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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #519819 it is the complementary color #AE67E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #519819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #519819 shade: #569814, #67AA27, #78BC3A, #89CE4D and #9AE060

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #519819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #519819 shade: #519819, #408606, #2F7400, #1E6200 and #0D5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #519819 shade: #519918, #749918, #969918, #997918 and #995618

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #519819 shade: #519918, #2F9918, #189925, #189948 and #18996A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #519819 shade matches the following richer shades: #519918 and #4FA70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #519819 shade: #519918, #538B27, #557C35, #566E44 and #585F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #519819 shade: #979918, #759918, #529918, #309918 and #189923

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #519819 shade: #2B520D, #3E7613, #519918, #64BC1E and #77DC28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #519819 shade: #519819, #189979 and #991886

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #519819 shade: #519819, #185299 and #991852

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #519819 shade: #519819, #189979, #5F1899 and #991839

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #519819 shade: #519819, #189399, #5F1899 and #991F18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 84 / 40

HEX #519819

RGB 81 152 25

HSL 93.54, 0.72%, 0.35%

LAB 56.36, -42.93, 53.99

 

Complementary color

CMYK 24 / 55 / 0 / 10

HEX #AE67E6

RGB 174 103 230

HSL 273.54, 0.72%, 0.65%

LAB 56.5, 51.23, -53.69

 

CMYK 43 / 0 / 87 / 40

HEX #569814

RGB 86 152 20

HSL 90, 0.77%, 0.34%

LAB 56.57, -41.45, 55.53

 

CMYK 39 / 0 / 77 / 33

HEX #67AA27

RGB 103 170 39

HSL 90.69, 0.63%, 0.41%

LAB 63.16, -42.16, 56.43

 

CMYK 36 / 0 / 69 / 26

HEX #78BC3A

RGB 120 188 58

HSL 91.38, 0.53%, 0.48%

LAB 69.66, -42.6, 56.33

 

CMYK 33 / 0 / 63 / 19

HEX #89CE4D

RGB 137 206 77

HSL 92.09, 0.57%, 0.55%

LAB 76.07, -42.86, 55.69

 

CMYK 31 / 0 / 57 / 12

HEX #9AE060

RGB 154 224 96

HSL 92.81, 0.67%, 0.63%

LAB 82.39, -42.99, 54.78

 

CMYK 47 / 0 / 84 / 40

HEX #519819

RGB 81 152 25

HSL 93.54, 0.72%, 0.35%

LAB 56.36, -42.93, 53.99

 

CMYK 52 / 0 / 96 / 47

HEX #408606

RGB 64 134 6

HSL 92.81, 0.91%, 0.27%

LAB 49.68, -41.89, 52.08

 

CMYK 59 / 0 / 100 / 55

HEX #2F7400

RGB 47 116 0

HSL 95.69, 1%, 0.23%

LAB 42.91, -40.23, 47.62

 

CMYK 69 / 0 / 100 / 62

HEX #1E6200

RGB 30 98 0

HSL 101.63, 1%, 0.19%

LAB 36.01, -38.04, 41.93

 

CMYK 84 / 0 / 100 / 69

HEX #0D5000

RGB 13 80 0

HSL 110.25, 1%, 0.16%

LAB 28.96, -35.18, 36.14

 

CMYK 47 / 0 / 84 / 40

HEX #519918

RGB 81 153 24

HSL 93.49, 0.73%, 0.35%

LAB 56.68, -43.38, 54.54

 

CMYK 24 / 0 / 84 / 40

HEX #749918

RGB 116 153 24

HSL 77.21, 0.73%, 0.35%

LAB 58.57, -30.3, 56.93

 

CMYK 2 / 0 / 84 / 40

HEX #969918

RGB 150 153 24

HSL 61.4, 0.73%, 0.35%

LAB 61.07, -15.6, 60.07

 

CMYK 0 / 21 / 84 / 40

HEX #997918

RGB 153 121 24

HSL 45.12, 0.73%, 0.35%

LAB 52.41, 3.2, 52.81

 

CMYK 0 / 44 / 84 / 40

HEX #995618

RGB 153 86 24

HSL 28.84, 0.73%, 0.35%

LAB 43.5, 23.19, 45.05

 

CMYK 47 / 0 / 84 / 40

HEX #519918

RGB 81 153 24

HSL 93.49, 0.73%, 0.35%

LAB 56.68, -43.38, 54.54

 

CMYK 69 / 0 / 84 / 40

HEX #2F9918

RGB 47 153 24

HSL 109.3, 0.73%, 0.35%

LAB 55.54, -52.53, 53.08

 

CMYK 84 / 0 / 76 / 40

HEX #189925

RGB 24 153 37

HSL 126.05, 0.73%, 0.35%

LAB 55.19, -55.29, 48.48

 

CMYK 84 / 0 / 53 / 40

HEX #189948

RGB 24 153 72

HSL 142.33, 0.73%, 0.35%

LAB 55.53, -51.1, 33.17

 

CMYK 84 / 0 / 31 / 40

HEX #18996A

RGB 24 153 106

HSL 158.14, 0.73%, 0.35%

LAB 56.11, -44.44, 15.55

 

CMYK 47 / 0 / 84 / 40

HEX #519918

RGB 81 153 24

HSL 93.49, 0.73%, 0.35%

LAB 56.68, -43.38, 54.54

 

CMYK 53 / 0 / 94 / 35

HEX #4FA70A

RGB 79 167 10

HSL 93.63, 0.89%, 0.35%

LAB 61.06, -49.92, 61.03

 

CMYK 47 / 0 / 84 / 40

HEX #519918

RGB 81 153 24

HSL 93.49, 0.73%, 0.35%

LAB 56.68, -43.38, 54.54

 

CMYK 40 / 0 / 72 / 45

HEX #538B27

RGB 83 139 39

HSL 93.6, 0.56%, 0.35%

LAB 52.34, -35.87, 45.4

 

CMYK 31 / 0 / 57 / 51

HEX #557C35

RGB 85 124 53

HSL 92.96, 0.4%, 0.35%

LAB 47.76, -26.82, 33.98

 

CMYK 22 / 0 / 38 / 57

HEX #566E44

RGB 86 110 68

HSL 94.29, 0.24%, 0.35%

LAB 43.58, -17.21, 20.62

 

CMYK 7 / 0 / 14 / 63

HEX #585F52

RGB 88 95 82

HSL 92.31, 0.07%, 0.35%

LAB 39.36, -5.44, 6.51

 

CMYK 1 / 0 / 84 / 40

HEX #979918

RGB 151 153 24

HSL 60.93, 0.73%, 0.35%

LAB 61.16, -15.15, 60.18

 

CMYK 24 / 0 / 84 / 40

HEX #759918

RGB 117 153 24

HSL 76.74, 0.73%, 0.35%

LAB 58.63, -29.88, 57.01

 

CMYK 46 / 0 / 84 / 40

HEX #529918

RGB 82 153 24

HSL 93.02, 0.73%, 0.35%

LAB 56.73, -43.05, 54.6

 

CMYK 69 / 0 / 84 / 40

HEX #309918

RGB 48 153 24

HSL 108.84, 0.73%, 0.35%

LAB 55.56, -52.33, 53.11

 

CMYK 84 / 0 / 77 / 40

HEX #189923

RGB 24 153 35

HSL 125.12, 0.73%, 0.35%

LAB 55.17, -55.45, 49.18

 

CMYK 48 / 0 / 84 / 68

HEX #2B520D

RGB 43 82 13

HSL 93.91, 0.73%, 0.19%

LAB 30.82, -26.67, 33.49

 

CMYK 47 / 0 / 84 / 54

HEX #3E7613

RGB 62 118 19

HSL 93.94, 0.72%, 0.27%

LAB 44.27, -35.48, 44.39

 

CMYK 47 / 0 / 84 / 40

HEX #519918

RGB 81 153 24

HSL 93.49, 0.73%, 0.35%

LAB 56.68, -43.38, 54.54

 

CMYK 47 / 0 / 84 / 26

HEX #64BC1E

RGB 100 188 30

HSL 93.42, 0.72%, 0.43%

LAB 68.58, -50.89, 63.94

 

CMYK 46 / 0 / 82 / 14

HEX #77DC28

RGB 119 220 40

HSL 93.67, 0.72%, 0.51%

LAB 79.19, -56.83, 71.25

 

CMYK 47 / 0 / 84 / 40

HEX #519819

RGB 81 152 25

HSL 93.54, 0.72%, 0.35%

LAB 56.36, -42.93, 53.99

 

CMYK 84 / 0 / 21 / 40

HEX #189979

RGB 24 153 121

HSL 165.12, 0.73%, 0.35%

LAB 56.44, -40.75, 7.56

 

CMYK 0 / 84 / 12 / 40

HEX #991886

RGB 153 24 134

HSL 308.84, 0.73%, 0.35%

LAB 36.27, 60.6, -29.66

 

CMYK 47 / 0 / 84 / 40

HEX #519819

RGB 81 152 25

HSL 93.54, 0.72%, 0.35%

LAB 56.36, -42.93, 53.99

 

CMYK 84 / 46 / 0 / 40

HEX #185299

RGB 24 82 153

HSL 213.02, 0.73%, 0.35%

LAB 35.06, 9.02, -43.96

 

CMYK 0 / 84 / 46 / 40

HEX #991852

RGB 153 24 82

HSL 333.02, 0.73%, 0.35%

LAB 34.06, 54.37, 0.02

 

CMYK 47 / 0 / 84 / 40

HEX #519819

RGB 81 152 25

HSL 93.54, 0.72%, 0.35%

LAB 56.36, -42.93, 53.99

 

CMYK 84 / 0 / 21 / 40

HEX #189979

RGB 24 153 121

HSL 165.12, 0.73%, 0.35%

LAB 56.44, -40.75, 7.56

 

CMYK 38 / 84 / 0 / 40

HEX #5F1899

RGB 95 24 153

HSL 273.02, 0.73%, 0.35%

LAB 27.81, 53.32, -55.48

 

CMYK 0 / 84 / 63 / 40

HEX #991839

RGB 153 24 57

HSL 344.65, 0.73%, 0.35%

LAB 33.39, 52.41, 15.44

 

CMYK 47 / 0 / 84 / 40

HEX #519819

RGB 81 152 25

HSL 93.54, 0.72%, 0.35%

LAB 56.36, -42.93, 53.99

 

CMYK 84 / 4 / 0 / 40

HEX #189399

RGB 24 147 153

HSL 182.79, 0.73%, 0.35%

LAB 55.44, -28.68, -12.21

 

CMYK 38 / 84 / 0 / 40

HEX #5F1899

RGB 95 24 153

HSL 273.02, 0.73%, 0.35%

LAB 27.81, 53.32, -55.48

 

CMYK 0 / 80 / 84 / 40

HEX #991F18

RGB 153 31 24

HSL 3.26, 0.73%, 0.35%

LAB 33.6, 48.94, 36.06

 

Description

Color code: HEX #519819 | qconv.com Color code: HEX #519819 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 152 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 152 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 84 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 84% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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