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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524F86 it is the complementary color #ADB079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524F86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524F86 shade: #574F81, #686194, #7973A7, #8A85BA and #9B97CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524F86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524F86 shade: #524F86, #413D73, #302B60, #1F194D and #0E073A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524F86 shade: #524F86, #614F86, #704F86, #7F4F86 and #864F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524F86 shade: #524F86 and #4F4F86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524F86 shade matches the following richer shades: #524F86, #423D98, #332CA9, #231BBA and #1409CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524F86 shade: #524F86, #616075, #717164, #808352 and #909441

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524F86 shade: #4F6A86, #4F5B86, #524F86, #604F86 and #6F4F86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524F86 shade: #323052, #423F6C, #524F86, #625EA0 and #7B78B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524F86 shade: #524F86, #864F79 and #62864F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524F86 shade: #524F86, #86524F and #4F8652

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524F86 shade: #524F86, #864F79, #84864F and #4F865D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524F86 shade: #524F86, #864F68, #84864F and #4F866D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

Complementary color

CMYK 2 / 0 / 31 / 31

HEX #ADB079

RGB 173 176 121

HSL 63.27, 0.26%, 0.58%

LAB 70.4, -9.93, 27.89

 

CMYK 33 / 39 / 0 / 49

HEX #574F81

RGB 87 79 129

HSL 249.6, 0.24%, 0.41%

LAB 36.37, 15.6, -27.03

 

CMYK 30 / 34 / 0 / 42

HEX #686194

RGB 104 97 148

HSL 248.24, 0.21%, 0.48%

LAB 43.7, 14.84, -26.98

 

CMYK 28 / 31 / 0 / 35

HEX #7973A7

RGB 121 115 167

HSL 246.92, 0.23%, 0.55%

LAB 50.82, 14.2, -27

 

CMYK 26 / 28 / 0 / 27

HEX #8A85BA

RGB 138 133 186

HSL 245.66, 0.28%, 0.63%

LAB 57.77, 13.64, -27.06

 

CMYK 24 / 26 / 0 / 20

HEX #9B97CD

RGB 155 151 205

HSL 244.44, 0.35%, 0.7%

LAB 64.57, 13.14, -27.16

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 43 / 47 / 0 / 55

HEX #413D73

RGB 65 61 115

HSL 244.44, 0.31%, 0.35%

LAB 28.64, 16.6, -30.63

 

CMYK 50 / 55 / 0 / 62

HEX #302B60

RGB 48 43 96

HSL 245.66, 0.38%, 0.27%

LAB 20.83, 17.94, -30.94

 

CMYK 60 / 68 / 0 / 70

HEX #1F194D

RGB 31 25 77

HSL 246.92, 0.51%, 0.2%

LAB 12.75, 19.69, -31.29

 

CMYK 76 / 88 / 0 / 77

HEX #0E073A

RGB 14 7 58

HSL 248.24, 0.78%, 0.13%

LAB 4.98, 19.9, -30.63

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 28 / 41 / 0 / 47

HEX #614F86

RGB 97 79 134

HSL 259.64, 0.26%, 0.42%

LAB 37.58, 20.08, -28.13

 

CMYK 16 / 41 / 0 / 47

HEX #704F86

RGB 112 79 134

HSL 276, 0.26%, 0.42%

LAB 39.17, 24.87, -25.53

 

CMYK 5 / 41 / 0 / 47

HEX #7F4F86

RGB 127 79 134

HSL 292.36, 0.26%, 0.42%

LAB 40.94, 29.8, -22.65

 

CMYK 0 / 41 / 5 / 47

HEX #864F7F

RGB 134 79 127

HSL 307.64, 0.26%, 0.42%

LAB 41.52, 30.75, -17.41

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 41 / 41 / 0 / 47

HEX #4F4F86

RGB 79 79 134

HSL 240, 0.26%, 0.42%

LAB 35.94, 14.69, -30.83

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 57 / 60 / 0 / 40

HEX #423D98

RGB 66 61 152

HSL 243.3, 0.43%, 0.42%

LAB 31.26, 29.01, -49.39

 

CMYK 70 / 74 / 0 / 34

HEX #332CA9

RGB 51 44 169

HSL 243.36, 0.59%, 0.42%

LAB 27.76, 42.81, -65.45

 

CMYK 81 / 85 / 0 / 27

HEX #231BBA

RGB 35 27 186

HSL 243.02, 0.75%, 0.42%

LAB 25.82, 55.37, -78.87

 

CMYK 90 / 96 / 0 / 20

HEX #1409CC

RGB 20 9 204

HSL 243.38, 0.92%, 0.42%

LAB 25.87, 65.26, -89.41

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 17 / 18 / 0 / 54

HEX #616075

RGB 97 96 117

HSL 242.86, 0.1%, 0.42%

LAB 41.52, 5.14, -11.67

 

CMYK 0 / 0 / 12 / 56

HEX #717164

RGB 113 113 100

HSL 60, 0.06%, 0.42%

LAB 47.29, -2.5, 7.22

 

CMYK 2 / 0 / 37 / 49

HEX #808352

RGB 128 131 82

HSL 63.67, 0.23%, 0.42%

LAB 53.42, -9.23, 26.14

 

CMYK 3 / 0 / 56 / 42

HEX #909441

RGB 144 148 65

HSL 62.89, 0.39%, 0.42%

LAB 59.43, -13.33, 42.63

 

CMYK 41 / 21 / 0 / 47

HEX #4F6A86

RGB 79 106 134

HSL 210.55, 0.26%, 0.42%

LAB 43.79, -2.21, -18.61

 

CMYK 41 / 32 / 0 / 47

HEX #4F5B86

RGB 79 91 134

HSL 226.91, 0.26%, 0.42%

LAB 39.35, 7.04, -25.47

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 28 / 41 / 0 / 47

HEX #604F86

RGB 96 79 134

HSL 258.55, 0.26%, 0.42%

LAB 37.48, 19.77, -28.3

 

CMYK 17 / 41 / 0 / 47

HEX #6F4F86

RGB 111 79 134

HSL 274.91, 0.26%, 0.42%

LAB 39.06, 24.55, -25.71

 

CMYK 39 / 41 / 0 / 68

HEX #323052

RGB 50 48 82

HSL 243.53, 0.26%, 0.25%

LAB 21.58, 10.39, -20.45

 

CMYK 39 / 42 / 0 / 58

HEX #423F6C

RGB 66 63 108

HSL 244, 0.26%, 0.34%

LAB 28.89, 13.36, -25.78

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 39 / 41 / 0 / 37

HEX #625EA0

RGB 98 94 160

HSL 243.64, 0.26%, 0.5%

LAB 42.97, 18.3, -35.3

 

CMYK 30 / 32 / 0 / 31

HEX #7B78B0

RGB 123 120 176

HSL 243.21, 0.26%, 0.58%

LAB 52.71, 14.17, -29.28

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 0 / 41 / 10 / 47

HEX #864F79

RGB 134 79 121

HSL 314.18, 0.26%, 0.42%

LAB 41.28, 29.63, -14.1

 

CMYK 27 / 0 / 41 / 47

HEX #62864F

RGB 98 134 79

HSL 99.27, 0.26%, 0.42%

LAB 52.08, -23.39, 25.63

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 0 / 39 / 41 / 47

HEX #86524F

RGB 134 82 79

HSL 3.27, 0.26%, 0.42%

LAB 40.68, 21.36, 10.94

 

CMYK 41 / 0 / 39 / 47

HEX #4F8652

RGB 79 134 82

HSL 123.27, 0.26%, 0.42%

LAB 51.06, -29.65, 22.44

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 0 / 41 / 10 / 47

HEX #864F79

RGB 134 79 121

HSL 314.18, 0.26%, 0.42%

LAB 41.28, 29.63, -14.1

 

CMYK 1 / 0 / 41 / 47

HEX #84864F

RGB 132 134 79

HSL 62.18, 0.26%, 0.42%

LAB 54.57, -9.55, 29.33

 

CMYK 41 / 0 / 31 / 47

HEX #4F865D

RGB 79 134 93

HSL 135.27, 0.26%, 0.42%

LAB 51.27, -27.64, 16.51

 

CMYK 39 / 41 / 0 / 47

HEX #524F86

RGB 82 79 134

HSL 243.27, 0.26%, 0.42%

LAB 36.19, 15.56, -30.42

 

CMYK 0 / 41 / 22 / 47

HEX #864F68

RGB 134 79 104

HSL 332.73, 0.26%, 0.42%

LAB 40.67, 26.69, -4.54

 

CMYK 1 / 0 / 41 / 47

HEX #84864F

RGB 132 134 79

HSL 62.18, 0.26%, 0.42%

LAB 54.57, -9.55, 29.33

 

CMYK 41 / 0 / 19 / 47

HEX #4F866D

RGB 79 134 109

HSL 152.73, 0.26%, 0.42%

LAB 51.63, -24.28, 7.8

 

Description

Color code: HEX #524F86 | qconv.com Color code: HEX #524F86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 79 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 79 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 41 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 41% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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