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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #527283 it is the complementary color #AD8D7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #527283. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #527283 shade: #57727E, #688491, #7996A4, #8AA8B7 and #9BBACA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #527283. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #527283 shade: #527283, #416070, #304E5D, #1F3C4A and #0E2A37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #527283 shade: #527283, #526583, #525883, #5A5283 and #675283

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #527283 shade: #527283, #526583, #525883 and #525283

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #527283 shade matches the following richer shades: #527283, #417795, #2F7DA6, #1E82B7 and #0D87C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #527283 shade: #527283, #636D72, #756861, #86624F and #975D3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #527283 shade: #528379, #528083, #527383, #526683 and #525983

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #527283 shade: #324650, #425C6A, #527283, #62889D and #7B9BAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #527283 shade: #527283, #6C5283 and #838052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #527283 shade: #527283, #835273 and #738352

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #527283 shade: #527283, #6C5283, #836252 and #698352

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #527283 shade: #527283, #7B5283, #836252 and #5A8352

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

Complementary color

CMYK 0 / 18 / 28 / 32

HEX #AD8D7C

RGB 173 141 124

HSL 20.82, 0.23%, 0.58%

LAB 61.12, 9.5, 13.62

 

CMYK 31 / 10 / 0 / 51

HEX #57727E

RGB 87 114 126

HSL 198.46, 0.18%, 0.42%

LAB 46.4, -6.73, -9.81

 

CMYK 28 / 9 / 0 / 43

HEX #688491

RGB 104 132 145

HSL 199.02, 0.16%, 0.49%

LAB 53.48, -6.77, -10.25

 

CMYK 26 / 9 / 0 / 36

HEX #7996A4

RGB 121 150 164

HSL 199.53, 0.19%, 0.56%

LAB 60.39, -6.82, -10.68

 

CMYK 25 / 8 / 0 / 28

HEX #8AA8B7

RGB 138 168 183

HSL 200, 0.24%, 0.63%

LAB 67.15, -6.86, -11.11

 

CMYK 23 / 8 / 0 / 21

HEX #9BBACA

RGB 155 186 202

HSL 200.43, 0.31%, 0.7%

LAB 73.77, -6.91, -11.54

 

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

CMYK 42 / 14 / 0 / 56

HEX #416070

RGB 65 96 112

HSL 200.43, 0.27%, 0.35%

LAB 39, -6.77, -12.65

 

CMYK 48 / 16 / 0 / 64

HEX #304E5D

RGB 48 78 93

HSL 200, 0.32%, 0.28%

LAB 31.5, -6.57, -12.28

 

CMYK 58 / 19 / 0 / 71

HEX #1F3C4A

RGB 31 60 74

HSL 199.53, 0.41%, 0.21%

LAB 23.73, -6.23, -11.9

 

CMYK 75 / 24 / 0 / 78

HEX #0E2A37

RGB 14 42 55

HSL 199.02, 0.59%, 0.14%

LAB 15.62, -5.56, -11.5

 

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

CMYK 37 / 23 / 0 / 49

HEX #526583

RGB 82 101 131

HSL 216.73, 0.23%, 0.42%

LAB 42.37, 0.84, -18.97

 

CMYK 37 / 33 / 0 / 49

HEX #525883

RGB 82 88 131

HSL 232.65, 0.23%, 0.42%

LAB 38.57, 8.93, -24.85

 

CMYK 31 / 37 / 0 / 49

HEX #5A5283

RGB 90 82 131

HSL 249.8, 0.23%, 0.42%

LAB 37.57, 15.19, -26.37

 

CMYK 21 / 37 / 0 / 49

HEX #675283

RGB 103 82 131

HSL 265.71, 0.23%, 0.42%

LAB 38.82, 19.36, -24.31

 

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

CMYK 37 / 23 / 0 / 49

HEX #526583

RGB 82 101 131

HSL 216.73, 0.23%, 0.42%

LAB 42.37, 0.84, -18.97

 

CMYK 37 / 33 / 0 / 49

HEX #525883

RGB 82 88 131

HSL 232.65, 0.23%, 0.42%

LAB 38.57, 8.93, -24.85

 

CMYK 37 / 37 / 0 / 49

HEX #525283

RGB 82 82 131

HSL 240, 0.23%, 0.42%

LAB 36.87, 12.74, -27.51

 

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

CMYK 56 / 20 / 0 / 42

HEX #417795

RGB 65 119 149

HSL 201.43, 0.39%, 0.42%

LAB 47.61, -8.85, -21.72

 

CMYK 72 / 25 / 0 / 35

HEX #2F7DA6

RGB 47 125 166

HSL 200.67, 0.56%, 0.42%

LAB 49.53, -9.92, -28.75

 

CMYK 84 / 29 / 0 / 28

HEX #1E82B7

RGB 30 130 183

HSL 200.78, 0.72%, 0.42%

LAB 51.45, -8.66, -35.6

 

CMYK 94 / 33 / 0 / 21

HEX #0D87C9

RGB 13 135 201

HSL 201.06, 0.88%, 0.42%

LAB 53.63, -5.89, -42.45

 

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

CMYK 13 / 4 / 0 / 55

HEX #636D72

RGB 99 109 114

HSL 200, 0.07%, 0.42%

LAB 45.37, -2.66, -4.08

 

CMYK 0 / 11 / 17 / 54

HEX #756861

RGB 117 104 97

HSL 21, 0.09%, 0.42%

LAB 45.01, 3.87, 5.81

HEX #756861

CMYK 0 / 27 / 41 / 47

HEX #86624F

RGB 134 98 79

HSL 20.73, 0.26%, 0.42%

LAB 44.76, 11.94, 16.52

HEX #86624F

CMYK 0 / 38 / 59 / 41

HEX #975D3E

RGB 151 93 62

HSL 20.9, 0.42%, 0.42%

LAB 45.3, 20.48, 27.6

HEX #975D3E

CMYK 37 / 0 / 8 / 49

HEX #528379

RGB 82 131 121

HSL 167.76, 0.23%, 0.42%

LAB 51.16, -19, 0.16

 

CMYK 37 / 2 / 0 / 49

HEX #528083

RGB 82 128 131

HSL 183.67, 0.23%, 0.42%

LAB 50.54, -14.83, -6.61

 

CMYK 37 / 12 / 0 / 49

HEX #527383

RGB 82 115 131

HSL 199.59, 0.23%, 0.42%

LAB 46.57, -7.5, -12.56

 

CMYK 37 / 22 / 0 / 49

HEX #526683

RGB 82 102 131

HSL 215.51, 0.23%, 0.42%

LAB 42.67, 0.23, -18.51

 

CMYK 37 / 32 / 0 / 49

HEX #525983

RGB 82 89 131

HSL 231.43, 0.23%, 0.42%

LAB 38.86, 8.29, -24.4

 

CMYK 38 / 13 / 0 / 69

HEX #324650

RGB 50 70 80

HSL 200, 0.23%, 0.25%

LAB 28.48, -4.96, -8.51

 

CMYK 38 / 13 / 0 / 58

HEX #425C6A

RGB 66 92 106

HSL 201, 0.23%, 0.34%

LAB 37.58, -5.81, -11.1

 

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

CMYK 38 / 13 / 0 / 38

HEX #62889D

RGB 98 136 157

HSL 201.36, 0.23%, 0.5%

LAB 54.7, -7.7, -15.39

 

CMYK 28 / 10 / 0 / 33

HEX #7B9BAC

RGB 123 155 172

HSL 200.82, 0.23%, 0.58%

LAB 62.2, -7.01, -12.48

 

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

CMYK 18 / 37 / 0 / 49

HEX #6C5283

RGB 108 82 131

HSL 271.84, 0.23%, 0.42%

LAB 39.35, 21.01, -23.46

 

CMYK 0 / 2 / 37 / 49

HEX #838052

RGB 131 128 82

HSL 56.33, 0.23%, 0.42%

LAB 52.81, -6.3, 25.4

 

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

CMYK 0 / 37 / 12 / 49

HEX #835273

RGB 131 82 115

HSL 319.59, 0.23%, 0.42%

LAB 41.37, 25.72, -10.32

 

CMYK 12 / 0 / 37 / 49

HEX #738352

RGB 115 131 82

HSL 79.59, 0.23%, 0.42%

LAB 52.38, -14.66, 24.6

 

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

CMYK 18 / 37 / 0 / 49

HEX #6C5283

RGB 108 82 131

HSL 271.84, 0.23%, 0.42%

LAB 39.35, 21.01, -23.46

 

CMYK 0 / 25 / 37 / 49

HEX #836252

RGB 131 98 82

HSL 19.59, 0.23%, 0.42%

LAB 44.48, 11.03, 14.29

 

CMYK 20 / 0 / 37 / 49

HEX #698352

RGB 105 131 82

HSL 91.84, 0.23%, 0.42%

LAB 51.66, -18.68, 23.52

 

CMYK 37 / 13 / 0 / 49

HEX #527283

RGB 82 114 131

HSL 200.82, 0.23%, 0.42%

LAB 46.27, -6.92, -13.02

 

CMYK 6 / 37 / 0 / 49

HEX #7B5283

RGB 123 82 131

HSL 290.2, 0.23%, 0.42%

LAB 41.03, 26.06, -20.71

 

CMYK 0 / 25 / 37 / 49

HEX #836252

RGB 131 98 82

HSL 19.59, 0.23%, 0.42%

LAB 44.48, 11.03, 14.29

 

CMYK 31 / 0 / 37 / 49

HEX #5A8352

RGB 90 131 82

HSL 110.2, 0.23%, 0.42%

LAB 50.71, -24.37, 22.08

 

Description

Color code: HEX #527283 | qconv.com Color code: HEX #527283 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 114 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 114 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 13 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 13% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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