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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51DF7A it is the complementary color #AE2085. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51DF7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51DF7A shade: #56DF75, #67F188, #78FF9B, #89FFAE and #9AFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51DF7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51DF7A shade: #51DF7A, #40CD67, #2FBB54, #1EA941 and #0D972E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51DF7A shade: #52DF7B, #52DF55, #75DF52, #9BDF52 and #C1DF52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51DF7A shade: #52DF7B, #52DFA1, #52DFC7, #52D1DF and #52ABDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51DF7A shade matches the following richer shades: #52DF7B and #42EF74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51DF7A shade: #52DF7B, #63CE82, #73BE89, #84AD90 and #949D97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51DF7A shade: #75DF52, #52DF54, #52DF7A, #52DFA0 and #52DFC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51DF7A shade: #22BC4F, #2FD860, #52DF7B, #75E595 and #98ECB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51DF7A shade: #51DF7A, #529BDF and #DF5263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51DF7A shade: #51DF7A, #7A52DF and #DF7A52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51DF7A shade: #51DF7A, #529BDF, #DF52B7 and #DF9652

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51DF7A shade: #51DF7A, #5271DF, #DF52B7 and #DFC052

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 45 / 13

HEX #51DF7A

RGB 81 223 122

HSL 137.32, 0.69%, 0.6%

LAB 79.57, -59.49, 38.43

 

Complementary color

CMYK 0 / 82 / 24 / 32

HEX #AE2085

RGB 174 32 133

HSL 317.32, 0.69%, 0.4%

LAB 40.78, 63.23, -21.71

 

CMYK 61 / 0 / 48 / 13

HEX #56DF75

RGB 86 223 117

HSL 133.58, 0.68%, 0.61%

LAB 79.64, -59.26, 40.99

 

CMYK 57 / 0 / 44 / 5

HEX #67F188

RGB 103 241 136

HSL 134.35, 0.83%, 0.67%

LAB 85.79, -59.46, 39.62

 

CMYK 53 / 0 / 39 / 0

HEX #78FF9B

RGB 120 255 155

HSL 135.56, 1%, 0.74%

LAB 90.72, -57.96, 36.78

 

CMYK 46 / 0 / 32 / 0

HEX #89FFAE

RGB 137 255 174

HSL 138.81, 1%, 0.77%

LAB 91.64, -50.56, 28.62

 

CMYK 40 / 0 / 24 / 0

HEX #9AFFC1

RGB 154 255 193

HSL 143.17, 1%, 0.8%

LAB 92.68, -42.62, 20.52

 

CMYK 64 / 0 / 45 / 13

HEX #51DF7A

RGB 81 223 122

HSL 137.32, 0.69%, 0.6%

LAB 79.57, -59.49, 38.43

 

CMYK 69 / 0 / 50 / 20

HEX #40CD67

RGB 64 205 103

HSL 136.6, 0.59%, 0.53%

LAB 73.37, -59.02, 39.89

 

CMYK 75 / 0 / 55 / 27

HEX #2FBB54

RGB 47 187 84

HSL 135.86, 0.6%, 0.46%

LAB 67.12, -58.19, 41.39

 

CMYK 82 / 0 / 62 / 34

HEX #1EA941

RGB 30 169 65

HSL 135.11, 0.7%, 0.39%

LAB 60.81, -56.87, 42.87

 

CMYK 91 / 0 / 70 / 41

HEX #0D972E

RGB 13 151 46

HSL 134.35, 0.84%, 0.32%

LAB 54.47, -54.82, 44.16

 

CMYK 63 / 0 / 45 / 13

HEX #52DF7B

RGB 82 223 123

HSL 137.45, 0.69%, 0.6%

LAB 79.61, -59.14, 37.99

 

CMYK 63 / 0 / 62 / 13

HEX #52DF55

RGB 82 223 85

HSL 121.28, 0.69%, 0.6%

LAB 79.17, -64.18, 55.15

 

CMYK 48 / 0 / 63 / 13

HEX #75DF52

RGB 117 223 82

HSL 105.11, 0.69%, 0.6%

LAB 80.27, -55.75, 57.96

 

CMYK 30 / 0 / 63 / 13

HEX #9BDF52

RGB 155 223 82

HSL 88.94, 0.69%, 0.6%

LAB 82.03, -43.44, 60.38

 

CMYK 13 / 0 / 63 / 13

HEX #C1DF52

RGB 193 223 82

HSL 72.77, 0.69%, 0.6%

LAB 84.34, -29.14, 63.55

 

CMYK 63 / 0 / 45 / 13

HEX #52DF7B

RGB 82 223 123

HSL 137.45, 0.69%, 0.6%

LAB 79.61, -59.14, 37.99

 

CMYK 63 / 0 / 28 / 13

HEX #52DFA1

RGB 82 223 161

HSL 153.62, 0.69%, 0.6%

LAB 80.26, -52.15, 19.42

 

CMYK 63 / 0 / 11 / 13

HEX #52DFC7

RGB 82 223 199

HSL 169.79, 0.69%, 0.6%

LAB 81.12, -43.39, 0.58

 

CMYK 63 / 6 / 0 / 13

HEX #52D1DF

RGB 82 209 223

HSL 185.96, 0.69%, 0.6%

LAB 77.71, -30.49, -17.31

 

CMYK 63 / 23 / 0 / 13

HEX #52ABDF

RGB 82 171 223

HSL 202.13, 0.69%, 0.6%

LAB 66.71, -10.99, -34.15

 

CMYK 63 / 0 / 45 / 13

HEX #52DF7B

RGB 82 223 123

HSL 137.45, 0.69%, 0.6%

LAB 79.61, -59.14, 37.99

 

CMYK 72 / 0 / 51 / 6

HEX #42EF74

RGB 66 239 116

HSL 137.34, 0.84%, 0.6%

LAB 84.04, -68.58, 46.85

 

CMYK 63 / 0 / 45 / 13

HEX #52DF7B

RGB 82 223 123

HSL 137.45, 0.69%, 0.6%

LAB 79.61, -59.14, 37.99

 

CMYK 52 / 0 / 37 / 19

HEX #63CE82

RGB 99 206 130

HSL 137.38, 0.52%, 0.6%

LAB 75.08, -47.51, 28.63

 

CMYK 39 / 0 / 28 / 25

HEX #73BE89

RGB 115 190 137

HSL 137.6, 0.37%, 0.6%

LAB 71.06, -34.84, 19.61

 

CMYK 24 / 0 / 17 / 32

HEX #84AD90

RGB 132 173 144

HSL 137.56, 0.2%, 0.6%

LAB 67.13, -19.82, 10.45

 

CMYK 6 / 0 / 4 / 38

HEX #949D97

RGB 148 157 151

HSL 140, 0.04%, 0.6%

LAB 63.87, -4.39, 2.02

 

CMYK 48 / 0 / 63 / 13

HEX #75DF52

RGB 117 223 82

HSL 105.11, 0.69%, 0.6%

LAB 80.27, -55.75, 57.96

 

CMYK 63 / 0 / 62 / 13

HEX #52DF54

RGB 82 223 84

HSL 120.85, 0.69%, 0.6%

LAB 79.16, -64.28, 55.57

 

CMYK 63 / 0 / 45 / 13

HEX #52DF7A

RGB 82 223 122

HSL 137.02, 0.69%, 0.6%

LAB 79.6, -59.3, 38.47

 

CMYK 63 / 0 / 28 / 13

HEX #52DFA0

RGB 82 223 160

HSL 153.19, 0.69%, 0.6%

LAB 80.24, -52.35, 19.91

 

CMYK 63 / 0 / 12 / 13

HEX #52DFC5

RGB 82 223 197

HSL 168.94, 0.69%, 0.6%

LAB 81.07, -43.89, 1.57

 

CMYK 82 / 0 / 58 / 26

HEX #22BC4F

RGB 34 188 79

HSL 137.53, 0.69%, 0.44%

LAB 67.18, -60.87, 43.79

 

CMYK 78 / 0 / 56 / 15

HEX #2FD860

RGB 47 216 96

HSL 137.4, 0.68%, 0.52%

LAB 76.41, -66.27, 46.87

 

CMYK 63 / 0 / 45 / 13

HEX #52DF7B

RGB 82 223 123

HSL 137.45, 0.69%, 0.6%

LAB 79.61, -59.14, 37.99

 

CMYK 49 / 0 / 35 / 10

HEX #75E595

RGB 117 229 149

HSL 137.14, 0.68%, 0.68%

LAB 82.91, -49.21, 29.41

 

CMYK 36 / 0 / 25 / 7

HEX #98ECB0

RGB 152 236 176

HSL 137.14, 0.69%, 0.76%

LAB 86.9, -37.81, 21.21

 

CMYK 64 / 0 / 45 / 13

HEX #51DF7A

RGB 81 223 122

HSL 137.32, 0.69%, 0.6%

LAB 79.57, -59.49, 38.43

 

CMYK 63 / 30 / 0 / 13

HEX #529BDF

RGB 82 155 223

HSL 208.94, 0.69%, 0.6%

LAB 62.14, -2.06, -41.29

 

CMYK 0 / 63 / 56 / 13

HEX #DF5263

RGB 223 82 99

HSL 352.77, 0.69%, 0.6%

LAB 54.68, 56.09, 20.23

 

CMYK 64 / 0 / 45 / 13

HEX #51DF7A

RGB 81 223 122

HSL 137.32, 0.69%, 0.6%

LAB 79.57, -59.49, 38.43

 

CMYK 45 / 63 / 0 / 13

HEX #7A52DF

RGB 122 82 223

HSL 257.02, 0.69%, 0.6%

LAB 46.31, 49.03, -66.42

 

CMYK 0 / 45 / 63 / 13

HEX #DF7A52

RGB 223 122 82

HSL 17.02, 0.69%, 0.6%

LAB 61.84, 35.75, 38.95

 

CMYK 64 / 0 / 45 / 13

HEX #51DF7A

RGB 81 223 122

HSL 137.32, 0.69%, 0.6%

LAB 79.57, -59.49, 38.43

 

CMYK 63 / 30 / 0 / 13

HEX #529BDF

RGB 82 155 223

HSL 208.94, 0.69%, 0.6%

LAB 62.14, -2.06, -41.29

 

CMYK 0 / 63 / 18 / 13

HEX #DF52B7

RGB 223 82 183

HSL 317.02, 0.69%, 0.6%

LAB 57.21, 65.25, -25.39

 

CMYK 0 / 33 / 63 / 13

HEX #DF9652

RGB 223 150 82

HSL 28.94, 0.69%, 0.6%

LAB 68.1, 20.92, 46.32

 

CMYK 64 / 0 / 45 / 13

HEX #51DF7A

RGB 81 223 122

HSL 137.32, 0.69%, 0.6%

LAB 79.57, -59.49, 38.43

 

CMYK 63 / 49 / 0 / 13

HEX #5271DF

RGB 82 113 223

HSL 226.81, 0.69%, 0.6%

LAB 50.61, 23.14, -59.62

 

CMYK 0 / 63 / 18 / 13

HEX #DF52B7

RGB 223 82 183

HSL 317.02, 0.69%, 0.6%

LAB 57.21, 65.25, -25.39

 

CMYK 0 / 14 / 63 / 13

HEX #DFC052

RGB 223 192 82

HSL 46.81, 0.69%, 0.6%

LAB 78.46, -1.37, 57.92

 

Description

Color code: HEX #51DF7A | qconv.com Color code: HEX #51DF7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 223 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 223 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 45 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 45% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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