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Color name
HEX #51C949

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51C949 it is the complementary color #AE36B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51C949. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51C949 shade: #56C944, #67DB57, #78ED6A, #89FF7D and #9AFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51C949. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51C949 shade: #51C949, #40B736, #2FA523, #1E9310 and #0D8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51C949 shade: #52C94A, #74C94A, #96C94A, #B8C94A and #C9B74A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51C949 shade: #52C94A, #4AC964, #4AC986, #4AC9A8 and #4AC6C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51C949 shade matches the following richer shades: #52C94A, #41DC37 and #31EF24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51C949 shade: #52C94A, #62B65D, #73A370, #849083 and #947D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51C949 shade: #96C94A, #74C94A, #52C94A, #4AC963 and #4AC985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51C949 shade: #32942C, #3DB435, #52C94A, #70D26A and #8FDC89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51C949 shade: #51C949, #4AB8C9 and #C94A85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51C949 shade: #51C949, #4A52C9 and #C94A52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51C949 shade: #51C949, #4AB8C9, #C04AC9 and #C95B4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51C949 shade: #51C949, #4A92C9, #C04AC9 and #C9814A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 64 / 21

HEX #51C949

RGB 81 201 73

HSL 116.25, 0.54%, 0.54%

LAB 72.23, -57.9, 52.51

 

Complementary color

CMYK 4 / 70 / 0 / 29

HEX #AE36B6

RGB 174 54 182

HSL 296.25, 0.54%, 0.46%

LAB 45.65, 63.82, -43.47

 

CMYK 57 / 0 / 66 / 21

HEX #56C944

RGB 86 201 68

HSL 111.88, 0.55%, 0.53%

LAB 72.34, -57.18, 54.76

 

CMYK 53 / 0 / 60 / 14

HEX #67DB57

RGB 103 219 87

HSL 112.73, 0.65%, 0.6%

LAB 78.6, -57.59, 53.82

 

CMYK 49 / 0 / 55 / 7

HEX #78ED6A

RGB 120 237 106

HSL 113.59, 0.78%, 0.67%

LAB 84.79, -57.8, 52.71

 

CMYK 46 / 0 / 51 / 0

HEX #89FF7D

RGB 137 255 125

HSL 114.46, 1%, 0.75%

LAB 90.93, -57.86, 51.53

 

CMYK 40 / 0 / 44 / 0

HEX #9AFF90

RGB 154 255 144

HSL 114.59, 1%, 0.78%

LAB 91.87, -50.51, 43.88

 

CMYK 60 / 0 / 64 / 21

HEX #51C949

RGB 81 201 73

HSL 116.25, 0.54%, 0.54%

LAB 72.23, -57.9, 52.51

 

CMYK 65 / 0 / 70 / 28

HEX #40B736

RGB 64 183 54

HSL 115.35, 0.54%, 0.46%

LAB 65.92, -57.14, 53.33

 

CMYK 72 / 0 / 79 / 35

HEX #2FA523

RGB 47 165 35

HSL 114.46, 0.65%, 0.39%

LAB 59.56, -55.9, 53.59

 

CMYK 80 / 0 / 89 / 42

HEX #1E9310

RGB 30 147 16

HSL 113.59, 0.8%, 0.32%

LAB 53.15, -53.92, 52.76

 

CMYK 90 / 0 / 100 / 49

HEX #0D8100

RGB 13 129 0

HSL 113.95, 1%, 0.25%

LAB 46.69, -50.96, 50.32

 

CMYK 59 / 0 / 63 / 21

HEX #52C94A

RGB 82 201 74

HSL 116.22, 0.54%, 0.54%

LAB 72.27, -57.56, 52.13

 

CMYK 42 / 0 / 63 / 21

HEX #74C94A

RGB 116 201 74

HSL 100.16, 0.54%, 0.54%

LAB 73.53, -48.06, 53.89

 

CMYK 25 / 0 / 63 / 21

HEX #96C94A

RGB 150 201 74

HSL 84.09, 0.54%, 0.54%

LAB 75.3, -36.16, 56.32

 

CMYK 8 / 0 / 63 / 21

HEX #B8C94A

RGB 184 201 74

HSL 68.03, 0.54%, 0.54%

LAB 77.55, -22.74, 59.41

 

CMYK 0 / 9 / 63 / 21

HEX #C9B74A

RGB 201 183 74

HSL 51.5, 0.54%, 0.54%

LAB 74.05, -6.53, 56.07

 

CMYK 59 / 0 / 63 / 21

HEX #52C94A

RGB 82 201 74

HSL 116.22, 0.54%, 0.54%

LAB 72.27, -57.56, 52.13

 

CMYK 63 / 0 / 50 / 21

HEX #4AC964

RGB 74 201 100

HSL 132.28, 0.54%, 0.54%

LAB 72.33, -56.1, 40.12

 

CMYK 63 / 0 / 33 / 21

HEX #4AC986

RGB 74 201 134

HSL 148.35, 0.54%, 0.54%

LAB 72.86, -50.27, 23.42

 

CMYK 63 / 0 / 16 / 21

HEX #4AC9A8

RGB 74 201 168

HSL 164.41, 0.54%, 0.54%

LAB 73.58, -42.78, 6.24

 

CMYK 63 / 1 / 0 / 21

HEX #4AC6C9

RGB 74 198 201

HSL 181.42, 0.54%, 0.54%

LAB 73.59, -32.74, -11.65

 

CMYK 59 / 0 / 63 / 21

HEX #52C94A

RGB 82 201 74

HSL 116.22, 0.54%, 0.54%

LAB 72.27, -57.56, 52.13

 

CMYK 70 / 0 / 75 / 14

HEX #41DC37

RGB 65 220 55

HSL 116.36, 0.7%, 0.54%

LAB 77.63, -69.06, 64.84

 

CMYK 79 / 0 / 85 / 6

HEX #31EF24

RGB 49 239 36

HSL 116.16, 0.86%, 0.54%

LAB 83.19, -78.06, 75.05

 

CMYK 59 / 0 / 63 / 21

HEX #52C94A

RGB 82 201 74

HSL 116.22, 0.54%, 0.54%

LAB 72.27, -57.56, 52.13

 

CMYK 46 / 0 / 49 / 29

HEX #62B65D

RGB 98 182 93

HSL 116.63, 0.38%, 0.54%

LAB 67.16, -43.56, 37.36

 

CMYK 29 / 0 / 31 / 36

HEX #73A370

RGB 115 163 112

HSL 116.47, 0.22%, 0.54%

LAB 62.52, -26.44, 21.5

 

CMYK 8 / 0 / 9 / 44

HEX #849083

RGB 132 144 131

HSL 115.38, 0.06%, 0.54%

LAB 58.5, -6.92, 5.42

 

CMYK 1 / 17 / 0 / 41

HEX #947D96

RGB 148 125 150

HSL 295.2, 0.11%, 0.54%

LAB 55.24, 13.5, -10.15

 

CMYK 25 / 0 / 63 / 21

HEX #96C94A

RGB 150 201 74

HSL 84.09, 0.54%, 0.54%

LAB 75.3, -36.16, 56.32

 

CMYK 42 / 0 / 63 / 21

HEX #74C94A

RGB 116 201 74

HSL 100.16, 0.54%, 0.54%

LAB 73.53, -48.06, 53.89

 

CMYK 59 / 0 / 63 / 21

HEX #52C94A

RGB 82 201 74

HSL 116.22, 0.54%, 0.54%

LAB 72.27, -57.56, 52.13

 

CMYK 63 / 0 / 51 / 21

HEX #4AC963

RGB 74 201 99

HSL 131.81, 0.54%, 0.54%

LAB 72.32, -56.25, 40.6

 

CMYK 63 / 0 / 34 / 21

HEX #4AC985

RGB 74 201 133

HSL 147.87, 0.54%, 0.54%

LAB 72.84, -50.46, 23.92

 

CMYK 66 / 0 / 70 / 42

HEX #32942C

RGB 50 148 44

HSL 116.54, 0.54%, 0.38%

LAB 54.07, -48.71, 44.76

 

CMYK 66 / 0 / 71 / 29

HEX #3DB435

RGB 61 180 53

HSL 116.22, 0.55%, 0.46%

LAB 64.88, -56.83, 52.6

 

CMYK 59 / 0 / 63 / 21

HEX #52C94A

RGB 82 201 74

HSL 116.22, 0.54%, 0.54%

LAB 72.27, -57.56, 52.13

 

CMYK 47 / 0 / 50 / 18

HEX #70D26A

RGB 112 210 106

HSL 116.54, 0.54%, 0.62%

LAB 76.42, -49.35, 42.54

 

CMYK 35 / 0 / 38 / 14

HEX #8FDC89

RGB 143 220 137

HSL 115.66, 0.54%, 0.7%

LAB 81.2, -39.84, 33.46

 

CMYK 60 / 0 / 64 / 21

HEX #51C949

RGB 81 201 73

HSL 116.25, 0.54%, 0.54%

LAB 72.23, -57.9, 52.51

 

CMYK 63 / 8 / 0 / 21

HEX #4AB8C9

RGB 74 184 201

HSL 188.03, 0.54%, 0.54%

LAB 69.44, -25.92, -17.9

 

CMYK 0 / 63 / 34 / 21

HEX #C94A85

RGB 201 74 133

HSL 332.13, 0.54%, 0.54%

LAB 50.7, 55.83, -6.22

 

CMYK 60 / 0 / 64 / 21

HEX #51C949

RGB 81 201 73

HSL 116.25, 0.54%, 0.54%

LAB 72.23, -57.9, 52.51

 

CMYK 63 / 59 / 0 / 21

HEX #4A52C9

RGB 74 82 201

HSL 236.22, 0.54%, 0.54%

LAB 40.75, 33.67, -63.02

 

CMYK 0 / 63 / 59 / 21

HEX #C94A52

RGB 201 74 82

HSL 356.22, 0.54%, 0.54%

LAB 49.4, 51.01, 22.64

 

CMYK 60 / 0 / 64 / 21

HEX #51C949

RGB 81 201 73

HSL 116.25, 0.54%, 0.54%

LAB 72.23, -57.9, 52.51

 

CMYK 63 / 8 / 0 / 21

HEX #4AB8C9

RGB 74 184 201

HSL 188.03, 0.54%, 0.54%

LAB 69.44, -25.92, -17.9

 

CMYK 4 / 63 / 0 / 21

HEX #C04AC9

RGB 192 74 201

HSL 295.75, 0.54%, 0.54%

LAB 52.2, 63.5, -43.94

 

CMYK 0 / 55 / 63 / 21

HEX #C95B4A

RGB 201 91 74

HSL 8.03, 0.54%, 0.54%

LAB 52.28, 42.55, 30.98

 

CMYK 60 / 0 / 64 / 21

HEX #51C949

RGB 81 201 73

HSL 116.25, 0.54%, 0.54%

LAB 72.23, -57.9, 52.51

 

CMYK 63 / 27 / 0 / 21

HEX #4A92C9

RGB 74 146 201

HSL 205.98, 0.54%, 0.54%

LAB 58.26, -5.6, -35.1

 

CMYK 4 / 63 / 0 / 21

HEX #C04AC9

RGB 192 74 201

HSL 295.75, 0.54%, 0.54%

LAB 52.2, 63.5, -43.94

 

CMYK 0 / 36 / 63 / 21

HEX #C9814A

RGB 201 129 74

HSL 25.98, 0.54%, 0.54%

LAB 60.44, 22.56, 40.8

 

Description

Color code: HEX #51C949 | qconv.com Color code: HEX #51C949 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 201 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 201 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 64 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 64% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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