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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #523B32 it is the complementary color #ADC4CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #523B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #523B32 shade: #573B2D, #684D40, #795F53, #8A7166 and #9B8379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #523B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #523B32 shade: #523B32, #41291F, #30170C, #1F0500 and #0E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #523B32 shade: #523B32, #523232 and #523232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #523B32 shade: #523B32, #524332, #524C32, #4F5232 and #465232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #523B32 shade matches the following richer shades: #523B32, #5C3627, #67311C, #722D12 and #7D2807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #523B32 shade: #523B32, #47403D, #3C4447, #324952 and #274E5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #523B32 shade: #52323A, #523232, #523A32, #524332 and #524B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #523B32 shade: #1F1613, #382822, #523B32, #6B4D42 and #856051

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #523B32 shade: #523B32, #435232 and #323652

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #523B32 shade: #523B32, #32523A and #3A3252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #523B32 shade: #523B32, #435232, #324952 and #413252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #523B32 shade: #523B32, #395232, #324952 and #4A3252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

Complementary color

CMYK 16 / 4 / 0 / 20

HEX #ADC4CD

RGB 173 196 205

HSL 196.88, 0.24%, 0.74%

LAB 77.74, -5.9, -7.14

 

CMYK 0 / 32 / 48 / 66

HEX #573B2D

RGB 87 59 45

HSL 20, 0.32%, 0.26%

LAB 27.69, 10.4, 13.61

 

CMYK 0 / 26 / 38 / 59

HEX #684D40

RGB 104 77 64

HSL 19.5, 0.24%, 0.33%

LAB 35.24, 9.42, 12.14

 

CMYK 0 / 21 / 31 / 53

HEX #795F53

RGB 121 95 83

HSL 18.95, 0.19%, 0.4%

LAB 42.57, 8.66, 10.89

 

CMYK 0 / 18 / 26 / 46

HEX #8A7166

RGB 138 113 102

HSL 18.33, 0.15%, 0.47%

LAB 49.71, 8.03, 9.79

 

CMYK 0 / 15 / 22 / 39

HEX #9B8379

RGB 155 131 121

HSL 17.65, 0.15%, 0.54%

LAB 56.67, 7.51, 8.8

 

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

CMYK 0 / 37 / 52 / 75

HEX #41291F

RGB 65 41 31

HSL 17.65, 0.35%, 0.19%

LAB 19.26, 9.81, 11.12

 

CMYK 0 / 52 / 75 / 81

HEX #30170C

RGB 48 23 12

HSL 18.33, 0.6%, 0.12%

LAB 11.05, 11.34, 11.77

 

CMYK 0 / 84 / 100 / 88

HEX #1F0500

RGB 31 5 0

HSL 9.68, 1%, 0.06%

LAB 3.61, 9.8, 5.59

 

CMYK 0 / 100 / 100 / 95

HEX #0E0000

RGB 14 0 0

HSL 0, 1%, 0.03%

LAB 0.84, 3.78, 1.33

 

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

CMYK 0 / 39 / 39 / 68

HEX #523232

RGB 82 50 50

HSL 0, 0.24%, 0.26%

LAB 24.66, 14.52, 6.06

 

CMYK 0 / 39 / 39 / 68

HEX #523232

RGB 82 50 50

HSL 0, 0.24%, 0.26%

LAB 24.66, 14.52, 6.06

 

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

CMYK 0 / 18 / 39 / 68

HEX #524332

RGB 82 67 50

HSL 31.88, 0.24%, 0.26%

LAB 29.51, 3.62, 12.74

 

CMYK 0 / 7 / 39 / 68

HEX #524C32

RGB 82 76 50

HSL 48.75, 0.24%, 0.26%

LAB 32.24, -2.02, 16.38

 

CMYK 4 / 0 / 39 / 68

HEX #4F5232

RGB 79 82 50

HSL 65.63, 0.24%, 0.26%

LAB 33.83, -7.04, 18.4

 

CMYK 15 / 0 / 39 / 68

HEX #465232

RGB 70 82 50

HSL 82.5, 0.24%, 0.26%

LAB 33.06, -11.09, 17.26

 

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

CMYK 0 / 41 / 58 / 64

HEX #5C3627

RGB 92 54 39

HSL 16.98, 0.4%, 0.26%

LAB 26.91, 15.24, 16.57

 

CMYK 0 / 52 / 73 / 60

HEX #67311C

RGB 103 49 28

HSL 16.8, 0.57%, 0.26%

LAB 27.2, 22.4, 24.18

 

CMYK 0 / 61 / 84 / 55

HEX #722D12

RGB 114 45 18

HSL 16.88, 0.73%, 0.26%

LAB 28.11, 28.88, 31.39

 

CMYK 0 / 68 / 94 / 51

HEX #7D2807

RGB 125 40 7

HSL 16.78, 0.89%, 0.26%

LAB 29.14, 35.45, 38.07

 

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

CMYK 0 / 10 / 14 / 72

HEX #47403D

RGB 71 64 61

HSL 18, 0.08%, 0.26%

LAB 27.69, 2.39, 2.92

 

CMYK 15 / 4 / 0 / 72

HEX #3C4447

RGB 60 68 71

HSL 196.36, 0.08%, 0.26%

LAB 28.25, -2.53, -2.93

 

CMYK 39 / 11 / 0 / 68

HEX #324952

RGB 50 73 82

HSL 196.88, 0.24%, 0.26%

LAB 29.54, -6.24, -8.19

 

CMYK 58 / 16 / 0 / 64

HEX #274E5D

RGB 39 78 93

HSL 196.67, 0.41%, 0.26%

LAB 31.04, -8.95, -13.02

 

CMYK 0 / 39 / 29 / 68

HEX #52323A

RGB 82 50 58

HSL 345, 0.24%, 0.26%

LAB 24.89, 15.77, 1.02

 

CMYK 0 / 39 / 39 / 68

HEX #523232

RGB 82 50 50

HSL 0, 0.24%, 0.26%

LAB 24.66, 14.52, 6.06

 

CMYK 0 / 29 / 39 / 68

HEX #523A32

RGB 82 58 50

HSL 15, 0.24%, 0.26%

LAB 26.88, 9.38, 9.15

 

CMYK 0 / 18 / 39 / 68

HEX #524332

RGB 82 67 50

HSL 31.88, 0.24%, 0.26%

LAB 29.51, 3.62, 12.74

 

CMYK 0 / 9 / 39 / 68

HEX #524B32

RGB 82 75 50

HSL 46.88, 0.24%, 0.26%

LAB 31.93, -1.4, 15.98

 

CMYK 0 / 29 / 39 / 88

HEX #1F1613

RGB 31 22 19

HSL 15, 0.24%, 0.1%

LAB 8.24, 3.97, 3.6

 

CMYK 0 / 29 / 39 / 78

HEX #382822

RGB 56 40 34

HSL 16.36, 0.24%, 0.18%

LAB 17.8, 6.46, 6.86

 

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

CMYK 0 / 28 / 38 / 58

HEX #6B4D42

RGB 107 77 66

HSL 16.1, 0.24%, 0.34%

LAB 35.65, 11.04, 11.5

 

CMYK 0 / 28 / 39 / 48

HEX #856051

RGB 133 96 81

HSL 17.31, 0.24%, 0.42%

LAB 44.16, 12.94, 14.49

 

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

CMYK 18 / 0 / 39 / 68

HEX #435232

RGB 67 82 50

HSL 88.13, 0.24%, 0.26%

LAB 32.83, -12.4, 16.9

 

CMYK 39 / 34 / 0 / 68

HEX #323652

RGB 50 54 82

HSL 232.5, 0.24%, 0.26%

LAB 23.42, 6.24, -17.58

 

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

CMYK 39 / 0 / 29 / 68

HEX #32523A

RGB 50 82 58

HSL 135, 0.24%, 0.26%

LAB 31.85, -17.7, 10.45

 

CMYK 29 / 39 / 0 / 68

HEX #3A3252

RGB 58 50 82

HSL 255, 0.24%, 0.26%

LAB 22.96, 11.7, -18.24

 

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

CMYK 18 / 0 / 39 / 68

HEX #435232

RGB 67 82 50

HSL 88.13, 0.24%, 0.26%

LAB 32.83, -12.4, 16.9

 

CMYK 39 / 11 / 0 / 68

HEX #324952

RGB 50 73 82

HSL 196.88, 0.24%, 0.26%

LAB 29.54, -6.24, -8.19

 

CMYK 21 / 39 / 0 / 68

HEX #413252

RGB 65 50 82

HSL 268.13, 0.24%, 0.26%

LAB 23.72, 14.17, -17

 

CMYK 0 / 28 / 39 / 68

HEX #523B32

RGB 82 59 50

HSL 16.88, 0.24%, 0.26%

LAB 27.16, 8.73, 9.55

 

CMYK 30 / 0 / 39 / 68

HEX #395232

RGB 57 82 50

HSL 106.88, 0.24%, 0.26%

LAB 32.11, -16.59, 15.83

 

CMYK 39 / 11 / 0 / 68

HEX #324952

RGB 50 73 82

HSL 196.88, 0.24%, 0.26%

LAB 29.54, -6.24, -8.19

 

CMYK 10 / 39 / 0 / 68

HEX #4A3252

RGB 74 50 82

HSL 285, 0.24%, 0.26%

LAB 24.78, 17.45, -15.27

 

Description

Color code: HEX #523B32 | qconv.com Color code: HEX #523B32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 59 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 59 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 39 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 39% 68% C M Y K



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