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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52467A it is the complementary color #ADB985. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52467A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52467A shade: #574675, #685888, #796A9B, #8A7CAE and #9B8EC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52467A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52467A shade: #52467A, #413467, #302254, #1F1041 and #0E002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52467A shade: #52467B, #60467B, #6F467B, #7B4678 and #7B466A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52467A shade: #52467B and #46467B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52467A shade matches the following richer shades: #52467B, #4A378A, #41279A, #3917AA and #3108B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52467A shade: #52467B, #5B566B, #63665B, #6C754C and #74853C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52467A shade: #46577B, #46497B, #52467B, #60467B and #6D467B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52467A shade: #2F2846, #413760, #52467B, #645595 and #796AA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52467A shade: #52467A, #7B4665 and #507B46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52467A shade: #52467A, #7B5246 and #467B52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52467A shade: #52467A, #7B4665, #6F7B46 and #467B5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52467A shade: #52467A, #7B4655, #6F7B46 and #467B6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 43 / 0 / 52

HEX #52467A

RGB 82 70 122

HSL 253.85, 0.27%, 0.38%

LAB 33.09, 17.83, -27.88

 

Complementary color

CMYK 6 / 0 / 28 / 27

HEX #ADB985

RGB 173 185 133

HSL 73.85, 0.27%, 0.62%

LAB 73.07, -12.97, 25.07

 

CMYK 26 / 40 / 0 / 54

HEX #574675

RGB 87 70 117

HSL 261.7, 0.25%, 0.37%

LAB 33.33, 18.03, -24.35

 

CMYK 24 / 35 / 0 / 47

HEX #685888

RGB 104 88 136

HSL 260, 0.21%, 0.44%

LAB 40.74, 17.24, -24.37

 

CMYK 22 / 32 / 0 / 39

HEX #796A9B

RGB 121 106 155

HSL 258.37, 0.2%, 0.51%

LAB 47.93, 16.56, -24.45

 

CMYK 21 / 29 / 0 / 32

HEX #8A7CAE

RGB 138 124 174

HSL 256.8, 0.24%, 0.58%

LAB 54.94, 15.97, -24.56

 

CMYK 20 / 26 / 0 / 24

HEX #9B8EC1

RGB 155 142 193

HSL 255.29, 0.29%, 0.66%

LAB 61.8, 15.44, -24.71

 

CMYK 33 / 43 / 0 / 52

HEX #52467A

RGB 82 70 122

HSL 253.85, 0.27%, 0.38%

LAB 33.09, 17.83, -27.88

 

CMYK 37 / 50 / 0 / 60

HEX #413467

RGB 65 52 103

HSL 255.29, 0.33%, 0.3%

LAB 25.44, 18.86, -28.04

 

CMYK 43 / 60 / 0 / 67

HEX #302254

RGB 48 34 84

HSL 256.8, 0.42%, 0.23%

LAB 17.52, 20.13, -28.27

 

CMYK 52 / 75 / 0 / 75

HEX #1F1041

RGB 31 16 65

HSL 258.37, 0.6%, 0.16%

LAB 9.35, 21.61, -28.45

 

CMYK 70 / 100 / 0 / 82

HEX #0E002E

RGB 14 0 46

HSL 258.26, 1%, 0.09%

LAB 2.63, 16.3, -25.52

 

CMYK 33 / 43 / 0 / 52

HEX #52467B

RGB 82 70 123

HSL 253.58, 0.27%, 0.38%

LAB 33.14, 18.12, -28.42

 

CMYK 22 / 43 / 0 / 52

HEX #60467B

RGB 96 70 123

HSL 269.43, 0.27%, 0.38%

LAB 34.59, 22.51, -26.04

 

CMYK 10 / 43 / 0 / 52

HEX #6F467B

RGB 111 70 123

HSL 286.42, 0.27%, 0.38%

LAB 36.35, 27.41, -23.18

 

CMYK 0 / 43 / 2 / 52

HEX #7B4678

RGB 123 70 120

HSL 303.4, 0.27%, 0.38%

LAB 37.75, 30.8, -19.02

 

CMYK 0 / 43 / 14 / 52

HEX #7B466A

RGB 123 70 106

HSL 319.25, 0.27%, 0.38%

LAB 37.17, 28.16, -11.18

 

CMYK 33 / 43 / 0 / 52

HEX #52467B

RGB 82 70 123

HSL 253.58, 0.27%, 0.38%

LAB 33.14, 18.12, -28.42

 

CMYK 43 / 43 / 0 / 52

HEX #46467B

RGB 70 70 123

HSL 240, 0.27%, 0.38%

LAB 32.06, 14.59, -30.2

 

CMYK 33 / 43 / 0 / 52

HEX #52467B

RGB 82 70 123

HSL 253.58, 0.27%, 0.38%

LAB 33.14, 18.12, -28.42

 

CMYK 46 / 60 / 0 / 46

HEX #4A378A

RGB 74 55 138

HSL 253.73, 0.43%, 0.38%

LAB 29.47, 30.01, -43.65

 

CMYK 58 / 75 / 0 / 40

HEX #41279A

RGB 65 39 154

HSL 253.57, 0.6%, 0.38%

LAB 26.47, 42.6, -58.43

 

CMYK 66 / 86 / 0 / 33

HEX #3917AA

RGB 57 23 170

HSL 253.88, 0.76%, 0.38%

LAB 24.91, 53.67, -70.76

 

CMYK 74 / 96 / 0 / 27

HEX #3108B9

RGB 49 8 185

HSL 253.9, 0.92%, 0.38%

LAB 24.73, 61.34, -80.06

 

CMYK 33 / 43 / 0 / 52

HEX #52467B

RGB 82 70 123

HSL 253.58, 0.27%, 0.38%

LAB 33.14, 18.12, -28.42

 

CMYK 15 / 20 / 0 / 58

HEX #5B566B

RGB 91 86 107

HSL 254.29, 0.11%, 0.38%

LAB 37.74, 6.72, -11.3

 

CMYK 3 / 0 / 11 / 60

HEX #63665B

RGB 99 102 91

HSL 76.36, 0.06%, 0.38%

LAB 42.63, -3.38, 5.82

 

CMYK 8 / 0 / 35 / 54

HEX #6C754C

RGB 108 117 76

HSL 73.17, 0.21%, 0.38%

LAB 47.54, -10.75, 21.53

 

CMYK 13 / 0 / 55 / 48

HEX #74853C

RGB 116 133 60

HSL 73.97, 0.38%, 0.38%

LAB 52.75, -17.93, 36.81

 

CMYK 43 / 29 / 0 / 52

HEX #46577B

RGB 70 87 123

HSL 220.75, 0.27%, 0.38%

LAB 37.02, 3.58, -22.43

 

CMYK 43 / 41 / 0 / 52

HEX #46497B

RGB 70 73 123

HSL 236.6, 0.27%, 0.38%

LAB 32.91, 12.62, -28.86

 

CMYK 33 / 43 / 0 / 52

HEX #52467B

RGB 82 70 123

HSL 253.58, 0.27%, 0.38%

LAB 33.14, 18.12, -28.42

 

CMYK 22 / 43 / 0 / 52

HEX #60467B

RGB 96 70 123

HSL 269.43, 0.27%, 0.38%

LAB 34.59, 22.51, -26.04

 

CMYK 11 / 43 / 0 / 52

HEX #6D467B

RGB 109 70 123

HSL 284.15, 0.27%, 0.38%

LAB 36.1, 26.75, -23.58

 

CMYK 33 / 43 / 0 / 73

HEX #2F2846

RGB 47 40 70

HSL 254, 0.27%, 0.22%

LAB 18.21, 11.21, -17.67

 

CMYK 32 / 43 / 0 / 62

HEX #413760

RGB 65 55 96

HSL 254.63, 0.27%, 0.3%

LAB 25.86, 14.77, -22.84

 

CMYK 33 / 43 / 0 / 52

HEX #52467B

RGB 82 70 123

HSL 253.58, 0.27%, 0.38%

LAB 33.14, 18.12, -28.42

 

CMYK 33 / 43 / 0 / 42

HEX #645595

RGB 100 85 149

HSL 254.06, 0.27%, 0.46%

LAB 40.21, 21.34, -33.08

 

CMYK 28 / 37 / 0 / 34

HEX #796AA9

RGB 121 106 169

HSL 254.29, 0.27%, 0.54%

LAB 48.56, 20.12, -31.69

 

CMYK 33 / 43 / 0 / 52

HEX #52467A

RGB 82 70 122

HSL 253.85, 0.27%, 0.38%

LAB 33.09, 17.83, -27.88

 

CMYK 0 / 43 / 18 / 52

HEX #7B4665

RGB 123 70 101

HSL 324.91, 0.27%, 0.38%

LAB 36.99, 27.28, -8.33

 

CMYK 35 / 0 / 43 / 52

HEX #507B46

RGB 80 123 70

HSL 108.68, 0.27%, 0.38%

LAB 47.38, -25.93, 24.35

 

CMYK 33 / 43 / 0 / 52

HEX #52467A

RGB 82 70 122

HSL 253.85, 0.27%, 0.38%

LAB 33.09, 17.83, -27.88

 

CMYK 0 / 33 / 43 / 52

HEX #7B5246

RGB 123 82 70

HSL 13.58, 0.27%, 0.38%

LAB 39.05, 15.56, 14

 

CMYK 43 / 0 / 33 / 52

HEX #467B52

RGB 70 123 82

HSL 133.58, 0.27%, 0.38%

LAB 47.08, -27.25, 17.04

 

CMYK 33 / 43 / 0 / 52

HEX #52467A

RGB 82 70 122

HSL 253.85, 0.27%, 0.38%

LAB 33.09, 17.83, -27.88

 

CMYK 0 / 43 / 18 / 52

HEX #7B4665

RGB 123 70 101

HSL 324.91, 0.27%, 0.38%

LAB 36.99, 27.28, -8.33

 

CMYK 10 / 0 / 43 / 52

HEX #6F7B46

RGB 111 123 70

HSL 73.58, 0.27%, 0.38%

LAB 49.48, -13.59, 27.46

 

CMYK 43 / 0 / 25 / 52

HEX #467B5C

RGB 70 123 92

HSL 144.91, 0.27%, 0.38%

LAB 47.29, -25.21, 11.52

 

CMYK 33 / 43 / 0 / 52

HEX #52467A

RGB 82 70 122

HSL 253.85, 0.27%, 0.38%

LAB 33.09, 17.83, -27.88

 

CMYK 0 / 43 / 31 / 52

HEX #7B4655

RGB 123 70 85

HSL 343.02, 0.27%, 0.38%

LAB 36.46, 24.72, 0.97

 

CMYK 10 / 0 / 43 / 52

HEX #6F7B46

RGB 111 123 70

HSL 73.58, 0.27%, 0.38%

LAB 49.48, -13.59, 27.46

 

CMYK 43 / 0 / 12 / 52

HEX #467B6C

RGB 70 123 108

HSL 163.02, 0.27%, 0.38%

LAB 47.69, -21.51, 2.68

 

Description

Color code: HEX #52467A | qconv.com Color code: HEX #52467A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 70 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 70 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 43 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 43% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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