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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #526DB2 it is the complementary color #AD924D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #526DB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #526DB2 shade: #576DAD, #687FC0, #7991D3, #8AA3E6 and #9BB5F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #526DB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #526DB2 shade: #526DB2, #415B9F, #30498C, #1F3779 and #0E2566

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #526DB2 shade: #526DB1, #5253B1, #6B52B1, #8452B1 and #9E52B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #526DB2 shade: #526DB1, #5253B1 and #5252B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #526DB2 shade matches the following richer shades: #526DB1, #3E64C5, #2A5BD9 and #1552EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #526DB2 shade: #526DB1, #66769D, #7B7E89, #8F8774 and #A39060

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #526DB2 shade: #52A0B1, #5286B1, #526DB1, #5254B1 and #6A52B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #526DB2 shade: #374A7A, #435B97, #526DB1, #6F85BE and #8B9DCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #526DB2 shade: #526DB2, #A952B1 and #93B152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #526DB2 shade: #526DB2, #B1526D and #6DB152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #526DB2 shade: #526DB2, #A952B1, #B19652 and #5AB152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #526DB2 shade: #526DB2, #B1529C, #B19652 and #52B167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 39 / 0 / 30

HEX #526DB2

RGB 82 109 178

HSL 223.13, 0.38%, 0.51%

LAB 46.9, 10.49, -39.75

 

Complementary color

CMYK 0 / 16 / 55 / 32

HEX #AD924D

RGB 173 146 77

HSL 43.13, 0.38%, 0.49%

LAB 61.64, 1.4, 39.9

 

CMYK 50 / 37 / 0 / 32

HEX #576DAD

RGB 87 109 173

HSL 224.65, 0.34%, 0.51%

LAB 46.95, 10.06, -36.74

 

CMYK 46 / 34 / 0 / 25

HEX #687FC0

RGB 104 127 192

HSL 224.32, 0.41%, 0.58%

LAB 53.95, 9.22, -36.62

 

CMYK 43 / 31 / 0 / 17

HEX #7991D3

RGB 121 145 211

HSL 224, 0.51%, 0.65%

LAB 60.8, 8.53, -36.56

 

CMYK 40 / 29 / 0 / 10

HEX #8AA3E6

RGB 138 163 230

HSL 223.7, 0.65%, 0.72%

LAB 67.51, 7.94, -36.54

 

CMYK 38 / 27 / 0 / 2

HEX #9BB5F9

RGB 155 181 249

HSL 223.4, 0.89%, 0.79%

LAB 74.1, 7.43, -36.56

 

CMYK 54 / 39 / 0 / 30

HEX #526DB2

RGB 82 109 178

HSL 223.13, 0.38%, 0.51%

LAB 46.9, 10.49, -39.75

 

CMYK 59 / 43 / 0 / 38

HEX #415B9F

RGB 65 91 159

HSL 223.4, 0.42%, 0.44%

LAB 39.76, 11.71, -39.94

 

CMYK 66 / 48 / 0 / 45

HEX #30498C

RGB 48 73 140

HSL 223.7, 0.49%, 0.37%

LAB 32.45, 13.3, -40.19

 

CMYK 74 / 55 / 0 / 53

HEX #1F3779

RGB 31 55 121

HSL 224, 0.59%, 0.3%

LAB 24.96, 15.43, -40.45

 

CMYK 86 / 64 / 0 / 60

HEX #0E2566

RGB 14 37 102

HSL 224.32, 0.76%, 0.23%

LAB 17.35, 18.4, -40.63

 

CMYK 54 / 38 / 0 / 31

HEX #526DB1

RGB 82 109 177

HSL 222.95, 0.38%, 0.51%

LAB 46.85, 10.17, -39.25

 

CMYK 54 / 53 / 0 / 31

HEX #5253B1

RGB 82 83 177

HSL 239.37, 0.38%, 0.51%

LAB 39.84, 26.53, -50.44

 

CMYK 40 / 54 / 0 / 31

HEX #6B52B1

RGB 107 82 177

HSL 255.79, 0.38%, 0.51%

LAB 41.74, 32.91, -47.27

 

CMYK 25 / 54 / 0 / 31

HEX #8452B1

RGB 132 82 177

HSL 271.58, 0.38%, 0.51%

LAB 44.4, 39.37, -42.88

 

CMYK 11 / 54 / 0 / 31

HEX #9E52B1

RGB 158 82 177

HSL 288, 0.38%, 0.51%

LAB 47.6, 46.47, -37.6

 

CMYK 54 / 38 / 0 / 31

HEX #526DB1

RGB 82 109 177

HSL 222.95, 0.38%, 0.51%

LAB 46.85, 10.17, -39.25

 

CMYK 54 / 53 / 0 / 31

HEX #5253B1

RGB 82 83 177

HSL 239.37, 0.38%, 0.51%

LAB 39.84, 26.53, -50.44

 

CMYK 54 / 54 / 0 / 31

HEX #5252B1

RGB 82 82 177

HSL 240, 0.38%, 0.51%

LAB 39.59, 27.16, -50.85

 

CMYK 54 / 38 / 0 / 31

HEX #526DB1

RGB 82 109 177

HSL 222.95, 0.38%, 0.51%

LAB 46.85, 10.17, -39.25

 

CMYK 69 / 49 / 0 / 23

HEX #3E64C5

RGB 62 100 197

HSL 223.11, 0.54%, 0.51%

LAB 44.48, 18.94, -54.71

 

CMYK 81 / 58 / 0 / 15

HEX #2A5BD9

RGB 42 91 217

HSL 223.2, 0.7%, 0.51%

LAB 42.74, 29.74, -69.04

 

CMYK 91 / 66 / 0 / 7

HEX #1552EE

RGB 21 82 238

HSL 223.13, 0.86%, 0.51%

LAB 41.79, 42, -82.53

 

CMYK 54 / 38 / 0 / 31

HEX #526DB1

RGB 82 109 177

HSL 222.95, 0.38%, 0.51%

LAB 46.85, 10.17, -39.25

 

CMYK 35 / 25 / 0 / 38

HEX #66769D

RGB 102 118 157

HSL 222.55, 0.22%, 0.51%

LAB 49.76, 3.93, -22.93

 

CMYK 10 / 8 / 0 / 46

HEX #7B7E89

RGB 123 126 137

HSL 227.14, 0.06%, 0.51%

LAB 52.88, 1.2, -6.34

 

CMYK 0 / 6 / 19 / 44

HEX #8F8774

RGB 143 135 116

HSL 42.22, 0.11%, 0.51%

LAB 56.51, -0.33, 11.3

 

CMYK 0 / 12 / 41 / 36

HEX #A39060

RGB 163 144 96

HSL 42.99, 0.27%, 0.51%

LAB 60.41, 0.11, 28.1

 

CMYK 54 / 10 / 0 / 31

HEX #52A0B1

RGB 82 160 177

HSL 190.74, 0.38%, 0.51%

LAB 61.75, -19.15, -16.18

 

CMYK 54 / 24 / 0 / 31

HEX #5286B1

RGB 82 134 177

HSL 207.16, 0.38%, 0.51%

LAB 54.05, -4.82, -27.98

 

CMYK 54 / 38 / 0 / 31

HEX #526DB1

RGB 82 109 177

HSL 222.95, 0.38%, 0.51%

LAB 46.85, 10.17, -39.25

 

CMYK 54 / 53 / 0 / 31

HEX #5254B1

RGB 82 84 177

HSL 238.74, 0.38%, 0.51%

LAB 40.1, 25.9, -50.03

 

CMYK 40 / 54 / 0 / 31

HEX #6A52B1

RGB 106 82 177

HSL 255.16, 0.38%, 0.51%

LAB 41.65, 32.66, -47.43

 

CMYK 55 / 39 / 0 / 52

HEX #374A7A

RGB 55 74 122

HSL 222.99, 0.38%, 0.35%

LAB 32.07, 7.63, -29.64

 

CMYK 56 / 40 / 0 / 41

HEX #435B97

RGB 67 91 151

HSL 222.86, 0.39%, 0.43%

LAB 39.43, 9.4, -35.68

 

CMYK 54 / 38 / 0 / 31

HEX #526DB1

RGB 82 109 177

HSL 222.95, 0.38%, 0.51%

LAB 46.85, 10.17, -39.25

 

CMYK 42 / 30 / 0 / 25

HEX #6F85BE

RGB 111 133 190

HSL 223.29, 0.38%, 0.59%

LAB 55.96, 6.9, -32.31

 

CMYK 32 / 23 / 0 / 20

HEX #8B9DCB

RGB 139 157 203

HSL 223.13, 0.38%, 0.67%

LAB 64.89, 4.45, -25.65

 

CMYK 54 / 39 / 0 / 30

HEX #526DB2

RGB 82 109 178

HSL 223.13, 0.38%, 0.51%

LAB 46.9, 10.49, -39.75

 

CMYK 5 / 54 / 0 / 31

HEX #A952B1

RGB 169 82 177

HSL 294.95, 0.38%, 0.51%

LAB 49.06, 49.52, -35.2

 

CMYK 17 / 0 / 54 / 31

HEX #93B152

RGB 147 177 82

HSL 78.95, 0.38%, 0.51%

LAB 68.21, -25.29, 44.67

 

CMYK 54 / 39 / 0 / 30

HEX #526DB2

RGB 82 109 178

HSL 223.13, 0.38%, 0.51%

LAB 46.9, 10.49, -39.75

 

CMYK 0 / 54 / 38 / 31

HEX #B1526D

RGB 177 82 109

HSL 342.95, 0.38%, 0.51%

LAB 47.61, 41.47, 3.27

 

CMYK 38 / 0 / 54 / 31

HEX #6DB152

RGB 109 177 82

HSL 102.95, 0.38%, 0.51%

LAB 65.99, -39.33, 41.49

 

CMYK 54 / 39 / 0 / 30

HEX #526DB2

RGB 82 109 178

HSL 223.13, 0.38%, 0.51%

LAB 46.9, 10.49, -39.75

 

CMYK 5 / 54 / 0 / 31

HEX #A952B1

RGB 169 82 177

HSL 294.95, 0.38%, 0.51%

LAB 49.06, 49.52, -35.2

 

CMYK 0 / 15 / 54 / 31

HEX #B19652

RGB 177 150 82

HSL 42.95, 0.38%, 0.51%

LAB 63.15, 1.37, 39.25

 

CMYK 49 / 0 / 54 / 31

HEX #5AB152

RGB 90 177 82

HSL 114.95, 0.38%, 0.51%

LAB 65.14, -45.28, 40.28

 

CMYK 54 / 39 / 0 / 30

HEX #526DB2

RGB 82 109 178

HSL 223.13, 0.38%, 0.51%

LAB 46.9, 10.49, -39.75

 

CMYK 0 / 54 / 12 / 31

HEX #B1529C

RGB 177 82 156

HSL 313.26, 0.38%, 0.51%

LAB 49.23, 48.12, -22.49

 

CMYK 0 / 15 / 54 / 31

HEX #B19652

RGB 177 150 82

HSL 42.95, 0.38%, 0.51%

LAB 63.15, 1.37, 39.25

 

CMYK 54 / 0 / 42 / 31

HEX #52B167

RGB 82 177 103

HSL 133.26, 0.38%, 0.51%

LAB 65.13, -44.36, 29.52

 

Description

Color code: HEX #526DB2 | qconv.com Color code: HEX #526DB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 109 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 109 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 39 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 39% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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