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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52561E it is the complementary color #ADA9E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52561E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52561E shade: #575619, #68682C, #797A3F, #8A8C52 and #9B9E65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52561E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52561E shade: #52561E, #41440B, #303200, #1F2000 and #0E0E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52561E shade: #52561E, #564B1E, #563C1E, #562D1E and #561E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52561E shade: #52561E, #43561E, #34561E, #25561E and #1E5626

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52561E shade matches the following richer shades: #52561E, #5A6015, #63690B and #6B7302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52561E shade: #52561E, #4A4D27, #424331, #3A3A3A and #323044

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52561E shade: #563C1E, #564B1E, #53561E, #44561E and #35561E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52561E shade: #181909, #353813, #52561E, #6F7529 and #8D9333

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52561E shade: #52561E, #1E562D and #441E56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52561E shade: #52561E, #1E5356 and #561E53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52561E shade: #52561E, #1E562D, #221E56 and #561E47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52561E shade: #52561E, #1E563E, #221E56 and #561E36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

Complementary color

CMYK 23 / 25 / 0 / 12

HEX #ADA9E1

RGB 173 169 225

HSL 244.29, 0.48%, 0.77%

LAB 71.35, 13.23, -27.66

 

CMYK 0 / 1 / 71 / 66

HEX #575619

RGB 87 86 25

HSL 59.03, 0.55%, 0.22%

LAB 35.5, -8.17, 34.18

 

CMYK 0 / 0 / 58 / 59

HEX #68682C

RGB 104 104 44

HSL 60, 0.41%, 0.29%

LAB 42.8, -8.96, 33.21

 

CMYK 1 / 0 / 48 / 52

HEX #797A3F

RGB 121 122 63

HSL 61.02, 0.32%, 0.36%

LAB 49.91, -9.51, 31.97

 

CMYK 1 / 0 / 41 / 45

HEX #8A8C52

RGB 138 140 82

HSL 62.07, 0.26%, 0.44%

LAB 56.85, -9.91, 30.69

 

CMYK 2 / 0 / 36 / 38

HEX #9B9E65

RGB 155 158 101

HSL 63.16, 0.23%, 0.51%

LAB 63.64, -10.22, 29.45

 

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

CMYK 4 / 0 / 84 / 73

HEX #41440B

RGB 65 68 11

HSL 63.16, 0.72%, 0.15%

LAB 27.52, -9.34, 31.69

 

CMYK 4 / 0 / 100 / 80

HEX #303200

RGB 48 50 0

HSL 62.4, 1%, 0.1%

LAB 19.68, -7.93, 27.67

 

CMYK 3 / 0 / 100 / 87

HEX #1F2000

RGB 31 32 0

HSL 61.88, 1%, 0.06%

LAB 11.44, -5.83, 16.89

 

CMYK 0 / 0 / 100 / 95

HEX #0E0E00

RGB 14 14 0

HSL 60, 1%, 0.03%

LAB 3.68, -2.01, 5.48

 

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

CMYK 0 / 13 / 65 / 66

HEX #564B1E

RGB 86 75 30

HSL 48.21, 0.48%, 0.23%

LAB 32.04, -1.69, 27.93

 

CMYK 0 / 30 / 65 / 66

HEX #563C1E

RGB 86 60 30

HSL 32.14, 0.48%, 0.23%

LAB 27.58, 7.71, 22.8

 

CMYK 0 / 48 / 65 / 66

HEX #562D1E

RGB 86 45 30

HSL 16.07, 0.48%, 0.23%

LAB 23.5, 17.21, 17.86

 

CMYK 0 / 65 / 65 / 66

HEX #561E1E

RGB 86 30 30

HSL 0, 0.48%, 0.23%

LAB 20.05, 25.99, 13.49

 

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

CMYK 22 / 0 / 65 / 66

HEX #43561E

RGB 67 86 30

HSL 80.36, 0.48%, 0.23%

LAB 33.86, -17.21, 29.5

 

CMYK 40 / 0 / 65 / 66

HEX #34561E

RGB 52 86 30

HSL 96.43, 0.48%, 0.23%

LAB 32.87, -23.59, 28.11

 

CMYK 57 / 0 / 65 / 66

HEX #25561E

RGB 37 86 30

HSL 112.5, 0.48%, 0.23%

LAB 32.13, -28.95, 27.07

 

CMYK 65 / 0 / 56 / 66

HEX #1E5626

RGB 30 86 38

HSL 128.57, 0.48%, 0.23%

LAB 31.97, -29.81, 22.46

 

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

CMYK 6 / 0 / 78 / 62

HEX #5A6015

RGB 90 96 21

HSL 64.8, 0.64%, 0.23%

LAB 38.89, -12.68, 39.31

 

CMYK 6 / 0 / 90 / 59

HEX #63690B

RGB 99 105 11

HSL 63.83, 0.81%, 0.23%

LAB 42.43, -13.8, 45.92

 

CMYK 7 / 0 / 98 / 55

HEX #6B7302

RGB 107 115 2

HSL 64.25, 0.97%, 0.23%

LAB 46.17, -15.7, 51.22

 

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

CMYK 4 / 0 / 49 / 70

HEX #4A4D27

RGB 74 77 39

HSL 64.74, 0.33%, 0.23%

LAB 31.6, -7.83, 22.03

 

CMYK 1 / 0 / 27 / 74

HEX #424331

RGB 66 67 49

HSL 63.33, 0.16%, 0.23%

LAB 27.83, -4, 10.83

 

CMYK 0 / 0 / 0 / 77

HEX #3A3A3A

RGB 58 58 58

HSL 0, 0%, 0.23%

LAB 24.42, 0, -0

 

CMYK 26 / 29 / 0 / 73

HEX #323044

RGB 50 48 68

HSL 246, 0.17%, 0.23%

LAB 20.86, 6.11, -12.16

 

CMYK 0 / 30 / 65 / 66

HEX #563C1E

RGB 86 60 30

HSL 32.14, 0.48%, 0.23%

LAB 27.58, 7.71, 22.8

 

CMYK 0 / 13 / 65 / 66

HEX #564B1E

RGB 86 75 30

HSL 48.21, 0.48%, 0.23%

LAB 32.04, -1.69, 27.93

 

CMYK 3 / 0 / 65 / 66

HEX #53561E

RGB 83 86 30

HSL 63.21, 0.48%, 0.23%

LAB 35.18, -9.73, 31.32

 

CMYK 21 / 0 / 65 / 66

HEX #44561E

RGB 68 86 30

HSL 79.29, 0.48%, 0.23%

LAB 33.94, -16.76, 29.6

 

CMYK 38 / 0 / 65 / 66

HEX #35561E

RGB 53 86 30

HSL 95.36, 0.48%, 0.23%

LAB 32.93, -23.19, 28.2

 

CMYK 4 / 0 / 64 / 90

HEX #181909

RGB 24 25 9

HSL 63.75, 0.47%, 0.07%

LAB 8.21, -3.7, 8.53

 

CMYK 5 / 0 / 66 / 78

HEX #353813

RGB 53 56 19

HSL 64.86, 0.49%, 0.15%

LAB 22.42, -7.57, 22.24

 

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

CMYK 5 / 0 / 65 / 54

HEX #6F7529

RGB 111 117 41

HSL 64.74, 0.48%, 0.31%

LAB 47.32, -13.22, 39.84

 

CMYK 4 / 0 / 65 / 42

HEX #8D9333

RGB 141 147 51

HSL 63.75, 0.48%, 0.39%

LAB 58.76, -15.17, 48.25

 

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

CMYK 65 / 0 / 48 / 66

HEX #1E562D

RGB 30 86 45

HSL 136.07, 0.48%, 0.23%

LAB 32.08, -28.58, 18.54

 

CMYK 21 / 65 / 0 / 66

HEX #441E56

RGB 68 30 86

HSL 280.71, 0.48%, 0.23%

LAB 19.35, 28.9, -26.54

 

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

CMYK 65 / 3 / 0 / 66

HEX #1E5356

RGB 30 83 86

HSL 183.21, 0.48%, 0.23%

LAB 32.11, -16.25, -6.99

 

CMYK 0 / 65 / 3 / 66

HEX #561E53

RGB 86 30 83

HSL 303.21, 0.48%, 0.23%

LAB 22.06, 33.52, -20.05

 

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

CMYK 65 / 0 / 48 / 66

HEX #1E562D

RGB 30 86 45

HSL 136.07, 0.48%, 0.23%

LAB 32.08, -28.58, 18.54

 

CMYK 60 / 65 / 0 / 66

HEX #221E56

RGB 34 30 86

HSL 244.29, 0.48%, 0.23%

LAB 15.17, 20.13, -33.48

 

CMYK 0 / 65 / 17 / 66

HEX #561E47

RGB 86 30 71

HSL 316.07, 0.48%, 0.23%

LAB 21.44, 31.31, -12.9

 

CMYK 5 / 0 / 65 / 66

HEX #52561E

RGB 82 86 30

HSL 64.29, 0.48%, 0.23%

LAB 35.09, -10.21, 31.19

 

CMYK 65 / 0 / 28 / 66

HEX #1E563E

RGB 30 86 62

HSL 154.29, 0.48%, 0.23%

LAB 32.43, -24.82, 8.63

 

CMYK 60 / 65 / 0 / 66

HEX #221E56

RGB 34 30 86

HSL 244.29, 0.48%, 0.23%

LAB 15.17, 20.13, -33.48

 

CMYK 0 / 65 / 37 / 66

HEX #561E36

RGB 86 30 54

HSL 334.29, 0.48%, 0.23%

LAB 20.73, 28.65, -2.27

 

Description

Color code: HEX #52561E | qconv.com Color code: HEX #52561E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 86 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 86 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 65 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 65% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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