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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #523D2C it is the complementary color #ADC2D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #523D2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #523D2C shade: #573D27, #684F3A, #79614D, #8A7360 and #9B8573

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #523D2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #523D2C shade: #523D2C, #412B19, #301906, #1F0700 and #0E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #523D2C shade: #523D2C, #52332C and #522C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #523D2C shade: #523D2C, #52482C, #52522C, #49522C and #3E522C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #523D2C shade matches the following richer shades: #523D2C, #5D3C22, #673B17, #713A0D and #7C3903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #523D2C shade: #523D2C, #483E36, #3E3F41, #33404B and #294255

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #523D2C shade: #522C30, #52322C, #523D2C, #52472C and #52512C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #523D2C shade: #1D150F, #38291E, #523D2C, #6D513B and #886549

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #523D2C shade: #523D2C, #3A522C and #2D2C52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #523D2C shade: #523D2C, #2C523D and #3D2C52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #523D2C shade: #523D2C, #3A522C, #2C4252 and #442C52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #523D2C shade: #523D2C, #2F522C, #2C4252 and #502C52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

Complementary color

CMYK 18 / 8 / 0 / 17

HEX #ADC2D3

RGB 173 194 211

HSL 206.84, 0.3%, 0.75%

LAB 77.38, -3.56, -10.91

 

CMYK 0 / 30 / 55 / 66

HEX #573D27

RGB 87 61 39

HSL 27.5, 0.38%, 0.25%

LAB 28.14, 8.44, 18.01

 

CMYK 0 / 24 / 44 / 59

HEX #684F3A

RGB 104 79 58

HSL 27.39, 0.28%, 0.32%

LAB 35.68, 7.4, 16.44

 

CMYK 0 / 20 / 36 / 53

HEX #79614D

RGB 121 97 77

HSL 27.27, 0.22%, 0.39%

LAB 42.99, 6.61, 15.08

 

CMYK 0 / 17 / 30 / 46

HEX #8A7360

RGB 138 115 96

HSL 27.14, 0.18%, 0.46%

LAB 50.11, 5.98, 13.88

 

CMYK 0 / 14 / 26 / 39

HEX #9B8573

RGB 155 133 115

HSL 27, 0.17%, 0.53%

LAB 57.06, 5.46, 12.8

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 0 / 34 / 62 / 75

HEX #412B19

RGB 65 43 25

HSL 27, 0.44%, 0.18%

LAB 19.73, 7.78, 15.72

 

CMYK 0 / 48 / 88 / 81

HEX #301906

RGB 48 25 6

HSL 27.14, 0.78%, 0.11%

LAB 11.53, 9.46, 14.93

 

CMYK 0 / 77 / 100 / 88

HEX #1F0700

RGB 31 7 0

HSL 13.55, 1%, 0.06%

LAB 4, 9, 6.16

 

CMYK 0 / 100 / 100 / 95

HEX #0E0000

RGB 14 0 0

HSL 0, 1%, 0.03%

LAB 0.84, 3.78, 1.33

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 0 / 38 / 46 / 68

HEX #52332C

RGB 82 51 44

HSL 11.05, 0.3%, 0.25%

LAB 24.78, 13.05, 10.22

 

CMYK 0 / 46 / 46 / 68

HEX #522C2C

RGB 82 44 44

HSL 0, 0.3%, 0.25%

LAB 22.92, 17.5, 7.67

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 0 / 12 / 46 / 68

HEX #52482C

RGB 82 72 44

HSL 44.21, 0.3%, 0.25%

LAB 30.9, -0.34, 18.33

 

CMYK 0 / 0 / 46 / 68

HEX #52522C

RGB 82 82 44

HSL 60, 0.3%, 0.25%

LAB 34, -6.44, 22.25

 

CMYK 11 / 0 / 46 / 68

HEX #49522C

RGB 73 82 44

HSL 74.21, 0.3%, 0.25%

LAB 33.21, -10.61, 21.08

 

CMYK 24 / 0 / 46 / 68

HEX #3E522C

RGB 62 82 44

HSL 91.58, 0.3%, 0.25%

LAB 32.35, -15.49, 19.81

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 0 / 35 / 63 / 64

HEX #5D3C22

RGB 93 60 34

HSL 26.44, 0.46%, 0.25%

LAB 28.58, 11.48, 21.81

 

CMYK 0 / 43 / 78 / 60

HEX #673B17

RGB 103 59 23

HSL 27, 0.63%, 0.25%

LAB 29.6, 16.12, 29.65

 

CMYK 0 / 49 / 88 / 56

HEX #713A0D

RGB 113 58 13

HSL 27, 0.79%, 0.25%

LAB 30.8, 20.96, 36.11

 

CMYK 0 / 54 / 98 / 51

HEX #7C3903

RGB 124 57 3

HSL 26.78, 0.95%, 0.25%

LAB 32.3, 26.21, 41.91

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 0 / 14 / 25 / 72

HEX #483E36

RGB 72 62 54

HSL 26.67, 0.14%, 0.25%

LAB 26.99, 2.81, 6.51

 

CMYK 5 / 3 / 0 / 75

HEX #3E3F41

RGB 62 63 65

HSL 220, 0.02%, 0.25%

LAB 26.62, 0.04, -1.37

 

CMYK 32 / 15 / 0 / 71

HEX #33404B

RGB 51 64 75

HSL 207.5, 0.19%, 0.25%

LAB 26.39, -2.24, -8.4

 

CMYK 52 / 22 / 0 / 67

HEX #294255

RGB 41 66 85

HSL 205.91, 0.35%, 0.25%

LAB 26.8, -3.58, -14.37

 

CMYK 0 / 46 / 41 / 68

HEX #522C30

RGB 82 44 48

HSL 353.68, 0.3%, 0.25%

LAB 23.03, 18.04, 5.11

 

CMYK 0 / 39 / 46 / 68

HEX #52322C

RGB 82 50 44

HSL 9.47, 0.3%, 0.25%

LAB 24.5, 13.7, 9.85

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 0 / 13 / 46 / 68

HEX #52472C

RGB 82 71 44

HSL 42.63, 0.3%, 0.25%

LAB 30.6, 0.29, 17.93

 

CMYK 0 / 1 / 46 / 68

HEX #52512C

RGB 82 81 44

HSL 58.42, 0.3%, 0.25%

LAB 33.69, -5.84, 21.85

 

CMYK 0 / 28 / 48 / 89

HEX #1D150F

RGB 29 21 15

HSL 25.71, 0.32%, 0.09%

LAB 7.52, 2.87, 4.85

 

CMYK 0 / 27 / 46 / 78

HEX #38291E

RGB 56 41 30

HSL 25.38, 0.3%, 0.17%

LAB 18.01, 5.17, 9.91

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 0 / 26 / 46 / 57

HEX #6D513B

RGB 109 81 59

HSL 26.4, 0.3%, 0.33%

LAB 36.84, 8.59, 17.47

 

CMYK 0 / 26 / 46 / 47

HEX #886549

RGB 136 101 73

HSL 26.67, 0.3%, 0.41%

LAB 45.67, 10.33, 21.32

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 29 / 0 / 46 / 68

HEX #3A522C

RGB 58 82 44

HSL 97.89, 0.3%, 0.25%

LAB 32.07, -17.18, 19.4

 

CMYK 45 / 46 / 0 / 68

HEX #2D2C52

RGB 45 44 82

HSL 241.58, 0.3%, 0.25%

LAB 19.92, 11.62, -23.12

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 46 / 0 / 26 / 68

HEX #2C523D

RGB 44 82 61

HSL 146.84, 0.3%, 0.25%

LAB 31.59, -19.08, 8.17

 

CMYK 26 / 46 / 0 / 68

HEX #3D2C52

RGB 61 44 82

HSL 266.84, 0.3%, 0.25%

LAB 21.59, 16.8, -20.37

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 29 / 0 / 46 / 68

HEX #3A522C

RGB 58 82 44

HSL 97.89, 0.3%, 0.25%

LAB 32.07, -17.18, 19.4

 

CMYK 46 / 20 / 0 / 68

HEX #2C4252

RGB 44 66 82

HSL 205.26, 0.3%, 0.25%

LAB 26.85, -3.69, -12.32

 

CMYK 17 / 46 / 0 / 68

HEX #442C52

RGB 68 44 82

HSL 277.89, 0.3%, 0.25%

LAB 22.44, 19.21, -18.97

 

CMYK 0 / 26 / 46 / 68

HEX #523D2C

RGB 82 61 44

HSL 26.84, 0.3%, 0.25%

LAB 27.61, 6.63, 14.03

 

CMYK 43 / 0 / 46 / 68

HEX #2F522C

RGB 47 82 44

HSL 115.26, 0.3%, 0.25%

LAB 31.4, -21.5, 18.4

 

CMYK 46 / 20 / 0 / 68

HEX #2C4252

RGB 44 66 82

HSL 205.26, 0.3%, 0.25%

LAB 26.85, -3.69, -12.32

 

CMYK 2 / 46 / 0 / 68

HEX #502C52

RGB 80 44 82

HSL 296.84, 0.3%, 0.25%

LAB 24.05, 23.44, -16.34

 

Description

Color code: HEX #523D2C | qconv.com Color code: HEX #523D2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 61 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 61 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 46 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 46% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Modnique.com / F...
Link: http://www.modnique.com

17% - Offizielle Homepage ...
Link: http://www.fcstpauli.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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