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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #525121 it is the complementary color #ADAEDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #525121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #525121 shade: #57511C, #68632F, #797542, #8A8755 and #9B9968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #525121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #525121 shade: #525121, #413F0E, #302D00, #1F1B00 and #0E0900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #525121 shade: #535221, #534521, #533721, #532A21 and #532121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #525121 shade: #535221, #475321, #395321, #2C5321 and #215324

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #525121 shade matches the following richer shades: #535221, #5D5B17, #66650E and #706E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #525121 shade: #535221, #4A492A, #404034, #37373D and #2D2E47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #525121 shade: #533721, #534421, #535221, #485321 and #3A5321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #525121 shade: #181809, #363515, #535221, #716F2D and #8E8D38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #525121 shade: #525121, #215329 and #3E2153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #525121 shade: #525121, #215352 and #522153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #525121 shade: #525121, #215329, #212353 and #53214B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #525121 shade: #525121, #215338, #212353 and #53213C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 60 / 68

HEX #525121

RGB 82 81 33

HSL 58.78, 0.43%, 0.23%

LAB 33.54, -7.02, 27.9

 

Complementary color

CMYK 22 / 22 / 0 / 13

HEX #ADAEDE

RGB 173 174 222

HSL 238.78, 0.43%, 0.77%

LAB 72.52, 9.76, -24.24

 

CMYK 0 / 7 / 68 / 66

HEX #57511C

RGB 87 81 28

HSL 53.9, 0.51%, 0.23%

LAB 33.97, -4.99, 31.13

 

CMYK 0 / 5 / 55 / 59

HEX #68632F

RGB 104 99 47

HSL 54.74, 0.38%, 0.3%

LAB 41.33, -5.81, 29.92

 

CMYK 0 / 3 / 45 / 53

HEX #797542

RGB 121 117 66

HSL 55.64, 0.29%, 0.37%

LAB 48.49, -6.39, 28.59

 

CMYK 0 / 2 / 38 / 46

HEX #8A8755

RGB 138 135 85

HSL 56.6, 0.24%, 0.44%

LAB 55.47, -6.82, 27.3

 

CMYK 0 / 1 / 33 / 39

HEX #9B9968

RGB 155 153 104

HSL 57.65, 0.2%, 0.51%

LAB 62.3, -7.16, 26.07

 

CMYK 0 / 1 / 60 / 68

HEX #525121

RGB 82 81 33

HSL 58.78, 0.43%, 0.23%

LAB 33.54, -7.02, 27.9

 

CMYK 0 / 3 / 78 / 75

HEX #413F0E

RGB 65 63 14

HSL 57.65, 0.65%, 0.15%

LAB 25.89, -6.13, 28.84

 

CMYK 0 / 6 / 100 / 81

HEX #302D00

RGB 48 45 0

HSL 56.25, 1%, 0.09%

LAB 17.94, -4.73, 25.64

 

CMYK 0 / 13 / 100 / 88

HEX #1F1B00

RGB 31 27 0

HSL 52.26, 1%, 0.06%

LAB 9.6, -2.39, 14.31

 

CMYK 0 / 36 / 100 / 95

HEX #0E0900

RGB 14 9 0

HSL 38.57, 1%, 0.03%

LAB 2.61, 0.18, 3.91

 

CMYK 0 / 1 / 60 / 67

HEX #535221

RGB 83 82 33

HSL 58.8, 0.43%, 0.23%

LAB 33.95, -7.13, 28.39

 

CMYK 0 / 17 / 60 / 67

HEX #534521

RGB 83 69 33

HSL 43.2, 0.43%, 0.23%

LAB 29.92, 0.8, 23.72

 

CMYK 0 / 34 / 60 / 67

HEX #533721

RGB 83 55 33

HSL 26.4, 0.43%, 0.23%

LAB 25.81, 9.71, 18.72

 

CMYK 0 / 49 / 60 / 67

HEX #532A21

RGB 83 42 33

HSL 10.8, 0.43%, 0.23%

LAB 22.32, 17.96, 14.3

 

CMYK 0 / 60 / 60 / 67

HEX #532121

RGB 83 33 33

HSL 0, 0.43%, 0.23%

LAB 20.19, 23.35, 11.51

 

CMYK 0 / 1 / 60 / 67

HEX #535221

RGB 83 82 33

HSL 58.8, 0.43%, 0.23%

LAB 33.95, -7.13, 28.39

 

CMYK 14 / 0 / 60 / 67

HEX #475321

RGB 71 83 33

HSL 74.4, 0.43%, 0.23%

LAB 33.21, -13.41, 27.27

 

CMYK 31 / 0 / 60 / 67

HEX #395321

RGB 57 83 33

HSL 91.2, 0.43%, 0.23%

LAB 32.18, -19.65, 25.81

 

CMYK 47 / 0 / 60 / 67

HEX #2C5321

RGB 44 83 33

HSL 106.8, 0.43%, 0.23%

LAB 31.42, -24.78, 24.72

 

CMYK 60 / 0 / 57 / 67

HEX #215324

RGB 33 83 36

HSL 123.6, 0.43%, 0.23%

LAB 30.97, -27.96, 22.39

 

CMYK 0 / 1 / 60 / 67

HEX #535221

RGB 83 82 33

HSL 58.8, 0.43%, 0.23%

LAB 33.95, -7.13, 28.39

 

CMYK 0 / 2 / 75 / 64

HEX #5D5B17

RGB 93 91 23

HSL 58.29, 0.6%, 0.23%

LAB 37.61, -8.28, 37.36

 

CMYK 0 / 1 / 86 / 60

HEX #66650E

RGB 102 101 14

HSL 59.32, 0.76%, 0.23%

LAB 41.48, -10.04, 44.42

 

CMYK 0 / 2 / 96 / 56

HEX #706E04

RGB 112 110 4

HSL 58.89, 0.93%, 0.23%

LAB 45.09, -10.55, 50.15

 

CMYK 0 / 1 / 60 / 67

HEX #535221

RGB 83 82 33

HSL 58.8, 0.43%, 0.23%

LAB 33.95, -7.13, 28.39

 

CMYK 0 / 1 / 43 / 71

HEX #4A492A

RGB 74 73 42

HSL 58.13, 0.28%, 0.23%

LAB 30.37, -5.03, 18.7

 

CMYK 0 / 0 / 19 / 75

HEX #404034

RGB 64 64 52

HSL 60, 0.1%, 0.23%

LAB 26.75, -2.48, 7.36

 

CMYK 10 / 10 / 0 / 76

HEX #37373D

RGB 55 55 61

HSL 240, 0.05%, 0.23%

LAB 23.28, 1.44, -3.73

 

CMYK 37 / 35 / 0 / 72

HEX #2D2E47

RGB 45 46 71

HSL 237.69, 0.22%, 0.23%

LAB 19.91, 6.61, -15.71

 

CMYK 0 / 34 / 60 / 67

HEX #533721

RGB 83 55 33

HSL 26.4, 0.43%, 0.23%

LAB 25.81, 9.71, 18.72

 

CMYK 0 / 18 / 60 / 67

HEX #534421

RGB 83 68 33

HSL 42, 0.43%, 0.23%

LAB 29.62, 1.43, 23.36

 

CMYK 0 / 1 / 60 / 67

HEX #535221

RGB 83 82 33

HSL 58.8, 0.43%, 0.23%

LAB 33.95, -7.13, 28.39

 

CMYK 13 / 0 / 60 / 67

HEX #485321

RGB 72 83 33

HSL 73.2, 0.43%, 0.23%

LAB 33.29, -12.95, 27.39

 

CMYK 30 / 0 / 60 / 67

HEX #3A5321

RGB 58 83 33

HSL 90, 0.43%, 0.23%

LAB 32.25, -19.22, 25.9

 

CMYK 0 / 0 / 63 / 91

HEX #181809

RGB 24 24 9

HSL 60, 0.45%, 0.06%

LAB 7.83, -2.93, 7.98

 

CMYK 0 / 2 / 61 / 79

HEX #363515

RGB 54 53 21

HSL 58.18, 0.44%, 0.15%

LAB 21.52, -4.96, 20.08

 

CMYK 0 / 1 / 60 / 67

HEX #535221

RGB 83 82 33

HSL 58.8, 0.43%, 0.23%

LAB 33.95, -7.13, 28.39

 

CMYK 0 / 2 / 60 / 56

HEX #716F2D

RGB 113 111 45

HSL 58.24, 0.43%, 0.31%

LAB 45.73, -8.67, 36.23

 

CMYK 0 / 1 / 61 / 44

HEX #8E8D38

RGB 142 141 56

HSL 59.3, 0.43%, 0.39%

LAB 57.16, -11.19, 44.31

 

CMYK 0 / 1 / 60 / 68

HEX #525121

RGB 82 81 33

HSL 58.78, 0.43%, 0.23%

LAB 33.54, -7.02, 27.9

 

CMYK 60 / 0 / 51 / 67

HEX #215329

RGB 33 83 41

HSL 129.6, 0.43%, 0.23%

LAB 31.04, -27.12, 19.6

 

CMYK 25 / 60 / 0 / 67

HEX #3E2153

RGB 62 33 83

HSL 274.8, 0.43%, 0.23%

LAB 18.96, 24.57, -25.2

 

CMYK 0 / 1 / 60 / 68

HEX #525121

RGB 82 81 33

HSL 58.78, 0.43%, 0.23%

LAB 33.54, -7.02, 27.9

 

CMYK 60 / 0 / 1 / 67

HEX #215352

RGB 33 83 82

HSL 178.8, 0.43%, 0.23%

LAB 32.08, -16.89, -4.49

 

CMYK 1 / 60 / 0 / 67

HEX #522153

RGB 82 33 83

HSL 298.8, 0.43%, 0.23%

LAB 21.97, 30.74, -20.24

 

CMYK 0 / 1 / 60 / 68

HEX #525121

RGB 82 81 33

HSL 58.78, 0.43%, 0.23%

LAB 33.54, -7.02, 27.9

 

CMYK 60 / 0 / 51 / 67

HEX #215329

RGB 33 83 41

HSL 129.6, 0.43%, 0.23%

LAB 31.04, -27.12, 19.6

 

CMYK 60 / 58 / 0 / 67

HEX #212353

RGB 33 35 83

HSL 237.6, 0.43%, 0.23%

LAB 16.26, 15.2, -29.7

 

CMYK 0 / 60 / 10 / 67

HEX #53214B

RGB 83 33 75

HSL 309.6, 0.43%, 0.23%

LAB 21.71, 29.46, -15.25

 

CMYK 0 / 1 / 60 / 68

HEX #525121

RGB 82 81 33

HSL 58.78, 0.43%, 0.23%

LAB 33.54, -7.02, 27.9

 

CMYK 60 / 0 / 33 / 67

HEX #215338

RGB 33 83 56

HSL 147.6, 0.43%, 0.23%

LAB 31.34, -24.04, 10.87

 

CMYK 60 / 58 / 0 / 67

HEX #212353

RGB 33 35 83

HSL 237.6, 0.43%, 0.23%

LAB 16.26, 15.2, -29.7

 

CMYK 0 / 60 / 28 / 67

HEX #53213C

RGB 83 33 60

HSL 327.6, 0.43%, 0.23%

LAB 21.03, 26.82, -6.03

 

Description

Color code: HEX #525121 | qconv.com Color code: HEX #525121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 81 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 81 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 60 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 60% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

99% - JW Kfz-Sachverständi...
Link: http://autoschadenexperte.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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