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Color name
HEX #524EBF

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524EBF it is the complementary color #ADB140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524EBF shade: #574EBA, #6860CD, #7972E0, #8A84F3 and #9B96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524EBF shade: #524EBF, #413CAC, #302A99, #1F1886 and #0E0673

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524EBF shade: #524EBF, #714EBF, #8F4EBF, #AD4EBF and #BF4EB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524EBF shade: #524EBF and #4E4EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524EBF shade matches the following richer shades: #524EBF, #403BD2, #2E28E6 and #1C14F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524EBF shade: #524EBF, #6462AC, #767598, #888885 and #9A9C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524EBF shade: #4E87BF, #4E69BF, #524EBF, #704EBF and #8E4EBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524EBF shade: #34318A, #403CA8, #524EBF, #706DCA and #8E8BD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524EBF shade: #524EBF, #BF4EA5 and #78BF4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524EBF shade: #524EBF, #BF524E and #4EBF52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524EBF shade: #524EBF, #BF4EA5, #BBBF4E and #4EBF69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524EBF shade: #524EBF, #BF4E83, #BBBF4E and #4EBF8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

Complementary color

CMYK 2 / 0 / 64 / 31

HEX #ADB140

RGB 173 177 64

HSL 62.12, 0.47%, 0.47%

LAB 69.96, -16.01, 55.29

 

CMYK 53 / 58 / 0 / 27

HEX #574EBA

RGB 87 78 186

HSL 245, 0.44%, 0.52%

LAB 39.61, 33.56, -56.08

 

CMYK 49 / 53 / 0 / 20

HEX #6860CD

RGB 104 96 205

HSL 244.4, 0.52%, 0.59%

LAB 46.6, 32.02, -55.75

 

CMYK 46 / 49 / 0 / 12

HEX #7972E0

RGB 121 114 224

HSL 243.82, 0.64%, 0.66%

LAB 53.47, 30.68, -55.45

 

CMYK 43 / 46 / 0 / 5

HEX #8A84F3

RGB 138 132 243

HSL 243.24, 0.82%, 0.74%

LAB 60.23, 29.51, -55.17

 

CMYK 39 / 41 / 0 / 0

HEX #9B96FF

RGB 155 150 255

HSL 242.86, 1%, 0.79%

LAB 66.52, 26.57, -51.69

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 62 / 65 / 0 / 33

HEX #413CAC

RGB 65 60 172

HSL 242.68, 0.48%, 0.45%

LAB 32.56, 36.15, -59.35

 

CMYK 69 / 73 / 0 / 40

HEX #302A99

RGB 48 42 153

HSL 243.24, 0.57%, 0.38%

LAB 25.52, 38.3, -59.44

 

CMYK 77 / 82 / 0 / 47

HEX #1F1886

RGB 31 24 134

HSL 243.82, 0.7%, 0.31%

LAB 18.65, 40.39, -59.01

 

CMYK 88 / 95 / 0 / 55

HEX #0E0673

RGB 14 6 115

HSL 244.4, 0.9%, 0.24%

LAB 12.36, 41.54, -57.35

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 41 / 59 / 0 / 25

HEX #714EBF

RGB 113 78 191

HSL 258.58, 0.47%, 0.53%

LAB 42.34, 40.57, -54.48

 

CMYK 25 / 59 / 0 / 25

HEX #8F4EBF

RGB 143 78 191

HSL 274.51, 0.47%, 0.53%

LAB 45.7, 47.66, -48.9

 

CMYK 9 / 59 / 0 / 25

HEX #AD4EBF

RGB 173 78 191

HSL 290.44, 0.47%, 0.53%

LAB 49.61, 55.2, -42.44

 

CMYK 0 / 59 / 7 / 25

HEX #BF4EB2

RGB 191 78 178

HSL 306.9, 0.47%, 0.53%

LAB 51.54, 57.6, -31.67

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 59 / 59 / 0 / 25

HEX #4E4EBF

RGB 78 78 191

HSL 240, 0.47%, 0.53%

LAB 39.29, 33.48, -59.56

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 70 / 72 / 0 / 18

HEX #403BD2

RGB 64 59 210

HSL 241.99, 0.63%, 0.53%

LAB 35.73, 49.06, -76.46

 

CMYK 80 / 83 / 0 / 10

HEX #2E28E6

RGB 46 40 230

HSL 241.89, 0.79%, 0.53%

LAB 33.59, 63.3, -91.54

 

CMYK 89 / 92 / 0 / 2

HEX #1C14F9

RGB 28 20 249

HSL 242.1, 0.95%, 0.53%

LAB 33.11, 74.55, -103.13

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 42 / 43 / 0 / 33

HEX #6462AC

RGB 100 98 172

HSL 241.62, 0.31%, 0.53%

LAB 44.83, 19.88, -39.44

 

CMYK 22 / 23 / 0 / 40

HEX #767598

RGB 118 117 152

HSL 241.71, 0.15%, 0.53%

LAB 50.5, 8.25, -18.75

 

CMYK 0 / 0 / 2 / 47

HEX #888885

RGB 136 136 133

HSL 60, 0.01%, 0.53%

LAB 56.62, -0.58, 1.6

 

CMYK 1 / 0 / 28 / 39

HEX #9A9C71

RGB 154 156 113

HSL 62.79, 0.18%, 0.53%

LAB 63.21, -7.96, 22.35

 

CMYK 59 / 29 / 0 / 25

HEX #4E87BF

RGB 78 135 191

HSL 209.73, 0.47%, 0.53%

LAB 54.77, -1.78, -34.87

 

CMYK 59 / 45 / 0 / 25

HEX #4E69BF

RGB 78 105 191

HSL 225.66, 0.47%, 0.53%

LAB 46.29, 16.48, -48.28

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 41 / 59 / 0 / 25

HEX #704EBF

RGB 112 78 191

HSL 258.05, 0.47%, 0.53%

LAB 42.24, 40.35, -54.65

 

CMYK 26 / 59 / 0 / 25

HEX #8E4EBF

RGB 142 78 191

HSL 273.98, 0.47%, 0.53%

LAB 45.58, 47.42, -49.1

 

CMYK 62 / 64 / 0 / 46

HEX #34318A

RGB 52 49 138

HSL 242.02, 0.48%, 0.37%

LAB 26.04, 29.37, -49.3

 

CMYK 62 / 64 / 0 / 34

HEX #403CA8

RGB 64 60 168

HSL 242.22, 0.47%, 0.45%

LAB 32.14, 34.65, -57.63

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 45 / 46 / 0 / 21

HEX #706DCA

RGB 112 109 202

HSL 241.94, 0.47%, 0.61%

LAB 50.27, 25.07, -48.12

 

CMYK 33 / 35 / 0 / 16

HEX #8E8BD5

RGB 142 139 213

HSL 242.43, 0.47%, 0.69%

LAB 60.8, 18.24, -37.57

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 0 / 59 / 14 / 25

HEX #BF4EA5

RGB 191 78 165

HSL 313.81, 0.47%, 0.53%

LAB 50.97, 55.52, -24.95

 

CMYK 37 / 0 / 59 / 25

HEX #78BF4E

RGB 120 191 78

HSL 97.7, 0.47%, 0.53%

LAB 70.74, -42.16, 49.05

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 0 / 57 / 59 / 25

HEX #BF524E

RGB 191 82 78

HSL 2.12, 0.47%, 0.53%

LAB 49.08, 43.54, 24.28

 

CMYK 59 / 0 / 57 / 25

HEX #4EBF52

RGB 78 191 82

HSL 122.12, 0.47%, 0.53%

LAB 69.11, -53.93, 44.89

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 0 / 59 / 14 / 25

HEX #BF4EA5

RGB 191 78 165

HSL 313.81, 0.47%, 0.53%

LAB 50.97, 55.52, -24.95

 

CMYK 2 / 0 / 59 / 25

HEX #BBBF4E

RGB 187 191 78

HSL 62.12, 0.47%, 0.53%

LAB 75.06, -16.26, 55.08

 

CMYK 59 / 0 / 45 / 25

HEX #4EBF69

RGB 78 191 105

HSL 134.34, 0.47%, 0.53%

LAB 69.4, -50.66, 33.96

 

CMYK 57 / 59 / 0 / 25

HEX #524EBF

RGB 82 78 191

HSL 242.12, 0.47%, 0.53%

LAB 39.59, 34.2, -59.07

 

CMYK 0 / 59 / 31 / 25

HEX #BF4E83

RGB 191 78 131

HSL 331.86, 0.47%, 0.53%

LAB 49.69, 50.74, -6.68

 

CMYK 2 / 0 / 59 / 25

HEX #BBBF4E

RGB 187 191 78

HSL 62.12, 0.47%, 0.53%

LAB 75.06, -16.26, 55.08

 

CMYK 59 / 0 / 28 / 25

HEX #4EBF8A

RGB 78 191 138

HSL 151.86, 0.47%, 0.53%

LAB 69.98, -44.52, 17.35

 

Description

Color code: HEX #524EBF | qconv.com Color code: HEX #524EBF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 78 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 78 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 59 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 59% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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