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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52591B it is the complementary color #ADA6E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52591B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52591B shade: #575916, #686B29, #797D3C, #8A8F4F and #9BA162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52591B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52591B shade: #52591B, #414708, #303500, #1F2300 and #0E1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52591B shade: #52591B, #594F1B, #593F1B, #592E1B and #591D1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52591B shade: #52591B, #41591B, #31591B, #20591B and #1B5927

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52591B shade matches the following richer shades: #52591B, #5A6312 and #616C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52591B shade: #52591B, #4B5025, #44462E, #3C3D38 and #353341

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52591B shade: #593E1B, #594F1B, #53591B, #42591B and #32591B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52591B shade: #181A08, #353A11, #52591B, #6F7925 and #8C982E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52591B shade: #52591B, #1B592E and #471B59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52591B shade: #52591B, #1B5359 and #591B53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52591B shade: #52591B, #1B592E, #211B59 and #591B47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52591B shade: #52591B, #1B5940, #211B59 and #591B34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

Complementary color

CMYK 24 / 27 / 0 / 11

HEX #ADA6E4

RGB 173 166 228

HSL 246.77, 0.53%, 0.77%

LAB 70.7, 15.61, -30.3

 

CMYK 2 / 0 / 75 / 65

HEX #575916

RGB 87 89 22

HSL 61.79, 0.6%, 0.22%

LAB 36.42, -10.1, 36.43

 

CMYK 3 / 0 / 62 / 58

HEX #686B29

RGB 104 107 41

HSL 62.73, 0.45%, 0.29%

LAB 43.68, -10.9, 35.71

 

CMYK 3 / 0 / 52 / 51

HEX #797D3C

RGB 121 125 60

HSL 63.69, 0.35%, 0.36%

LAB 50.76, -11.46, 34.56

 

CMYK 3 / 0 / 45 / 44

HEX #8A8F4F

RGB 138 143 79

HSL 64.69, 0.29%, 0.44%

LAB 57.67, -11.87, 33.31

 

CMYK 4 / 0 / 39 / 37

HEX #9BA162

RGB 155 161 98

HSL 65.71, 0.25%, 0.51%

LAB 64.44, -12.17, 32.07

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 8 / 0 / 89 / 72

HEX #414708

RGB 65 71 8

HSL 65.71, 0.8%, 0.15%

LAB 28.51, -11.26, 33.71

 

CMYK 9 / 0 / 100 / 79

HEX #303500

RGB 48 53 0

HSL 65.66, 1%, 0.1%

LAB 20.73, -9.78, 28.86

 

CMYK 11 / 0 / 100 / 86

HEX #1F2300

RGB 31 35 0

HSL 66.86, 1%, 0.07%

LAB 12.57, -7.81, 18.42

 

CMYK 18 / 0 / 100 / 93

HEX #0E1100

RGB 14 17 0

HSL 70.59, 1%, 0.03%

LAB 4.46, -3.61, 6.62

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 0 / 11 / 70 / 65

HEX #594F1B

RGB 89 79 27

HSL 50.32, 0.53%, 0.23%

LAB 33.55, -2.88, 31.24

 

CMYK 0 / 29 / 70 / 65

HEX #593F1B

RGB 89 63 27

HSL 34.84, 0.53%, 0.23%

LAB 28.79, 7.06, 26.03

 

CMYK 0 / 48 / 70 / 65

HEX #592E1B

RGB 89 46 27

HSL 18.39, 0.53%, 0.23%

LAB 24.18, 17.75, 20.7

 

CMYK 0 / 67 / 70 / 65

HEX #591D1B

RGB 89 29 27

HSL 1.94, 0.53%, 0.23%

LAB 20.37, 27.5, 16.06

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 27 / 0 / 70 / 65

HEX #41591B

RGB 65 89 27

HSL 83.23, 0.53%, 0.23%

LAB 34.7, -19.99, 31.85

 

CMYK 45 / 0 / 70 / 65

HEX #31591B

RGB 49 89 27

HSL 98.71, 0.53%, 0.23%

LAB 33.73, -26.53, 30.51

 

CMYK 64 / 0 / 70 / 65

HEX #20591B

RGB 32 89 27

HSL 115.16, 0.53%, 0.23%

LAB 32.99, -32.08, 29.49

 

CMYK 70 / 0 / 56 / 65

HEX #1B5927

RGB 27 89 39

HSL 131.61, 0.53%, 0.23%

LAB 32.97, -31.68, 23.1

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 9 / 0 / 82 / 61

HEX #5A6312

RGB 90 99 18

HSL 66.67, 0.69%, 0.23%

LAB 39.82, -14.5, 41.28

 

CMYK 10 / 0 / 93 / 58

HEX #616C08

RGB 97 108 8

HSL 66.6, 0.86%, 0.23%

LAB 43.19, -16.46, 47.17

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 6 / 0 / 54 / 69

HEX #4B5025

RGB 75 80 37

HSL 66.98, 0.37%, 0.23%

LAB 32.63, -9.37, 24.46

 

CMYK 3 / 0 / 34 / 73

HEX #44462E

RGB 68 70 46

HSL 65, 0.21%, 0.23%

LAB 28.92, -5.43, 14.23

 

CMYK 2 / 0 / 8 / 76

HEX #3C3D38

RGB 60 61 56

HSL 72, 0.04%, 0.23%

LAB 25.51, -1.53, 2.93

 

CMYK 18 / 22 / 0 / 75

HEX #353341

RGB 53 51 65

HSL 248.57, 0.12%, 0.23%

LAB 21.97, 4.36, -8.42

 

CMYK 0 / 30 / 70 / 65

HEX #593E1B

RGB 89 62 27

HSL 33.87, 0.53%, 0.23%

LAB 28.51, 7.69, 25.7

 

CMYK 0 / 11 / 70 / 65

HEX #594F1B

RGB 89 79 27

HSL 50.32, 0.53%, 0.23%

LAB 33.55, -2.88, 31.24

 

CMYK 7 / 0 / 70 / 65

HEX #53591B

RGB 83 89 27

HSL 65.81, 0.53%, 0.23%

LAB 36.11, -11.69, 33.76

 

CMYK 26 / 0 / 70 / 65

HEX #42591B

RGB 66 89 27

HSL 82.26, 0.53%, 0.23%

LAB 34.77, -19.55, 31.94

 

CMYK 44 / 0 / 70 / 65

HEX #32591B

RGB 50 89 27

HSL 97.74, 0.53%, 0.23%

LAB 33.78, -26.15, 30.58

 

CMYK 8 / 0 / 69 / 90

HEX #181A08

RGB 24 26 8

HSL 66.67, 0.53%, 0.07%

LAB 8.57, -4.59, 9.47

 

CMYK 9 / 0 / 71 / 77

HEX #353A11

RGB 53 58 17

HSL 67.32, 0.55%, 0.15%

LAB 23.08, -9, 24.07

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 8 / 0 / 69 / 53

HEX #6F7925

RGB 111 121 37

HSL 67.14, 0.53%, 0.31%

LAB 48.5, -15.67, 42.86

 

CMYK 8 / 0 / 70 / 40

HEX #8C982E

RGB 140 152 46

HSL 66.79, 0.54%, 0.39%

LAB 60.1, -18.53, 51.67

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 70 / 0 / 48 / 65

HEX #1B592E

RGB 27 89 46

HSL 138.39, 0.53%, 0.23%

LAB 33.08, -30.44, 19.21

 

CMYK 20 / 70 / 0 / 65

HEX #471B59

RGB 71 27 89

HSL 282.58, 0.53%, 0.23%

LAB 19.41, 32.1, -28.42

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 70 / 7 / 0 / 65

HEX #1B5359

RGB 27 83 89

HSL 185.81, 0.53%, 0.23%

LAB 32.13, -15.84, -8.88

 

CMYK 0 / 70 / 7 / 65

HEX #591B53

RGB 89 27 83

HSL 305.81, 0.53%, 0.23%

LAB 22.06, 35.84, -20.01

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 70 / 0 / 48 / 65

HEX #1B592E

RGB 27 89 46

HSL 138.39, 0.53%, 0.23%

LAB 33.08, -30.44, 19.21

 

CMYK 63 / 70 / 0 / 65

HEX #211B59

RGB 33 27 89

HSL 245.81, 0.53%, 0.23%

LAB 14.56, 23.11, -36.5

 

CMYK 0 / 70 / 20 / 65

HEX #591B47

RGB 89 27 71

HSL 317.42, 0.53%, 0.23%

LAB 21.44, 33.74, -12.85

 

CMYK 8 / 0 / 70 / 65

HEX #52591B

RGB 82 89 27

HSL 66.77, 0.53%, 0.23%

LAB 36.02, -12.17, 33.65

 

CMYK 70 / 0 / 28 / 65

HEX #1B5940

RGB 27 89 64

HSL 155.81, 0.53%, 0.23%

LAB 33.45, -26.44, 8.8

 

CMYK 63 / 70 / 0 / 65

HEX #211B59

RGB 33 27 89

HSL 245.81, 0.53%, 0.23%

LAB 14.56, 23.11, -36.5

 

CMYK 0 / 70 / 42 / 65

HEX #591B34

RGB 89 27 52

HSL 335.81, 0.53%, 0.23%

LAB 20.66, 30.97, -0.92

 

Description

Color code: HEX #52591B | qconv.com Color code: HEX #52591B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 89 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 89 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 70 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 70% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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