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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526796 it is the complementary color #AD9869. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526796. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526796 shade: #576791, #6879A4, #798BB7, #8A9DCA and #9BAFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526796. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526796 shade: #526796, #415583, #304370, #1F315D and #0E1F4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526796 shade: #516694, #515494, #605194, #725194 and #845194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526796 shade: #516694, #515494 and #515194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526796 shade matches the following richer shades: #516694, #3E5EA6, #2C57B9, #1950CB and #0749DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526796 shade: #516694, #646D81, #76746E, #897B5C and #9B8249

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526796 shade: #518A94, #517894, #516694, #515494 and #5F5194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526796 shade: #34415E, #425379, #516694, #647AAA and #7F91B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526796 shade: #526796, #8C5194 and #819451

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526796 shade: #526796, #945166 and #669451

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526796 shade: #526796, #8C5194, #947E51 and #599451

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526796 shade: #526796, #945187, #947E51 and #51945D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 31 / 0 / 41

HEX #526796

RGB 82 103 150

HSL 221.47, 0.29%, 0.45%

LAB 43.79, 5.28, -28.15

 

Complementary color

CMYK 0 / 12 / 39 / 32

HEX #AD9869

RGB 173 152 105

HSL 41.47, 0.29%, 0.55%

LAB 63.64, 0.94, 27.59

 

CMYK 40 / 29 / 0 / 43

HEX #576791

RGB 87 103 145

HSL 223.45, 0.25%, 0.45%

LAB 43.9, 5.17, -24.97

 

CMYK 37 / 26 / 0 / 36

HEX #6879A4

RGB 104 121 164

HSL 223, 0.25%, 0.53%

LAB 51.03, 4.68, -25.03

 

CMYK 34 / 24 / 0 / 28

HEX #798BB7

RGB 121 139 183

HSL 222.58, 0.3%, 0.6%

LAB 57.99, 4.26, -25.13

 

CMYK 32 / 22 / 0 / 21

HEX #8A9DCA

RGB 138 157 202

HSL 222.19, 0.38%, 0.67%

LAB 64.79, 3.9, -25.27

 

CMYK 30 / 21 / 0 / 13

HEX #9BAFDD

RGB 155 175 221

HSL 221.82, 0.49%, 0.74%

LAB 71.45, 3.58, -25.43

 

CMYK 45 / 31 / 0 / 41

HEX #526796

RGB 82 103 150

HSL 221.47, 0.29%, 0.45%

LAB 43.79, 5.28, -28.15

 

CMYK 50 / 35 / 0 / 49

HEX #415583

RGB 65 85 131

HSL 221.82, 0.34%, 0.38%

LAB 36.48, 6.04, -28.21

 

CMYK 57 / 40 / 0 / 56

HEX #304370

RGB 48 67 112

HSL 222.19, 0.4%, 0.31%

LAB 28.93, 7.06, -28.35

 

CMYK 67 / 47 / 0 / 64

HEX #1F315D

RGB 31 49 93

HSL 222.58, 0.5%, 0.24%

LAB 21.13, 8.5, -28.56

 

CMYK 81 / 58 / 0 / 71

HEX #0E1F4A

RGB 14 31 74

HSL 223, 0.68%, 0.17%

LAB 13.03, 10.73, -28.83

 

CMYK 45 / 31 / 0 / 42

HEX #516694

RGB 81 102 148

HSL 221.19, 0.29%, 0.45%

LAB 43.35, 5.01, -27.66

 

CMYK 45 / 43 / 0 / 42

HEX #515494

RGB 81 84 148

HSL 237.31, 0.29%, 0.45%

LAB 38.25, 16.37, -35.68

 

CMYK 35 / 45 / 0 / 42

HEX #605194

RGB 96 81 148

HSL 253.43, 0.29%, 0.45%

LAB 38.74, 22.39, -34.82

 

CMYK 23 / 45 / 0 / 42

HEX #725194

RGB 114 81 148

HSL 269.55, 0.29%, 0.45%

LAB 40.57, 27.71, -31.81

 

CMYK 11 / 45 / 0 / 42

HEX #845194

RGB 132 81 148

HSL 285.67, 0.29%, 0.45%

LAB 42.66, 33.26, -28.39

 

CMYK 45 / 31 / 0 / 42

HEX #516694

RGB 81 102 148

HSL 221.19, 0.29%, 0.45%

LAB 43.35, 5.01, -27.66

 

CMYK 45 / 43 / 0 / 42

HEX #515494

RGB 81 84 148

HSL 237.31, 0.29%, 0.45%

LAB 38.25, 16.37, -35.68

 

CMYK 45 / 45 / 0 / 42

HEX #515194

RGB 81 81 148

HSL 240, 0.29%, 0.45%

LAB 37.43, 18.29, -36.98

 

CMYK 45 / 31 / 0 / 42

HEX #516694

RGB 81 102 148

HSL 221.19, 0.29%, 0.45%

LAB 43.35, 5.01, -27.66

 

CMYK 63 / 43 / 0 / 35

HEX #3E5EA6

RGB 62 94 166

HSL 221.54, 0.46%, 0.45%

LAB 40.87, 11.65, -42.36

 

CMYK 76 / 53 / 0 / 27

HEX #2C57B9

RGB 44 87 185

HSL 221.7, 0.62%, 0.45%

LAB 39.33, 20.44, -56.06

 

CMYK 88 / 61 / 0 / 20

HEX #1950CB

RGB 25 80 203

HSL 221.46, 0.78%, 0.45%

LAB 38.3, 30.32, -68.27

 

CMYK 97 / 67 / 0 / 13

HEX #0749DE

RGB 7 73 222

HSL 221.58, 0.94%, 0.45%

LAB 37.99, 41.35, -79.71

 

CMYK 45 / 31 / 0 / 42

HEX #516694

RGB 81 102 148

HSL 221.19, 0.29%, 0.45%

LAB 43.35, 5.01, -27.66

 

CMYK 22 / 16 / 0 / 49

HEX #646D81

RGB 100 109 129

HSL 221.38, 0.13%, 0.45%

LAB 45.95, 1.28, -12.19

 

CMYK 0 / 2 / 7 / 54

HEX #76746E

RGB 118 116 110

HSL 45, 0.04%, 0.45%

LAB 48.84, -0.4, 3.58

 

CMYK 0 / 10 / 33 / 46

HEX #897B5C

RGB 137 123 92

HSL 41.33, 0.2%, 0.45%

LAB 52.13, 0.39, 18.94

 

CMYK 0 / 16 / 53 / 39

HEX #9B8249

RGB 155 130 73

HSL 41.71, 0.36%, 0.45%

LAB 55.5, 2.05, 34.17

 

CMYK 45 / 7 / 0 / 42

HEX #518A94

RGB 81 138 148

HSL 188.96, 0.29%, 0.45%

LAB 54.1, -15.93, -11.19

 

CMYK 45 / 19 / 0 / 42

HEX #517894

RGB 81 120 148

HSL 205.07, 0.29%, 0.45%

LAB 48.66, -5.81, -19.44

 

CMYK 45 / 31 / 0 / 42

HEX #516694

RGB 81 102 148

HSL 221.19, 0.29%, 0.45%

LAB 43.35, 5.01, -27.66

 

CMYK 45 / 43 / 0 / 42

HEX #515494

RGB 81 84 148

HSL 237.31, 0.29%, 0.45%

LAB 38.25, 16.37, -35.68

 

CMYK 36 / 45 / 0 / 42

HEX #5F5194

RGB 95 81 148

HSL 252.54, 0.29%, 0.45%

LAB 38.65, 22.11, -34.97

 

CMYK 45 / 31 / 0 / 63

HEX #34415E

RGB 52 65 94

HSL 221.43, 0.29%, 0.29%

LAB 27.62, 3.31, -18.87

 

CMYK 45 / 31 / 0 / 53

HEX #425379

RGB 66 83 121

HSL 221.45, 0.29%, 0.37%

LAB 35.45, 4.35, -23.66

 

CMYK 45 / 31 / 0 / 42

HEX #516694

RGB 81 102 148

HSL 221.19, 0.29%, 0.45%

LAB 43.35, 5.01, -27.66

 

CMYK 41 / 28 / 0 / 33

HEX #647AAA

RGB 100 122 170

HSL 221.14, 0.29%, 0.53%

LAB 51.3, 4.65, -28.12

 

CMYK 31 / 21 / 0 / 28

HEX #7F91B8

RGB 127 145 184

HSL 221.05, 0.29%, 0.61%

LAB 60.09, 2.84, -22.43

 

CMYK 45 / 31 / 0 / 41

HEX #526796

RGB 82 103 150

HSL 221.47, 0.29%, 0.45%

LAB 43.79, 5.28, -28.15

 

CMYK 5 / 45 / 0 / 42

HEX #8C5194

RGB 140 81 148

HSL 292.84, 0.29%, 0.45%

LAB 43.65, 35.76, -26.76

 

CMYK 13 / 0 / 45 / 42

HEX #819451

RGB 129 148 81

HSL 77.01, 0.29%, 0.45%

LAB 58.45, -18.03, 33.08

 

CMYK 45 / 31 / 0 / 41

HEX #526796

RGB 82 103 150

HSL 221.47, 0.29%, 0.45%

LAB 43.79, 5.28, -28.15

 

CMYK 0 / 45 / 31 / 42

HEX #945166

RGB 148 81 102

HSL 341.19, 0.29%, 0.45%

LAB 42.97, 30.54, 0.3

 

CMYK 31 / 0 / 45 / 42

HEX #669451

RGB 102 148 81

HSL 101.19, 0.29%, 0.45%

LAB 56.68, -28.54, 30.48

 

CMYK 45 / 31 / 0 / 41

HEX #526796

RGB 82 103 150

HSL 221.47, 0.29%, 0.45%

LAB 43.79, 5.28, -28.15

 

CMYK 5 / 45 / 0 / 42

HEX #8C5194

RGB 140 81 148

HSL 292.84, 0.29%, 0.45%

LAB 43.65, 35.76, -26.76

 

CMYK 0 / 15 / 45 / 42

HEX #947E51

RGB 148 126 81

HSL 40.3, 0.29%, 0.45%

LAB 53.83, 2.05, 27.58

 

CMYK 40 / 0 / 45 / 42

HEX #599451

RGB 89 148 81

HSL 112.84, 0.29%, 0.45%

LAB 55.99, -33.09, 29.45

 

CMYK 45 / 31 / 0 / 41

HEX #526796

RGB 82 103 150

HSL 221.47, 0.29%, 0.45%

LAB 43.79, 5.28, -28.15

 

CMYK 0 / 45 / 9 / 42

HEX #945187

RGB 148 81 135

HSL 311.64, 0.29%, 0.45%

LAB 44.13, 35.85, -18.1

 

CMYK 0 / 15 / 45 / 42

HEX #947E51

RGB 148 126 81

HSL 40.3, 0.29%, 0.45%

LAB 53.83, 2.05, 27.58

 

CMYK 45 / 0 / 37 / 42

HEX #51945D

RGB 81 148 93

HSL 130.75, 0.29%, 0.45%

LAB 55.81, -33.67, 22.63

 

Description

Color code: HEX #526796 | qconv.com Color code: HEX #526796 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 103 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 103 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 31 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 31% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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