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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52543B it is the complementary color #ADABC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52543B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52543B shade: #575436, #686649, #79785C, #8A8A6F and #9B9C82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52543B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52543B shade: #52543B, #414228, #303015, #1F1E02 and #0E0C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52543B shade: #51533B, #534E3B, #53483B, #53413B and #533B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52543B shade: #51533B, #4B533B, #44533B, #3D533B and #3B533F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52543B shade matches the following richer shades: #51533B, #5B5F2F, #656A24, #6E7618 and #78810D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52543B shade: #51533B, #474746, #3E3C52, #34305D and #2A2569

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52543B shade: #53483B, #534E3B, #51533B, #4B533B and #44533B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52543B shade: #222319, #3A3B2A, #51533B, #696B4C and #80835D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52543B shade: #52543B, #3B5341 and #4B3B53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52543B shade: #52543B, #3B5153 and #533B51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52543B shade: #52543B, #3B5341, #3C3B53 and #533B4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52543B shade: #52543B, #3B5349, #3C3B53 and #533B45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 30 / 67

HEX #52543B

RGB 82 84 59

HSL 64.8, 0.17%, 0.28%

LAB 34.9, -5.53, 14.39

 

Complementary color

CMYK 12 / 13 / 0 / 23

HEX #ADABC4

RGB 173 171 196

HSL 244.8, 0.17%, 0.72%

LAB 70.87, 5.68, -12.47

 

CMYK 0 / 3 / 38 / 66

HEX #575436

RGB 87 84 54

HSL 54.55, 0.23%, 0.28%

LAB 35.27, -4.01, 18

 

CMYK 0 / 2 / 30 / 59

HEX #686649

RGB 104 102 73

HSL 56.13, 0.18%, 0.35%

LAB 42.65, -4.35, 16.72

 

CMYK 0 / 1 / 24 / 53

HEX #79785C

RGB 121 120 92

HSL 57.93, 0.14%, 0.42%

LAB 49.82, -4.61, 15.56

 

CMYK 0 / 0 / 20 / 46

HEX #8A8A6F

RGB 138 138 111

HSL 60, 0.11%, 0.49%

LAB 56.81, -4.81, 14.5

 

CMYK 1 / 0 / 17 / 39

HEX #9B9C82

RGB 155 156 130

HSL 62.31, 0.12%, 0.56%

LAB 63.64, -4.98, 13.52

 

CMYK 2 / 0 / 30 / 67

HEX #52543B

RGB 82 84 59

HSL 64.8, 0.17%, 0.28%

LAB 34.9, -5.53, 14.39

 

CMYK 2 / 0 / 39 / 74

HEX #414228

RGB 65 66 40

HSL 62.31, 0.25%, 0.21%

LAB 27.22, -5.28, 15.71

 

CMYK 0 / 0 / 56 / 81

HEX #303015

RGB 48 48 21

HSL 60, 0.39%, 0.14%

LAB 19.21, -4.85, 17.18

 

CMYK 0 / 3 / 94 / 88

HEX #1F1E02

RGB 31 30 2

HSL 57.93, 0.88%, 0.06%

LAB 10.73, -4.22, 15.09

 

CMYK 0 / 14 / 100 / 95

HEX #0E0C00

RGB 14 12 0

HSL 51.43, 1%, 0.03%

LAB 3.22, -1.07, 4.8

 

CMYK 2 / 0 / 29 / 67

HEX #51533B

RGB 81 83 59

HSL 65, 0.17%, 0.28%

LAB 34.5, -5.38, 13.83

 

CMYK 0 / 6 / 29 / 67

HEX #534E3B

RGB 83 78 59

HSL 47.5, 0.17%, 0.28%

LAB 33.14, -1.43, 12.02

 

CMYK 0 / 13 / 29 / 67

HEX #53483B

RGB 83 72 59

HSL 32.5, 0.17%, 0.28%

LAB 31.32, 2.3, 9.51

 

CMYK 0 / 22 / 29 / 67

HEX #53413B

RGB 83 65 59

HSL 15, 0.17%, 0.28%

LAB 29.25, 6.74, 6.62

 

CMYK 0 / 29 / 29 / 67

HEX #533B3B

RGB 83 59 59

HSL 0, 0.17%, 0.28%

LAB 27.53, 10.6, 4.17

 

CMYK 2 / 0 / 29 / 67

HEX #51533B

RGB 81 83 59

HSL 65, 0.17%, 0.28%

LAB 34.5, -5.38, 13.83

 

CMYK 10 / 0 / 29 / 67

HEX #4B533B

RGB 75 83 59

HSL 80, 0.17%, 0.28%

LAB 33.98, -8.02, 13.04

 

CMYK 18 / 0 / 29 / 67

HEX #44533B

RGB 68 83 59

HSL 97.5, 0.17%, 0.28%

LAB 33.42, -11.01, 12.18

 

CMYK 27 / 0 / 29 / 67

HEX #3D533B

RGB 61 83 59

HSL 115, 0.17%, 0.28%

LAB 32.91, -13.88, 11.4

 

CMYK 29 / 0 / 24 / 67

HEX #3B533F

RGB 59 83 63

HSL 130, 0.17%, 0.28%

LAB 32.87, -13.84, 8.82

 

CMYK 2 / 0 / 29 / 67

HEX #51533B

RGB 81 83 59

HSL 65, 0.17%, 0.28%

LAB 34.5, -5.38, 13.83

 

CMYK 4 / 0 / 51 / 63

HEX #5B5F2F

RGB 91 95 47

HSL 65, 0.34%, 0.28%

LAB 38.92, -9.52, 26.76

 

CMYK 5 / 0 / 66 / 58

HEX #656A24

RGB 101 106 36

HSL 64.29, 0.49%, 0.28%

LAB 43.07, -12.13, 37.37

 

CMYK 7 / 0 / 80 / 54

HEX #6E7618

RGB 110 118 24

HSL 65.11, 0.66%, 0.28%

LAB 47.41, -15.24, 46.8

 

CMYK 7 / 0 / 90 / 49

HEX #78810D

RGB 120 129 13

HSL 64.66, 0.82%, 0.28%

LAB 51.52, -16.89, 53.67

 

CMYK 2 / 0 / 29 / 67

HEX #51533B

RGB 81 83 59

HSL 65, 0.17%, 0.28%

LAB 34.5, -5.38, 13.83

 

CMYK 0 / 0 / 1 / 72

HEX #474746

RGB 71 71 70

HSL 60, 0.01%, 0.28%

LAB 30.13, -0.22, 0.6

 

CMYK 24 / 27 / 0 / 68

HEX #3E3C52

RGB 62 60 82

HSL 245.45, 0.15%, 0.28%

LAB 26.35, 6.37, -12.97

 

CMYK 44 / 48 / 0 / 64

HEX #34305D

RGB 52 48 93

HSL 245.33, 0.32%, 0.28%

LAB 22.42, 14.58, -26.4

 

CMYK 60 / 65 / 0 / 59

HEX #2A2569

RGB 42 37 105

HSL 244.41, 0.48%, 0.28%

LAB 19.37, 23.83, -39.21

 

CMYK 0 / 13 / 29 / 67

HEX #53483B

RGB 83 72 59

HSL 32.5, 0.17%, 0.28%

LAB 31.32, 2.3, 9.51

 

CMYK 0 / 6 / 29 / 67

HEX #534E3B

RGB 83 78 59

HSL 47.5, 0.17%, 0.28%

LAB 33.14, -1.43, 12.02

 

CMYK 2 / 0 / 29 / 67

HEX #51533B

RGB 81 83 59

HSL 65, 0.17%, 0.28%

LAB 34.5, -5.38, 13.83

 

CMYK 10 / 0 / 29 / 67

HEX #4B533B

RGB 75 83 59

HSL 80, 0.17%, 0.28%

LAB 33.98, -8.02, 13.04

 

CMYK 18 / 0 / 29 / 67

HEX #44533B

RGB 68 83 59

HSL 97.5, 0.17%, 0.28%

LAB 33.42, -11.01, 12.18

 

CMYK 3 / 0 / 29 / 86

HEX #222319

RGB 34 35 25

HSL 66, 0.17%, 0.12%

LAB 13.31, -2.7, 6.58

 

CMYK 2 / 0 / 29 / 77

HEX #3A3B2A

RGB 58 59 42

HSL 63.53, 0.17%, 0.2%

LAB 24.3, -3.86, 10.43

 

CMYK 2 / 0 / 29 / 67

HEX #51533B

RGB 81 83 59

HSL 65, 0.17%, 0.28%

LAB 34.5, -5.38, 13.83

 

CMYK 2 / 0 / 29 / 58

HEX #696B4C

RGB 105 107 76

HSL 63.87, 0.17%, 0.36%

LAB 44.29, -6.37, 17.17

 

CMYK 2 / 0 / 29 / 49

HEX #80835D

RGB 128 131 93

HSL 64.74, 0.17%, 0.44%

LAB 53.61, -7.73, 20.23

 

CMYK 2 / 0 / 30 / 67

HEX #52543B

RGB 82 84 59

HSL 64.8, 0.17%, 0.28%

LAB 34.9, -5.53, 14.39

 

CMYK 29 / 0 / 22 / 67

HEX #3B5341

RGB 59 83 65

HSL 135, 0.17%, 0.28%

LAB 32.91, -13.41, 7.64

 

CMYK 10 / 29 / 0 / 67

HEX #4B3B53

RGB 75 59 83

HSL 280, 0.17%, 0.28%

LAB 27.43, 12.18, -11.85

 

CMYK 2 / 0 / 30 / 67

HEX #52543B

RGB 82 84 59

HSL 64.8, 0.17%, 0.28%

LAB 34.9, -5.53, 14.39

 

CMYK 29 / 2 / 0 / 67

HEX #3B5153

RGB 59 81 83

HSL 185, 0.17%, 0.28%

LAB 32.79, -7.86, -3.92

 

CMYK 0 / 29 / 2 / 67

HEX #533B51

RGB 83 59 81

HSL 305, 0.17%, 0.28%

LAB 28.28, 14.84, -9.17

 

CMYK 2 / 0 / 30 / 67

HEX #52543B

RGB 82 84 59

HSL 64.8, 0.17%, 0.28%

LAB 34.9, -5.53, 14.39

 

CMYK 29 / 0 / 22 / 67

HEX #3B5341

RGB 59 83 65

HSL 135, 0.17%, 0.28%

LAB 32.91, -13.41, 7.64

 

CMYK 28 / 29 / 0 / 67

HEX #3C3B53

RGB 60 59 83

HSL 242.5, 0.17%, 0.28%

LAB 25.9, 6.6, -14.33

 

CMYK 0 / 29 / 7 / 67

HEX #533B4D

RGB 83 59 77

HSL 315, 0.17%, 0.28%

LAB 28.12, 13.98, -6.79

 

CMYK 2 / 0 / 30 / 67

HEX #52543B

RGB 82 84 59

HSL 64.8, 0.17%, 0.28%

LAB 34.9, -5.53, 14.39

 

CMYK 29 / 0 / 12 / 67

HEX #3B5349

RGB 59 83 73

HSL 155, 0.17%, 0.28%

LAB 33.13, -11.59, 2.91

 

CMYK 28 / 29 / 0 / 67

HEX #3C3B53

RGB 60 59 83

HSL 242.5, 0.17%, 0.28%

LAB 25.9, 6.6, -14.33

 

CMYK 0 / 29 / 17 / 67

HEX #533B45

RGB 83 59 69

HSL 335, 0.17%, 0.28%

LAB 27.84, 12.38, -1.96

 

Description

Color code: HEX #52543B | qconv.com Color code: HEX #52543B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 84 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 84 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 30 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 30% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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