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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #525E00 it is the complementary color #ADA1FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #525E00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #525E00 shade: #575E00, #68700E, #798221, #8A9434 and #9BA647

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #525E00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #525E00 shade: #525E00, #414C00, #303A00, #1F2800 and #0E1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #525E00 shade: #505B00, #5B4E00, #5B3600, #5B1D00 and #5B0400

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #525E00 shade: #505B00, #375B00, #1E5B00, #055B00 and #005B12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #525E00 shade matches the following richer shades: #505B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #525E00 shade: #505B00, #4A5407, #454C0E, #3F4516 and #393E1D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #525E00 shade: #5B3500, #5B4E00, #515B00, #385B00 and #205B00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #525E00 shade: #080900, #2C3200, #505B00, #748500 and #98AE00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #525E00 shade: #525E00, #005B1D and #41005B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #525E00 shade: #525E00, #00515B and #5B0051

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #525E00 shade: #525E00, #005B1D, #0A005B and #5B003E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #525E00 shade: #525E00, #005B38, #0A005B and #5B0023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 100 / 63

HEX #525E00

RGB 82 94 0

HSL 67.66, 1%, 0.18%

LAB 37.48, -16.22, 44.29

 

Complementary color

CMYK 32 / 37 / 0 / 0

HEX #ADA1FF

RGB 173 161 255

HSL 247.66, 1%, 0.82%

LAB 70.59, 25.02, -45.18

 

CMYK 7 / 0 / 100 / 63

HEX #575E00

RGB 87 94 0

HSL 64.47, 1%, 0.18%

LAB 37.9, -13.81, 44.79

 

CMYK 7 / 0 / 88 / 56

HEX #68700E

RGB 104 112 14

HSL 64.9, 0.78%, 0.25%

LAB 45.03, -15.17, 47.51

 

CMYK 7 / 0 / 75 / 49

HEX #798221

RGB 121 130 33

HSL 65.57, 0.6%, 0.32%

LAB 52, -16.19, 48.21

 

CMYK 7 / 0 / 65 / 42

HEX #8A9434

RGB 138 148 52

HSL 66.25, 0.48%, 0.39%

LAB 58.82, -16.94, 47.8

 

CMYK 7 / 0 / 57 / 35

HEX #9BA647

RGB 155 166 71

HSL 66.95, 0.4%, 0.46%

LAB 65.51, -17.5, 46.92

 

CMYK 13 / 0 / 100 / 63

HEX #525E00

RGB 82 94 0

HSL 67.66, 1%, 0.18%

LAB 37.48, -16.22, 44.29

 

CMYK 14 / 0 / 100 / 70

HEX #414C00

RGB 65 76 0

HSL 68.68, 1%, 0.15%

LAB 30.14, -14.52, 38.18

 

CMYK 17 / 0 / 100 / 77

HEX #303A00

RGB 48 58 0

HSL 70.34, 1%, 0.11%

LAB 22.49, -12.76, 30.75

 

CMYK 23 / 0 / 100 / 84

HEX #1F2800

RGB 31 40 0

HSL 73.5, 1%, 0.08%

LAB 14.45, -10.95, 20.92

 

CMYK 36 / 0 / 100 / 91

HEX #0E1600

RGB 14 22 0

HSL 81.82, 1%, 0.04%

LAB 6.03, -6.81, 8.9

 

CMYK 12 / 0 / 100 / 64

HEX #505B00

RGB 80 91 0

HSL 67.25, 1%, 0.18%

LAB 36.34, -15.54, 43.37

 

CMYK 0 / 14 / 100 / 64

HEX #5B4E00

RGB 91 78 0

HSL 51.43, 1%, 0.18%

LAB 33.29, -2.5, 41.62

 

CMYK 0 / 41 / 100 / 64

HEX #5B3600

RGB 91 54 0

HSL 35.6, 1%, 0.18%

LAB 26.34, 12.45, 36.24

 

CMYK 0 / 68 / 100 / 64

HEX #5B1D00

RGB 91 29 0

HSL 19.12, 1%, 0.18%

LAB 20.45, 27.1, 30.28

 

CMYK 0 / 96 / 100 / 64

HEX #5B0400

RGB 91 4 0

HSL 2.64, 1%, 0.18%

LAB 17.04, 36.54, 26.29

 

CMYK 12 / 0 / 100 / 64

HEX #505B00

RGB 80 91 0

HSL 67.25, 1%, 0.18%

LAB 36.34, -15.54, 43.37

 

CMYK 40 / 0 / 100 / 64

HEX #375B00

RGB 55 91 0

HSL 83.74, 1%, 0.18%

LAB 34.59, -26.83, 41.27

 

CMYK 67 / 0 / 100 / 64

HEX #1E5B00

RGB 30 91 0

HSL 100.22, 1%, 0.18%

LAB 33.47, -35.41, 39.92

 

CMYK 95 / 0 / 100 / 64

HEX #055B00

RGB 5 91 0

HSL 116.7, 1%, 0.18%

LAB 32.95, -39.97, 39.28

 

CMYK 100 / 0 / 80 / 64

HEX #005B12

RGB 0 91 18

HSL 131.87, 1%, 0.18%

LAB 32.98, -39.38, 33.28

 

CMYK 12 / 0 / 100 / 64

HEX #505B00

RGB 80 91 0

HSL 67.25, 1%, 0.18%

LAB 36.34, -15.54, 43.37

 

CMYK 12 / 0 / 100 / 64

HEX #505B00

RGB 80 91 0

HSL 67.25, 1%, 0.18%

LAB 36.34, -15.54, 43.37

 

CMYK 12 / 0 / 92 / 67

HEX #4A5407

RGB 74 84 7

HSL 67.79, 0.85%, 0.18%

LAB 33.59, -14.29, 38.74

 

CMYK 9 / 0 / 82 / 70

HEX #454C0E

RGB 69 76 14

HSL 66.77, 0.69%, 0.18%

LAB 30.56, -11.87, 33.49

 

CMYK 9 / 0 / 68 / 73

HEX #3F4516

RGB 63 69 22

HSL 67.66, 0.52%, 0.18%

LAB 27.77, -10.17, 26.8

 

CMYK 8 / 0 / 53 / 76

HEX #393E1D

RGB 57 62 29

HSL 69.09, 0.36%, 0.18%

LAB 24.96, -8.16, 19.48

 

CMYK 0 / 42 / 100 / 64

HEX #5B3500

RGB 91 53 0

HSL 34.95, 1%, 0.18%

LAB 26.07, 13.08, 35.99

 

CMYK 0 / 14 / 100 / 64

HEX #5B4E00

RGB 91 78 0

HSL 51.43, 1%, 0.18%

LAB 33.29, -2.5, 41.62

 

CMYK 11 / 0 / 100 / 64

HEX #515B00

RGB 81 91 0

HSL 66.59, 1%, 0.18%

LAB 36.43, -15.06, 43.47

 

CMYK 38 / 0 / 100 / 64

HEX #385B00

RGB 56 91 0

HSL 83.08, 1%, 0.18%

LAB 34.65, -26.42, 41.34

 

CMYK 65 / 0 / 100 / 64

HEX #205B00

RGB 32 91 0

HSL 98.9, 1%, 0.18%

LAB 33.54, -34.87, 40

 

CMYK 11 / 0 / 100 / 96

HEX #080900

RGB 8 9 0

HSL 66.67, 1%, 0.02%

LAB 2.23, -1.51, 3.31

 

CMYK 12 / 0 / 100 / 80

HEX #2C3200

RGB 44 50 0

HSL 67.2, 1%, 0.1%

LAB 19.29, -10.08, 27.13

 

CMYK 12 / 0 / 100 / 64

HEX #505B00

RGB 80 91 0

HSL 67.25, 1%, 0.18%

LAB 36.34, -15.54, 43.37

 

CMYK 13 / 0 / 100 / 48

HEX #748500

RGB 116 133 0

HSL 67.67, 1%, 0.26%

LAB 52.38, -21.06, 56.62

 

CMYK 13 / 0 / 100 / 32

HEX #98AE00

RGB 152 174 0

HSL 67.59, 1%, 0.34%

LAB 67.24, -25.75, 68.91

 

CMYK 13 / 0 / 100 / 63

HEX #525E00

RGB 82 94 0

HSL 67.66, 1%, 0.18%

LAB 37.48, -16.22, 44.29

 

CMYK 100 / 0 / 68 / 64

HEX #005B1D

RGB 0 91 29

HSL 139.12, 1%, 0.18%

LAB 33.07, -38.14, 28.42

 

CMYK 29 / 100 / 0 / 64

HEX #41005B

RGB 65 0 91

HSL 282.86, 1%, 0.18%

LAB 14.84, 41.97, -37.2

 

CMYK 13 / 0 / 100 / 63

HEX #525E00

RGB 82 94 0

HSL 67.66, 1%, 0.18%

LAB 37.48, -16.22, 44.29

 

CMYK 100 / 11 / 0 / 64

HEX #00515B

RGB 0 81 91

HSL 186.59, 1%, 0.18%

LAB 30.97, -17.26, -11.95

 

CMYK 0 / 100 / 11 / 64

HEX #5B0051

RGB 91 0 81

HSL 306.59, 1%, 0.18%

LAB 19.3, 44.69, -22.98

 

CMYK 13 / 0 / 100 / 63

HEX #525E00

RGB 82 94 0

HSL 67.66, 1%, 0.18%

LAB 37.48, -16.22, 44.29

 

CMYK 100 / 0 / 68 / 64

HEX #005B1D

RGB 0 91 29

HSL 139.12, 1%, 0.18%

LAB 33.07, -38.14, 28.42

 

CMYK 89 / 100 / 0 / 64

HEX #0A005B

RGB 10 0 91

HSL 246.59, 1%, 0.18%

LAB 7.41, 37.46, -49.73

 

CMYK 0 / 100 / 32 / 64

HEX #5B003E

RGB 91 0 62

HSL 319.12, 1%, 0.18%

LAB 18.24, 42.03, -11.52

 

CMYK 13 / 0 / 100 / 63

HEX #525E00

RGB 82 94 0

HSL 67.66, 1%, 0.18%

LAB 37.48, -16.22, 44.29

 

CMYK 100 / 0 / 38 / 64

HEX #005B38

RGB 0 91 56

HSL 156.92, 1%, 0.18%

LAB 33.49, -33.06, 13.69

 

CMYK 89 / 100 / 0 / 64

HEX #0A005B

RGB 10 0 91

HSL 246.59, 1%, 0.18%

LAB 7.41, 37.46, -49.73

 

CMYK 0 / 100 / 62 / 64

HEX #5B0023

RGB 91 0 35

HSL 336.92, 1%, 0.18%

LAB 17.2, 39.32, 6.31

 

Description

Color code: HEX #525E00 | qconv.com Color code: HEX #525E00 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 94 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 94 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 100 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 100% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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