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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524944 it is the complementary color #ADB6BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524944. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524944 shade: #57493F, #685B52, #796D65, #8A7F78 and #9B918B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524944. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524944 shade: #524944, #413731, #30251E, #1F130B and #0E0100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524944 shade: #504843, #504443 and #504343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524944 shade: #504843, #504B43, #504F43, #4E5043 and #4A5043

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524944 shade matches the following richer shades: #504843, #5C4437, #68412B, #743D1F and #803A13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524944 shade: #504843, #444B4F, #384E5B, #2C5267 and #205573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524944 shade: #504345, #504443, #504743, #504B43 and #504F43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524944 shade: #231F1D, #3A3330, #504843, #675C56 and #7D7068

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524944 shade: #524944, #495043 and #434350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524944 shade: #524944, #435047 and #474350

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524944 shade: #524944, #495043, #434B50 and #4A4350

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524944 shade: #524944, #455043, #434B50 and #4E4350

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 17 / 68

HEX #524944

RGB 82 73 68

HSL 21.43, 0.09%, 0.29%

LAB 31.75, 2.81, 4.36

 

Complementary color

CMYK 7 / 3 / 0 / 27

HEX #ADB6BB

RGB 173 182 187

HSL 201.43, 0.09%, 0.71%

LAB 73.5, -2.14, -3.63

 

CMYK 0 / 16 / 28 / 66

HEX #57493F

RGB 87 73 63

HSL 25, 0.16%, 0.29%

LAB 32.15, 4.13, 8.18

 

CMYK 0 / 13 / 21 / 59

HEX #685B52

RGB 104 91 82

HSL 24.55, 0.12%, 0.36%

LAB 39.64, 3.64, 7.12

 

CMYK 0 / 10 / 17 / 53

HEX #796D65

RGB 121 109 101

HSL 24, 0.09%, 0.44%

LAB 46.9, 3.24, 6.17

 

CMYK 0 / 8 / 13 / 46

HEX #8A7F78

RGB 138 127 120

HSL 23.33, 0.07%, 0.51%

LAB 53.96, 2.91, 5.3

 

CMYK 0 / 6 / 10 / 39

HEX #9B918B

RGB 155 145 139

HSL 22.5, 0.07%, 0.58%

LAB 60.86, 2.62, 4.5

 

CMYK 0 / 11 / 17 / 68

HEX #524944

RGB 82 73 68

HSL 21.43, 0.09%, 0.29%

LAB 31.75, 2.81, 4.36

 

CMYK 0 / 15 / 25 / 75

HEX #413731

RGB 65 55 49

HSL 22.5, 0.14%, 0.22%

LAB 23.93, 3.26, 5.39

 

CMYK 0 / 23 / 38 / 81

HEX #30251E

RGB 48 37 30

HSL 23.33, 0.23%, 0.15%

LAB 15.72, 3.89, 6.63

 

CMYK 0 / 39 / 65 / 88

HEX #1F130B

RGB 31 19 11

HSL 24, 0.48%, 0.08%

LAB 7.06, 4.74, 6.13

 

CMYK 0 / 93 / 100 / 95

HEX #0E0100

RGB 14 1 0

HSL 4.29, 1%, 0.03%

LAB 1.04, 3.38, 1.62

 

CMYK 0 / 10 / 16 / 69

HEX #504843

RGB 80 72 67

HSL 23.08, 0.09%, 0.29%

LAB 31.22, 2.38, 4.21

 

CMYK 0 / 15 / 16 / 69

HEX #504443

RGB 80 68 67

HSL 4.62, 0.09%, 0.29%

LAB 30.02, 4.92, 2.49

 

CMYK 0 / 16 / 16 / 69

HEX #504343

RGB 80 67 67

HSL 0, 0.09%, 0.29%

LAB 29.73, 5.56, 2.06

 

CMYK 0 / 10 / 16 / 69

HEX #504843

RGB 80 72 67

HSL 23.08, 0.09%, 0.29%

LAB 31.22, 2.38, 4.21

 

CMYK 0 / 6 / 16 / 69

HEX #504B43

RGB 80 75 67

HSL 36.92, 0.09%, 0.29%

LAB 32.13, 0.49, 5.51

 

CMYK 0 / 1 / 16 / 69

HEX #504F43

RGB 80 79 67

HSL 55.38, 0.09%, 0.29%

LAB 33.36, -1.99, 7.25

 

CMYK 2 / 0 / 16 / 69

HEX #4E5043

RGB 78 80 67

HSL 69.23, 0.09%, 0.29%

LAB 33.48, -3.47, 7.4

 

CMYK 7 / 0 / 16 / 69

HEX #4A5043

RGB 74 80 67

HSL 87.69, 0.09%, 0.29%

LAB 33.13, -5.17, 6.85

 

CMYK 0 / 10 / 16 / 69

HEX #504843

RGB 80 72 67

HSL 23.08, 0.09%, 0.29%

LAB 31.22, 2.38, 4.21

 

CMYK 0 / 26 / 40 / 64

HEX #5C4437

RGB 92 68 55

HSL 21.08, 0.25%, 0.29%

LAB 31.08, 8.34, 11.89

 

CMYK 0 / 38 / 59 / 59

HEX #68412B

RGB 104 65 43

HSL 21.64, 0.41%, 0.29%

LAB 31.57, 14.38, 20.35

 

CMYK 0 / 47 / 73 / 55

HEX #743D1F

RGB 116 61 31

HSL 21.18, 0.58%, 0.29%

LAB 32.14, 21.37, 28.57

 

CMYK 0 / 55 / 85 / 50

HEX #803A13

RGB 128 58 19

HSL 21.47, 0.74%, 0.29%

LAB 33.27, 27.79, 36.58

 

CMYK 0 / 10 / 16 / 69

HEX #504843

RGB 80 72 67

HSL 23.08, 0.09%, 0.29%

LAB 31.22, 2.38, 4.21

 

CMYK 14 / 5 / 0 / 69

HEX #444B4F

RGB 68 75 79

HSL 201.82, 0.07%, 0.29%

LAB 31.41, -1.87, -3.34

 

CMYK 38 / 14 / 0 / 64

HEX #384E5B

RGB 56 78 91

HSL 202.29, 0.24%, 0.29%

LAB 31.91, -4.76, -10.34

 

CMYK 57 / 20 / 0 / 60

HEX #2C5267

RGB 44 82 103

HSL 201.36, 0.4%, 0.29%

LAB 33.03, -6.81, -16.29

 

CMYK 72 / 26 / 0 / 55

HEX #205573

RGB 32 85 115

HSL 201.69, 0.56%, 0.29%

LAB 34.07, -6.85, -22.22

 

CMYK 0 / 16 / 14 / 69

HEX #504345

RGB 80 67 69

HSL 350.77, 0.09%, 0.29%

LAB 29.79, 5.95, 0.86

 

CMYK 0 / 15 / 16 / 69

HEX #504443

RGB 80 68 67

HSL 4.62, 0.09%, 0.29%

LAB 30.02, 4.92, 2.49

 

CMYK 0 / 11 / 16 / 69

HEX #504743

RGB 80 71 67

HSL 18.46, 0.09%, 0.29%

LAB 30.92, 3.01, 3.78

 

CMYK 0 / 6 / 16 / 69

HEX #504B43

RGB 80 75 67

HSL 36.92, 0.09%, 0.29%

LAB 32.13, 0.49, 5.51

 

CMYK 0 / 1 / 16 / 69

HEX #504F43

RGB 80 79 67

HSL 55.38, 0.09%, 0.29%

LAB 33.36, -1.99, 7.25

 

CMYK 0 / 11 / 17 / 86

HEX #231F1D

RGB 35 31 29

HSL 20, 0.09%, 0.13%

LAB 12.13, 1.46, 2.05

 

CMYK 0 / 12 / 17 / 77

HEX #3A3330

RGB 58 51 48

HSL 18, 0.09%, 0.21%

LAB 21.87, 2.5, 3.03

 

CMYK 0 / 10 / 16 / 69

HEX #504843

RGB 80 72 67

HSL 23.08, 0.09%, 0.29%

LAB 31.22, 2.38, 4.21

 

CMYK 0 / 11 / 17 / 60

HEX #675C56

RGB 103 92 86

HSL 21.18, 0.09%, 0.37%

LAB 39.93, 3.32, 5.06

 

CMYK 0 / 10 / 17 / 51

HEX #7D7068

RGB 125 112 104

HSL 22.86, 0.09%, 0.45%

LAB 48.19, 3.63, 6.28

 

CMYK 0 / 11 / 17 / 68

HEX #524944

RGB 82 73 68

HSL 21.43, 0.09%, 0.29%

LAB 31.75, 2.81, 4.36

 

CMYK 9 / 0 / 16 / 69

HEX #495043

RGB 73 80 67

HSL 92.31, 0.09%, 0.29%

LAB 33.05, -5.59, 6.72

 

CMYK 16 / 16 / 0 / 69

HEX #434350

RGB 67 67 80

HSL 240, 0.09%, 0.29%

LAB 28.87, 3.11, -7.79

 

CMYK 0 / 11 / 17 / 68

HEX #524944

RGB 82 73 68

HSL 21.43, 0.09%, 0.29%

LAB 31.75, 2.81, 4.36

 

CMYK 16 / 0 / 11 / 69

HEX #435047

RGB 67 80 71

HSL 138.46, 0.09%, 0.29%

LAB 32.67, -7.21, 3.59

 

CMYK 11 / 16 / 0 / 69

HEX #474350

RGB 71 67 80

HSL 258.46, 0.09%, 0.29%

LAB 29.24, 4.66, -7.19

 

CMYK 0 / 11 / 17 / 68

HEX #524944

RGB 82 73 68

HSL 21.43, 0.09%, 0.29%

LAB 31.75, 2.81, 4.36

 

CMYK 9 / 0 / 16 / 69

HEX #495043

RGB 73 80 67

HSL 92.31, 0.09%, 0.29%

LAB 33.05, -5.59, 6.72

 

CMYK 16 / 6 / 0 / 69

HEX #434B50

RGB 67 75 80

HSL 203.08, 0.09%, 0.29%

LAB 31.36, -2.01, -4.07

 

CMYK 7 / 16 / 0 / 69

HEX #4A4350

RGB 74 67 80

HSL 272.31, 0.09%, 0.29%

LAB 29.54, 5.85, -6.72

 

CMYK 0 / 11 / 17 / 68

HEX #524944

RGB 82 73 68

HSL 21.43, 0.09%, 0.29%

LAB 31.75, 2.81, 4.36

 

CMYK 14 / 0 / 16 / 69

HEX #455043

RGB 69 80 67

HSL 110.77, 0.09%, 0.29%

LAB 32.72, -7.26, 6.21

 

CMYK 16 / 6 / 0 / 69

HEX #434B50

RGB 67 75 80

HSL 203.08, 0.09%, 0.29%

LAB 31.36, -2.01, -4.07

 

CMYK 2 / 16 / 0 / 69

HEX #4E4350

RGB 78 67 80

HSL 290.77, 0.09%, 0.29%

LAB 29.94, 7.45, -6.06

 

Description

Color code: HEX #524944 | qconv.com Color code: HEX #524944 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 73 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 73 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 17 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 17% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

61% - 新中源陶瓷-瓷砖行业领导品牌 中国建陶航...
Link: http://www.newzhongyuan.com

14% - James FISH – design
Link: http://design.fishlab.com

52% - Vinicius Cainelli | ...
Link: http://vicainelli.com

32% - Grupo Distmah C.A.
Link: http://distmah.com.ve

18% - Raúl Rodríguez | Dis...
Link: http://raulrodriguez.com.ar

22% - 路易威登 - LOUIS VUITTON...
Link: http://www.louisvuitton.cn

20% - FRAU公式ショッピング 調味料やスイー...
Link: http://frau-shopping.net

15% - Три обезьяны
Link: http://iskonno.ru

18% - Uplus 공식 블로그
Link: http://blog.uplus.co.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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