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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526879 it is the complementary color #AD9786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526879 shade: #576874, #687A87, #798C9A, #8A9EAD and #9BB0C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526879 shade: #526879, #415666, #304453, #1F3240 and #0E202D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526879 shade: #526879, #525E79, #525379, #5C5279 and #665279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526879 shade: #526879, #525E79, #525379 and #525279

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526879 shade matches the following richer shades: #526879, #426A89, #316C9A, #216EAA and #1070BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526879 shade: #526879, #636668, #736458, #846247 and #946037

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526879 shade: #527975, #527279, #526879, #525E79 and #525379

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526879 shade: #313E48, #415360, #526879, #637D91 and #7A91A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526879 shade: #526879, #6B5279 and #787952

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526879 shade: #526879, #795268 and #687952

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526879 shade: #526879, #6B5279, #796352 and #607952

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526879 shade: #526879, #765279, #796352 and #557952

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

Complementary color

CMYK 0 / 13 / 23 / 32

HEX #AD9786

RGB 173 151 134

HSL 26.15, 0.19%, 0.6%

LAB 63.95, 5.4, 11.95

 

CMYK 25 / 10 / 0 / 55

HEX #576874

RGB 87 104 116

HSL 204.83, 0.14%, 0.4%

LAB 43.04, -3.44, -8.84

 

CMYK 23 / 10 / 0 / 47

HEX #687A87

RGB 104 122 135

HSL 205.16, 0.13%, 0.47%

LAB 50.23, -3.53, -9.28

 

CMYK 21 / 9 / 0 / 40

HEX #798C9A

RGB 121 140 154

HSL 205.45, 0.14%, 0.54%

LAB 57.23, -3.62, -9.71

 

CMYK 20 / 9 / 0 / 32

HEX #8A9EAD

RGB 138 158 173

HSL 205.71, 0.18%, 0.61%

LAB 64.06, -3.7, -10.15

 

CMYK 19 / 8 / 0 / 25

HEX #9BB0C0

RGB 155 176 192

HSL 205.95, 0.23%, 0.68%

LAB 70.75, -3.79, -10.59

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 36 / 16 / 0 / 60

HEX #415666

RGB 65 86 102

HSL 205.95, 0.22%, 0.33%

LAB 35.48, -3.62, -11.81

 

CMYK 42 / 18 / 0 / 67

HEX #304453

RGB 48 68 83

HSL 205.71, 0.27%, 0.26%

LAB 27.81, -3.42, -11.48

 

CMYK 52 / 22 / 0 / 75

HEX #1F3240

RGB 31 50 64

HSL 205.45, 0.35%, 0.19%

LAB 19.81, -3.11, -11.19

 

CMYK 69 / 29 / 0 / 82

HEX #0E202D

RGB 14 32 45

HSL 205.16, 0.53%, 0.12%

LAB 11.39, -2.55, -10.92

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 32 / 22 / 0 / 53

HEX #525E79

RGB 82 94 121

HSL 221.54, 0.19%, 0.4%

LAB 39.88, 2.3, -16.71

 

CMYK 32 / 31 / 0 / 53

HEX #525379

RGB 82 83 121

HSL 238.46, 0.19%, 0.4%

LAB 36.67, 9.21, -21.67

 

CMYK 24 / 32 / 0 / 53

HEX #5C5279

RGB 92 82 121

HSL 255.38, 0.19%, 0.4%

LAB 37.28, 13.13, -20.65

 

CMYK 16 / 32 / 0 / 53

HEX #665279

RGB 102 82 121

HSL 270.77, 0.19%, 0.4%

LAB 38.27, 16.55, -19.04

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 32 / 22 / 0 / 53

HEX #525E79

RGB 82 94 121

HSL 221.54, 0.19%, 0.4%

LAB 39.88, 2.3, -16.71

 

CMYK 32 / 31 / 0 / 53

HEX #525379

RGB 82 83 121

HSL 238.46, 0.19%, 0.4%

LAB 36.67, 9.21, -21.67

 

CMYK 32 / 32 / 0 / 53

HEX #525279

RGB 82 82 121

HSL 240, 0.19%, 0.4%

LAB 36.38, 9.84, -22.11

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 52 / 23 / 0 / 46

HEX #426A89

RGB 66 106 137

HSL 206.2, 0.35%, 0.4%

LAB 43.17, -4.8, -21.42

 

CMYK 68 / 30 / 0 / 40

HEX #316C9A

RGB 49 108 154

HSL 206.29, 0.52%, 0.4%

LAB 43.82, -3.82, -30.61

 

CMYK 81 / 35 / 0 / 33

HEX #216EAA

RGB 33 110 170

HSL 206.28, 0.67%, 0.4%

LAB 44.77, -1.33, -38.58

 

CMYK 91 / 40 / 0 / 27

HEX #1070BB

RGB 16 112 187

HSL 206.32, 0.84%, 0.4%

LAB 46.02, 2.72, -46.51

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 5 / 2 / 0 / 59

HEX #636668

RGB 99 102 104

HSL 204, 0.02%, 0.4%

LAB 43, -0.73, -1.54

 

CMYK 0 / 13 / 23 / 55

HEX #736458

RGB 115 100 88

HSL 26.67, 0.13%, 0.4%

LAB 43.45, 3.89, 9.01

 

CMYK 0 / 26 / 46 / 48

HEX #846247

RGB 132 98 71

HSL 26.56, 0.3%, 0.4%

LAB 44.37, 10.11, 20.7

 

CMYK 0 / 35 / 63 / 42

HEX #946037

RGB 148 96 55

HSL 26.45, 0.46%, 0.4%

LAB 45.55, 16.89, 31.75

HEX #946037

CMYK 32 / 0 / 3 / 53

HEX #527975

RGB 82 121 117

HSL 173.85, 0.19%, 0.4%

LAB 47.95, -14.58, -2.19

 

CMYK 32 / 6 / 0 / 53

HEX #527279

RGB 82 114 121

HSL 190.77, 0.19%, 0.4%

LAB 45.92, -9.62, -7.58

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 32 / 22 / 0 / 53

HEX #525E79

RGB 82 94 121

HSL 221.54, 0.19%, 0.4%

LAB 39.88, 2.3, -16.71

 

CMYK 32 / 31 / 0 / 53

HEX #525379

RGB 82 83 121

HSL 238.46, 0.19%, 0.4%

LAB 36.67, 9.21, -21.67

 

CMYK 32 / 14 / 0 / 72

HEX #313E48

RGB 49 62 72

HSL 206.09, 0.19%, 0.24%

LAB 25.46, -2.52, -7.84

 

CMYK 32 / 14 / 0 / 62

HEX #415360

RGB 65 83 96

HSL 205.16, 0.19%, 0.32%

LAB 34.3, -3.47, -9.82

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 32 / 14 / 0 / 43

HEX #637D91

RGB 99 125 145

HSL 206.09, 0.19%, 0.48%

LAB 51.11, -4.33, -13.85

 

CMYK 26 / 12 / 0 / 36

HEX #7A91A4

RGB 122 145 164

HSL 207.14, 0.19%, 0.56%

LAB 59.04, -3.71, -12.71

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 12 / 32 / 0 / 53

HEX #6B5279

RGB 107 82 121

HSL 278.46, 0.19%, 0.4%

LAB 38.8, 18.3, -18.19

 

CMYK 1 / 0 / 32 / 53

HEX #787952

RGB 120 121 82

HSL 61.54, 0.19%, 0.4%

LAB 49.83, -7.07, 21.32

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 0 / 32 / 14 / 53

HEX #795268

RGB 121 82 104

HSL 326.15, 0.19%, 0.4%

LAB 39.75, 19.95, -6.09

 

CMYK 14 / 0 / 32 / 53

HEX #687952

RGB 104 121 82

HSL 86.15, 0.19%, 0.4%

LAB 48.54, -13.72, 19.38

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 12 / 32 / 0 / 53

HEX #6B5279

RGB 107 82 121

HSL 278.46, 0.19%, 0.4%

LAB 38.8, 18.3, -18.19

 

CMYK 0 / 18 / 32 / 53

HEX #796352

RGB 121 99 82

HSL 26.15, 0.19%, 0.4%

LAB 43.65, 6.12, 12.98

 

CMYK 21 / 0 / 32 / 53

HEX #607952

RGB 96 121 82

HSL 98.46, 0.19%, 0.4%

LAB 47.97, -16.91, 18.51

 

CMYK 32 / 14 / 0 / 53

HEX #526879

RGB 82 104 121

HSL 206.15, 0.19%, 0.4%

LAB 42.88, -3.77, -12.15

 

CMYK 2 / 32 / 0 / 53

HEX #765279

RGB 118 82 121

HSL 295.38, 0.19%, 0.4%

LAB 40.03, 22.19, -16.19

 

CMYK 0 / 18 / 32 / 53

HEX #796352

RGB 121 99 82

HSL 26.15, 0.19%, 0.4%

LAB 43.65, 6.12, 12.98

 

CMYK 30 / 0 / 32 / 53

HEX #557952

RGB 85 121 82

HSL 115.38, 0.19%, 0.4%

LAB 47.26, -21.08, 17.42

 

Description

Color code: HEX #526879 | qconv.com Color code: HEX #526879 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 104 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 104 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 14 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 14% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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