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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51E83B it is the complementary color #AE17C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51E83B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51E83B shade: #56E836, #67FA49, #78FF5C, #89FF6F and #9AFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51E83B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51E83B shade: #51E83B, #40D628, #2FC415, #1EB202 and #0DA000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51E83B shade: #50E73A, #7FE73A, #AEE73A, #DCE73A and #E7C43A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51E83B shade: #50E73A, #3AE753, #3AE782, #3AE7B0 and #3AE7DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51E83B shade matches the following richer shades: #50E73A and #43F928

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51E83B shade: #50E73A, #5DD64C, #6BC45E, #78B26F and #85A181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51E83B shade: #AEE73A, #80E73A, #51E73A, #3AE751 and #3AE780

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51E83B shade: #2ABA15, #33DF1A, #50E73A, #71EC5F and #92F084

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51E83B shade: #51E83B, #3ADCE7 and #E73A97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51E83B shade: #51E83B, #3A51E7 and #E73A51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51E83B shade: #51E83B, #3ADCE7, #D03AE7 and #E7463A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51E83B shade: #51E83B, #3AA8E7, #D03AE7 and #E77A3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 75 / 9

HEX #51E83B

RGB 81 232 59

HSL 112.37, 0.79%, 0.57%

LAB 81.72, -69.63, 67.69

 

Complementary color

CMYK 11 / 88 / 0 / 23

HEX #AE17C4

RGB 174 23 196

HSL 292.37, 0.79%, 0.43%

LAB 43.65, 74.49, -54.87

 

CMYK 63 / 0 / 77 / 9

HEX #56E836

RGB 86 232 54

HSL 109.21, 0.79%, 0.56%

LAB 81.82, -68.92, 69.4

 

CMYK 59 / 0 / 71 / 2

HEX #67FA49

RGB 103 250 73

HSL 109.83, 0.95%, 0.63%

LAB 87.84, -69.86, 69.29

 

CMYK 53 / 0 / 64 / 0

HEX #78FF5C

RGB 120 255 92

HSL 109.69, 1%, 0.68%

LAB 89.99, -65.9, 64.58

 

CMYK 46 / 0 / 56 / 0

HEX #89FF6F

RGB 137 255 111

HSL 109.17, 1%, 0.72%

LAB 90.77, -59.46, 57.65

 

CMYK 40 / 0 / 49 / 0

HEX #9AFF82

RGB 154 255 130

HSL 108.48, 1%, 0.75%

LAB 91.69, -52.32, 50.3

 

CMYK 65 / 0 / 75 / 9

HEX #51E83B

RGB 81 232 59

HSL 112.37, 0.79%, 0.57%

LAB 81.72, -69.63, 67.69

 

CMYK 70 / 0 / 81 / 16

HEX #40D628

RGB 64 214 40

HSL 111.72, 0.69%, 0.5%

LAB 75.66, -68.26, 67.41

 

CMYK 76 / 0 / 89 / 23

HEX #2FC415

RGB 47 196 21

HSL 111.09, 0.81%, 0.43%

LAB 69.57, -66.33, 66.11

 

CMYK 83 / 0 / 99 / 30

HEX #1EB202

RGB 30 178 2

HSL 110.45, 0.98%, 0.35%

LAB 63.44, -63.69, 63.54

 

CMYK 92 / 0 / 100 / 37

HEX #0DA000

RGB 13 160 0

HSL 115.13, 1%, 0.31%

LAB 57.3, -60.07, 58.81

 

CMYK 65 / 0 / 75 / 9

HEX #50E73A

RGB 80 231 58

HSL 112.37, 0.78%, 0.57%

LAB 81.38, -69.58, 67.67

 

CMYK 45 / 0 / 75 / 9

HEX #7FE73A

RGB 127 231 58

HSL 96.07, 0.78%, 0.57%

LAB 82.9, -57.64, 69.67

 

CMYK 25 / 0 / 75 / 9

HEX #AEE73A

RGB 174 231 58

HSL 79.77, 0.78%, 0.57%

LAB 85.23, -41.52, 72.72

 

CMYK 5 / 0 / 75 / 9

HEX #DCE73A

RGB 220 231 58

HSL 63.82, 0.78%, 0.57%

LAB 88.29, -23.36, 76.68

 

CMYK 0 / 15 / 75 / 9

HEX #E7C43A

RGB 231 196 58

HSL 47.86, 0.78%, 0.57%

LAB 80.05, -1.29, 69.34

 

CMYK 65 / 0 / 75 / 9

HEX #50E73A

RGB 80 231 58

HSL 112.37, 0.78%, 0.57%

LAB 81.38, -69.58, 67.67

 

CMYK 75 / 0 / 64 / 9

HEX #3AE753

RGB 58 231 83

HSL 128.67, 0.78%, 0.57%

LAB 81.11, -71.18, 58.02

 

CMYK 75 / 0 / 44 / 9

HEX #3AE782

RGB 58 231 130

HSL 144.97, 0.78%, 0.57%

LAB 81.65, -64.78, 37.05

 

CMYK 75 / 0 / 24 / 9

HEX #3AE7B0

RGB 58 231 176

HSL 160.92, 0.78%, 0.57%

LAB 82.48, -55.63, 14.6

 

CMYK 75 / 0 / 3 / 9

HEX #3AE7DF

RGB 58 231 223

HSL 177.23, 0.78%, 0.57%

LAB 83.64, -43.76, -8.48

 

CMYK 65 / 0 / 75 / 9

HEX #50E73A

RGB 80 231 58

HSL 112.37, 0.78%, 0.57%

LAB 81.38, -69.58, 67.67

 

CMYK 73 / 0 / 84 / 2

HEX #43F928

RGB 67 249 40

HSL 112.25, 0.95%, 0.57%

LAB 86.55, -78.36, 77.29

 

CMYK 65 / 0 / 75 / 9

HEX #50E73A

RGB 80 231 58

HSL 112.37, 0.78%, 0.57%

LAB 81.38, -69.58, 67.67

 

CMYK 57 / 0 / 64 / 16

HEX #5DD64C

RGB 93 214 76

HSL 112.61, 0.63%, 0.57%

LAB 76.64, -59.41, 56.22

 

CMYK 45 / 0 / 52 / 23

HEX #6BC45E

RGB 107 196 94

HSL 112.35, 0.46%, 0.57%

LAB 71.83, -46.61, 42.69

 

CMYK 33 / 0 / 38 / 30

HEX #78B26F

RGB 120 178 111

HSL 111.94, 0.3%, 0.57%

LAB 67.26, -32.11, 28.41

 

CMYK 17 / 0 / 20 / 37

HEX #85A181

RGB 133 161 129

HSL 112.5, 0.15%, 0.57%

LAB 63.39, -16.06, 13.5

 

CMYK 25 / 0 / 75 / 9

HEX #AEE73A

RGB 174 231 58

HSL 79.77, 0.78%, 0.57%

LAB 85.23, -41.52, 72.72

 

CMYK 45 / 0 / 75 / 9

HEX #80E73A

RGB 128 231 58

HSL 95.72, 0.78%, 0.57%

LAB 82.94, -57.34, 69.73

 

CMYK 65 / 0 / 75 / 9

HEX #51E73A

RGB 81 231 58

HSL 112.02, 0.78%, 0.57%

LAB 81.41, -69.38, 67.71

 

CMYK 75 / 0 / 65 / 9

HEX #3AE751

RGB 58 231 81

HSL 127.98, 0.78%, 0.57%

LAB 81.1, -71.39, 58.82

 

CMYK 75 / 0 / 45 / 9

HEX #3AE780

RGB 58 231 128

HSL 144.28, 0.78%, 0.57%

LAB 81.63, -65.11, 38

 

CMYK 77 / 0 / 89 / 27

HEX #2ABA15

RGB 42 186 21

HSL 112.36, 0.8%, 0.41%

LAB 66.26, -64.04, 63.23

 

CMYK 77 / 0 / 88 / 13

HEX #33DF1A

RGB 51 223 26

HSL 112.39, 0.79%, 0.49%

LAB 78.2, -73.59, 72.66

 

CMYK 65 / 0 / 75 / 9

HEX #50E73A

RGB 80 231 58

HSL 112.37, 0.78%, 0.57%

LAB 81.38, -69.58, 67.67

 

CMYK 52 / 0 / 60 / 7

HEX #71EC5F

RGB 113 236 95

HSL 112.34, 0.79%, 0.65%

LAB 84.14, -60.49, 56.74

 

CMYK 39 / 0 / 45 / 6

HEX #92F084

RGB 146 240 132

HSL 112.22, 0.78%, 0.73%

LAB 87.04, -48.27, 43.49

 

CMYK 65 / 0 / 75 / 9

HEX #51E83B

RGB 81 232 59

HSL 112.37, 0.79%, 0.57%

LAB 81.72, -69.63, 67.69

 

CMYK 75 / 5 / 0 / 9

HEX #3ADCE7

RGB 58 220 231

HSL 183.82, 0.78%, 0.57%

LAB 80.66, -36.51, -17.19

 

CMYK 0 / 75 / 35 / 9

HEX #E73A97

RGB 231 58 151

HSL 327.75, 0.78%, 0.57%

LAB 54.29, 71.89, -11.03

 

CMYK 65 / 0 / 75 / 9

HEX #51E83B

RGB 81 232 59

HSL 112.37, 0.79%, 0.57%

LAB 81.72, -69.63, 67.69

 

CMYK 75 / 65 / 0 / 9

HEX #3A51E7

RGB 58 81 231

HSL 232.02, 0.78%, 0.57%

LAB 42.08, 42.56, -78.06

 

CMYK 0 / 75 / 65 / 9

HEX #E73A51

RGB 231 58 81

HSL 352.02, 0.78%, 0.57%

LAB 52.52, 66.27, 28.3

 

CMYK 65 / 0 / 75 / 9

HEX #51E83B

RGB 81 232 59

HSL 112.37, 0.79%, 0.57%

LAB 81.72, -69.63, 67.69

 

CMYK 75 / 5 / 0 / 9

HEX #3ADCE7

RGB 58 220 231

HSL 183.82, 0.78%, 0.57%

LAB 80.66, -36.51, -17.19

 

CMYK 10 / 75 / 0 / 9

HEX #D03AE7

RGB 208 58 231

HSL 292.02, 0.78%, 0.57%

LAB 54.24, 77.91, -57.6

 

CMYK 0 / 70 / 75 / 9

HEX #E7463A

RGB 231 70 58

HSL 4.16, 0.78%, 0.57%

LAB 53.68, 61.11, 42.81

 

CMYK 65 / 0 / 75 / 9

HEX #51E83B

RGB 81 232 59

HSL 112.37, 0.79%, 0.57%

LAB 81.72, -69.63, 67.69

 

CMYK 75 / 27 / 0 / 9

HEX #3AA8E7

RGB 58 168 231

HSL 201.85, 0.78%, 0.57%

LAB 65.49, -10.19, -40.49

 

CMYK 10 / 75 / 0 / 9

HEX #D03AE7

RGB 208 58 231

HSL 292.02, 0.78%, 0.57%

LAB 54.24, 77.91, -57.6

 

CMYK 0 / 47 / 75 / 9

HEX #E77A3A

RGB 231 122 58

HSL 22.2, 0.78%, 0.57%

LAB 62.69, 37.63, 52.31

 

Description

Color code: HEX #51E83B | qconv.com Color code: HEX #51E83B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 232 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 232 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 75% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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