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Color name
HEX #51EA8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51EA8C it is the complementary color #AE1573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51EA8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51EA8C shade: #56EA87, #67FC9A, #78FFAD, #89FFC0 and #9AFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51EA8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51EA8C shade: #51EA8C, #40D879, #2FC666, #1EB453 and #0DA240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51EA8C shade: #52E98C, #52E964, #69E952, #92E952 and #BBE952

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51EA8C shade: #52E98C, #52E9B5, #52E9DE, #52CCE9 and #52A3E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51EA8C shade matches the following richer shades: #52E98C and #42F989

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51EA8C shade: #52E98C, #62DA90, #71CA93, #81BA97 and #91AA9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51EA8C shade: #69E952, #52E964, #52E98C, #52E9B4 and #52E9DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51EA8C shade: #19CF60, #2DE574, #52E98C, #77EEA5 and #9BF2BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51EA8C shade: #51EA8C, #5291E9 and #E95255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51EA8C shade: #51EA8C, #8C52E9 and #E98C52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51EA8C shade: #51EA8C, #5291E9, #E952AF and #E9AA52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51EA8C shade: #51EA8C, #5264E9, #E952AF and #E9D852

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 40 / 8

HEX #51EA8C

RGB 81 234 140

HSL 143.14, 0.78%, 0.62%

LAB 83.17, -60.59, 34.12

 

Complementary color

CMYK 0 / 88 / 34 / 32

HEX #AE1573

RGB 174 21 115

HSL 323.14, 0.78%, 0.38%

LAB 39.2, 63.49, -12.95

 

CMYK 63 / 0 / 42 / 8

HEX #56EA87

RGB 86 234 135

HSL 139.86, 0.78%, 0.63%

LAB 83.22, -60.51, 36.7

 

CMYK 59 / 0 / 39 / 1

HEX #67FC9A

RGB 103 252 154

HSL 140.54, 0.96%, 0.7%

LAB 89.32, -60.72, 35.33

 

CMYK 53 / 0 / 32 / 0

HEX #78FFAD

RGB 120 255 173

HSL 143.56, 1%, 0.74%

LAB 91.02, -54.87, 28.19

 

CMYK 46 / 0 / 25 / 0

HEX #89FFC0

RGB 137 255 192

HSL 147.97, 1%, 0.77%

LAB 91.97, -47.26, 19.94

 

CMYK 40 / 0 / 17 / 0

HEX #9AFFD3

RGB 154 255 211

HSL 153.86, 1%, 0.8%

LAB 93.06, -39.15, 11.82

 

CMYK 65 / 0 / 40 / 8

HEX #51EA8C

RGB 81 234 140

HSL 143.14, 0.78%, 0.62%

LAB 83.17, -60.59, 34.12

 

CMYK 70 / 0 / 44 / 15

HEX #40D879

RGB 64 216 121

HSL 142.5, 0.66%, 0.55%

LAB 77.03, -60.1, 35.59

 

CMYK 76 / 0 / 48 / 22

HEX #2FC666

RGB 47 198 102

HSL 141.85, 0.62%, 0.48%

LAB 70.84, -59.31, 37.15

 

CMYK 83 / 0 / 54 / 29

HEX #1EB453

RGB 30 180 83

HSL 141.2, 0.71%, 0.41%

LAB 64.6, -58.07, 38.77

 

CMYK 92 / 0 / 60 / 36

HEX #0DA240

RGB 13 162 64

HSL 140.54, 0.85%, 0.34%

LAB 58.32, -56.2, 40.41

 

CMYK 65 / 0 / 40 / 9

HEX #52E98C

RGB 82 233 140

HSL 143.05, 0.77%, 0.62%

LAB 82.89, -60.03, 33.76

 

CMYK 65 / 0 / 57 / 9

HEX #52E964

RGB 82 233 100

HSL 127.15, 0.77%, 0.62%

LAB 82.37, -65.92, 52.27

 

CMYK 55 / 0 / 65 / 9

HEX #69E952

RGB 105 233 82

HSL 110.86, 0.77%, 0.62%

LAB 82.86, -62.71, 60.66

 

CMYK 37 / 0 / 65 / 9

HEX #92E952

RGB 146 233 82

HSL 94.57, 0.77%, 0.62%

LAB 84.48, -50.72, 62.9

 

CMYK 20 / 0 / 65 / 9

HEX #BBE952

RGB 187 233 82

HSL 78.28, 0.77%, 0.62%

LAB 86.73, -36.08, 65.96

 

CMYK 65 / 0 / 40 / 9

HEX #52E98C

RGB 82 233 140

HSL 143.05, 0.77%, 0.62%

LAB 82.89, -60.03, 33.76

 

CMYK 65 / 0 / 22 / 9

HEX #52E9B5

RGB 82 233 181

HSL 159.34, 0.77%, 0.62%

LAB 83.66, -51.89, 13.71

 

CMYK 65 / 0 / 5 / 9

HEX #52E9DE

RGB 82 233 222

HSL 175.63, 0.77%, 0.62%

LAB 84.66, -41.88, -6.39

 

CMYK 65 / 12 / 0 / 9

HEX #52CCE9

RGB 82 204 233

HSL 191.52, 0.77%, 0.62%

LAB 76.6, -25.11, -24.37

 

CMYK 65 / 30 / 0 / 9

HEX #52A3E9

RGB 82 163 233

HSL 207.81, 0.77%, 0.62%

LAB 64.86, -3.31, -42.53

 

CMYK 65 / 0 / 40 / 9

HEX #52E98C

RGB 82 233 140

HSL 143.05, 0.77%, 0.62%

LAB 82.89, -60.03, 33.76

 

CMYK 73 / 0 / 45 / 2

HEX #42F989

RGB 66 249 137

HSL 143.28, 0.94%, 0.62%

LAB 87.35, -68.78, 40.95

 

CMYK 65 / 0 / 40 / 9

HEX #52E98C

RGB 82 233 140

HSL 143.05, 0.77%, 0.62%

LAB 82.89, -60.03, 33.76

 

CMYK 55 / 0 / 34 / 15

HEX #62DA90

RGB 98 218 144

HSL 143, 0.62%, 0.62%

LAB 78.9, -50.18, 26.48

 

CMYK 44 / 0 / 27 / 21

HEX #71CA93

RGB 113 202 147

HSL 142.92, 0.46%, 0.62%

LAB 74.74, -38.98, 19.32

 

CMYK 31 / 0 / 19 / 27

HEX #81BA97

RGB 129 186 151

HSL 143.16, 0.29%, 0.62%

LAB 70.88, -25.95, 11.9

 

CMYK 15 / 0 / 9 / 33

HEX #91AA9B

RGB 145 170 155

HSL 144, 0.13%, 0.62%

LAB 67.38, -11.67, 4.83

 

CMYK 55 / 0 / 65 / 9

HEX #69E952

RGB 105 233 82

HSL 110.86, 0.77%, 0.62%

LAB 82.86, -62.71, 60.66

 

CMYK 65 / 0 / 57 / 9

HEX #52E964

RGB 82 233 100

HSL 127.15, 0.77%, 0.62%

LAB 82.37, -65.92, 52.27

 

CMYK 65 / 0 / 40 / 9

HEX #52E98C

RGB 82 233 140

HSL 143.05, 0.77%, 0.62%

LAB 82.89, -60.03, 33.76

 

CMYK 65 / 0 / 23 / 9

HEX #52E9B4

RGB 82 233 180

HSL 158.94, 0.77%, 0.62%

LAB 83.64, -52.11, 14.2

 

CMYK 65 / 0 / 5 / 9

HEX #52E9DD

RGB 82 233 221

HSL 175.23, 0.77%, 0.62%

LAB 84.63, -42.15, -5.91

 

CMYK 88 / 0 / 54 / 19

HEX #19CF60

RGB 25 207 96

HSL 143.41, 0.78%, 0.45%

LAB 73.34, -65.46, 43.11

 

CMYK 80 / 0 / 49 / 10

HEX #2DE574

RGB 45 229 116

HSL 143.15, 0.78%, 0.54%

LAB 80.66, -67.88, 42.59

 

CMYK 65 / 0 / 40 / 9

HEX #52E98C

RGB 82 233 140

HSL 143.05, 0.77%, 0.62%

LAB 82.89, -60.03, 33.76

 

CMYK 50 / 0 / 31 / 7

HEX #77EEA5

RGB 119 238 165

HSL 143.19, 0.78%, 0.7%

LAB 85.9, -49.6, 25.28

 

CMYK 36 / 0 / 22 / 5

HEX #9BF2BD

RGB 155 242 189

HSL 143.45, 0.77%, 0.78%

LAB 88.99, -37.28, 17.43

 

CMYK 65 / 0 / 40 / 8

HEX #51EA8C

RGB 81 234 140

HSL 143.14, 0.78%, 0.62%

LAB 83.17, -60.59, 34.12

 

CMYK 65 / 38 / 0 / 9

HEX #5291E9

RGB 82 145 233

HSL 214.97, 0.77%, 0.62%

LAB 59.82, 7.1, -50.48

 

CMYK 0 / 65 / 64 / 9

HEX #E95255

RGB 233 82 85

HSL 358.81, 0.77%, 0.62%

LAB 56.1, 58.4, 30.57

 

CMYK 65 / 0 / 40 / 8

HEX #51EA8C

RGB 81 234 140

HSL 143.14, 0.78%, 0.62%

LAB 83.17, -60.59, 34.12

 

CMYK 40 / 65 / 0 / 9

HEX #8C52E9

RGB 140 82 233

HSL 263.05, 0.77%, 0.62%

LAB 48.88, 55.18, -67.83

 

CMYK 0 / 40 / 65 / 9

HEX #E98C52

RGB 233 140 82

HSL 23.05, 0.77%, 0.62%

LAB 67.04, 30.32, 45.41

 

CMYK 65 / 0 / 40 / 8

HEX #51EA8C

RGB 81 234 140

HSL 143.14, 0.78%, 0.62%

LAB 83.17, -60.59, 34.12

 

CMYK 65 / 38 / 0 / 9

HEX #5291E9

RGB 82 145 233

HSL 214.97, 0.77%, 0.62%

LAB 59.82, 7.1, -50.48

 

CMYK 0 / 65 / 25 / 9

HEX #E952AF

RGB 233 82 175

HSL 323.05, 0.77%, 0.62%

LAB 58.46, 66.87, -18.72

 

CMYK 0 / 27 / 65 / 9

HEX #E9AA52

RGB 233 170 82

HSL 34.97, 0.77%, 0.62%

LAB 73.99, 14.41, 53.29

 

CMYK 65 / 0 / 40 / 8

HEX #51EA8C

RGB 81 234 140

HSL 143.14, 0.78%, 0.62%

LAB 83.17, -60.59, 34.12

 

CMYK 65 / 57 / 0 / 9

HEX #5264E9

RGB 82 100 233

HSL 232.85, 0.77%, 0.62%

LAB 48, 34.58, -69.48

 

CMYK 0 / 65 / 25 / 9

HEX #E952AF

RGB 233 82 175

HSL 323.05, 0.77%, 0.62%

LAB 58.46, 66.87, -18.72

 

CMYK 0 / 7 / 65 / 9

HEX #E9D852

RGB 233 216 82

HSL 53.25, 0.77%, 0.62%

LAB 85.53, -9.45, 65.73

 

Description

Color code: HEX #51EA8C | qconv.com Color code: HEX #51EA8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 234 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 234 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 40 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 40% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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