, -7.74, -11.41

 

CMYK 36 / 0 / 8 / 70

HEX #314D47

RGB 49 77 71

HSL 167.14, 0.22%, 0.25%

LAB 30.44, -12.1, 0.2

 

CMYK 36 / 0 / 8 / 60

HEX #41665E

RGB 65 102 94

HSL 167.03, 0.22%, 0.33%

LAB 40.3, -15.2, 0.33

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

CMYK 36 / 0 / 8 / 40

HEX #61988C

RGB 97 152 140

HSL 166.91, 0.22%, 0.49%

LAB 58.87, -20.98, 0.56

 

CMYK 28 / 0 / 6 / 34

HEX #79A99F

RGB 121 169 159

HSL 167.5, 0.22%, 0.57%

LAB 65.71, -18.18, -0.01

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

CMYK 36 / 35 / 0 / 50

HEX #51537F

RGB 81 83 127

HSL 237.39, 0.22%, 0.41%

LAB 36.87, 10.62, -25.06

 

CMYK 0 / 23 / 36 / 50

HEX #7F6251

RGB 127 98 81

HSL 22.17, 0.22%, 0.41%

LAB 44, 9.17, 14.17

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

CMYK 9 / 36 / 0 / 50

HEX #74517F

RGB 116 81 127

HSL 285.65, 0.22%, 0.41%

LAB 39.8, 23.39, -20.24

 

CMYK 0 / 9 / 36 / 50

HEX #7F7451

RGB 127 116 81

HSL 45.65, 0.22%, 0.41%

LAB 49, -1.36, 20.91

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

CMYK 36 / 35 / 0 / 50

HEX #51537F

RGB 81 83 127

HSL 237.39, 0.22%, 0.41%

LAB 36.87, 10.62, -25.06

 

CMYK 0 / 36 / 28 / 50

HEX #7F515C

RGB 127 81 92

HSL 345.65, 0.22%, 0.41%

LAB 39.86, 20.89, 1.61

 

CMYK 0 / 1 / 36 / 50

HEX #7F7E51

RGB 127 126 81

HSL 58.7, 0.22%, 0.41%

LAB 51.87, -7.02, 24.67

 

CMYK 36 / 0 / 8 / 50

HEX #517F75

RGB 81 127 117

HSL 166.96, 0.22%, 0.41%

LAB 49.75, -18.15, 0.45

 

CMYK 27 / 36 / 0 / 50

HEX #5D517F

RGB 93 81 127

HSL 255.65, 0.22%, 0.41%

LAB 37.38, 15.68, -24.18

 

CMYK 0 / 36 / 28 / 50

HEX #7F515C

RGB 127 81 92

HSL 345.65, 0.22%, 0.41%

LAB 39.86, 20.89, 1.61

 

CMYK 9 / 0 / 36 / 50

HEX #737F51

RGB 115 127 81

HSL 75.65, 0.22%, 0.41%

LAB 51.17, -12.63, 23.57

 

Description

Color code: HEX #517F75 | qconv.com Color code: HEX #517F75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 127 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 127 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 8 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 8% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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