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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524185 it is the complementary color #ADBE7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524185 shade: #574180, #685393, #7965A6, #8A77B9 and #9B89CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524185 shade: #524185, #412F72, #301D5F, #1F0B4C and #0E0039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524185 shade: #524185, #644185, #774185, #854181 and #85416F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524185 shade: #524185 and #414185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524185 shade matches the following richer shades: #524185, #4A3195, #4221A5, #3A11B5 and #3201C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524185 shade: #524185, #5A5175, #626165, #6A7154 and #728244

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524185 shade: #415485, #414285, #524185, #644185 and #764185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524185 shade: #30264D, #413469, #524185, #634FA0 and #7965B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524185 shade: #524185, #854166 and #4B8541

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524185 shade: #524185, #855241 and #418552

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524185 shade: #524185, #854166, #748541 and #418560

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524185 shade: #524185, #854152, #748541 and #418574

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

Complementary color

CMYK 9 / 0 / 36 / 25

HEX #ADBE7A

RGB 173 190 122

HSL 75, 0.34%, 0.61%

LAB 74.26, -17.02, 32.44

 

CMYK 32 / 49 / 0 / 50

HEX #574180

RGB 87 65 128

HSL 260.95, 0.33%, 0.38%

LAB 32.62, 24.21, -32.32

 

CMYK 29 / 44 / 0 / 42

HEX #685393

RGB 104 83 147

HSL 259.69, 0.28%, 0.45%

LAB 39.98, 23.22, -32.22

 

CMYK 27 / 39 / 0 / 35

HEX #7965A6

RGB 121 101 166

HSL 258.46, 0.27%, 0.52%

LAB 47.14, 22.35, -32.16

 

CMYK 25 / 36 / 0 / 27

HEX #8A77B9

RGB 138 119 185

HSL 257.27, 0.32%, 0.6%

LAB 54.13, 21.59, -32.14

 

CMYK 24 / 33 / 0 / 20

HEX #9B89CC

RGB 155 137 204

HSL 256.12, 0.4%, 0.67%

LAB 60.97, 20.91, -32.17

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 43 / 59 / 0 / 55

HEX #412F72

RGB 65 47 114

HSL 256.12, 0.42%, 0.32%

LAB 24.86, 25.5, -36.03

 

CMYK 49 / 69 / 0 / 63

HEX #301D5F

RGB 48 29 95

HSL 257.27, 0.53%, 0.24%

LAB 17.15, 26.94, -36.22

 

CMYK 59 / 86 / 0 / 70

HEX #1F0B4C

RGB 31 11 76

HSL 258.46, 0.75%, 0.17%

LAB 9.42, 28.22, -36.05

 

CMYK 75 / 100 / 0 / 78

HEX #0E0039

RGB 14 0 57

HSL 254.74, 1%, 0.11%

LAB 3.51, 22.44, -32.27

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 25 / 51 / 0 / 48

HEX #644185

RGB 100 65 133

HSL 270.88, 0.34%, 0.39%

LAB 34.36, 29.36, -32.57

 

CMYK 11 / 51 / 0 / 48

HEX #774185

RGB 119 65 133

HSL 287.65, 0.34%, 0.39%

LAB 36.74, 35.05, -28.67

 

CMYK 0 / 51 / 3 / 48

HEX #854181

RGB 133 65 129

HSL 303.53, 0.34%, 0.39%

LAB 38.47, 38.55, -23.36

 

CMYK 0 / 51 / 17 / 48

HEX #85416F

RGB 133 65 111

HSL 319.41, 0.34%, 0.39%

LAB 37.69, 35.33, -13.39

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 51 / 51 / 0 / 48

HEX #414185

RGB 65 65 133

HSL 240, 0.34%, 0.39%

LAB 30.87, 19.82, -38.34

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 50 / 67 / 0 / 42

HEX #4A3195

RGB 74 49 149

HSL 255, 0.51%, 0.39%

LAB 28.96, 37, -51.26

 

CMYK 60 / 80 / 0 / 35

HEX #4221A5

RGB 66 33 165

HSL 255, 0.67%, 0.39%

LAB 26.63, 48.97, -64.86

 

CMYK 68 / 91 / 0 / 29

HEX #3A11B5

RGB 58 17 181

HSL 255, 0.83%, 0.39%

LAB 25.67, 58.64, -76.09

 

CMYK 75 / 99 / 0 / 23

HEX #3201C5

RGB 50 1 197

HSL 255, 0.99%, 0.39%

LAB 25.95, 65.77, -85.13

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 23 / 31 / 0 / 54

HEX #5A5175

RGB 90 81 117

HSL 255, 0.18%, 0.39%

LAB 36.64, 12.04, -19.19

 

CMYK 3 / 4 / 0 / 60

HEX #626165

RGB 98 97 101

HSL 255, 0.02%, 0.39%

LAB 41.35, 1.24, -2.13

 

CMYK 6 / 0 / 26 / 56

HEX #6A7154

RGB 106 113 84

HSL 74.48, 0.15%, 0.39%

LAB 46.33, -8.12, 15.25

 

CMYK 12 / 0 / 48 / 49

HEX #728244

RGB 114 130 68

HSL 75.48, 0.31%, 0.39%

LAB 51.79, -16.33, 31.47

 

CMYK 51 / 37 / 0 / 48

HEX #415485

RGB 65 84 133

HSL 223.24, 0.34%, 0.39%

LAB 36.29, 7.35, -29.74

 

CMYK 51 / 50 / 0 / 48

HEX #414285

RGB 65 66 133

HSL 239.12, 0.34%, 0.39%

LAB 31.15, 19.16, -37.9

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 25 / 51 / 0 / 48

HEX #644185

RGB 100 65 133

HSL 270.88, 0.34%, 0.39%

LAB 34.36, 29.36, -32.57

 

CMYK 11 / 51 / 0 / 48

HEX #764185

RGB 118 65 133

HSL 286.76, 0.34%, 0.39%

LAB 36.6, 34.75, -28.89

 

CMYK 38 / 51 / 0 / 70

HEX #30264D

RGB 48 38 77

HSL 255.38, 0.34%, 0.23%

LAB 18.15, 15.14, -22.53

 

CMYK 38 / 50 / 0 / 59

HEX #413469

RGB 65 52 105

HSL 254.72, 0.34%, 0.31%

LAB 25.56, 19.47, -29.14

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 38 / 51 / 0 / 37

HEX #634FA0

RGB 99 79 160

HSL 254.81, 0.34%, 0.47%

LAB 39.21, 27.87, -41.27

 

CMYK 32 / 44 / 0 / 30

HEX #7965B3

RGB 121 101 179

HSL 255.38, 0.34%, 0.55%

LAB 47.79, 25.76, -38.74

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 0 / 51 / 23 / 48

HEX #854166

RGB 133 65 102

HSL 327.35, 0.34%, 0.39%

LAB 37.35, 33.87, -8.27

 

CMYK 44 / 0 / 51 / 48

HEX #4B8541

RGB 75 133 65

HSL 111.18, 0.34%, 0.39%

LAB 50.28, -33.17, 30.66

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 0 / 38 / 51 / 48

HEX #855241

RGB 133 82 65

HSL 15, 0.34%, 0.39%

LAB 40.25, 19.34, 18.89

 

CMYK 51 / 0 / 38 / 48

HEX #418552

RGB 65 133 82

HSL 135, 0.34%, 0.39%

LAB 50.11, -33.48, 21.06

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 0 / 51 / 23 / 48

HEX #854166

RGB 133 65 102

HSL 327.35, 0.34%, 0.39%

LAB 37.35, 33.87, -8.27

 

CMYK 13 / 0 / 51 / 48

HEX #748541

RGB 116 133 65

HSL 75, 0.34%, 0.39%

LAB 52.81, -17.41, 34.32

 

CMYK 51 / 0 / 28 / 48

HEX #418560

RGB 65 133 96

HSL 147.35, 0.34%, 0.39%

LAB 50.39, -30.67, 13.47

 

CMYK 38 / 51 / 0 / 48

HEX #524185

RGB 82 65 133

HSL 255, 0.34%, 0.39%

LAB 32.41, 24.22, -35.8

 

CMYK 0 / 51 / 38 / 48

HEX #854152

RGB 133 65 82

HSL 345, 0.34%, 0.39%

LAB 36.7, 31.03, 3.41

 

CMYK 13 / 0 / 51 / 48

HEX #748541

RGB 116 133 65

HSL 75, 0.34%, 0.39%

LAB 52.81, -17.41, 34.32

 

CMYK 51 / 0 / 13 / 48

HEX #418574

RGB 65 133 116

HSL 165, 0.34%, 0.39%

LAB 50.87, -25.96, 2.57

 

Description

Color code: HEX #524185 | qconv.com Color code: HEX #524185 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 65 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 65 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 51 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 51% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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