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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #518012 it is the complementary color #AE7FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #518012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #518012 shade: #56800D, #679220, #78A433, #89B646 and #9AC859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #518012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #518012 shade: #518012, #406E00, #2F5C00, #1E4A00 and #0D3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #518012 shade: #528112, #6F8112, #817412, #815712 and #813912

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #518012 shade: #528112, #348112, #168112, #12812C and #12814A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #518012 shade matches the following richer shades: #528112 and #538D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #518012 shade: #528112, #50751E, #4E692A, #4C5D36 and #4B5142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #518012 shade: #817412, #708112, #538112, #358112 and #188112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #518012 shade: #243908, #3B5D0D, #528112, #68A517 and #7FC91C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #518012 shade: #518012, #128156 and #81127F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #518012 shade: #518012, #125381 and #811253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #518012 shade: #518012, #128156, #401281 and #81123D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #518012 shade: #518012, #128178, #401281 and #81121B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 86 / 50

HEX #518012

RGB 81 128 18

HSL 85.64, 0.75%, 0.29%

LAB 48.55, -32.95, 48.89

 

Complementary color

CMYK 27 / 46 / 0 / 7

HEX #AE7FED

RGB 174 127 237

HSL 265.64, 0.75%, 0.71%

LAB 61.91, 39.93, -49

 

CMYK 33 / 0 / 90 / 50

HEX #56800D

RGB 86 128 13

HSL 81.91, 0.82%, 0.28%

LAB 48.82, -31.16, 50.45

 

CMYK 29 / 0 / 78 / 43

HEX #679220

RGB 103 146 32

HSL 82.63, 0.64%, 0.35%

LAB 55.63, -31.91, 51.59

 

CMYK 27 / 0 / 69 / 36

HEX #78A433

RGB 120 164 51

HSL 83.36, 0.53%, 0.42%

LAB 62.32, -32.39, 51.5

 

CMYK 25 / 0 / 62 / 29

HEX #89B646

RGB 137 182 70

HSL 84.11, 0.44%, 0.49%

LAB 68.91, -32.7, 50.82

 

CMYK 23 / 0 / 56 / 22

HEX #9AC859

RGB 154 200 89

HSL 84.86, 0.5%, 0.57%

LAB 75.39, -32.88, 49.86

 

CMYK 37 / 0 / 86 / 50

HEX #518012

RGB 81 128 18

HSL 85.64, 0.75%, 0.29%

LAB 48.55, -32.95, 48.89

 

CMYK 42 / 0 / 100 / 57

HEX #406E00

RGB 64 110 0

HSL 85.09, 1%, 0.22%

LAB 41.6, -32.01, 46.91

 

CMYK 49 / 0 / 100 / 64

HEX #2F5C00

RGB 47 92 0

HSL 89.35, 1%, 0.18%

LAB 34.52, -30.4, 41.03

 

CMYK 59 / 0 / 100 / 71

HEX #1E4A00

RGB 30 74 0

HSL 95.68, 1%, 0.15%

LAB 27.22, -28.57, 34.9

 

CMYK 77 / 0 / 100 / 78

HEX #0D3800

RGB 13 56 0

HSL 106.07, 1%, 0.11%

LAB 19.7, -26.25, 27.1

 

CMYK 36 / 0 / 86 / 49

HEX #528112

RGB 82 129 18

HSL 85.41, 0.76%, 0.29%

LAB 48.93, -33.01, 49.25

 

CMYK 14 / 0 / 86 / 49

HEX #6F8112

RGB 111 129 18

HSL 69.73, 0.76%, 0.29%

LAB 50.83, -20.81, 51.64

 

CMYK 0 / 10 / 86 / 49

HEX #817412

RGB 129 116 18

HSL 52.97, 0.76%, 0.29%

LAB 48.51, -5.45, 50.29

 

CMYK 0 / 33 / 86 / 49

HEX #815712

RGB 129 87 18

HSL 37.3, 0.76%, 0.29%

LAB 40.45, 11.41, 43.41

 

CMYK 0 / 56 / 86 / 49

HEX #813912

RGB 129 57 18

HSL 21.08, 0.76%, 0.29%

LAB 33.22, 28.73, 37.06

 

CMYK 36 / 0 / 86 / 49

HEX #528112

RGB 82 129 18

HSL 85.41, 0.76%, 0.29%

LAB 48.93, -33.01, 49.25

 

CMYK 60 / 0 / 86 / 49

HEX #348112

RGB 52 129 18

HSL 101.62, 0.76%, 0.29%

LAB 47.59, -43.07, 47.55

 

CMYK 83 / 0 / 86 / 49

HEX #168112

RGB 22 129 18

HSL 117.84, 0.76%, 0.29%

LAB 46.86, -49.22, 46.62

 

CMYK 86 / 0 / 66 / 49

HEX #12812C

RGB 18 129 44

HSL 134.05, 0.76%, 0.29%

LAB 46.99, -47.43, 36.87

 

CMYK 86 / 0 / 43 / 49

HEX #12814A

RGB 18 129 74

HSL 150.27, 0.76%, 0.29%

LAB 47.4, -42.56, 21.74

 

CMYK 36 / 0 / 86 / 49

HEX #528112

RGB 82 129 18

HSL 85.41, 0.76%, 0.29%

LAB 48.93, -33.01, 49.25

 

CMYK 41 / 0 / 96 / 45

HEX #538D06

RGB 83 141 6

HSL 85.78, 0.92%, 0.29%

LAB 52.84, -38.29, 55.01

 

CMYK 36 / 0 / 86 / 49

HEX #528112

RGB 82 129 18

HSL 85.41, 0.76%, 0.29%

LAB 48.93, -33.01, 49.25

 

CMYK 32 / 0 / 74 / 54

HEX #50751E

RGB 80 117 30

HSL 85.52, 0.59%, 0.29%

LAB 44.97, -27.53, 41.48

 

CMYK 26 / 0 / 60 / 59

HEX #4E692A

RGB 78 105 42

HSL 85.71, 0.43%, 0.29%

LAB 41.04, -21.3, 31.69

 

CMYK 18 / 0 / 42 / 64

HEX #4C5D36

RGB 76 93 54

HSL 86.15, 0.27%, 0.29%

LAB 37.17, -14.16, 20.29

 

CMYK 7 / 0 / 19 / 68

HEX #4B5142

RGB 75 81 66

HSL 84, 0.1%, 0.29%

LAB 33.51, -5.55, 8.02

 

CMYK 0 / 10 / 86 / 49

HEX #817412

RGB 129 116 18

HSL 52.97, 0.76%, 0.29%

LAB 48.51, -5.45, 50.29

 

CMYK 13 / 0 / 86 / 49

HEX #708112

RGB 112 129 18

HSL 69.19, 0.76%, 0.29%

LAB 50.91, -20.36, 51.74

 

CMYK 36 / 0 / 86 / 49

HEX #538112

RGB 83 129 18

HSL 84.86, 0.76%, 0.29%

LAB 48.99, -32.62, 49.32

 

CMYK 59 / 0 / 86 / 49

HEX #358112

RGB 53 129 18

HSL 101.08, 0.76%, 0.29%

LAB 47.63, -42.8, 47.59

 

CMYK 81 / 0 / 86 / 49

HEX #188112

RGB 24 129 18

HSL 116.76, 0.76%, 0.29%

LAB 46.89, -48.94, 46.66

 

CMYK 37 / 0 / 86 / 78

HEX #243908

RGB 36 57 8

HSL 85.71, 0.75%, 0.13%

LAB 21.28, -17.45, 25.92

 

CMYK 37 / 0 / 86 / 64

HEX #3B5D0D

RGB 59 93 13

HSL 85.5, 0.75%, 0.21%

LAB 35.57, -25.55, 38.24

 

CMYK 36 / 0 / 86 / 49

HEX #528112

RGB 82 129 18

HSL 85.41, 0.76%, 0.29%

LAB 48.93, -33.01, 49.25

 

CMYK 37 / 0 / 86 / 35

HEX #68A517

RGB 104 165 23

HSL 85.77, 0.76%, 0.37%

LAB 61.58, -40.42, 59.53

 

CMYK 37 / 0 / 86 / 21

HEX #7FC91C

RGB 127 201 28

HSL 85.66, 0.76%, 0.45%

LAB 73.78, -47.14, 69.41

 

CMYK 37 / 0 / 86 / 50

HEX #518012

RGB 81 128 18

HSL 85.64, 0.75%, 0.29%

LAB 48.55, -32.95, 48.89

 

CMYK 86 / 0 / 33 / 49

HEX #128156

RGB 18 129 86

HSL 156.76, 0.76%, 0.29%

LAB 47.63, -39.95, 15.23

 

CMYK 0 / 86 / 2 / 49

HEX #81127F

RGB 129 18 127

HSL 301.08, 0.76%, 0.29%

LAB 30.95, 55.89, -33.99

 

CMYK 37 / 0 / 86 / 50

HEX #518012

RGB 81 128 18

HSL 85.64, 0.75%, 0.29%

LAB 48.55, -32.95, 48.89

 

CMYK 86 / 36 / 0 / 49

HEX #125381

RGB 18 83 129

HSL 204.86, 0.76%, 0.29%

LAB 33.77, -1.96, -31.38

 

CMYK 0 / 86 / 36 / 49

HEX #811253

RGB 129 18 83

HSL 324.86, 0.76%, 0.29%

LAB 28.71, 49.71, -9.12

 

CMYK 37 / 0 / 86 / 50

HEX #518012

RGB 81 128 18

HSL 85.64, 0.75%, 0.29%

LAB 48.55, -32.95, 48.89

 

CMYK 86 / 0 / 33 / 49

HEX #128156

RGB 18 129 86

HSL 156.76, 0.76%, 0.29%

LAB 47.63, -39.95, 15.23

 

CMYK 50 / 86 / 0 / 49

HEX #401281

RGB 64 18 129

HSL 264.86, 0.76%, 0.29%

LAB 20.47, 45.08, -52.74

 

CMYK 0 / 86 / 53 / 49

HEX #81123D

RGB 129 18 61

HSL 336.76, 0.76%, 0.29%

LAB 27.94, 47.5, 4.48

 

CMYK 37 / 0 / 86 / 50

HEX #518012

RGB 81 128 18

HSL 85.64, 0.75%, 0.29%

LAB 48.55, -32.95, 48.89

 

CMYK 86 / 0 / 7 / 49

HEX #128178

RGB 18 129 120

HSL 175.14, 0.76%, 0.29%

LAB 48.49, -30.76, -3.4

 

CMYK 50 / 86 / 0 / 49

HEX #401281

RGB 64 18 129

HSL 264.86, 0.76%, 0.29%

LAB 20.47, 45.08, -52.74

 

CMYK 0 / 86 / 79 / 49

HEX #81121B

RGB 129 18 27

HSL 355.14, 0.76%, 0.29%

LAB 27.24, 45.4, 26.21

 

Description

Color code: HEX #518012 | qconv.com Color code: HEX #518012 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 128 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 128 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 86 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 86% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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