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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526230 it is the complementary color #AD9DCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526230 shade: #57622B, #68743E, #798651, #8A9864 and #9BAA77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526230 shade: #526230, #41501D, #303E0A, #1F2C00 and #0E1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526230 shade: #536330, #606330, #635830, #634A30 and #633C30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526230 shade: #536330, #456330, #376330, #306337 and #306344

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526230 shade matches the following richer shades: #536330, #576F24, #5B7B18, #5F860C and #649200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526230 shade: #536330, #4E573C, #4A4B48, #463F54 and #413360

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526230 shade: #635830, #606330, #536330, #456330 and #386330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526230 shade: #242B15, #3B4723, #536330, #6A7E3E and #819A4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526230 shade: #526230, #30634A and #5E3063

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526230 shade: #526230, #305363 and #633053

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526230 shade: #526230, #30634A, #403063 and #633049

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526230 shade: #526230, #306359, #403063 and #63303A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 51 / 62

HEX #526230

RGB 82 98 48

HSL 79.2, 0.34%, 0.29%

LAB 39.14, -15.14, 26.3

 

Complementary color

CMYK 16 / 24 / 0 / 19

HEX #AD9DCF

RGB 173 157 207

HSL 259.2, 0.34%, 0.71%

LAB 67.65, 15.84, -23.42

 

CMYK 11 / 0 / 56 / 62

HEX #57622B

RGB 87 98 43

HSL 72, 0.39%, 0.28%

LAB 39.47, -13.47, 29.51

 

CMYK 10 / 0 / 47 / 55

HEX #68743E

RGB 104 116 62

HSL 73.33, 0.3%, 0.35%

LAB 46.69, -13.76, 28.24

 

CMYK 10 / 0 / 40 / 47

HEX #798651

RGB 121 134 81

HSL 74.72, 0.25%, 0.42%

LAB 53.72, -13.93, 26.96

 

CMYK 9 / 0 / 34 / 40

HEX #8A9864

RGB 138 152 100

HSL 76.15, 0.21%, 0.49%

LAB 60.59, -14.04, 25.75

 

CMYK 9 / 0 / 30 / 33

HEX #9BAA77

RGB 155 170 119

HSL 77.65, 0.23%, 0.57%

LAB 67.31, -14.12, 24.61

 

CMYK 16 / 0 / 51 / 62

HEX #526230

RGB 82 98 48

HSL 79.2, 0.34%, 0.29%

LAB 39.14, -15.14, 26.3

 

CMYK 19 / 0 / 64 / 69

HEX #41501D

RGB 65 80 29

HSL 77.65, 0.47%, 0.21%

LAB 31.69, -14.91, 27.54

 

CMYK 23 / 0 / 84 / 76

HEX #303E0A

RGB 48 62 10

HSL 76.15, 0.72%, 0.14%

LAB 23.98, -14.4, 28.2

 

CMYK 30 / 0 / 100 / 83

HEX #1F2C00

RGB 31 44 0

HSL 77.73, 1%, 0.09%

LAB 15.97, -13.33, 22.86

 

CMYK 46 / 0 / 100 / 90

HEX #0E1A00

RGB 14 26 0

HSL 87.69, 1%, 0.05%

LAB 7.52, -9.85, 11.08

 

CMYK 16 / 0 / 52 / 61

HEX #536330

RGB 83 99 48

HSL 78.82, 0.35%, 0.29%

LAB 39.54, -15.25, 26.8

 

CMYK 3 / 0 / 52 / 61

HEX #606330

RGB 96 99 48

HSL 63.53, 0.35%, 0.29%

LAB 40.61, -9.41, 28.34

 

CMYK 0 / 11 / 52 / 61

HEX #635830

RGB 99 88 48

HSL 47.06, 0.35%, 0.29%

LAB 37.56, -1.57, 24.7

 

CMYK 0 / 25 / 52 / 61

HEX #634A30

RGB 99 74 48

HSL 30.59, 0.35%, 0.29%

LAB 33.49, 6.98, 19.58

 

CMYK 0 / 39 / 52 / 61

HEX #633C30

RGB 99 60 48

HSL 14.12, 0.35%, 0.29%

LAB 29.66, 15.69, 14.6

 

CMYK 16 / 0 / 52 / 61

HEX #536330

RGB 83 99 48

HSL 78.82, 0.35%, 0.29%

LAB 39.54, -15.25, 26.8

 

CMYK 30 / 0 / 52 / 61

HEX #456330

RGB 69 99 48

HSL 95.29, 0.35%, 0.29%

LAB 38.55, -21.17, 25.37

 

CMYK 44 / 0 / 52 / 61

HEX #376330

RGB 55 99 48

HSL 111.76, 0.35%, 0.29%

LAB 37.75, -26.48, 24.2

 

CMYK 52 / 0 / 44 / 61

HEX #306337

RGB 48 99 55

HSL 128.24, 0.35%, 0.29%

LAB 37.53, -27.64, 19.85

 

CMYK 52 / 0 / 31 / 61

HEX #306344

RGB 48 99 68

HSL 143.53, 0.35%, 0.29%

LAB 37.79, -25.05, 12.47

 

CMYK 16 / 0 / 52 / 61

HEX #536330

RGB 83 99 48

HSL 78.82, 0.35%, 0.29%

LAB 39.54, -15.25, 26.8

 

CMYK 22 / 0 / 68 / 56

HEX #576F24

RGB 87 111 36

HSL 79.2, 0.51%, 0.29%

LAB 43.54, -21.12, 37.55

 

CMYK 26 / 0 / 80 / 52

HEX #5B7B18

RGB 91 123 24

HSL 79.39, 0.67%, 0.29%

LAB 47.57, -26.25, 46.43

 

CMYK 29 / 0 / 91 / 47

HEX #5F860C

RGB 95 134 12

HSL 79.18, 0.84%, 0.29%

LAB 51.28, -30.34, 52.94

 

CMYK 32 / 0 / 100 / 43

HEX #649200

RGB 100 146 0

HSL 78.9, 1%, 0.29%

LAB 55.35, -34.15, 58.39

 

CMYK 16 / 0 / 52 / 61

HEX #536330

RGB 83 99 48

HSL 78.82, 0.35%, 0.29%

LAB 39.54, -15.25, 26.8

 

CMYK 10 / 0 / 31 / 66

HEX #4E573C

RGB 78 87 60

HSL 80, 0.18%, 0.29%

LAB 35.52, -8.91, 14.55

 

CMYK 1 / 0 / 4 / 71

HEX #4A4B48

RGB 74 75 72

HSL 80, 0.02%, 0.29%

LAB 31.71, -1.06, 1.64

 

CMYK 17 / 25 / 0 / 67

HEX #463F54

RGB 70 63 84

HSL 260, 0.14%, 0.29%

LAB 28.11, 7.9, -11.52

 

CMYK 32 / 47 / 0 / 62

HEX #413360

RGB 65 51 96

HSL 258.67, 0.31%, 0.29%

LAB 24.75, 17.45, -24.59

 

CMYK 0 / 11 / 52 / 61

HEX #635830

RGB 99 88 48

HSL 47.06, 0.35%, 0.29%

LAB 37.56, -1.57, 24.7

 

CMYK 3 / 0 / 52 / 61

HEX #606330

RGB 96 99 48

HSL 63.53, 0.35%, 0.29%

LAB 40.61, -9.41, 28.34

 

CMYK 16 / 0 / 52 / 61

HEX #536330

RGB 83 99 48

HSL 78.82, 0.35%, 0.29%

LAB 39.54, -15.25, 26.8

 

CMYK 30 / 0 / 52 / 61

HEX #456330

RGB 69 99 48

HSL 95.29, 0.35%, 0.29%

LAB 38.55, -21.17, 25.37

 

CMYK 43 / 0 / 52 / 61

HEX #386330

RGB 56 99 48

HSL 110.59, 0.35%, 0.29%

LAB 37.8, -26.12, 24.27

 

CMYK 16 / 0 / 51 / 83

HEX #242B15

RGB 36 43 21

HSL 79.09, 0.34%, 0.13%

LAB 16.29, -7.74, 13.31

 

CMYK 17 / 0 / 51 / 72

HEX #3B4723

RGB 59 71 35

HSL 80, 0.34%, 0.21%

LAB 28.27, -11.82, 19.99

 

CMYK 16 / 0 / 52 / 61

HEX #536330

RGB 83 99 48

HSL 78.82, 0.35%, 0.29%

LAB 39.54, -15.25, 26.8

 

CMYK 16 / 0 / 51 / 51

HEX #6A7E3E

RGB 106 126 62

HSL 78.75, 0.34%, 0.37%

LAB 49.9, -18.27, 32.21

 

CMYK 16 / 0 / 51 / 40

HEX #819A4C

RGB 129 154 76

HSL 79.23, 0.34%, 0.45%

LAB 60.16, -21.68, 37.75

 

CMYK 16 / 0 / 51 / 62

HEX #526230

RGB 82 98 48

HSL 79.2, 0.34%, 0.29%

LAB 39.14, -15.14, 26.3

 

CMYK 52 / 0 / 25 / 61

HEX #30634A

RGB 48 99 74

HSL 150.59, 0.35%, 0.29%

LAB 37.93, -23.69, 9.02

 

CMYK 5 / 52 / 0 / 61

HEX #5E3063

RGB 94 48 99

HSL 294.12, 0.35%, 0.29%

LAB 27.83, 29.51, -21.45

 

CMYK 16 / 0 / 51 / 62

HEX #526230

RGB 82 98 48

HSL 79.2, 0.34%, 0.29%

LAB 39.14, -15.14, 26.3

 

CMYK 52 / 16 / 0 / 61

HEX #305363

RGB 48 83 99

HSL 198.82, 0.35%, 0.29%

LAB 33.38, -7.72, -13.21

 

CMYK 0 / 52 / 16 / 61

HEX #633053

RGB 99 48 83

HSL 318.82, 0.35%, 0.29%

LAB 27.82, 28.06, -10.97

 

CMYK 16 / 0 / 51 / 62

HEX #526230

RGB 82 98 48

HSL 79.2, 0.34%, 0.29%

LAB 39.14, -15.14, 26.3

 

CMYK 52 / 0 / 25 / 61

HEX #30634A

RGB 48 99 74

HSL 150.59, 0.35%, 0.29%

LAB 37.93, -23.69, 9.02

 

CMYK 35 / 52 / 0 / 61

HEX #403063

RGB 64 48 99

HSL 258.82, 0.35%, 0.29%

LAB 24.01, 20.02, -27.72

 

CMYK 0 / 52 / 26 / 61

HEX #633049

RGB 99 48 73

HSL 330.59, 0.35%, 0.29%

LAB 27.43, 26.36, -4.96

 

CMYK 16 / 0 / 51 / 62

HEX #526230

RGB 82 98 48

HSL 79.2, 0.34%, 0.29%

LAB 39.14, -15.14, 26.3

 

CMYK 52 / 0 / 10 / 61

HEX #306359

RGB 48 99 89

HSL 168.24, 0.35%, 0.29%

LAB 38.33, -19.87, 0.41

 

CMYK 35 / 52 / 0 / 61

HEX #403063

RGB 64 48 99

HSL 258.82, 0.35%, 0.29%

LAB 24.01, 20.02, -27.72

 

CMYK 0 / 52 / 41 / 61

HEX #63303A

RGB 99 48 58

HSL 348.24, 0.35%, 0.29%

LAB 26.94, 24.16, 4.3

 

Description

Color code: HEX #526230 | qconv.com Color code: HEX #526230 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 98 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 98 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 51 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 51% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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