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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524275 it is the complementary color #ADBD8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524275 shade: #574270, #685483, #796696, #8A78A9 and #9B8ABC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524275 shade: #524275, #413062, #301E4F, #1F0C3C and #0E0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524275 shade: #524275, #604275, #6D4275, #75426F and #754261

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524275 shade: #524275, #444275 and #424275

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524275 shade matches the following richer shades: #524275, #4C3384, #472493, #4115A2 and #3C06B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524275 shade: #524275, #575066, #5D5F57, #626E48 and #687D3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524275 shade: #424E75, #434275, #514275, #5F4275 and #6C4275

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524275 shade: #2D2440, #3F335B, #524275, #64508F and #7862A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524275 shade: #524275, #75425B and #477542

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524275 shade: #524275, #755142 and #427551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524275 shade: #524275, #75425B, #667542 and #42755B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524275 shade: #524275, #75424C, #667542 and #42756B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

Complementary color

CMYK 8 / 0 / 27 / 26

HEX #ADBD8A

RGB 173 189 138

HSL 78.82, 0.28%, 0.64%

LAB 74.26, -14.31, 24.01

 

CMYK 22 / 41 / 0 / 56

HEX #574270

RGB 87 66 112

HSL 267.39, 0.26%, 0.35%

LAB 32.02, 19.26, -23.27

 

CMYK 21 / 36 / 0 / 49

HEX #685483

RGB 104 84 131

HSL 265.53, 0.22%, 0.42%

LAB 39.45, 18.45, -23.33

 

CMYK 19 / 32 / 0 / 41

HEX #796696

RGB 121 102 150

HSL 263.75, 0.19%, 0.49%

LAB 46.67, 17.75, -23.44

 

CMYK 18 / 29 / 0 / 34

HEX #8A78A9

RGB 138 120 169

HSL 262.04, 0.22%, 0.57%

LAB 53.71, 17.13, -23.58

 

CMYK 18 / 27 / 0 / 26

HEX #9B8ABC

RGB 155 138 188

HSL 260.4, 0.27%, 0.64%

LAB 60.58, 16.58, -23.75

 

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

CMYK 34 / 51 / 0 / 62

HEX #413062

RGB 65 48 98

HSL 260.4, 0.34%, 0.29%

LAB 24.06, 20.02, -26.98

 

CMYK 39 / 62 / 0 / 69

HEX #301E4F

RGB 48 30 79

HSL 262.04, 0.45%, 0.21%

LAB 16.11, 21.24, -27.14

 

CMYK 48 / 80 / 0 / 76

HEX #1F0C3C

RGB 31 12 60

HSL 263.75, 0.67%, 0.14%

LAB 7.95, 22.51, -27.15

 

CMYK 66 / 100 / 0 / 84

HEX #0E0029

RGB 14 0 41

HSL 260.49, 1%, 0.08%

LAB 2.29, 13.95, -22.24

 

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

CMYK 18 / 44 / 0 / 54

HEX #604275

RGB 96 66 117

HSL 275.29, 0.28%, 0.36%

LAB 33.28, 23.49, -24.36

 

CMYK 7 / 44 / 0 / 54

HEX #6D4275

RGB 109 66 117

HSL 290.59, 0.28%, 0.36%

LAB 34.87, 27.8, -21.76

 

CMYK 0 / 44 / 5 / 54

HEX #75426F

RGB 117 66 111

HSL 307.06, 0.28%, 0.36%

LAB 35.65, 29.28, -16.72

 

CMYK 0 / 44 / 17 / 54

HEX #754261

RGB 117 66 97

HSL 323.53, 0.28%, 0.36%

LAB 35.09, 26.69, -8.75

 

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

CMYK 42 / 44 / 0 / 54

HEX #444275

RGB 68 66 117

HSL 242.35, 0.28%, 0.36%

LAB 30.42, 14.77, -29.05

 

CMYK 44 / 44 / 0 / 54

HEX #424275

RGB 66 66 117

HSL 240, 0.28%, 0.36%

LAB 30.25, 14.2, -29.33

 

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

CMYK 42 / 61 / 0 / 48

HEX #4C3384

RGB 76 51 132

HSL 258.52, 0.44%, 0.36%

LAB 28.3, 31.14, -41.8

 

CMYK 52 / 76 / 0 / 42

HEX #472493

RGB 71 36 147

HSL 258.92, 0.61%, 0.36%

LAB 25.89, 43.02, -55.06

 

CMYK 60 / 87 / 0 / 36

HEX #4115A2

RGB 65 21 162

HSL 258.72, 0.77%, 0.36%

LAB 24.54, 52.9, -66.49

 

CMYK 66 / 97 / 0 / 31

HEX #3C06B0

RGB 60 6 176

HSL 259.06, 0.93%, 0.36%

LAB 24.4, 60.03, -75.2

 

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

CMYK 15 / 22 / 0 / 60

HEX #575066

RGB 87 80 102

HSL 259.09, 0.12%, 0.36%

LAB 35.45, 7.8, -11.69

 

CMYK 2 / 0 / 8 / 63

HEX #5D5F57

RGB 93 95 87

HSL 75, 0.04%, 0.36%

LAB 39.91, -2.43, 4.3

 

CMYK 11 / 0 / 35 / 57

HEX #626E48

RGB 98 110 72

HSL 78.95, 0.21%, 0.36%

LAB 44.54, -11.65, 19.74

 

CMYK 17 / 0 / 54 / 51

HEX #687D3A

RGB 104 125 58

HSL 78.81, 0.37%, 0.36%

LAB 49.39, -19.04, 33.66

 

CMYK 44 / 33 / 0 / 54

HEX #424E75

RGB 66 78 117

HSL 225.88, 0.28%, 0.36%

LAB 33.76, 6.31, -23.82

 

CMYK 43 / 44 / 0 / 54

HEX #434275

RGB 67 66 117

HSL 241.18, 0.28%, 0.36%

LAB 30.34, 14.48, -29.19

 

CMYK 31 / 44 / 0 / 54

HEX #514275

RGB 81 66 117

HSL 257.65, 0.28%, 0.36%

LAB 31.65, 18.68, -27.04

 

CMYK 19 / 44 / 0 / 54

HEX #5F4275

RGB 95 66 117

HSL 274.12, 0.28%, 0.36%

LAB 33.17, 23.16, -24.55

 

CMYK 8 / 44 / 0 / 54

HEX #6C4275

RGB 108 66 117

HSL 289.41, 0.28%, 0.36%

LAB 34.74, 27.47, -21.97

 

CMYK 30 / 44 / 0 / 75

HEX #2D2440

RGB 45 36 64

HSL 259.29, 0.28%, 0.2%

LAB 16.45, 11.51, -16.3

 

CMYK 31 / 44 / 0 / 64

HEX #3F335B

RGB 63 51 91

HSL 258, 0.28%, 0.28%

LAB 24.26, 15.34, -22.11

 

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

CMYK 30 / 44 / 0 / 44

HEX #64508F

RGB 100 80 143

HSL 259.05, 0.28%, 0.44%

LAB 38.6, 22.8, -31.99

 

CMYK 28 / 41 / 0 / 35

HEX #7862A7

RGB 120 98 167

HSL 259.13, 0.28%, 0.52%

LAB 46.34, 24.12, -34.01

 

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

CMYK 0 / 44 / 22 / 54

HEX #75425B

RGB 117 66 91

HSL 330.59, 0.28%, 0.36%

LAB 34.87, 25.66, -5.26

 

CMYK 39 / 0 / 44 / 54

HEX #477542

RGB 71 117 66

HSL 114.12, 0.28%, 0.36%

LAB 44.88, -26.82, 23.27

 

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

CMYK 0 / 31 / 44 / 54

HEX #755142

RGB 117 81 66

HSL 17.65, 0.28%, 0.36%

LAB 37.95, 13.04, 14.84

 

CMYK 44 / 0 / 31 / 54

HEX #427551

RGB 66 117 81

HSL 137.65, 0.28%, 0.36%

LAB 44.91, -25.75, 14.64

 

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

CMYK 0 / 44 / 22 / 54

HEX #75425B

RGB 117 66 91

HSL 330.59, 0.28%, 0.36%

LAB 34.87, 25.66, -5.26

 

CMYK 13 / 0 / 44 / 54

HEX #667542

RGB 102 117 66

HSL 77.65, 0.28%, 0.36%

LAB 46.9, -14.66, 26.26

 

CMYK 44 / 0 / 22 / 54

HEX #42755B

RGB 66 117 91

HSL 149.41, 0.28%, 0.36%

LAB 45.13, -23.61, 9.06

 

CMYK 30 / 44 / 0 / 54

HEX #524275

RGB 82 66 117

HSL 258.82, 0.28%, 0.36%

LAB 31.75, 18.99, -26.87

 

CMYK 0 / 44 / 35 / 54

HEX #75424C

RGB 117 66 76

HSL 348.24, 0.28%, 0.36%

LAB 34.4, 23.36, 3.61

 

CMYK 13 / 0 / 44 / 54

HEX #667542

RGB 102 117 66

HSL 77.65, 0.28%, 0.36%

LAB 46.9, -14.66, 26.26

 

CMYK 44 / 0 / 9 / 54

HEX #42756B

RGB 66 117 107

HSL 168.24, 0.28%, 0.36%

LAB 45.56, -19.74, 0.15

 

Description

Color code: HEX #524275 | qconv.com Color code: HEX #524275 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 66 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 66 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 44 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 44% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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