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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524456 it is the complementary color #ADBBA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524456. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524456 shade: #574451, #685664, #796877, #8A7A8A and #9B8C9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524456. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524456 shade: #524456, #413243, #302030, #1F0E1D and #0E000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524456 shade: #514355, #554354, #55434F, #55434A and #554345

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524456 shade: #514355, #4C4355, #474355 and #434355

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524456 shade matches the following richer shades: #514355, #583662, #5F2A6E, #661E7A and #6D1187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524456 shade: #514355, #4A4F49, #435C3C, #3C6830 and #367424

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524456 shade: #474355, #4C4355, #514355, #554355 and #554350

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524456 shade: #251F27, #3B313E, #514355, #67556C and #7D6783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524456 shade: #524456, #554343 and #43554A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524456 shade: #524456, #555143 and #435551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524456 shade: #524456, #554343, #475543 and #435555

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524456 shade: #524456, #554843, #475543 and #435055

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 21 / 0 / 66

HEX #524456

RGB 82 68 86

HSL 286.67, 0.12%, 0.3%

LAB 30.88, 9.76, -8.49

 

Complementary color

CMYK 7 / 0 / 10 / 27

HEX #ADBBA9

RGB 173 187 169

HSL 106.67, 0.12%, 0.7%

LAB 74.37, -8.21, 7.46

 

CMYK 0 / 22 / 7 / 66

HEX #574451

RGB 87 68 81

HSL 318.95, 0.12%, 0.3%

LAB 31.24, 10.67, -4.67

 

CMYK 0 / 17 / 4 / 59

HEX #685664

RGB 104 86 100

HSL 313.33, 0.09%, 0.37%

LAB 38.76, 10.1, -5.29

 

CMYK 0 / 14 / 2 / 53

HEX #796877

RGB 121 104 119

HSL 307.06, 0.08%, 0.44%

LAB 46.04, 9.61, -5.87

 

CMYK 0 / 12 / 0 / 46

HEX #8A7A8A

RGB 138 122 138

HSL 300, 0.06%, 0.51%

LAB 53.12, 9.19, -6.43

 

CMYK 1 / 11 / 0 / 38

HEX #9B8C9D

RGB 155 140 157

HSL 292.94, 0.08%, 0.58%

LAB 60.03, 8.81, -6.96

 

CMYK 5 / 21 / 0 / 66

HEX #524456

RGB 82 68 86

HSL 286.67, 0.12%, 0.3%

LAB 30.88, 9.76, -8.49

 

CMYK 3 / 25 / 0 / 74

HEX #413243

RGB 65 50 67

HSL 292.94, 0.15%, 0.23%

LAB 23.03, 10.38, -8.03

 

CMYK 0 / 33 / 0 / 81

HEX #302030

RGB 48 32 48

HSL 300, 0.2%, 0.16%

LAB 14.82, 11.14, -7.53

 

CMYK 0 / 55 / 6 / 88

HEX #1F0E1D

RGB 31 14 29

HSL 307.06, 0.38%, 0.09%

LAB 6.27, 11.48, -6.68

 

CMYK 0 / 100 / 29 / 95

HEX #0E000A

RGB 14 0 10

HSL 317.14, 1%, 0.03%

LAB 1.04, 5.17, -2.45

 

CMYK 5 / 21 / 0 / 67

HEX #514355

RGB 81 67 85

HSL 286.67, 0.12%, 0.3%

LAB 30.45, 9.78, -8.51

 

CMYK 0 / 21 / 1 / 67

HEX #554354

RGB 85 67 84

HSL 303.33, 0.12%, 0.3%

LAB 30.84, 11.14, -7.22

 

CMYK 0 / 21 / 7 / 67

HEX #55434F

RGB 85 67 79

HSL 320, 0.12%, 0.3%

LAB 30.66, 10.07, -4.26

 

CMYK 0 / 21 / 13 / 67

HEX #55434A

RGB 85 67 74

HSL 336.67, 0.12%, 0.3%

LAB 30.5, 9.06, -1.28

 

CMYK 0 / 21 / 19 / 67

HEX #554345

RGB 85 67 69

HSL 353.33, 0.12%, 0.3%

LAB 30.34, 8.11, 1.73

 

CMYK 5 / 21 / 0 / 67

HEX #514355

RGB 81 67 85

HSL 286.67, 0.12%, 0.3%

LAB 30.45, 9.78, -8.51

 

CMYK 11 / 21 / 0 / 67

HEX #4C4355

RGB 76 67 85

HSL 270, 0.12%, 0.3%

LAB 29.93, 7.83, -9.34

 

CMYK 16 / 21 / 0 / 67

HEX #474355

RGB 71 67 85

HSL 253.33, 0.12%, 0.3%

LAB 29.44, 5.91, -10.13

 

CMYK 21 / 21 / 0 / 67

HEX #434355

RGB 67 67 85

HSL 240, 0.12%, 0.3%

LAB 29.07, 4.41, -10.73

 

CMYK 5 / 21 / 0 / 67

HEX #514355

RGB 81 67 85

HSL 286.67, 0.12%, 0.3%

LAB 30.45, 9.78, -8.51

 

CMYK 10 / 45 / 0 / 62

HEX #583662

RGB 88 54 98

HSL 286.36, 0.29%, 0.3%

LAB 28.37, 23.68, -20.02

 

CMYK 14 / 62 / 0 / 57

HEX #5F2A6E

RGB 95 42 110

HSL 286.76, 0.45%, 0.3%

LAB 27.34, 35.58, -29.3

 

CMYK 16 / 75 / 0 / 52

HEX #661E7A

RGB 102 30 122

HSL 286.96, 0.61%, 0.3%

LAB 27.18, 45.56, -37.13

 

CMYK 19 / 87 / 0 / 47

HEX #6D1187

RGB 109 17 135

HSL 286.78, 0.78%, 0.3%

LAB 27.85, 53.77, -44.18

 

CMYK 5 / 21 / 0 / 67

HEX #514355

RGB 81 67 85

HSL 286.67, 0.12%, 0.3%

LAB 30.45, 9.78, -8.51

 

CMYK 6 / 0 / 8 / 69

HEX #4A4F49

RGB 74 79 73

HSL 110, 0.04%, 0.3%

LAB 32.98, -3.33, 2.84

 

CMYK 27 / 0 / 35 / 64

HEX #435C3C

RGB 67 92 60

HSL 106.88, 0.21%, 0.3%

LAB 36.32, -16.35, 15.48

 

CMYK 42 / 0 / 54 / 59

HEX #3C6830

RGB 60 104 48

HSL 107.14, 0.37%, 0.3%

LAB 39.71, -27.12, 26.66

 

CMYK 53 / 0 / 69 / 55

HEX #367424

RGB 54 116 36

HSL 106.5, 0.53%, 0.3%

LAB 43.36, -35.98, 36.82

 

CMYK 16 / 21 / 0 / 67

HEX #474355

RGB 71 67 85

HSL 253.33, 0.12%, 0.3%

LAB 29.44, 5.91, -10.13

 

CMYK 11 / 21 / 0 / 67

HEX #4C4355

RGB 76 67 85

HSL 270, 0.12%, 0.3%

LAB 29.93, 7.83, -9.34

 

CMYK 5 / 21 / 0 / 67

HEX #514355

RGB 81 67 85

HSL 286.67, 0.12%, 0.3%

LAB 30.45, 9.78, -8.51

 

CMYK 0 / 21 / 0 / 67

HEX #554355

RGB 85 67 85

HSL 300, 0.12%, 0.3%

LAB 30.88, 11.36, -7.81

 

CMYK 0 / 21 / 6 / 67

HEX #554350

RGB 85 67 80

HSL 316.67, 0.12%, 0.3%

LAB 30.7, 10.28, -4.86

 

CMYK 5 / 21 / 0 / 85

HEX #251F27

RGB 37 31 39

HSL 285, 0.11%, 0.14%

LAB 12.73, 4.8, -4.33

 

CMYK 5 / 21 / 0 / 76

HEX #3B313E

RGB 59 49 62

HSL 286.15, 0.12%, 0.22%

LAB 21.85, 7.39, -6.5

 

CMYK 5 / 21 / 0 / 67

HEX #514355

RGB 81 67 85

HSL 286.67, 0.12%, 0.3%

LAB 30.45, 9.78, -8.51

 

CMYK 5 / 21 / 0 / 58

HEX #67556C

RGB 103 85 108

HSL 286.96, 0.12%, 0.38%

LAB 38.66, 12.04, -10.41

 

CMYK 5 / 21 / 0 / 49

HEX #7D6783

RGB 125 103 131

HSL 287.14, 0.12%, 0.46%

LAB 46.58, 14.2, -12.22

 

CMYK 5 / 21 / 0 / 66

HEX #524456

RGB 82 68 86

HSL 286.67, 0.12%, 0.3%

LAB 30.88, 9.76, -8.49

 

CMYK 0 / 21 / 21 / 67

HEX #554343

RGB 85 67 67

HSL 0, 0.12%, 0.3%

LAB 30.28, 7.74, 2.94

 

CMYK 21 / 0 / 13 / 67

HEX #43554A

RGB 67 85 74

HSL 143.33, 0.12%, 0.3%

LAB 34.36, -9.53, 4.13

 

CMYK 5 / 21 / 0 / 66

HEX #524456

RGB 82 68 86

HSL 286.67, 0.12%, 0.3%

LAB 30.88, 9.76, -8.49

 

CMYK 0 / 5 / 21 / 67

HEX #555143

RGB 85 81 67

HSL 46.67, 0.12%, 0.3%

LAB 34.44, -1.05, 8.84

 

CMYK 21 / 0 / 5 / 67

HEX #435551

RGB 67 85 81

HSL 166.67, 0.12%, 0.3%

LAB 34.57, -7.9, 0.03

 

CMYK 5 / 21 / 0 / 66

HEX #524456

RGB 82 68 86

HSL 286.67, 0.12%, 0.3%

LAB 30.88, 9.76, -8.49

 

CMYK 0 / 21 / 21 / 67

HEX #554343

RGB 85 67 67

HSL 0, 0.12%, 0.3%

LAB 30.28, 7.74, 2.94

 

CMYK 16 / 0 / 21 / 67

HEX #475543

RGB 71 85 67

HSL 106.67, 0.12%, 0.3%

LAB 34.48, -9.41, 8.71

 

CMYK 21 / 0 / 0 / 67

HEX #435555

RGB 67 85 85

HSL 180, 0.12%, 0.3%

LAB 34.69, -6.92, -2.31

 

CMYK 5 / 21 / 0 / 66

HEX #524456

RGB 82 68 86

HSL 286.67, 0.12%, 0.3%

LAB 30.88, 9.76, -8.49

 

CMYK 0 / 15 / 21 / 67

HEX #554843

RGB 85 72 67

HSL 16.67, 0.12%, 0.3%

LAB 31.74, 4.56, 5.03

 

CMYK 16 / 0 / 21 / 67

HEX #475543

RGB 71 85 67

HSL 106.67, 0.12%, 0.3%

LAB 34.48, -9.41, 8.71

 

CMYK 21 / 6 / 0 / 67

HEX #435055

RGB 67 80 85

HSL 196.67, 0.12%, 0.3%

LAB 33.11, -3.86, -4.65

 

Description

Color code: HEX #524456 | qconv.com Color code: HEX #524456 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 68 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 68 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 21 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 21% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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