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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52174A it is the complementary color #ADE8B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52174A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52174A shade: #571745, #682958, #793B6B, #8A4D7E and #9B5F91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52174A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52174A shade: #52174A, #410537, #300024, #1F0011 and #0E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52174A shade: #53174B, #53173B, #53172B, #53171A and #531717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52174A shade: #53174B, #4B1753, #3B1753, #2B1753 and #1A1753

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52174A shade matches the following richer shades: #53174B, #5C0E51 and #640658

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52174A shade: #53174B, #4A2045, #42283E, #393138 and #303A32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52174A shade: #3B1753, #4B1753, #53174B, #53173B and #53172B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52174A shade: #130511, #330E2E, #53174B, #732068 and #932985

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52174A shade: #52174A, #532B17 and #175343

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52174A shade: #52174A, #4B5317 and #174B53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52174A shade: #52174A, #532B17, #17531F and #173F53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52174A shade: #52174A, #533D17, #17531F and #172D53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 10 / 68

HEX #52174A

RGB 82 23 74

HSL 308.14, 0.56%, 0.21%

LAB 19.64, 33.99, -17.79

 

Complementary color

CMYK 25 / 0 / 22 / 9

HEX #ADE8B5

RGB 173 232 181

HSL 128.14, 0.56%, 0.79%

LAB 86.96, -28.6, 18.88

 

CMYK 0 / 74 / 21 / 66

HEX #571745

RGB 87 23 69

HSL 316.88, 0.58%, 0.22%

LAB 20.32, 34.62, -13.25

 

CMYK 0 / 61 / 15 / 59

HEX #682958

RGB 104 41 88

HSL 315.24, 0.43%, 0.28%

LAB 27.39, 34.48, -14.84

 

CMYK 0 / 51 / 12 / 53

HEX #793B6B

RGB 121 59 107

HSL 313.55, 0.34%, 0.35%

LAB 34.51, 33.84, -15.9

 

CMYK 0 / 44 / 9 / 46

HEX #8A4D7E

RGB 138 77 126

HSL 311.8, 0.28%, 0.42%

LAB 41.56, 33.06, -16.69

 

CMYK 0 / 39 / 6 / 39

HEX #9B5F91

RGB 155 95 145

HSL 310, 0.24%, 0.49%

LAB 48.51, 32.26, -17.33

 

CMYK 0 / 72 / 10 / 68

HEX #52174A

RGB 82 23 74

HSL 308.14, 0.56%, 0.21%

LAB 19.64, 33.99, -17.79

 

CMYK 0 / 92 / 15 / 75

HEX #410537

RGB 65 5 55

HSL 310, 0.86%, 0.14%

LAB 12.66, 33.13, -15.67

 

CMYK 0 / 100 / 25 / 81

HEX #300024

RGB 48 0 36

HSL 315, 1%, 0.09%

LAB 6.83, 28.06, -10.96

 

CMYK 0 / 100 / 45 / 88

HEX #1F0011

RGB 31 0 17

HSL 327.1, 1%, 0.06%

LAB 3, 14.37, -2.83

 

CMYK 0 / 100 / 100 / 95

HEX #0E0000

RGB 14 0 0

HSL 0, 1%, 0.03%

LAB 0.84, 3.78, 1.33

 

CMYK 0 / 72 / 10 / 67

HEX #53174B

RGB 83 23 75

HSL 308, 0.57%, 0.21%

LAB 19.88, 34.46, -18.09

 

CMYK 0 / 72 / 29 / 67

HEX #53173B

RGB 83 23 59

HSL 324, 0.57%, 0.21%

LAB 19.09, 31.8, -8.27

 

CMYK 0 / 72 / 48 / 67

HEX #53172B

RGB 83 23 43

HSL 340, 0.57%, 0.21%

LAB 18.48, 29.67, 2.11

 

CMYK 0 / 72 / 69 / 67

HEX #53171A

RGB 83 23 26

HSL 357, 0.57%, 0.21%

LAB 18.04, 28.07, 13.56

 

CMYK 0 / 72 / 72 / 67

HEX #531717

RGB 83 23 23

HSL 0, 0.57%, 0.21%

LAB 17.98, 27.86, 15.57

 

CMYK 0 / 72 / 10 / 67

HEX #53174B

RGB 83 23 75

HSL 308, 0.57%, 0.21%

LAB 19.88, 34.46, -18.09

 

CMYK 10 / 72 / 0 / 67

HEX #4B1753

RGB 75 23 83

HSL 292, 0.57%, 0.21%

LAB 18.94, 33.81, -25.1

 

CMYK 29 / 72 / 0 / 67

HEX #3B1753

RGB 59 23 83

HSL 276, 0.57%, 0.21%

LAB 16.34, 29.62, -29.41

 

CMYK 48 / 72 / 0 / 67

HEX #2B1753

RGB 43 23 83

HSL 260, 0.57%, 0.21%

LAB 14.12, 25.75, -33.11

 

CMYK 69 / 72 / 0 / 67

HEX #1A1753

RGB 26 23 83

HSL 243, 0.57%, 0.21%

LAB 12.33, 22.37, -36.1

 

CMYK 0 / 72 / 10 / 67

HEX #53174B

RGB 83 23 75

HSL 308, 0.57%, 0.21%

LAB 19.88, 34.46, -18.09

 

CMYK 0 / 85 / 12 / 64

HEX #5C0E51

RGB 92 14 81

HSL 308.46, 0.74%, 0.21%

LAB 20.76, 41.24, -20.66

 

CMYK 0 / 94 / 12 / 61

HEX #640658

RGB 100 6 88

HSL 307.66, 0.89%, 0.21%

LAB 22.1, 46.16, -23.15

 

CMYK 0 / 72 / 10 / 67

HEX #53174B

RGB 83 23 75

HSL 308, 0.57%, 0.21%

LAB 19.88, 34.46, -18.09

 

CMYK 0 / 57 / 7 / 71

HEX #4A2045

RGB 74 32 69

HSL 307.14, 0.4%, 0.21%

LAB 19.71, 25.79, -14.36

 

CMYK 0 / 39 / 6 / 74

HEX #42283E

RGB 66 40 62

HSL 309.23, 0.25%, 0.21%

LAB 20.14, 16.32, -9.01

 

CMYK 0 / 14 / 2 / 78

HEX #393138

RGB 57 49 56

HSL 307.5, 0.08%, 0.21%

LAB 21.4, 5.12, -3.11

 

CMYK 17 / 0 / 14 / 77

HEX #303A32

RGB 48 58 50

HSL 132, 0.09%, 0.21%

LAB 23.29, -6.1, 3.59

 

CMYK 29 / 72 / 0 / 67

HEX #3B1753

RGB 59 23 83

HSL 276, 0.57%, 0.21%

LAB 16.34, 29.62, -29.41

 

CMYK 10 / 72 / 0 / 67

HEX #4B1753

RGB 75 23 83

HSL 292, 0.57%, 0.21%

LAB 18.94, 33.81, -25.1

 

CMYK 0 / 72 / 10 / 67

HEX #53174B

RGB 83 23 75

HSL 308, 0.57%, 0.21%

LAB 19.88, 34.46, -18.09

 

CMYK 0 / 72 / 29 / 67

HEX #53173B

RGB 83 23 59

HSL 324, 0.57%, 0.21%

LAB 19.09, 31.8, -8.27

 

CMYK 0 / 72 / 48 / 67

HEX #53172B

RGB 83 23 43

HSL 340, 0.57%, 0.21%

LAB 18.48, 29.67, 2.11

 

CMYK 0 / 74 / 11 / 93

HEX #130511

RGB 19 5 17

HSL 308.57, 0.58%, 0.05%

LAB 2.6, 6.18, -3.58

 

CMYK 0 / 73 / 10 / 80

HEX #330E2E

RGB 51 14 46

HSL 308.11, 0.57%, 0.13%

LAB 10.67, 23.44, -12.44

 

CMYK 0 / 72 / 10 / 67

HEX #53174B

RGB 83 23 75

HSL 308, 0.57%, 0.21%

LAB 19.88, 34.46, -18.09

 

CMYK 0 / 72 / 10 / 55

HEX #732068

RGB 115 32 104

HSL 307.95, 0.56%, 0.29%

LAB 28.58, 44.54, -23.26

 

CMYK 0 / 72 / 10 / 42

HEX #932985

RGB 147 41 133

HSL 307.92, 0.56%, 0.37%

LAB 36.9, 54.04, -28.12

 

CMYK 0 / 72 / 10 / 68

HEX #52174A

RGB 82 23 74

HSL 308.14, 0.56%, 0.21%

LAB 19.64, 33.99, -17.79

 

CMYK 0 / 48 / 72 / 67

HEX #532B17

RGB 83 43 23

HSL 20, 0.57%, 0.21%

LAB 22.4, 16.49, 20.86

 

CMYK 72 / 0 / 19 / 67

HEX #175343

RGB 23 83 67

HSL 164, 0.57%, 0.21%

LAB 31.29, -23.48, 3.84

 

CMYK 0 / 72 / 10 / 68

HEX #52174A

RGB 82 23 74

HSL 308.14, 0.56%, 0.21%

LAB 19.64, 33.99, -17.79

 

CMYK 10 / 0 / 72 / 67

HEX #4B5317

RGB 75 83 23

HSL 68, 0.57%, 0.21%

LAB 33.44, -12.4, 32.64

 

CMYK 72 / 10 / 0 / 67

HEX #174B53

RGB 23 75 83

HSL 188, 0.57%, 0.21%

LAB 29, -14.03, -9.78

 

CMYK 0 / 72 / 10 / 68

HEX #52174A

RGB 82 23 74

HSL 308.14, 0.56%, 0.21%

LAB 19.64, 33.99, -17.79

 

CMYK 0 / 48 / 72 / 67

HEX #532B17

RGB 83 43 23

HSL 20, 0.57%, 0.21%

LAB 22.4, 16.49, 20.86

 

CMYK 72 / 0 / 63 / 67

HEX #17531F

RGB 23 83 31

HSL 128, 0.57%, 0.21%

LAB 30.56, -31.34, 24.6

 

CMYK 72 / 24 / 0 / 67

HEX #173F53

RGB 23 63 83

HSL 200, 0.57%, 0.21%

LAB 24.83, -6.67, -16.17

 

CMYK 0 / 72 / 10 / 68

HEX #52174A

RGB 82 23 74

HSL 308.14, 0.56%, 0.21%

LAB 19.64, 33.99, -17.79

 

CMYK 0 / 27 / 72 / 67

HEX #533D17

RGB 83 61 23

HSL 38, 0.57%, 0.21%

LAB 27.4, 5.02, 26.49

 

CMYK 72 / 0 / 63 / 67

HEX #17531F

RGB 23 83 31

HSL 128, 0.57%, 0.21%

LAB 30.56, -31.34, 24.6

 

CMYK 72 / 46 / 0 / 67

HEX #172D53

RGB 23 45 83

HSL 218, 0.57%, 0.21%

LAB 18.73, 5.7, -25.77

 

Description

Color code: HEX #52174A | qconv.com Color code: HEX #52174A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 23 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 23 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 10 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 10% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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