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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526435 it is the complementary color #AD9BCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526435. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526435 shade: #576430, #687643, #798856, #8A9A69 and #9BAC7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526435. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526435 shade: #526435, #415222, #30400F, #1F2E00 and #0E1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526435 shade: #526434, #5E6434, #645C34, #645034 and #644334

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526435 shade: #526434, #456434, #386434, #34643D and #34644A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526435 shade matches the following richer shades: #526434, #547028, #577C1C, #5A890F and #5D9503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526435 shade: #526434, #4F5741, #4C4B4D, #493F59 and #463266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526435 shade: #645C34, #5F6434, #526434, #466434 and #396434

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526435 shade: #252E18, #3B4926, #526434, #687F43 and #7E9A51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526435 shade: #526435, #34644F and #623464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526435 shade: #526435, #345264 and #643452

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526435 shade: #526435, #34644F, #463464 and #643449

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526435 shade: #526435, #34645D, #463464 and #64343B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 47 / 61

HEX #526435

RGB 82 100 53

HSL 82.98, 0.31%, 0.3%

LAB 39.86, -15.61, 24.37

 

Complementary color

CMYK 14 / 23 / 0 / 21

HEX #AD9BCA

RGB 173 155 202

HSL 262.98, 0.31%, 0.7%

LAB 66.97, 15.86, -21.69

 

CMYK 13 / 0 / 52 / 61

HEX #576430

RGB 87 100 48

HSL 75, 0.35%, 0.29%

LAB 40.17, -14.04, 27.63

 

CMYK 12 / 0 / 43 / 54

HEX #687643

RGB 104 118 67

HSL 76.47, 0.28%, 0.36%

LAB 47.37, -14.22, 26.34

 

CMYK 11 / 0 / 37 / 47

HEX #798856

RGB 121 136 86

HSL 78, 0.23%, 0.44%

LAB 54.39, -14.33, 25.08

 

CMYK 10 / 0 / 32 / 40

HEX #8A9A69

RGB 138 154 105

HSL 79.59, 0.2%, 0.51%

LAB 61.25, -14.39, 23.9

 

CMYK 10 / 0 / 28 / 33

HEX #9BAC7C

RGB 155 172 124

HSL 81.25, 0.22%, 0.58%

LAB 67.97, -14.43, 22.78

 

CMYK 18 / 0 / 47 / 61

HEX #526435

RGB 82 100 53

HSL 82.98, 0.31%, 0.3%

LAB 39.86, -15.61, 24.37

 

CMYK 21 / 0 / 59 / 68

HEX #415222

RGB 65 82 34

HSL 81.25, 0.41%, 0.23%

LAB 32.42, -15.49, 25.69

 

CMYK 25 / 0 / 77 / 75

HEX #30400F

RGB 48 64 15

HSL 79.59, 0.62%, 0.15%

LAB 24.73, -15.16, 26.7

 

CMYK 33 / 0 / 100 / 82

HEX #1F2E00

RGB 31 46 0

HSL 79.57, 1%, 0.09%

LAB 16.73, -14.48, 23.8

 

CMYK 50 / 0 / 100 / 89

HEX #0E1C00

RGB 14 28 0

HSL 90, 1%, 0.05%

LAB 8.34, -11.52, 12.28

 

CMYK 18 / 0 / 48 / 61

HEX #526434

RGB 82 100 52

HSL 82.5, 0.32%, 0.3%

LAB 39.84, -15.74, 24.92

 

CMYK 6 / 0 / 48 / 61

HEX #5E6434

RGB 94 100 52

HSL 67.5, 0.32%, 0.3%

LAB 40.8, -10.44, 26.32

 

CMYK 0 / 8 / 48 / 61

HEX #645C34

RGB 100 92 52

HSL 50, 0.32%, 0.3%

LAB 38.92, -3.04, 24.11

 

CMYK 0 / 20 / 48 / 61

HEX #645034

RGB 100 80 52

HSL 35, 0.32%, 0.3%

LAB 35.39, 4.21, 19.63

 

CMYK 0 / 33 / 48 / 61

HEX #644334

RGB 100 67 52

HSL 18.75, 0.32%, 0.3%

LAB 31.74, 12.26, 14.85

 

CMYK 18 / 0 / 48 / 61

HEX #526434

RGB 82 100 52

HSL 82.5, 0.32%, 0.3%

LAB 39.84, -15.74, 24.92

 

CMYK 31 / 0 / 48 / 61

HEX #456434

RGB 69 100 52

HSL 98.75, 0.32%, 0.3%

LAB 38.95, -21.13, 23.61

 

CMYK 44 / 0 / 48 / 61

HEX #386434

RGB 56 100 52

HSL 115, 0.32%, 0.3%

LAB 38.2, -25.99, 22.51

 

CMYK 48 / 0 / 39 / 61

HEX #34643D

RGB 52 100 61

HSL 131.25, 0.32%, 0.3%

LAB 38.17, -25.75, 17.19

 

CMYK 48 / 0 / 26 / 61

HEX #34644A

RGB 52 100 74

HSL 147.5, 0.32%, 0.3%

LAB 38.44, -23.02, 9.77

 

CMYK 18 / 0 / 48 / 61

HEX #526434

RGB 82 100 52

HSL 82.5, 0.32%, 0.3%

LAB 39.84, -15.74, 24.92

 

CMYK 25 / 0 / 64 / 56

HEX #547028

RGB 84 112 40

HSL 83.33, 0.47%, 0.3%

LAB 43.69, -22.57, 35.78

 

CMYK 30 / 0 / 77 / 51

HEX #577C1C

RGB 87 124 28

HSL 83.13, 0.63%, 0.3%

LAB 47.66, -28.18, 45.03

 

CMYK 34 / 0 / 89 / 46

HEX #5A890F

RGB 90 137 15

HSL 83.11, 0.8%, 0.3%

LAB 51.95, -33.64, 52.77

 

CMYK 38 / 0 / 98 / 42

HEX #5D9503

RGB 93 149 3

HSL 83.01, 0.96%, 0.3%

LAB 55.92, -38.12, 58.18

 

CMYK 18 / 0 / 48 / 61

HEX #526434

RGB 82 100 52

HSL 82.5, 0.32%, 0.3%

LAB 39.84, -15.74, 24.92

 

CMYK 9 / 0 / 25 / 66

HEX #4F5741

RGB 79 87 65

HSL 81.82, 0.14%, 0.3%

LAB 35.71, -7.62, 11.76

 

CMYK 1 / 3 / 0 / 70

HEX #4C4B4D

RGB 76 75 77

HSL 270, 0.01%, 0.3%

LAB 32.04, 0.85, -1.05

 

CMYK 18 / 29 / 0 / 65

HEX #493F59

RGB 73 63 89

HSL 263.08, 0.17%, 0.3%

LAB 28.62, 10.31, -13.94

 

CMYK 31 / 51 / 0 / 60

HEX #463266

RGB 70 50 102

HSL 263.08, 0.34%, 0.3%

LAB 25.39, 21.39, -27.44

 

CMYK 0 / 8 / 48 / 61

HEX #645C34

RGB 100 92 52

HSL 50, 0.32%, 0.3%

LAB 38.92, -3.04, 24.11

 

CMYK 5 / 0 / 48 / 61

HEX #5F6434

RGB 95 100 52

HSL 66.25, 0.32%, 0.3%

LAB 40.89, -9.99, 26.45

 

CMYK 18 / 0 / 48 / 61

HEX #526434

RGB 82 100 52

HSL 82.5, 0.32%, 0.3%

LAB 39.84, -15.74, 24.92

 

CMYK 30 / 0 / 48 / 61

HEX #466434

RGB 70 100 52

HSL 97.5, 0.32%, 0.3%

LAB 39.01, -20.73, 23.7

 

CMYK 43 / 0 / 48 / 61

HEX #396434

RGB 57 100 52

HSL 113.75, 0.32%, 0.3%

LAB 38.26, -25.64, 22.59

 

CMYK 20 / 0 / 48 / 82

HEX #252E18

RGB 37 46 24

HSL 84.55, 0.31%, 0.14%

LAB 17.52, -8.68, 12.93

 

CMYK 19 / 0 / 48 / 71

HEX #3B4926

RGB 59 73 38

HSL 84, 0.32%, 0.22%

LAB 28.99, -12.57, 19.1

 

CMYK 18 / 0 / 48 / 61

HEX #526434

RGB 82 100 52

HSL 82.5, 0.32%, 0.3%

LAB 39.84, -15.74, 24.92

 

CMYK 18 / 0 / 47 / 50

HEX #687F43

RGB 104 127 67

HSL 83, 0.31%, 0.38%

LAB 50.13, -19.04, 29.79

 

CMYK 18 / 0 / 47 / 40

HEX #7E9A51

RGB 126 154 81

HSL 83.01, 0.31%, 0.46%

LAB 60.02, -22.32, 34.97

 

CMYK 18 / 0 / 47 / 61

HEX #526435

RGB 82 100 53

HSL 82.98, 0.31%, 0.3%

LAB 39.86, -15.61, 24.37

 

CMYK 48 / 0 / 21 / 61

HEX #34644F

RGB 52 100 79

HSL 153.75, 0.32%, 0.3%

LAB 38.57, -21.85, 6.9

 

CMYK 2 / 48 / 0 / 61

HEX #623464

RGB 98 52 100

HSL 297.5, 0.32%, 0.3%

LAB 29.34, 28.72, -19.69

 

CMYK 18 / 0 / 47 / 61

HEX #526435

RGB 82 100 53

HSL 82.98, 0.31%, 0.3%

LAB 39.86, -15.61, 24.37

 

CMYK 48 / 18 / 0 / 61

HEX #345264

RGB 52 82 100

HSL 202.5, 0.32%, 0.3%

LAB 33.32, -5.68, -13.92

 

CMYK 0 / 48 / 18 / 61

HEX #643452

RGB 100 52 82

HSL 322.5, 0.32%, 0.3%

LAB 28.84, 25.92, -8.76

 

CMYK 18 / 0 / 47 / 61

HEX #526435

RGB 82 100 53

HSL 82.98, 0.31%, 0.3%

LAB 39.86, -15.61, 24.37

 

CMYK 48 / 0 / 21 / 61

HEX #34644F

RGB 52 100 79

HSL 153.75, 0.32%, 0.3%

LAB 38.57, -21.85, 6.9

 

CMYK 30 / 48 / 0 / 61

HEX #463464

RGB 70 52 100

HSL 262.5, 0.32%, 0.3%

LAB 25.8, 19.52, -25.5

 

CMYK 0 / 48 / 27 / 61

HEX #643449

RGB 100 52 73

HSL 333.75, 0.32%, 0.3%

LAB 28.5, 24.4, -3.35

 

CMYK 18 / 0 / 47 / 61

HEX #526435

RGB 82 100 53

HSL 82.98, 0.31%, 0.3%

LAB 39.86, -15.61, 24.37

 

CMYK 48 / 0 / 7 / 61

HEX #34645D

RGB 52 100 93

HSL 171.25, 0.32%, 0.3%

LAB 38.96, -18.23, -1.11

 

CMYK 30 / 48 / 0 / 61

HEX #463464

RGB 70 52 100

HSL 262.5, 0.32%, 0.3%

LAB 25.8, 19.52, -25.5

 

CMYK 0 / 48 / 41 / 61

HEX #64343B

RGB 100 52 59

HSL 351.25, 0.32%, 0.3%

LAB 28.06, 22.34, 5.26

 

Description

Color code: HEX #526435 | qconv.com Color code: HEX #526435 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 100 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 100 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 47 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 47% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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