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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #525879 it is the complementary color #ADA786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #525879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #525879 shade: #575874, #686A87, #797C9A, #8A8EAD and #9BA0C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #525879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #525879 shade: #525879, #414666, #303453, #1F2240 and #0E102D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #525879 shade: #525879, #575279, #615279, #6C5279 and #765279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #525879 shade: #525879 and #525279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #525879 shade matches the following richer shades: #525879, #424D89, #31419A, #2136AA and #102ABB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #525879 shade: #525879, #636468, #736F58, #847A47 and #948637

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #525879 shade: #526D79, #526379, #525979, #565279 and #605279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #525879 shade: #313448, #414660, #525879, #636A91 and #7A80A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #525879 shade: #525879, #795278 and #687952

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #525879 shade: #525879, #795259 and #597952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #525879 shade: #525879, #795278, #797252 and #527953

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #525879 shade: #525879, #79526C, #797252 and #52795F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

Complementary color

CMYK 0 / 3 / 23 / 32

HEX #ADA786

RGB 173 167 134

HSL 50.77, 0.19%, 0.6%

LAB 68.2, -3.34, 17.88

 

CMYK 25 / 24 / 0 / 55

HEX #575874

RGB 87 88 116

HSL 237.93, 0.14%, 0.4%

LAB 38.32, 6.34, -16.01

 

CMYK 23 / 21 / 0 / 47

HEX #686A87

RGB 104 106 135

HSL 236.13, 0.13%, 0.47%

LAB 45.63, 5.94, -16.22

 

CMYK 21 / 19 / 0 / 40

HEX #797C9A

RGB 121 124 154

HSL 234.55, 0.14%, 0.54%

LAB 52.74, 5.6, -16.47

 

CMYK 20 / 18 / 0 / 32

HEX #8A8EAD

RGB 138 142 173

HSL 233.14, 0.18%, 0.61%

LAB 59.68, 5.29, -16.75

 

CMYK 19 / 17 / 0 / 25

HEX #9BA0C0

RGB 155 160 192

HSL 231.89, 0.23%, 0.68%

LAB 66.46, 5.02, -17.04

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 36 / 31 / 0 / 60

HEX #414666

RGB 65 70 102

HSL 231.89, 0.22%, 0.33%

LAB 30.55, 6.59, -19.37

 

CMYK 42 / 37 / 0 / 67

HEX #303453

RGB 48 52 83

HSL 233.14, 0.27%, 0.26%

LAB 22.68, 7.29, -19.41

 

CMYK 52 / 47 / 0 / 75

HEX #1F2240

RGB 31 34 64

HSL 234.55, 0.35%, 0.19%

LAB 14.43, 8.29, -19.58

 

CMYK 69 / 64 / 0 / 82

HEX #0E102D

RGB 14 16 45

HSL 236.13, 0.53%, 0.12%

LAB 5.9, 8.97, -19.57

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 28 / 32 / 0 / 53

HEX #575279

RGB 87 82 121

HSL 247.69, 0.19%, 0.4%

LAB 36.82, 11.47, -21.4

 

CMYK 20 / 32 / 0 / 53

HEX #615279

RGB 97 82 121

HSL 263.08, 0.19%, 0.4%

LAB 37.76, 14.83, -19.86

 

CMYK 11 / 32 / 0 / 53

HEX #6C5279

RGB 108 82 121

HSL 280, 0.19%, 0.4%

LAB 38.9, 18.65, -18.01

 

CMYK 2 / 32 / 0 / 53

HEX #765279

RGB 118 82 121

HSL 295.38, 0.19%, 0.4%

LAB 40.03, 22.19, -16.19

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 32 / 32 / 0 / 53

HEX #525279

RGB 82 82 121

HSL 240, 0.19%, 0.4%

LAB 36.38, 9.84, -22.11

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 52 / 44 / 0 / 46

HEX #424D89

RGB 66 77 137

HSL 230.7, 0.35%, 0.4%

LAB 34.54, 13.5, -34.94

 

CMYK 68 / 58 / 0 / 40

HEX #31419A

RGB 49 65 154

HSL 230.86, 0.52%, 0.4%

LAB 31.27, 24.06, -50.64

 

CMYK 81 / 68 / 0 / 33

HEX #2136AA

RGB 33 54 170

HSL 230.8, 0.67%, 0.4%

LAB 29.07, 35.34, -63.94

 

CMYK 91 / 78 / 0 / 27

HEX #102ABB

RGB 16 42 187

HSL 230.88, 0.84%, 0.4%

LAB 27.72, 47.68, -76.33

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 5 / 4 / 0 / 59

HEX #636468

RGB 99 100 104

HSL 228, 0.02%, 0.4%

LAB 42.41, 0.46, -2.4

 

CMYK 0 / 3 / 23 / 55

HEX #736F58

RGB 115 111 88

HSL 51.11, 0.13%, 0.4%

LAB 46.6, -2.58, 13.39

 

CMYK 0 / 8 / 46 / 48

HEX #847A47

RGB 132 122 71

HSL 50.16, 0.3%, 0.4%

LAB 51.01, -3.79, 29.22

 

CMYK 0 / 9 / 63 / 42

HEX #948637

RGB 148 134 55

HSL 50.97, 0.46%, 0.4%

LAB 55.71, -4.77, 43.34

 

CMYK 32 / 10 / 0 / 53

HEX #526D79

RGB 82 109 121

HSL 198.46, 0.19%, 0.4%

LAB 44.39, -6.73, -9.87

 

CMYK 32 / 18 / 0 / 53

HEX #526379

RGB 82 99 121

HSL 213.85, 0.19%, 0.4%

LAB 41.37, -0.76, -14.44

 

CMYK 32 / 26 / 0 / 53

HEX #525979

RGB 82 89 121

HSL 229.23, 0.19%, 0.4%

LAB 38.41, 5.42, -18.98

 

CMYK 29 / 32 / 0 / 53

HEX #565279

RGB 86 82 121

HSL 246.15, 0.19%, 0.4%

LAB 36.73, 11.14, -21.55

 

CMYK 21 / 32 / 0 / 53

HEX #605279

RGB 96 82 121

HSL 261.54, 0.19%, 0.4%

LAB 37.67, 14.48, -20.02

 

CMYK 32 / 28 / 0 / 72

HEX #313448

RGB 49 52 72

HSL 232.17, 0.19%, 0.24%

LAB 22.22, 4.17, -12.78

 

CMYK 32 / 27 / 0 / 62

HEX #414660

RGB 65 70 96

HSL 230.32, 0.19%, 0.32%

LAB 30.28, 4.81, -15.97

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 32 / 27 / 0 / 43

HEX #636A91

RGB 99 106 145

HSL 230.87, 0.19%, 0.48%

LAB 45.64, 6.95, -22.21

 

CMYK 26 / 22 / 0 / 36

HEX #7A80A4

RGB 122 128 164

HSL 231.43, 0.19%, 0.56%

LAB 54.3, 6.05, -19.9

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 0 / 32 / 1 / 53

HEX #795278

RGB 121 82 120

HSL 301.54, 0.19%, 0.4%

LAB 40.34, 23.05, -15.07

 

CMYK 14 / 0 / 32 / 53

HEX #687952

RGB 104 121 82

HSL 86.15, 0.19%, 0.4%

LAB 48.54, -13.72, 19.38

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 0 / 32 / 26 / 53

HEX #795259

RGB 121 82 89

HSL 349.23, 0.19%, 0.4%

LAB 39.28, 17.39, 2.52

 

CMYK 26 / 0 / 32 / 53

HEX #597952

RGB 89 121 82

HSL 109.23, 0.19%, 0.4%

LAB 47.51, -19.59, 17.8

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 0 / 32 / 1 / 53

HEX #795278

RGB 121 82 120

HSL 301.54, 0.19%, 0.4%

LAB 40.34, 23.05, -15.07

 

CMYK 0 / 6 / 32 / 53

HEX #797252

RGB 121 114 82

HSL 49.23, 0.19%, 0.4%

LAB 47.89, -2.66, 18.75

 

CMYK 32 / 0 / 31 / 53

HEX #527953

RGB 82 121 83

HSL 121.54, 0.19%, 0.4%

LAB 47.1, -21.98, 16.6

 

CMYK 32 / 27 / 0 / 53

HEX #525879

RGB 82 88 121

HSL 230.77, 0.19%, 0.4%

LAB 38.12, 6.04, -19.43

 

CMYK 0 / 32 / 11 / 53

HEX #79526C

RGB 121 82 108

HSL 320, 0.19%, 0.4%

LAB 39.89, 20.69, -8.36

 

CMYK 0 / 6 / 32 / 53

HEX #797252

RGB 121 114 82

HSL 49.23, 0.19%, 0.4%

LAB 47.89, -2.66, 18.75

 

CMYK 32 / 0 / 21 / 53

HEX #52795F

RGB 82 121 95

HSL 140, 0.19%, 0.4%

LAB 47.36, -19.63, 9.96

 

Description

Color code: HEX #525879 | qconv.com Color code: HEX #525879 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 88 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 88 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 27 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 27% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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