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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51C9D6 it is the complementary color #AE3629. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51C9D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51C9D6 shade: #56C9D1, #67DBE4, #78EDF7, #89FFFF and #9AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51C9D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51C9D6 shade: #51C9D6, #40B7C3, #2FA5B0, #1E939D and #0D818A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51C9D6 shade: #51C9D6, #51A5D6, #5181D6, #515DD6 and #6851D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51C9D6 shade: #51C9D6, #51A5D6, #5181D6, #515DD6 and #5151D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51C9D6 shade matches the following richer shades: #51C9D6, #40D7E7 and #2EE5F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51C9D6 shade: #51C9D6, #62BBC4, #74ADB3, #859FA2 and #969190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51C9D6 shade: #51D69A, #51D6BD, #51CBD6, #51A7D6 and #5184D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51C9D6 shade: #289FAC, #30BECE, #51C9D6, #72D3DE and #94DEE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51C9D6 shade: #51C9D6, #7751D6 and #D6AC51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51C9D6 shade: #51C9D6, #D651CB and #CBD651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51C9D6 shade: #51C9D6, #7751D6, #D65C51 and #B0D651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51C9D6 shade: #51C9D6, #9E51D6, #D65C51 and #88D651

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

Complementary color

CMYK 0 / 69 / 76 / 32

HEX #AE3629

RGB 174 54 41

HSL 5.86, 0.62%, 0.42%

LAB 40.89, 48.02, 35.33

 

CMYK 59 / 4 / 0 / 18

HEX #56C9D1

RGB 86 201 209

HSL 183.9, 0.57%, 0.58%

LAB 75.05, -29.91, -13.76

 

CMYK 55 / 4 / 0 / 11

HEX #67DBE4

RGB 103 219 228

HSL 184.32, 0.7%, 0.65%

LAB 81.37, -30.22, -14.41

 

CMYK 51 / 4 / 0 / 3

HEX #78EDF7

RGB 120 237 247

HSL 184.72, 0.89%, 0.72%

LAB 87.62, -30.44, -15.01

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

CMYK 67 / 6 / 0 / 24

HEX #40B7C3

RGB 64 183 195

HSL 185.5, 0.52%, 0.51%

LAB 68.68, -28.77, -15.77

 

CMYK 73 / 6 / 0 / 31

HEX #2FA5B0

RGB 47 165 176

HSL 185.12, 0.58%, 0.44%

LAB 62.21, -27.98, -15.01

 

CMYK 81 / 6 / 0 / 38

HEX #1E939D

RGB 30 147 157

HSL 184.72, 0.68%, 0.37%

LAB 55.66, -26.87, -14.16

 

CMYK 91 / 7 / 0 / 46

HEX #0D818A

RGB 13 129 138

HSL 184.32, 0.83%, 0.3%

LAB 49.03, -25.35, -13.18

 

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

CMYK 62 / 23 / 0 / 16

HEX #51A5D6

RGB 81 165 214

HSL 202.11, 0.62%, 0.58%

LAB 64.58, -10.75, -32.5

 

CMYK 62 / 40 / 0 / 16

HEX #5181D6

RGB 81 129 214

HSL 218.35, 0.62%, 0.58%

LAB 54.35, 10.06, -48.56

 

CMYK 62 / 57 / 0 / 16

HEX #515DD6

RGB 81 93 214

HSL 234.59, 0.62%, 0.58%

LAB 44.85, 32.35, -63.82

 

CMYK 51 / 62 / 0 / 16

HEX #6851D6

RGB 104 81 214

HSL 250.38, 0.62%, 0.58%

LAB 43.77, 43.61, -65.48

 

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

CMYK 62 / 23 / 0 / 16

HEX #51A5D6

RGB 81 165 214

HSL 202.11, 0.62%, 0.58%

LAB 64.58, -10.75, -32.5

 

CMYK 62 / 40 / 0 / 16

HEX #5181D6

RGB 81 129 214

HSL 218.35, 0.62%, 0.58%

LAB 54.35, 10.06, -48.56

 

CMYK 62 / 57 / 0 / 16

HEX #515DD6

RGB 81 93 214

HSL 234.59, 0.62%, 0.58%

LAB 44.85, 32.35, -63.82

 

CMYK 62 / 62 / 0 / 16

HEX #5151D6

RGB 81 81 214

HSL 240, 0.62%, 0.58%

LAB 41.98, 39.7, -68.48

 

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

CMYK 72 / 7 / 0 / 9

HEX #40D7E7

RGB 64 215 231

HSL 185.75, 0.78%, 0.58%

LAB 79.31, -33.51, -19.22

 

CMYK 81 / 8 / 0 / 3

HEX #2EE5F8

RGB 46 229 248

HSL 185.64, 0.94%, 0.58%

LAB 83.65, -36.71, -21.69

 

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

CMYK 50 / 5 / 0 / 23

HEX #62BBC4

RGB 98 187 196

HSL 185.51, 0.45%, 0.58%

LAB 70.96, -24.2, -12.79

 

CMYK 35 / 3 / 0 / 30

HEX #74ADB3

RGB 116 173 179

HSL 185.71, 0.29%, 0.58%

LAB 67.17, -16.98, -9

 

CMYK 18 / 2 / 0 / 36

HEX #859FA2

RGB 133 159 162

HSL 186.21, 0.13%, 0.58%

LAB 63.67, -8.36, -4.59

 

CMYK 0 / 3 / 4 / 41

HEX #969190

RGB 150 145 144

HSL 10, 0.03%, 0.58%

LAB 60.56, 1.65, 1.18

 

CMYK 62 / 0 / 28 / 16

HEX #51D69A

RGB 81 214 154

HSL 152.93, 0.62%, 0.58%

LAB 77.39, -50.14, 19.11

 

CMYK 62 / 0 / 12 / 16

HEX #51D6BD

RGB 81 214 189

HSL 168.72, 0.62%, 0.58%

LAB 78.18, -42.1, 1.62

 

CMYK 62 / 5 / 0 / 16

HEX #51CBD6

RGB 81 203 214

HSL 184.96, 0.62%, 0.58%

LAB 75.65, -30.32, -15.58

 

CMYK 62 / 22 / 0 / 16

HEX #51A7D6

RGB 81 167 214

HSL 201.2, 0.62%, 0.58%

LAB 65.15, -11.85, -31.6

 

CMYK 62 / 38 / 0 / 16

HEX #5184D6

RGB 81 132 214

HSL 216.99, 0.62%, 0.58%

LAB 55.18, 8.25, -47.24

 

CMYK 77 / 8 / 0 / 33

HEX #289FAC

RGB 40 159 172

HSL 185.91, 0.62%, 0.42%

LAB 60.09, -27.06, -15.98

 

CMYK 77 / 8 / 0 / 19

HEX #30BECE

RGB 48 190 206

HSL 186.08, 0.62%, 0.5%

LAB 70.81, -30.85, -18.61

 

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

CMYK 49 / 5 / 0 / 13

HEX #72D3DE

RGB 114 211 222

HSL 186.11, 0.62%, 0.66%

LAB 79.29, -25.67, -14.29

 

CMYK 35 / 3 / 0 / 10

HEX #94DEE5

RGB 148 222 229

HSL 185.19, 0.61%, 0.74%

LAB 84.07, -21.14, -10.72

 

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

CMYK 44 / 62 / 0 / 16

HEX #7751D6

RGB 119 81 214

HSL 257.14, 0.62%, 0.58%

LAB 45.17, 46.51, -63.16

 

CMYK 0 / 20 / 62 / 16

HEX #D6AC51

RGB 214 172 81

HSL 41.05, 0.62%, 0.58%

LAB 72.49, 5.27, 51.54

 

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

CMYK 0 / 62 / 5 / 16

HEX #D651CB

RGB 214 81 203

HSL 304.96, 0.62%, 0.58%

LAB 56.58, 66.34, -37.96

 

CMYK 5 / 0 / 62 / 16

HEX #CBD651

RGB 203 214 81

HSL 64.96, 0.62%, 0.58%

LAB 82.58, -20.88, 62.3

 

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

CMYK 44 / 62 / 0 / 16

HEX #7751D6

RGB 119 81 214

HSL 257.14, 0.62%, 0.58%

LAB 45.17, 46.51, -63.16

 

CMYK 0 / 57 / 62 / 16

HEX #D65C51

RGB 214 92 81

HSL 4.96, 0.62%, 0.58%

LAB 54.6, 47.27, 30.32

 

CMYK 18 / 0 / 62 / 16

HEX #B0D651

RGB 176 214 81

HSL 77.14, 0.62%, 0.58%

LAB 80.69, -31.65, 59.71

 

CMYK 62 / 6 / 0 / 16

HEX #51C9D6

RGB 81 201 214

HSL 185.86, 0.62%, 0.58%

LAB 75.06, -29.35, -16.46

 

CMYK 26 / 62 / 0 / 16

HEX #9E51D6

RGB 158 81 214

HSL 274.74, 0.62%, 0.58%

LAB 49.51, 54.95, -55.94

 

CMYK 0 / 57 / 62 / 16

HEX #D65C51

RGB 214 92 81

HSL 4.96, 0.62%, 0.58%

LAB 54.6, 47.27, 30.32

 

CMYK 36 / 0 / 62 / 16

HEX #88D651

RGB 136 214 81

HSL 95.19, 0.62%, 0.58%

LAB 78.42, -46.26, 56.57

 

Description

Color code: HEX #51C9D6 | qconv.com Color code: HEX #51C9D6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 201 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 201 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 6 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 6% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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