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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51F216 it is the complementary color #AE0DE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51F216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51F216 shade: #56F211, #67FF24, #78FF37, #89FF4A and #9AFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51F216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51F216 shade: #51F216, #40E003, #2FCE00, #1EBC00 and #0DAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51F216 shade: #52F117, #8CF117, #C7F117, #F1E017 and #F1A517

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51F216 shade: #52F117, #17F117, #17F152, #17F18D and #17F1C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51F216 shade matches the following richer shades: #52F117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51F216 shade: #52F117, #5BDD2B, #64C93F, #6DB653 and #76A266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51F216 shade: #C9F117, #8FF117, #55F117, #1BF117 and #17F14E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51F216 shade: #35AC0A, #41D30C, #52F117, #6FF33E and #8CF665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51F216 shade: #51F216, #17F1DF and #F117AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51F216 shade: #51F216, #1755F1 and #F11755

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51F216 shade: #51F216, #17F1DF, #B317F1 and #F11729

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51F216 shade: #51F216, #17C2F1, #B317F1 and #F14617

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

Complementary color

CMYK 25 / 94 / 0 / 9

HEX #AE0DE9

RGB 174 13 233

HSL 283.91, 0.89%, 0.48%

LAB 45.87, 82.28, -72.53

 

CMYK 64 / 0 / 93 / 5

HEX #56F211

RGB 86 242 17

HSL 101.6, 0.9%, 0.51%

LAB 84.75, -73.55, 79.73

 

CMYK 60 / 0 / 86 / 0

HEX #67FF24

RGB 103 255 36

HSL 101.64, 1%, 0.57%

LAB 89.17, -73.49, 80.73

 

CMYK 53 / 0 / 78 / 0

HEX #78FF37

RGB 120 255 55

HSL 100.5, 1%, 0.61%

LAB 89.76, -68.51, 77

 

CMYK 46 / 0 / 71 / 0

HEX #89FF4A

RGB 137 255 74

HSL 99.12, 1%, 0.65%

LAB 90.47, -62.68, 71.99

 

CMYK 40 / 0 / 64 / 0

HEX #9AFF5D

RGB 154 255 93

HSL 97.41, 1%, 0.68%

LAB 91.32, -56.1, 66.01

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 71 / 0 / 99 / 12

HEX #40E003

RGB 64 224 3

HSL 103.44, 0.97%, 0.45%

LAB 78.7, -72.41, 75.93

 

CMYK 77 / 0 / 100 / 19

HEX #2FCE00

RGB 47 206 0

HSL 106.31, 1%, 0.4%

LAB 72.72, -69.76, 71.31

 

CMYK 84 / 0 / 100 / 26

HEX #1EBC00

RGB 30 188 0

HSL 110.43, 1%, 0.37%

LAB 66.7, -66.62, 66.4

 

CMYK 92 / 0 / 100 / 33

HEX #0DAA00

RGB 13 170 0

HSL 115.41, 1%, 0.33%

LAB 60.64, -62.91, 61.48

 

CMYK 66 / 0 / 90 / 5

HEX #52F117

RGB 82 241 23

HSL 103.76, 0.89%, 0.52%

LAB 84.36, -73.91, 78.6

 

CMYK 42 / 0 / 90 / 5

HEX #8CF117

RGB 140 241 23

HSL 87.8, 0.89%, 0.52%

LAB 86.28, -58.74, 80.98

 

CMYK 17 / 0 / 90 / 5

HEX #C7F117

RGB 199 241 23

HSL 71.56, 0.89%, 0.52%

LAB 89.45, -37.44, 84.86

 

CMYK 0 / 7 / 90 / 5

HEX #F1E017

RGB 241 224 23

HSL 55.32, 0.89%, 0.52%

LAB 88, -12.14, 85.06

 

CMYK 0 / 32 / 90 / 5

HEX #F1A517

RGB 241 165 23

HSL 39.08, 0.89%, 0.52%

LAB 73.33, 18.26, 73.91

 

CMYK 66 / 0 / 90 / 5

HEX #52F117

RGB 82 241 23

HSL 103.76, 0.89%, 0.52%

LAB 84.36, -73.91, 78.6

 

CMYK 90 / 0 / 90 / 5

HEX #17F117

RGB 23 241 23

HSL 120, 0.89%, 0.52%

LAB 83.52, -81.28, 77.56

 

CMYK 90 / 0 / 66 / 5

HEX #17F152

RGB 23 241 82

HSL 136.24, 0.89%, 0.52%

LAB 83.81, -77.62, 61.27

 

CMYK 90 / 0 / 41 / 5

HEX #17F18D

RGB 23 241 141

HSL 152.48, 0.89%, 0.52%

LAB 84.49, -69.34, 35.2

 

CMYK 90 / 0 / 17 / 5

HEX #17F1C8

RGB 23 241 200

HSL 168.72, 0.89%, 0.52%

LAB 85.64, -56.54, 6.49

 

CMYK 66 / 0 / 90 / 5

HEX #52F117

RGB 82 241 23

HSL 103.76, 0.89%, 0.52%

LAB 84.36, -73.91, 78.6

 

CMYK 66 / 0 / 90 / 5

HEX #52F117

RGB 82 241 23

HSL 103.76, 0.89%, 0.52%

LAB 84.36, -73.91, 78.6

 

CMYK 59 / 0 / 81 / 13

HEX #5BDD2B

RGB 91 221 43

HSL 103.82, 0.72%, 0.52%

LAB 78.53, -64.73, 69.5

 

CMYK 50 / 0 / 69 / 21

HEX #64C93F

RGB 100 201 63

HSL 103.91, 0.56%, 0.52%

LAB 72.79, -53.86, 57.37

 

CMYK 40 / 0 / 54 / 29

HEX #6DB653

RGB 109 182 83

HSL 104.24, 0.4%, 0.52%

LAB 67.53, -41.4, 42.84

 

CMYK 27 / 0 / 37 / 36

HEX #76A266

RGB 118 162 102

HSL 104, 0.24%, 0.52%

LAB 62.21, -26.5, 26.55

 

CMYK 17 / 0 / 90 / 5

HEX #C9F117

RGB 201 241 23

HSL 71.01, 0.89%, 0.52%

LAB 89.58, -36.66, 85.01

 

CMYK 41 / 0 / 90 / 5

HEX #8FF117

RGB 143 241 23

HSL 86.97, 0.89%, 0.52%

LAB 86.41, -57.78, 81.14

 

CMYK 65 / 0 / 90 / 5

HEX #55F117

RGB 85 241 23

HSL 102.94, 0.89%, 0.52%

LAB 84.43, -73.31, 78.69

 

CMYK 89 / 0 / 90 / 5

HEX #1BF117

RGB 27 241 23

HSL 118.9, 0.89%, 0.52%

LAB 83.55, -81.04, 77.59

 

CMYK 90 / 0 / 68 / 5

HEX #17F14E

RGB 23 241 78

HSL 135.14, 0.89%, 0.52%

LAB 83.78, -78.01, 62.79

 

CMYK 69 / 0 / 94 / 33

HEX #35AC0A

RGB 53 172 10

HSL 104.07, 0.89%, 0.36%

LAB 61.9, -58.12, 61.4

 

CMYK 69 / 0 / 94 / 17

HEX #41D30C

RGB 65 211 12

HSL 104.02, 0.89%, 0.44%

LAB 74.66, -68.12, 71.8

 

CMYK 66 / 0 / 90 / 5

HEX #52F117

RGB 82 241 23

HSL 103.76, 0.89%, 0.52%

LAB 84.36, -73.91, 78.6

 

CMYK 54 / 0 / 74 / 5

HEX #6FF33E

RGB 111 243 62

HSL 103.76, 0.88%, 0.6%

LAB 85.92, -66.26, 71.14

 

CMYK 43 / 0 / 59 / 4

HEX #8CF665

RGB 140 246 101

HSL 103.86, 0.89%, 0.68%

LAB 88.17, -56.12, 59.03

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 90 / 0 / 7 / 5

HEX #17F1DF

RGB 23 241 223

HSL 175.05, 0.89%, 0.52%

LAB 86.22, -50.52, -4.72

 

CMYK 0 / 90 / 29 / 5

HEX #F117AC

RGB 241 23 172

HSL 318.99, 0.89%, 0.52%

LAB 54.34, 83.7, -23.17

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 90 / 65 / 0 / 5

HEX #1755F1

RGB 23 85 241

HSL 222.94, 0.89%, 0.52%

LAB 42.81, 41.31, -82.55

 

CMYK 0 / 90 / 65 / 5

HEX #F11755

RGB 241 23 85

HSL 342.94, 0.89%, 0.52%

LAB 51.8, 76.8, 25.38

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 90 / 0 / 7 / 5

HEX #17F1DF

RGB 23 241 223

HSL 175.05, 0.89%, 0.52%

LAB 86.22, -50.52, -4.72

 

CMYK 26 / 90 / 0 / 5

HEX #B317F1

RGB 179 23 241

HSL 282.94, 0.89%, 0.52%

LAB 47.68, 83.11, -74.05

 

CMYK 0 / 90 / 83 / 5

HEX #F11729

RGB 241 23 41

HSL 355.05, 0.89%, 0.52%

LAB 51.24, 75.21, 49.96

 

CMYK 67 / 0 / 91 / 5

HEX #51F216

RGB 81 242 22

HSL 103.91, 0.89%, 0.52%

LAB 84.64, -74.44, 78.97

 

CMYK 90 / 20 / 0 / 5

HEX #17C2F1

RGB 23 194 241

HSL 192.94, 0.89%, 0.52%

LAB 72.97, -23.33, -34.34

 

CMYK 26 / 90 / 0 / 5

HEX #B317F1

RGB 179 23 241

HSL 282.94, 0.89%, 0.52%

LAB 47.68, 83.11, -74.05

 

CMYK 0 / 71 / 90 / 5

HEX #F14617

RGB 241 70 23

HSL 12.94, 0.89%, 0.52%

LAB 55.22, 63.36, 60.8

 

Description

Color code: HEX #51F216 | qconv.com Color code: HEX #51F216 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 242 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 242 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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