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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526274 it is the complementary color #AD9D8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526274. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526274 shade: #57626F, #687482, #798695, #8A98A8 and #9BAABB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526274. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526274 shade: #526274, #415061, #303E4E, #1F2C3B and #0E1A28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526274 shade: #526274, #525974, #545274, #5D5274 and #675274

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526274 shade: #526274, #525974 and #525274

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526274 shade matches the following richer shades: #526274, #426184, #326094, #225FA4 and #125EB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526274 shade: #526274, #626364, #726454, #826544 and #926633

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526274 shade: #527473, #526B74, #526274, #525974 and #545274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526274 shade: #303944, #414E5C, #526274, #63768C and #798BA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526274 shade: #526274, #6A5274 and #707452

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526274 shade: #526274, #745262 and #627452

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526274 shade: #526274, #6A5274, #746452 and #5C7452

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526274 shade: #526274, #745273, #746452 and #527453

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

Complementary color

CMYK 0 / 9 / 20 / 32

HEX #AD9D8B

RGB 173 157 139

HSL 31.76, 0.17%, 0.61%

LAB 65.64, 2.86, 11.54

 

CMYK 22 / 12 / 0 / 56

HEX #57626F

RGB 87 98 111

HSL 212.5, 0.12%, 0.39%

LAB 41.07, -1.11, -8.76

 

CMYK 20 / 11 / 0 / 49

HEX #687482

RGB 104 116 130

HSL 212.31, 0.11%, 0.46%

LAB 48.32, -1.25, -9.19

 

CMYK 19 / 10 / 0 / 42

HEX #798695

RGB 121 134 149

HSL 212.14, 0.12%, 0.53%

LAB 55.36, -1.38, -9.62

 

CMYK 18 / 10 / 0 / 34

HEX #8A98A8

RGB 138 152 168

HSL 212, 0.15%, 0.6%

LAB 62.24, -1.51, -10.05

 

CMYK 17 / 9 / 0 / 27

HEX #9BAABB

RGB 155 170 187

HSL 211.88, 0.19%, 0.67%

LAB 68.97, -1.63, -10.48

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 33 / 18 / 0 / 62

HEX #415061

RGB 65 80 97

HSL 211.88, 0.2%, 0.32%

LAB 33.4, -1.32, -11.82

 

CMYK 38 / 21 / 0 / 69

HEX #303E4E

RGB 48 62 78

HSL 212, 0.24%, 0.25%

LAB 25.63, -1.07, -11.54

 

CMYK 47 / 25 / 0 / 77

HEX #1F2C3B

RGB 31 44 59

HSL 212.14, 0.31%, 0.18%

LAB 17.5, -0.72, -11.31

 

CMYK 65 / 35 / 0 / 84

HEX #0E1A28

RGB 14 26 40

HSL 212.31, 0.48%, 0.11%

LAB 8.87, -0.12, -11.17

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 29 / 23 / 0 / 55

HEX #525974

RGB 82 89 116

HSL 227.65, 0.17%, 0.39%

LAB 38.2, 4.03, -16.23

 

CMYK 28 / 29 / 0 / 55

HEX #545274

RGB 84 82 116

HSL 243.53, 0.17%, 0.39%

LAB 36.33, 9.11, -19.09

 

CMYK 20 / 29 / 0 / 55

HEX #5D5274

RGB 93 82 116

HSL 259.41, 0.17%, 0.39%

LAB 37.16, 12.18, -17.74

 

CMYK 11 / 29 / 0 / 55

HEX #675274

RGB 103 82 116

HSL 277.06, 0.17%, 0.39%

LAB 38.16, 15.72, -16.11

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 29 / 23 / 0 / 55

HEX #525974

RGB 82 89 116

HSL 227.65, 0.17%, 0.39%

LAB 38.2, 4.03, -16.23

 

CMYK 29 / 29 / 0 / 55

HEX #525274

RGB 82 82 116

HSL 240, 0.17%, 0.39%

LAB 36.16, 8.44, -19.37

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 50 / 27 / 0 / 48

HEX #426184

RGB 66 97 132

HSL 211.82, 0.33%, 0.39%

LAB 40.2, -0.93, -23

 

CMYK 66 / 35 / 0 / 42

HEX #326094

RGB 50 96 148

HSL 211.84, 0.49%, 0.39%

LAB 39.89, 1.62, -33.21

 

CMYK 79 / 42 / 0 / 36

HEX #225FA4

RGB 34 95 164

HSL 211.85, 0.66%, 0.39%

LAB 39.92, 5.91, -42.74

 

CMYK 90 / 48 / 0 / 29

HEX #125EB4

RGB 18 94 180

HSL 211.85, 0.82%, 0.39%

LAB 40.29, 11.56, -51.62

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 2 / 1 / 0 / 61

HEX #626364

RGB 98 99 100

HSL 210, 0.01%, 0.39%

LAB 41.91, -0.18, -0.71

 

CMYK 0 / 12 / 26 / 55

HEX #726454

RGB 114 100 84

HSL 32, 0.15%, 0.39%

LAB 43.26, 2.83, 11.13

 

CMYK 0 / 22 / 48 / 49

HEX #826544

RGB 130 101 68

HSL 31.94, 0.31%, 0.39%

LAB 44.9, 7.12, 23.1

 

CMYK 0 / 30 / 65 / 43

HEX #926633

RGB 146 102 51

HSL 32.21, 0.48%, 0.39%

LAB 46.78, 12.22, 35.29

 

CMYK 29 / 0 / 1 / 55

HEX #527473

RGB 82 116 115

HSL 178.24, 0.17%, 0.39%

LAB 46.34, -12.3, -3.37

 

CMYK 29 / 8 / 0 / 55

HEX #526B74

RGB 82 107 116

HSL 195.88, 0.17%, 0.39%

LAB 43.61, -6.88, -8.03

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 29 / 23 / 0 / 55

HEX #525974

RGB 82 89 116

HSL 227.65, 0.17%, 0.39%

LAB 38.2, 4.03, -16.23

 

CMYK 28 / 29 / 0 / 55

HEX #545274

RGB 84 82 116

HSL 243.53, 0.17%, 0.39%

LAB 36.33, 9.11, -19.09

 

CMYK 29 / 16 / 0 / 73

HEX #303944

RGB 48 57 68

HSL 213, 0.17%, 0.23%

LAB 23.58, -0.75, -8.03

 

CMYK 29 / 15 / 0 / 64

HEX #414E5C

RGB 65 78 92

HSL 211.11, 0.17%, 0.31%

LAB 32.58, -1.46, -9.9

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 29 / 16 / 0 / 45

HEX #63768C

RGB 99 118 140

HSL 212.2, 0.17%, 0.47%

LAB 48.89, -1.57, -14.28

 

CMYK 24 / 13 / 0 / 37

HEX #798BA0

RGB 121 139 160

HSL 212.31, 0.17%, 0.55%

LAB 57.14, -1.61, -13.28

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 9 / 29 / 0 / 55

HEX #6A5274

RGB 106 82 116

HSL 282.35, 0.17%, 0.39%

LAB 38.48, 16.79, -15.6

 

CMYK 3 / 0 / 29 / 55

HEX #707452

RGB 112 116 82

HSL 67.06, 0.17%, 0.39%

LAB 47.68, -7.63, 18.33

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 0 / 29 / 16 / 55

HEX #745262

RGB 116 82 98

HSL 331.76, 0.17%, 0.39%

LAB 38.95, 16.91, -3.62

 

CMYK 16 / 0 / 29 / 55

HEX #627452

RGB 98 116 82

HSL 91.76, 0.17%, 0.39%

LAB 46.57, -13.39, 16.65

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 9 / 29 / 0 / 55

HEX #6A5274

RGB 106 82 116

HSL 282.35, 0.17%, 0.39%

LAB 38.48, 16.79, -15.6

 

CMYK 0 / 14 / 29 / 55

HEX #746452

RGB 116 100 82

HSL 31.76, 0.17%, 0.39%

LAB 43.41, 3.37, 12.58

 

CMYK 21 / 0 / 29 / 55

HEX #5C7452

RGB 92 116 82

HSL 102.35, 0.17%, 0.39%

LAB 46.14, -15.77, 15.99

 

CMYK 29 / 16 / 0 / 55

HEX #526274

RGB 82 98 116

HSL 211.76, 0.17%, 0.39%

LAB 40.88, -1.51, -12.14

 

CMYK 0 / 29 / 1 / 55

HEX #745273

RGB 116 82 115

HSL 301.76, 0.17%, 0.39%

LAB 39.56, 20.21, -13.24

 

CMYK 0 / 14 / 29 / 55

HEX #746452

RGB 116 100 82

HSL 31.76, 0.17%, 0.39%

LAB 43.41, 3.37, 12.58

 

CMYK 29 / 0 / 28 / 55

HEX #527453

RGB 82 116 83

HSL 121.76, 0.17%, 0.39%

LAB 45.51, -19.37, 14.43

 

Description

Color code: HEX #526274 | qconv.com Color code: HEX #526274 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 98 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 98 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 16 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 16% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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